‘streetsigns …’

Tags

1970, 2018, 6*, alley, Batman, buildings, cape, direction, east, height, moon, north, silhouette, solitude, south, space, story, streetsigns, wings

                streetsigns
                point north south east
                in silhouette

                buildings
                rise in solitary storey,
                the wings

                of the Batman
                unfurl under the
                moon and flutter

                suggesting
                all manner of alleyway
                between

 

unfurled from Batman #225, September, 1970; Denny O’Neill, Irv Novick

 

 

^{————w}(O)rmholes_________________________________|—–

Batman & buildings wormhole: raised brow
moon wormhole: ‘… plane is upright …’
silhouette wormhole: ‘a blacknight fitted perfectly …’
space wormhole: to let be

 

Advertisement

and ‘naerrgh’ a mention of a seagull’s call

Tags

19th century, 2016, 20th century, 8*, access, air conditioning, alley, architecture, back, balcony, bay window, being, black, blindness, blue, burgundy, carlights, chimney stacks, clouds, compromise, contemplation, cross-section, distance, down, Eastbourne, eyes, facade, Ford Cortina, foreground, front, Have, height, hierarchy, history, hope, hotel, houses, inside, life, living, outside, passing, pier, pipes, privacy, prologue, promenade, sea, seagull, seeing, sky, society, sound, streetlight, sun, time, tree, up, Victorian houses, walking, walls, waves, white, windows

                and naerrgh a mention of a seagull’s call

                prologue

                the fetch of uneventful league to
                mingle with pier piles nonchalant;

                the borderline lightbulbs strung for
                decades between promenade lamp

                and stack of height and white façade
                of black-wrought balcony for where to stay

                setting

                frontage shows the way-to-look-
                ing blind to what is seen amid

                all the detail of hierarchy, eye
                turned to what it hopes, while

                rear windows, set central in
                the shapèd drop, look inward

                to find the fit to be; in time
                the rear extension of amenity

                cut fresh cross-sections of life
                turned 90° deep with windows

                unadorned; but then
                were added storey, creating alley

                to hidden access whenever
                contemplating the corners

                that encourage right angle
                where you can serve your

                down and truncating down-
                pipe blind to abutted wall

                perambulation

                                but, I’m in luck

                eye caught by extractor flaps
                in the foreground venting downwards

                venting upwards, sun neatly off
                the downpipes to the right

                on the left long-painted white pipes
                rusting, and between, a leafing tree

                undecided which way to lean
                the background, the monolith back

                of the seafront hotel, conditioning
                air; later, passing the backs of

                houses-become-their-own-entrance,
                seagulls perched at rest

                on the chimneys, I caught
                the tail of a reg-D Cortina with

                burgundy-deep fins and round
                tripartite lights, smaller

                than I remember

                epilogue

                oh, yes and a Persian-blue
                chimney stack with off-white pots

                under sky-blue sky
                and wisps of cloud

 

 

 

^{————w}(O)rmholes_________________________________|—–

20th century wormhole: looking ahead
architecture wormhole: London refugee march – 120915
being wormhole: green and / luminant / to behold
black & blue & Have & living & passing & society & walking wormhole: Sheffield Park Gardens
burgundy wormhole: pine // gladioli // [&] wisteria
clouds wormhole: The Boats of Vallisneria by Michael J Redford – Working
compromise wormhole: after all
Eastbourne wormhole: city streets
eyes & life & seeing & time wormhole: 1964
history wormhole: looking / ridiculous
hotel wormhole: and // do your ears burn red?
promenade & sea wormhole: Bexhill 140215
seagull wormhole: do I
sky & white wormhole: travelling // arrival
sound & sun & windows wormhole: Lapping Reflections [Deep Within Waters] – reaping
streetlight wormhole: ‘charcoal grey-slate sky …’
Victorian houses wormhole: red / lacquer / door
walls wormhole: certainly a Captain, / but not America
waves wormhole: place

