• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: 1917

TREES by William Carlos Williams

05 Sunday Aug 2018

Posted by m lewis redford in poems

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1917, black, dark, grey, hill, identity, melody, music, night, north, poplars, scale, sky, stars, trees, vague, voices, weave, William Carlos Williams, wind, yellow

                                TREES

                Crooked, black tree
                on your little grey-black hillock,
                ridiculously raised one step toward
                the infinite summits of the night:
                even you the few grey stars
                draw upward into a vague melody
                of harsh threads.

                Bent as you are from straining
                against the bitter horizontals of
                a north wind,–there below you
                how easily the long yellow notes
                of poplars flow upward in a descending
                scale, each note secure in its own
                posture–singularly woven.

                All voices are blent willingly
                against the heaving contra-bass
                of the dark but you alone
                warp yourself passionately to one side
                in your eagerness.

 

from Al Que Quiere! 1917

a lot of these poems were some of the first poems I read with intent and an open, clean mind that had no precursor of what to see or find; and their reading imprinted deep, even when I didn’t read that well or attentively or learnedly; and, much later, when I attempted to re-ignite my writing, the language emerged like tramlines, there to follow, but fresh, utterly fresh; and utterly mine – which would never have been but for reading WCW

 

 

————w(O)rmholes________________________________|—–

black wormhole: LOVE SONG by William Carlos Williams
grey & sky & voices & wind wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
identity wormhole: moon- // washed
music wormhole: animus rises – powieview #37
night wormhole: ‘the Bat-Signal …’
stars wormhole: EL HOMBRE by William Carlos Williams
trees wormhole: presence
William Carlos Williams wormhole: SPRING STRAINS by William Carlos Williams
yellow wormhole: DANSE RUSSE by William Carlos Williams

 

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SPRING STRAINS by William Carlos Williams

19 Thursday Jul 2018

Posted by m lewis redford in poems

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'scape, 1917, 7*, anchor, angle, birds, blue, branches, buds, concentration, convergence, desire, disappearance, energy, erect, flying, grey, ground, holding, orange, passing, red, right, rock, sky, Spring, sun, tap root, trees, twigs, William Carlos Williams

                                SPRING STRAINS

                In a tissue-thin monotone of blue-grey buds
                crowded erect with desire against
                the sky–
                            tense blue-grey twigs
                slenderly anchoring them down, drawing
                them in–

                            two blue-grey birds chasing
                a third struggle in circles, angles,
                swift convergings to a point that bursts
                instantly!

                            Vibrant bowing limbs
                pull downward, sucking in the sky
                that bulges from behind, plastering itself
                against them in packed rifts, rock blue
                and dirty orange!

                                                                                But–
                (Hold hard, rigid jointed trees!)
                the blinding and red-edged sun-blur–
                creeping energy, concentrated
                counterforce – welds sky, buds, trees,
                rivets them in one puckering hold!
                Sticks through! Pulls the whole
                counter-pulling mass upward, to the right,
                locks even the opaque, not yet defined
                ground in a terrific drag that is
                loosening the very tap-roots!

                On a tissue-thin monotone of blue-grey buds
                two blue-grey birds, chasing a third,
                at full cry! Now they are
                flung outward and up – disappearing suddenly!

 

from Al Que Quiere, 1917

the cacophany of a single moment – all instruments loosening-up, scaling, tensing, waiting for the grand inaugural middle ‘C’ – all held together in a fidgety bag; the shabby audacity of this piece – ‘let’s not just have vignettes, let’s also have local, tectonic landscapes’ – made my young eyes work, I had to read it several times successively to hold together all the strands, and then he lets me off, I finally ‘got’ the three birds disappearing … you don’t hold it all together, you don’t; there’s no need to; William Carlos Williams was a crafty master

 

 

————w(O)rmholes________________________________|—–

birds wormhole: {Ellen Terry’s house}
blue wormhole: SUMMER SONG by William Carlos Williams
branches & sky wormhole: LOVE SONG by William Carlos Williams
grey wormhole: glancing up from the text / searching for ground …
orange wormhole: I
passing wormhole: tram
red wormhole: Bridgnorth
Spring wormhole: city streets
sun & trees & William Carlos Williams wormhole: DANSE RUSSE by William Carlos Williams

 

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DANSE RUSSE by William Carlos Williams

