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                The little sparrows
                hop ingenuously
                about the pavement
                with sharp voices
                over those things
                that interest them.
                But we who are wiser
                shut ourselves in
                on either hand
                and no one knows
                whether we think good
                or evil.
                the old man who goes about
                gathering dog-lime
                walks in the gutter
                without looking up
                as his tread
                is more majestic than
                that of the Episcopal minister
                approaching the pulpit
                of a Sunday.
                      These things
                astonish me beyond words.


from ‘Al Que Quiere’, 1917

it was these ‘pastorals’ that made me notice: there is a way out of societal precursoring, there is a way to see other than through those bi-focal lenses; and there is a way to see that doesn’t involve a revolution, that doesn’t involve the dismantling of what is there at all, but the love and heart to accept what is really there – clean, audial and postural – once the glasses have been taken off; it takes courage, of course, because in doing so you have to dismantle all the constructs which you had thought to be your identity, and even soul – this is why you need love, in order to handle the searing wisdom you will receive, there’s no place for ‘what about me’ (in fact, WCW, in just the previous poem in the Collected (‘Apology’) talked about how it is the faces that make him write, that oblige him to see); the everything about the anything that is ever more true than any myopic and partisan specificity




identity wormhole: anxiety
sound & voices wormhole: transferring
sparrows wormhole: somewhere
Sunday wormhole: buttercups
thinking wormhole: it’s all about…;
walking & William Carolos Williams wormhole: PASTORAL by William Carlos Williams