 

the silent night of the Batman

Tags

2011, 7*, alley, attention, Batman, belief, black, blue, buildings, Christmas, city, east, fear, glass, green, guilt, ink, light, marble, marzipan, night, people, planes, purple, river, rooftops, rose, shops, silence, sky, skyline, smile, south, stars, streetlamp, thought, vista, windows, writing

                the silent night of the Batman

                even while they carried their
                gift-wrapped parcels and looked
                to each other with smiles of belief

                the shop signs hummed dark
                against the marbled frontage
                while above, quiet floors of

                clear-dark windows looked east
                looked south in the ink-black sky
                enough to write a novel in a

                single sitting, enough to hold
                a fleet of stars above the skyline
                stacking slowly; when the sky

                is ink-green the rooftop
                gathers ink-blue attention
                and leaps without step or

                swing through the glass and
                ledges of city vista, the lingering
                thought to shadow the guilt,

                the alley to streetlamp the
                fear, and over the river the rose
                cast high and wide to the stars until

                marzipan fingers reach across the
                ink-purple sky and marshmallow lights
                go out

 

 

 

^{————w}(O)rmholes_________________________________|—–

attention wormhole: looking back over the tack / and jibe of my life I / notice there is / a fetch // after all … / but certainly not / where I had planned / or where I thought / I’d been
Batman: cape and cowl
black wormhole: Cocktails in 1951
blue wormhole: out
buildings & people wormhole: London refugee march – 120915
Christmas & stars wormhole: the silent night of the Batman
city wormhole: city streets
glass wormhole: Mark & Jon at the coffee shop IV: right angles
green & sky & smile wormhole: looking ahead
light wormhole: Plumstead – Woolwich – Plumstead 220211
night & writing wormhole: and // do your ears burn red?
purple wormhole: pine // gladioli // [&] wisteria
river wormhole: glide
rooftops wormhole: low afternoon
shops wormhole: in the Java ‘n’ Jazz
silence wormhole: is this it // all the time
skyline wormhole: clear as vista
thought & windows wormhole: for / the first time

 

Lapping Reflections [Deep Within Waters] – snow

Tags

2016, 9*, alley, axe, birth, black, blue, classroom, echo, eyes, faces, fields, garden, grey, hate, hazel, ivy, kitchen, leaf, life, love, mist, morning, passing, pigs, pink, Ramsden Heath, Robin, silence, sky, snow, sound, speech, step, sun, teacher, thought, ugliness, vertical, waiting, walls, white, windows, winter, witness, woodland, yellow

            snow

            waiting;

            ruffles beneath the trembling ivy,
            divergent verticals in the hazel coppices;

            silence;

            reverent steps, and in the cavernous
            grey of high hangs the faintest, pink;

            baton;

            on a woodland bank a single lesser
            periwinkle holds up a blue flower,

            by the wall a solo leaf descants to the ground
            and a snowflake touches the cheek;

            turn;

            the black background of the woods
            a million flakes seen,

            in the classroom thirty pairs of eyes
            drift across to the window

            and the music teacher holds
            his sentence;

            thought;

            leeward black, and fields of white, if
            we were to hate everything that

            included rip and tear of any ugliness,
            there would be nothing left to love;

            morning;

            through window panes the sun
            is a flat yellow disc viewable

            without hurt to the eye,
            mist divides land into borough

            and alleyway stepping crunch from the
            steam kitchen into the sparkling garden;

            piggery;

            at the bottom of the garden,
            piglets stop snuffling around and stand

            looking, like little pink statues, then …
            hurtle across the yard barking at the sun

            (the sow had rather build her nest in the
             corner of the field, one morning

             she was there, an army of piglets
             lined up at the milk bar

             the most ridiculous expressions
             of content upon their faces, and

             a robin on the solid water
             of the cattle trough);

            witness;

            the ch-nnk and bite of axe in log
            bounced across the fields to the woods and back with

            such clarity I expected it to continue
            as he laid his axe aside, “Morning”,

            “Morning”;

            it is not winter that dispels life,
            but life that dispels winter

 

read the collected work as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J Redford – Snow

 

 