14 Saturday Jul 2018

Posted by m lewis redford in poems

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1917, 5*, acceptance, arms, baby, bedroom, dancing, face, happiness, loneliness, mirror, mist, shoulders, singing, sleep, sun, trees, white, wife, William Carlos Williams, yellow

                                DANSE RUSSE

                If I when my wife is sleeping
                and the baby and Kathleen
                are sleeping
                and the sun is a flame-white-disc
                in silken mists
                above shining trees,–
                if I in my north room
                dance naked, grotesquely
                before my mirror
                waving my shirt round my head
                and singing softly to myself:
                “I am lonelt, lonely.
                I was born to be lonely,
                I am best so!”
                If I admire my arms, flanks, buttocks
                against the yellow drawn shades,–

                Who shall say I am not
                the happy genius of my household?

 

from Al Que Quiere, 1917

Diaghilev, Nijinsky and the Ballets Russes were in New York in 1916, inspiring the abandon of conformity and the discipline of acceptance which were so necessary to the budding 20th Century

 

 

————w(O)rmholes________________________________|—–

acceptance wormhole: without any buffet at all
bedroom wormhole: between thoughts
dancing wormhole: Pilot 125 … // … being excursion in the interludes
loneliness wormhole: Cocktails in 1951
mirror wormhole: … the underleaves show
mist wormhole: mauve
sleep wormhole: after all
sun wormhole: fifty-eight // and silent prayers
trees wormhole: transferring
white wormhole: ‘the Bat-Signal …’
William Carlos Williams wormhole: LOVE SONG by William Carlos Williams
yellow wormhole: abandoned sound mirrors

 

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LOVE SONG by William Carlos Williams

11 Wednesday Jul 2018

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1917, being, black, branches, curtains, dress, elm, house, love, sky, smell, song, time, voices, white, William Carlos Williams, windows

                      LOVE SONG

                Sweep the house clean,
                hang fresh curtains
                in the windows
                put on a new dress
                and come with me!
                The elm is scattering
                its little loaves
                of sweet smells
                from a white sky!

                Who shall hear of us
                in the time to come?
                Let him say there was
                a burst of fragrance
                from black branches.

 

from Al Que Quiere! 1917

some poems ride the air: they are about nothing much at all (of import to the nation), they don’t do anything, but they are so much more alive and enduring than the cleanest and enshrined momument; I suppose they renew each time they are read with evanescence and sniff …

 

 

————w(O)rmholes________________________________|—–

being wormhole: all // are // none
black wormhole: I
branches wormhole: transferring
curtains wormhole: languidly close the portal
house wormhole: behind / glass walls and wan and hooded eye
love & time wormhole: PASTORAL by William Carlos Williams
sky wormhole: sometimes
smell wormhole: The Boats of Vallisneria by Michael J. Redford – Making Hay
voices wormhole: PASTORAL by William Carlos Williams
white wormhole: cowl
William Carlos Williams wormhole: SUMMER SONG by William Carlos Williams
windows wormhole: glancing up from the text / searching for ground …

 

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SUMMER SONG by William Carlos Williams

07 Saturday Jul 2018

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1917, 5*, blue, colour, dew, irony, journey, moon, morning, question, shirt, sky, smile, song, summer, tie, wandering, William Carlos Williams

                                SUMMER SONG

                Wanderer moon
                smiling a
                faintly ironical smile
                at this
                brilliant, dew-moistened
                summer morning,–
                a detached
                sleepily indifferent
                smile, a
                wanderer’s smile,–
                if I should
                buy a shirt
                your color and
                put on a necktie
                sky-blue
                where would they carry me?

 

from Al Que Quiere, 1917

the trajectory of a turn of quip of humour going absolutely nowhere far, with dew

 

 

————w(O)rmholes________________________________|—–

blue wormhole: PASTORAL by William Carlos Williams
moon wormhole: sufficiently away
morning wormhole: letting them go
sky wormhole: transferring
smile wormhole: skeins of candy pink and lilac
William Carlos Williams wormhole: EL HOMBRE by William Carlos Williams

 

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EL HOMBRE by William Carlos Williams

06 Friday Jul 2018

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1917, courage, identity, stars, sunrise, William Carlos Williams

                      EL HOMBRE

                It’s a strange courage
                you give me ancient star:

                Shine alone in the sunrise
                toward which you lend no part!

