• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: air

sweet chestnut

29 Tuesday Sep 2020

Posted by m lewis redford in poems

≈ 12 Comments

Tags

2015, 6*, ageing, air, being, buttress, chestnut tree, compromise, earth, generations, grass, growth, identity, leaf, letting go, life, reaching, time, trees, trunk

                     sweet chestnut

                     I have
                     long
                     since
                shifted the earth apart
                imperceptible for grass to grow,
                now, unknowing, so new;

                     I have
                     forgotten
                what it’s like to emerge
                without design, and have
                grown buttresses for so long
                they have twisted to comprise;

                     the trunk
                     of upward
                     direction
                that I reach from
                aimlessly with diminishing wisdom
                to a top leaf shifting

                     this way
                     and that
                     between air

 

{there is some anger and sulk that I do not write anymore: not sure if I couldn’t keep up the hi-octane perception or that ‘I was only seeking attention’ explains it all; I still don’t know, but maybe I don’t need to hold such stoic upper lips about it all, arms crossed, turned away; maybe just a bit of compassion wafting this way and that …}

 

 

————w(O)rmholes________________________________|—–

air wormhole: ‘from the cathedral window two stories / high …’
being wormhole: silence
compromise & letting go wormhole: poessay XI – piquant love
grass wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
identity wormhole: a far grander / Sangha
life wormhole: looking hard enough
time wormhole: ‘she shook the sweets …’
trees wormhole: ‘and is there homage …’

 

Advertisement

Rate this:

‘from the cathedral window two stories / high …’

20 Friday Dec 2019

Posted by m lewis redford in poems

≈ Leave a comment

Tags

2019, 6*, air, balcony, bamboo, blue, breeze, clouds, cream, doors, facade, grey, height, history, pastel, pink, sweet-pea, Totnes, vertical, white, windows

                from the cathedral window two stories
                high above town

                the eiderdown cloud has settled
                patchwork greys

                (and pastels blue
                 through the pulled-back door to the

                 balcony); there
                and here, the various facades all cream

                and white, but
                the haphazard verticals of the sweet-pea

                crane pink
                with-out the bamboo spine

                exercising constant flexed ligament to the air
                but not the breeze

 

still in Totnes; ‘stories’ are definitely … sic

 

 

————w(O)rmholes________________________________|—–

air wormhole: psssssh
blue & grey wormhole: travelling,
breeze wormhole: on / that / day
clouds wormhole: travel // when I die
doors & windows wormhole: Lapping Reflections [Deep Within Waters] – valley
history wormhole: despite all / depiction
pink wormhole: riders of the night
white wormhole: nowhere / that can be seen

 

Rate this:

psssssh

15 Sunday Sep 2019

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2019, 5*, afterlife, air, attachment, breathing, death, denial, fish, hands, hell, hook, identity, land, life, living, regret, self-cherishing, sound, water

                oh yes, lookit
                a morsel, just
                hanging there
                can’t believe my

                luck, maybe too
                good to be true,
                look, wriggling
                and juicy, ah

                what the hell
                openwide and
                chomp; hmmm,
                juicy, ahh: agh

                hook through
                my lip, no, I
                didn’t mean,
                it wasn’t me, I

                wasn’t there, I
                didn’t do nuffin’,
                quick, I’ll rip my
                lip, it’ll heal, just

                get away, no
                it’s up through
                my mouth, shit
                it’s sticking out

                through my nose
                how do I get
                out of this … but
                it was so juicy –

                ugh, where’s the
                air, where’s all that
                water I was
                thrashing around in

                where am I, who
                are all these others
                with no faces, keep
                still y’all, I can’t

                breathe, I can’t
                move through what
                I live in like I
                used to, what

                these hands
                like lands, who
                am I, where
                do I belong

                heating up
                heating up,
                this land is
                too hot, do

                n’t put me
                on it, I’ll
                disintegrate
                psssssh

 

Bodhisattvacharyavatara chapter VI, verse 89: These viciously sharp hooks cast by the kleśa-fishermen – these turbulent thoughts, these hateful emotions – and you, o pitiful mind, have been snagged on them again and again – [net-loads of you] – where you will inevitably be turned over to the guards of hell as raw ingredient, to be cooked-alive in the cauldrons there over and over again.