^{————w}(O)rmholes_________________________________|—–

black & blue & echo & eyes & faces & fields & garden & grey & kitchen & life & love & morning & pink & silence & sky & snow & sound & sun & walls & white & windows & winter & yellow wormhole: The Boats of Vallisneria by Michael J Redford – Snow
faces wormhole: “The Lady from Nowhere”
passing wormhole: trying to focus / on walking
thought wormhole: Clea
waiting wormhole: returning home handsome

 

and that’s where I are

Tags

2016, Aleister Crowley, alley, appearance, birch, black, Bowie, breakdown, breeze, brick, building, car park, career, Carol, cars, cats, child, church, clothes, coffee shop, creativity, decision, Diane di Prima, disappearance, down, Eastbourne, emptiness, fear, form, grey, Heart Sutra, horizontal, humanity, identity, left, leg, looking, mother, muse, others, passing, pavement, plane, posture, quantum, rebellion, right, right angle, roads, school, searching, seeing, silence, silver, sitting, sound, spire, stain, stopped, streets, talking to myself, teaching, trees, up, vertical, waiting, walking, walls, William Carlos Williams, wind, writers, writing

            inner coffee shop

            so, is writing pointless,
            just rebellion from root
            just the muscling of me
            to spite the hard fear that

            I’ll turn to stone if I look
            into her face … `spite the
            knowledge that others are
            far more brave than me?

            St. Saviour & St. Peter

            so what draws me to sit,
            after all, on the roadside
            wall across from the spire
            clear for all to see the

            even bricks buttress, cap
            and flute up so high to
            eleven storeys to, maybe,
            the single point, with run-

            down stain and grimèd
line defining plane and vertical rightened quantum to the neat, surrounding parking and the passing upright
            humans both of public
            dress and private gait

                           360º

            and then the grey cat
            strolled from some-
            where left between
            silent cars to cross the

            road right – stopped –
            t’looka’leaf ‘n’ disappear
            up on wall by tree-sniff
            stop – fence? – no,

            down be-hind th’wall
            out through th’front
            windscreen ‘n’
            downastepps t’street

            to not appear where
            expected; ‘shut’, a mother
            leads a tot from front
            door to car …
                                   … still no appearance

            … … scamper with the
            wind behind as the car
            pulls away; maybe I should
            record this wh’appened all

            around breeze, strolled –
            stopped – by the wall
            back from b’hind m’left
            enters the gateway out

            by th’alleyway (with the
            bold and naked silver birch
            I hadn’t noticed);
                                          upover
            the fence [not attempted

            before] tadaaanother cat
            black treesniff checkleft
            then … left, jumptowall,
            jump to pavementstop;

            over the road frontleg
            onelick s t r o l l s car-
            shielded; black belly-slink
            low across the road; they

            walk away both from
            sight either side of the van;
            one tail up and wiggy
            one tail fluffy with spine

            these things all of great
            importance to spite the hard fact
            of my writing them,
            old Bull Williams would have

            and that’s where I are

 

there are expanses awkward to the landscape in writing sometimes: the technique is there, the shift can be made, but the will and excitement just isn’t; I have been reading Diane di Prima’s “Recollections of My Life as a Woman”, I greatly fed off her childhood but have languoured once she got into the Work; I have been reading about Aleister Crowley’s ‘Do What Thou Wilt’ awkward plane; I have a huge project ongoing writing poewieviews to David Bowie’s oeuvre – I am going to new lands but the luggage is heavy and awkward and requiring decisions which I don’t easily make; oh, and I am off work again, feeling un-plugged in to my own practice of vocation like a forlorn state-of-the-art food mixer; I spent a morning down in Eastbourne chauffeuring my wife around like the successful carer that she is; walking; sitting in a coffee shop; snagged at St. Saviour & St. Peter Church on the corner of Spencer Road and South Street, still pondering the relationship between multifarious form and the emptiness makes it dynamic; but it wasn’t until I sat back in the waiting car and watched the chess moves of two cats in the street that I stumbled across the full quote from the Heart Sutra: “form is emptiness; emptiness is form; emptiness is no other than form, form also is no other than emptiness”; but it wasn’t until I got home and shaped it all up from scribbles to column – with my ageing black AND white cat leaning against my foot – that I wondered if I still hadn’t quite got it yet (as William Carlos Williams, the great great practicer of ‘no poetry but in things’ said); and yet it has been satisfying finding not so …

