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                                and …

                … there, where humans
                have found themselves
                in ever-corporate cluster

                evolving mass of breadth
                and hope in horizon; see,
                they conceive their self

                in immaculate conception:
                pyramidically instilled
                and royal to behold;

                it is their that I will
                be, allegorical to there
                conceit, I shall higher their boat

                to get to the other
                shore, I will honour their
                parents, I will love

                their fulsome lies, but
                the time will come
                that I shall cede the role

                and break their fragile Is
                when the boxes with
                broken strings nonetheless …

                                … sound

 

inspired both from, and within, the ‘Arya Lalita Vistara Nama Mahayana Sutra‘, which is the life-story of the Buddha, the title of which is beautiful: ‘Arya‘ meaning ‘higher, exalted’ as in connected to reality; ‘Lalita‘ meaning ‘play, game, role’, that everything is not just as it seems … an allegory, although coupled with ‘Arya’ it is an allegory that doesn’t merely ‘point to’ a deeper/higher meaning, it comes from and dwells within that meaning … playfully, poetically, suggestively, also suggesting how the scripture is to be read; ‘Vistara‘ meaning any and all of ‘breadth, dimension, elaboration, enlargement, expansion, extension, spread, width’ – the ‘exponetialising’ means of coupling the ‘Arya’ with the ‘Lalita’ parts; ‘Nama‘, meaning ‘named, called’; ‘Mahayana‘ the spiritual way and means of exponentialising; ‘Sutra‘ a ‘discourse’ or ‘means’ given by the Buddha, yes this is an autobiography, but so much more if read with eyes wide open; there are several allusions to musical instruments that ‘sound’ (and sometimes ‘speak’) when not played, or when broken; ‘their’ and ‘there’ in the 4th stanza poem are sic and are meant to be questioning both identity and place in samsara

 

 

————w(O)rmholes________________________________|—–

Buddha wormhole: with all love released
horizon wormhole: The Diligence at Louveciennes, 1870
identity & society wormhole: Fishermen at Sea, 1796
love wormhole: sun setting over a lake, 1840
music wormhole: on facing the Have
sound wormhole: YOUNG SYCAMORE by William Carlos Williams
teaching wormhole: between
time wormhole: ‘there, …’

 

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