 

 

————w(O)rmholes________________________________|—–

air wormhole: distance
breathing & life & living & sound wormhole: breakfast
death wormhole: in deed
hands wormhole: mandala offering
identity wormhole: eyes like petals
water wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later

 

Rate this:

distance

06 Friday Sep 2019

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2019, 4*, air, distance, dust, future, haiku, passing, Spring, wind turbines

                                        distance

                                      passing revolving
                turbine blades; spring air stirs dust
                      into the future

 

 

 

————w(O)rmholes________________________________|—–

air wormhole: at Kreukenhof
haiku[esque] wormhole: Lapping Reflections [Deep Within Waters] – pigs
passing & Spring wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms

 

Rate this:

at Kreukenhof

18 Sunday Aug 2019

Posted by m lewis redford in poems

≈ Leave a comment

Tags

2019, 5*, air, Amsterdam, breeze, clouds, compassion, curtains, fashion, fire, flowers, gravity, growth, Kreukenhof, letting go, photograph, retirement, river, role, samsara, sky, sound, traffic

                gravity, and river air hold the curtains
                down, breezes and distant traffic make them
                adjust against the sill stiffly, audibly

                but then, my people, I am learning
                not to resent your burning like fire
                when you play your endless roles like fashion

                and I am learning to let clouds fill the sky
                as you take every single photo
                of every single flower at Kreukenhof

 

Kreukenhof is a display garden near Amsterdam sited amid surrounding fields and fields of cultivated tulips, grown in strips of colour across a whole field; when we visited this year, we stayed on the Botel, a converted ship docked on the river Amstel in the IJ bay

 

 

————w(O)rmholes________________________________|—–

air wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
breeze wormhole: threshold to behold
clouds wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
compassion wormhole: light of all interaction
curtains wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
letting go wormhole: mandala offering
retirement & sky wormhole: ‘don’t look at it …’
river wormhole: boiled spangle with soft centre
samsara wormhole: the Bodhisattva set out / for the Seat of Awakening
sound wormhole: the blessings of the Buddhas

 

Rate this:

The Boats of Vallisneria by Michael J. Redford – Sky

05 Wednesday Jun 2019

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

1967, afternoon, air, beauty, being, birdsong, black, breathing, camera, candle, church, clouds, colour, comet, consciousness, corridor, countryside, dance, dawn, depth, earth, elm, emotion, evening, eyes, fields, fire, gaze, gold, grey, heat, hills, horizon, identity, jade, leaves, life, light, mauve, Michael J Redford, mind, night, orbit, painting, photography, planet, rain, red, silence, silhouette, sky, space, spire, stars, storm, sun, sunset, the Boats of Vallisneria, thunder, trees, turquoise, valley, west

Sky

One evening about two years ago, there was, in my part of the country, one of the most magnificent sunsets that I have ever been privileged to witness.   Being a keen photographer (although not a very good one, for other peoples’ photographs always seem better than mine), I took my camera into the fields to capture the scene in colour.   It all began when the grey broken clouds, the ‘left overs’ of a stormy day, drifted slowly across the horizon, taking with them the tumult of the heavens.   It had been a somewhat dismal day with an atmosphere that clung like a warm damp blanket, enveloping all with an oppressive heat that made even the unconscious act of breathing an effort.   The day thus sulked its way through the hours, stifling the energy of life and suffocating the songs of birds until at long last, at about three o’clock in the afternoon, the sky, no longer able to contain its pent up emotions, savaged the countryside with a violent storm.   In fact three storms had tumbled into the valley that afternoon that gave rise to a continuous end-of-the-world -like thunder that reverberated about us for an hour and a half.   Fearful though the storms were, the rain felt good, the soil quenched its thirst and the air became cool, and when the storm had flung its final volley of anger contemptuously at us, I saw that the wilted leaves had renewed vigour and had turned their faces once more to the sky.   Suddenly, the late evening sun broke loose and shone low across the fields, igniting the treetops with a blaze of old gold and adorning the scene with the tint of an old master’s painting. Screwing tripod to camera, I raised it to my eye and squinted through the view-finder.   For some moments I indulged in a danse macabre around the field with the tripodial skeleton stiff within my embrace, searching for the most artistic composition to enter the field of view.   By now the sun was an enormous dull-red hemisphere reclining upon the distant hills, infusing the undersides of the remaining clouds above with a heavy mauve the deepened perceptively as I gazed.   The solar chord became shorter and shorter until finally the perimeter of the disc was extinguished suddenly by the horizon as one snuffs out the flame of a candle.   Then, in a most abrupt and startling manner, the populace of the heavens turned to fire.   The clouds appeared to radiate from a point somewhere below the horizon in the vicinity of the sun and spread out above and behind me, plumbing the very depths of space itself.   It was as if Earth had entered the tail of a super comet that had passed close by on its elliptical orbit about the sun.   Hurriedly I set the tripod firmly on the ground and framed the sunset between the jet-black silhouettes of two sentinel elms.