 

from Al Que Quiere!, 1917

a ‘strange courage’ because it is unconditional, neither democratic or moral, predicated by time before all wall, fresh as a consciousness that has lost reference; this gave me courage, likewise, to find ancient echo in the least presumptive of circumstance – the birth of writing

 

 

————w(O)rmholes________________________________|—–

identity & William Carlos Williams wormhole: PASTORAL by William Carlos Williams
stars wormhole: the silent night of the Batman

 

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PASTORAL by William Carlos Williams

04 Wednesday Jul 2018

Posted by m lewis redford in poems

≈ 3 Comments

Tags

1917, 6*, astonishment, evil, good, gutter, identity, man, minister, pavement, pulpit, sound, sparrows, step, Sunday, thinking, voices, walking, William Carlos Williams, wisdom

                      PASTORAL

                The little sparrows
                hop ingenuously
                about the pavement
                quarreling
                with sharp voices
                over those things
                that interest them.
                But we who are wiser
                shut ourselves in
                on either hand
                and no one knows
                whether we think good
                or evil.
                      Meanwhile,
                the old man who goes about
                gathering dog-lime
                walks in the gutter
                without looking up
                as his tread
                is more majestic than
                that of the Episcopal minister
                approaching the pulpit
                of a Sunday.
                      These things
                astonish me beyond words.

 

from ‘Al Que Quiere’, 1917

it was these ‘pastorals’ that made me notice: there is a way out of societal precursoring, there is a way to see other than through those bi-focal lenses; and there is a way to see that doesn’t involve a revolution, that doesn’t involve the dismantling of what is there at all, but the love and heart to accept what is really there – clean, audial and postural – once the glasses have been taken off; it takes courage, of course, because in doing so you have to dismantle all the constructs which you had thought to be your identity, and even soul – this is why you need love, in order to handle the searing wisdom you will receive, there’s no place for ‘what about me’ (in fact, WCW, in just the previous poem in the Collected (‘Apology’) talked about how it is the faces that make him write, that oblige him to see); the everything about the anything that is ever more true than any myopic and partisan specificity

 

 

————w(O)rmholes________________________________|—–

identity wormhole: anxiety
sound & voices wormhole: transferring
sparrows wormhole: somewhere
Sunday wormhole: buttercups
thinking wormhole: it’s all about…;
walking & William Carolos Williams wormhole: PASTORAL by William Carlos Williams

 

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PASTORAL by William Carlos Williams

30 Saturday Jun 2018

Posted by m lewis redford in poems

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1917, 6*, age, blue, breathing, colour, compromise, fence, furniture, green, growing, houses, identity, looking, love, measure, poverty, progress, rooftops, society, streets, time, walking, weather, William Carlos Williams, yard

                                PASTORAL

                When I was younger
                it was plain to me
                I must make something of myself.
                Older now
                I walk back streets
                admiring the houses
                of the very poor:
                roof out of line with sides
                the yeards cluttered
                with old chicken wire, ashes,
                furniture gone wrong;
                the fences and outhouses
                built of barrel-staves
                and parts of boxes, all,
                if I am fortunate,
                smeared a bluish green
                that properly weathered
                pleases me best
                of all colors.

                            No one
                will believe this
                of vast import to the nation.

 

from Al Que Quiere!, 1917

and he’s right, of course: the ‘import’ of the nation can only progress when it doesn’t have to concern itself with the right and wrong of wealth distribution – but you can’t have progress without competition, otherwise we all just stay where we are; but honouring competition as inviolable is honouring that which is our basest common denominator, surely inequality is less than we could achieve – to try to rise above the process of evolution, the survival of the fittest, is, rather, to surrender to hubris and daydream which doesn’t put bread on the table; but – however; eventually – man up … but to look, and take in, with love and, without scheme, all behind the, dappling cacophany, with which we, mark our height, where we can breathe, without implication, or compromise, free as a glance, single as an ethic, and twice as, selfless

 

 

————w(O)rmholes________________________________|—–

blue wormhole: transferring
breathing wormhole: the turtle and the yoke
compromise wormhole: and ‘naerrgh’ a mention of a seagull’s call
green & identity & time & walking wormhole: fifty-eight // and silent prayers
looking wormhole: perspective
love wormhole: all // are // none
rooftops wormhole: glancing up from the text / searching for ground …
society & streets wormhole: both modern and en-slaved / to life
William Carlos Williams wormhole: and that’s where I are

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
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  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
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'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

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