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mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: 1890

Cours La Reine, Rouen, 1890

20 Monday May 2019

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1890, 2018, 6*, light, Pissarro, river, Rouen, shadow, sky, spire, stone, sun, time, trees, wood

                Cours La Reine, Rouen, 1890

                they’ll grip the bank
                and grow for forty years

                while barges hardly move
                the sun will turn to wood,

                but they’ll be gone, the
                shadow they keep cannot hold,

                the light flattens all save
                the scars of the stone spires

 


grown from the banks of Cours La Reine, Rouen, 1890 by Camille Pissarro

 

 

————w(O)rmholes________________________________|—–

light wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
river & sky wormhole: in turgid reflection
shadow wormhole: alabaster balustrade
stone wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
sun wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
time wormhole: threshold to behold
trees wormhole: A Corner of the Garden at the Hermitage, 1877
wood wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees

 

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impressionism

18 Monday Apr 2016

Posted by m lewis redford in poems, poeviews

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Tags

'scape, 1878, 1880, 1888, 1889, 1890, 1892, 1901, 1935, 19th century, 2015, 20th century, appearance, beer, being, blue, cafe, chair, cypress, decision, doors, Edouard Manet, Edouard Vuillard, emerald, field, garden, glasses, hair, impressionism, leaf, living, looking, mass, passing, Paul Cezanne, people, photograph, posture, profile, rock, shadow, skyline, sound, speech, survival, turquoise, van Gogh, view, writing

 

 

 

                      impressionism

                      when it appeared that being
                      took more than looking
                      to survive in grander scale

La Terrasse at Vasouy Edouard Vuillard

                      people froze in pose of living
                      and, standing, turned from the
                      emerald skyline and blue of leaf

                      until the ‘chirrup’-click
                      fit to portrait – maybe landscape –
                      enlarged, reduced (and whopaintedthis ‘click’ gottit) of

                      chair standing but not on
                      the tiles by the
                      turquoise door blue – wassnext! – standing

                      right in front (of the view
                      looking to be written on a notepad) right there
                      to one side of the frame in profile, ‘like I was …’

                      looking in ‘ready’ chirrup – then
                                                                      nudged
                      passing out of everyone’s way – ‘sorry!’

                      glasses on the head before
                      wheatfield with cypresses, hennaered
                      hair before rock shadows, and

                      tell me, is it the transluscent beer
                      or the backward look to another order
                      the point in the corner of the café-concert?

 

witnessed between elbows at the National Gallery, Trafalgar Square, London, 030515: La Terrasse at Vasouy, The Garden, Edouard Vuillard, 1901, reworked 1935; Van Gogh’s Chair, Vincent van Gogh, 1888; A Wheatfield, with Cypresses, Vincent van Gogh, 1889; Hillside in Provence, Paul Cézanne, about 1890-2; Corner of a Café-Concert, Edouard Manet, probably 1878-80

 

 

————w(O)rmholes________________________________|—–

20th century & sound wormhole: a theremin note – poewieview #21
being wormhole: dash
blue wormhole: Jon
doors wormhole: through
field wormhole: keep the light off
garden wormhole: the open window
glasses wormhole: new garden
hair & shadow wormhole: 1964
living & skyline wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
looking & posture wormhole: and that’s where I are
passing wormhole: 1963
people & writing wormhole: well,
speech wormhole: quite … / … yet – poewieview #12

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

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  • Bodhisattvacharyavatara: Chapter VII, Joyous Effort – verse 8; reflectionary
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