After taking the photograph, I packed the equipment in its case, stood up and looked once more through the elms.   My gaze passed by the silent trees, through the sunset and beyond into space, leaving the great orb of this planet at a tangent.   The moment developed into one of those rare intervals in time when an overwhelming consciousness of the beauty about one descends and becalms the mind.   Although my gaze flew past the elms at incomprehensible speed, I was aware of their crisp outlines against the sky, and as it passed on through the sky into the depths of space, I could see the fire shrinking before me like the glow of a lantern disappearing down a long, dark corridor.   My eyes were now being lifted by a power exterior to my own being.   Up, up they went until I was craning my neck and gazing out into the zenith of space.   I had always been conscious of the great depths of space about me, but could not help regarding the heavens as anything but a dome viewed from a central point, the stars being spattered over the surface of this invisible hemisphere, all equidistant from me.   But on this particular occasion, I became aware of the three dimensionality of space, each planet, star and nebula standing out in such relief from each other, that I felt I could lift my hand and pluck them from their ethereal settings.   Immediately above my right shoulder the crooked W of Cassiopeia pierced the depths with startling clarity and midway between this and the great square of Pegasus, there glowed faintly the spiral nebula of Andromeda, so far flung into the void as to make the magnificent gold and blue binary system of Gamma Andromeda appear but ten steps distant.

Becoming dizzy from the depths above me I turned and cast my eyes down to the eastern horizon.   The Pleiades had just shown itself above the distant trees and was discernible only by averted vision, but its presence was sufficient to tell me that within the hour Aldebaran, the red eye of Taurus, would begin its journey above the horizon to dissolve overhead in the light of tomorrow’s dawn.   But even before Antares had touched the distant church spire in the darkening west, the night air became chill and with a shudder I headed for home.

Some days later when I had the film processed, I discovered much to my dismay, that I had become so involved with the scene before me that I had forgotten to remove the dust-cap from the lens, consequently I have no visual proof to offer my friends of the glory I have witnessed.   Often I am accused of exaggeration when describing a scene that has made an impression on me, yet I experience difficulty in finding adjectives of sufficient depth, colour or subtlety to use in such instances.   How can one convey to others the emotions that rise to greet the song of a nightingale, or to what depths the heart yearns to fly with the swift and embrace all three dimensions.   How can one possibly convey through the medium of the written or spoken word the sight of an evening sky washed with the faint mauve streaks that herald a sunset, or describe the background tint of the sky that is somewhere between a shade of jade and turquoise?

My attempts at describing this beautiful sunset to a friend met with very little response.   Emotion is a very personal thing and that which gives rise to emotion in one, may leave another completely cold.   Even so, I was completely taken aback when my friend said, “what sunset?”

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

afternoon & grey & rain & red & sky wormhole: Pont Neuf, Paris, 1902
air & silence & trees wormhole: 10/30 by William Carlos Williams
beauty wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
being & black wormhole: in deed
breathing wormhole: there will be ovations
church & silhouette wormhole: Vue de Pontoise, 1873
clouds wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
dawn & storm wormhole: birth in the world
evening & life wormhole: threshold to behold
eyes wormhole: mandala offering
gold wormhole: Entry to the Village of Voisins, Yvelines, 1872
hills wormhole: Puerto del Carmen
horizon & sunset wormhole: in turgid reflection
identity wormhole: quietly in my quiet house
leaves wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
light & sun wormhole: Cours La Reine, Rouen, 1890
mauve wormhole: travelling / back
mind wormhole: so, how long is, a piece of string?
night wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
space wormhole: the reach turned to love
stars wormhole: TREES by William Carlos Williams
valley wormhole: coterminalism – there is nothing happens by itself, / 070118

 

Rate this:

10/30 by William Carlos Williams

02 Sunday Jun 2019

Posted by m lewis redford in poems

≈ Leave a comment

Tags

1928, 6*, air, disappearance, engine, left, mist, morning, movement, passing, silence, slow, sound, train, trees, whistle, William Carlos Williams

                To freight cars in the air

                all the slow
                    clank, clank
                    clank, clank
                moving above the treetops

                the
                    wha,     wha
                of the hoarse whistle

                    pah,      pah,      pah
                    pah, pah, pah, pah, pah

                    piece and piece
                    piece and piece
                moving still trippingly
                through the morningmist

                long after the engine
                has fought by
                                          and disappeared

                in silence
                                   to the left

 

obviously, the sound, echoingly, the sound, only, the sound; from the Descent of Winter, 1928 by William Carlos Williams

 

 

————w(O)rmholes________________________________|—–

air wormhole: Female Peasant Carding, 1875
mist & morning wormhole: Puerto del Carmen
passing wormhole: Sujātā
silence wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
sound & trees wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
train wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
William Carlos Williams wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams

 

Rate this:

