Batman: Year One (1987); writer: Frank Miller; artist: David Mazzucchelli
city as infrastructure
inky-clear sky beautiful through the network of gantry and elevated train track
rooftops as interstructure
Gordon: ‘How did I let this happen …
bring an innocent child to life … in a city without hope’, then …
Batman as innerstructure
‘I may have to die tonight … How, father? How do I do it?’ … then
of groundfloor human nature:
Loeb’s grandfatherly bankruptcy ‘yes it is’
chewing mints mass-culture collect cute vile power as right
Flass’ bullplay get things done with self-satisfied smile
doing it the right way only way power as use
Gordon principled
but weak with Barbara weak with Sarah
the only occupant in an artery of cars off the bridge onto the mainland raining
thinking clinking cups in Hopper’s
Wayne still no personality except the vindication of his anxiety
strong but stupid stupid
Batman is not a character but a shift of emotion
the sky whispers to him through antennae and water-tower
Gordon only happy when outflanking Flass
when anticipating the Joker
Batman alights out of a beam of light
smelling Gordon’s coffee
–~\ BATMAN /~–
The Dark Knight Returns (1986); writer: Frank Miller; artist: Frank Miller & Lynn Varley
earrings: left then right
static square and upright obelisk
steam across every avenue
before the silhouette architecture with grizzly coat of ornamentation
earrings: lime-olive horizontal
and block full-stop
the rabbit-chase fall below
is sudden guttural and city-wide
RMMBL
‘a flash of lightning in the dark of night’*
KRAKK
all the effortless intelligence beyond the door
beyond the wall with bat-darts
earrings: mother of pearl
pause and equals
and there he is jumping taller than a building across the only spaces left now:
the sky and the ante-room before preconception (a cowardly and superstitious lot)
the spires stand clean
in the grey-wash sky
where gothic statues acknowledge
the impossible pinion and swing
“… I have to know”**
and stone manes splay when he sees “a reflection”***
earrings: topaz pennies
one and three-dangling
and while the gently-cornered squares
talk the Worm the Bluff and the Dribble
others take the space down in the dump
where a position cannot be found
where the position cannot be resisted
no matter how young you are
no matter how strong you are in the realistic world
in all the floorboard rooms the TVs and magazines
stack positions on shelves and in refrigerators
and in wrappers multifarious in choice and option
any space here
would make everything all the more ugly
no
no
the move needs to come from
space of no choice and it can never be obvious it can never be choice
Bat-signal
bright on the side of Moloch****
stone birds from the 1930s
earrings: gone
ah, but the world grows [not] up
rather it folds over itself and regenerates
with billowed ruffles
atop old buildings
“so many smiles / so many faces / all the same”*****
“every year they grow smaller”******
earrings: vampyre’s teeth soaked
serious faces all the same
when you break too many of the important rules
you’ve acted to define yourself vindicated
you haven’t given anything
it doesn’t count
death happens by itself without design
all you have to do is let it all go –
the purpose and the self –
and you could live clean for a hundred years
* Bodhisattvacharyavatara I, 5, Shantideva (translated Stephen Batchelor): ‘Just as a flash of lightning on a dark, cloudy night / For an instant brightly illuminates all, / Likewise in this world, through the might of Buddha, / A wholesome thought rarely and briefly appears’
** Book I, P.43 & 45
*** Book I, P.47
**** Howl
***** Book III, P.25
****** Book III, P.25
–~\ BATMAN /~–
The Dark Knight Strikes Again (2002); writer: Frank Miller; artists: Frank Miller, Lynn Varley
plethora: the Dark Knight Strikes Again (2002)
human store
bloated to homunculean proportion
when glimpsed
human whore
clenched to butt-round shouldn’t tantalus
when communicating
human law
infected with green lobes and infinite pixels
when serving
human war
sputum-bilious from the love which couldn’t Have
when living
human core
mad as a food whisk masticating what it speaks
when speaking
human spore
profligate of claim and statement to Have as currency
when building
with hands that span
and feet that stand
the planes that ‘scape and kaleidoscope
breathlessly
thought contorts and twists
involuntary-contrary to the atomic space it seeks to bridge
free for those who ride the writhe that releases when
the atoms disperse
as they always do
as they always will
vain and vein to the maintenance of world
and self
beings talk with thought
creatures think with will
and denizens of the 21st century Have everything
but ideas
no wonder
everything is so big and gaudy
Year One should be required viewing for all writers. Thanks for the flash back
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