Female Peasant Carding, 1875

30 Tuesday Apr 2019

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1875, 2018, 6*, air, concentration, floor, inside, light, outside, Pissarro, portrait, shade, walls, windows, woman, wool

                she carded wool
                to her light’s content

                so that the shade
                became her floor and uprights

                and the air
                became her windows

 


Female Peasant Carding, 1875 by Camille Pissarro en plein ombre

 

 

————w(O)rmholes________________________________|—–

air wormhole: waiting to be heard
light wormhole: Staffa Fingal’s Cave, 1832
walls wormhole: the reach turned to love
windows wormhole: the old man;
woman wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams

 

Rate this:

waiting to be heard

05 Friday Apr 2019

Posted by m lewis redford in poems

≈ Leave a comment

Tags

2019, 6*, air, compassion, contempt, east, feet, hope, indifference, Lanzarote, lifetimes, logo, looking, others, passing, promenade, story, toes, walking, west

                we look at each other –
                along the promenade east or west –

                within packaging-design, with
                burnt-core contempt, or we don’t notice

                with open air-indifference; but
                we have exposed feet, we lift and swing

                and place and stay, transferring,
                in a thousand different ways, with

                unsettling hope where
                the thousand different toes tell a

                thousand different stories in a
                thousand different ways, all just

                waiting to be heard

 

 

 

————w(O)rmholes________________________________|—–

air wormhole: birth in the world
compassion wormhole: skeins of candy pink and lilac
feet wormhole: pediment to behold
lifetimes & looking wormhole: I
others wormhole: so, how long is, a piece of string?
passing wormhole: Vue de Pontoise, 1873
promenade wormhole: amniotic avenue
walking wormhole: Hastings: neither all or nothing

 

Rate this:

birth in the world

23 Saturday Feb 2019

Posted by m lewis redford in poems, reflectionary

≈ 2 Comments

Tags

2019, 7*, air, Arya Lalitavistara, Buddha, chords, crown, dawn, distance, glass, heather, lemon, light, Maitreya, mist, note, olive, rebirth, shade, silence, storm, windows

                the air refreshed
                and folded by several
                degrees as if to storm,
                the light became

                slightly shaded as if
                through olive glass
                but remained lemon
                in the distance, the

                silence dampened
                like mist as minute
                heather flowers turned
                to dawn, and all the

                abandoned instruments,
                their boxes taut to struts,
                their strings resigned
                to tonnage, discarded

                over couches, before
                windows, each creaked
                and let a single note that
                ne’er had pitched and

                held – chords
                o’er room and vale;
                it was time the
                effervescent crown

                were passed to the
                Regent and the
                Bodhisattva take
                birth in the world

 

bevelled up and out of the Arya Lalita Vistara Nama Mahayana Sutra: before the Buddha was born a prince in a principality in India, he was residing in a heavenly realm (with the gods), but his vows and wishes over endless waves of previous lifetimes urged him to one final birth to consummate them all in Enlightenment; the Regent is Maitreya, the next Bodhisattva to take birth in this world and show Enlightenment … in future

 

 

————w(O)rmholes________________________________|—–

air wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
Buddha wormhole: and … // … sound
dawn wormhole: What You Are by Roger McGough
glass wormhole: ‘… and yet I think I am so modest: …’
lemon wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
light wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
Maitreya wormhole: Prajnaparamita // Maitreya
mist wormhole: to let be
olive wormhole: coterminalism – there is nothing happens by itself, / 070118
silence wormhole: La Route, Effet d’Hiver, 1872
windows wormhole: Hastings: neither all or nothing

 

Rate this:

← Older posts

… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
  • 'I can write ...'
  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

announcements awards embroidery poems poeviews reflectionary teaching

tag skyline

'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,847 other subscribers

... just browsing

  • 49,964 what th'-s

I wander around after this lot a lot …

m’peeps who notice I exist

these things I liked …

A WordPress.com Website.

SoundEagle 🦅ೋღஜஇ

Where The Eagles Fly . . . . Art Science Poetry Music & Ideas

Classic Rock Review

The home of forgotten music...finding old reviews before they're lost....

A Reading Writer

I write because I read. I read because I write.

Buddhism in Daily Life

Buddhist meditation applied to our everyday lives...

Laughter Over Tears

Where books, movies, anger, confusion and musing live together in sin.

Sunra Rainz

Poetry. Art. Photography. Musings.

A girl seeking joy and serenity

Silver Birch Press

Poetry & Prose...from Prompts

whimsy~mimsy

a few words spewing from my soul...

naïve haircuts

The daily addict

The daily life of an addict in recovery

The Sixpence at Her Feet

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • mlewisredford
    • Join 1,847 other followers
    • Already have a WordPress.com account? Log in now.
    • mlewisredford
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...