 

 

^{————w}(O)rmholes_________________________________|—–

birch wormhole: fine droplets / across the glass
black & grey wormhole: hinged – From Hell ch. V
Bowie wormhole: Quiver of / Tiffany – poewieview #20
breakdown & writing wormhole: nothing to write
breeze wormhole: strange / tarnish
buildings & silver & streets wormhole: crease and score of silver-morning sky
carer wormhole: just saying, is all IV: // lost
Carol wormhole: when in Belgium do as the chocolates do
cars wormhole: stacked
cats wormhole: new garden
child wormhole: dream 260815
church wormhole: finding my own true nature – Plumstead, Woolwich, 190915
coffee shop wormhole: ‘from under the awning …’
creativity & school wormhole: through
Eastbourne wormhole: along
emptiness wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
identity wormhole: dear clown’s face
looking & muse & sound wormhole: don’t look / at her eyes – poewieview #18
mother & silence wormhole: early evening
others wormhole: my // shell – poewieview #19
passing & posture wormhole: really
roads wormhole: sixty four sixty five – poewieview #1
searching wormhole: opening
seeing wormhole: where the goblins leered – poewieview #14
sitting & talking to myself wormhole: tong len / the inauguration of another – timely – butter fly effect / taking and giving
teaching wormhole: the MagOO Effect Effect
trees wormhole: Shonagh – poewieview #17
waiting wormhole: Saturday – poewieview #3
walking wormhole: b / r / e / a / t / h / i / n / g
walls wormhole: Nostalgia for Samsara – poewieview #16
[William Carlos] Williams wormhole: and then just stop
wind wormhole: keep the light off

 

1966 … actually sic // of it allllll-bsssssssh – poewieview #8

Tags

1966, 2016, alien, alley, bed, Bowie, bread, buildings, career, chanting, corner, direction, echo, emptiness, everything, home, life, light, looking, love, passing, pavement, people, Potala Palace, sound, speech, streets, survival, toes, walking, walls, years

                           1966 … actually sic

                           `sbread not love, their’s
                           n’owt queer as career
                           so grin ‘n’ glare it on a
                           magic carpet trip or too

                           strange lights unknown
                           in the tops of tall buildings
                           soul-cold friends of street
                           corners where people

                           pass where people don’t
                           `spare the heartbeat, guv,
                           coin of tenure, metal
                           clink on cloth pavement

                           never like a bed, never
                           like the toes of hope
                           in gladiator sandals with
                           no direction home just

                           the echoes of alleys
                           a thousand feet tall
                           and the air of chanting
                           around the emptiness

                           of it allllll-bsssssssh

 

written amid Uncle Arthur, 1966; She’s Got Medals, 1966; Join the Gang, 1966; Did You Ever Have a Dream, 1966; We Are Hungry Men, 1966; Sell Me a Coat, 1966; Little Bombardier, 1966; Maid of Bond Street, 1966; Silly Boy Blue, 1966

Read the collected movements in David Bowie: Movements in Suite Major

 

 

^{————w}(O)rmholes_________________________________|—–

Bowie & echo & walls wormhole: ‘the hour before dinner – / the empire of dusk’ – poewieview #6
buildings wormhole: finding my own true nature – Plumstead, Woolwich, 190915
career & looking wormhole: the MagOO Effect Effect
emptiness wormhole: sit / and move
life wormhole: gentle
light & walking wormhole: bamboo-green boiled sweet / with soft purple filling
love wormhole: London Park in Greenwich town – poewieview #5
passing wormhole: train journey // like a branch
people wormhole: com- / mute
sound wormhole: suddenly fly off again
speech wormhole: spit / spot
streets wormhole: London Hearts – poewieview #4
years wormhole: Seven A.M, 1948

 

finding my own true nature – Plumstead, Woolwich, 190915

Tags

2015, advertising, afterlife, alignment, alley, angel, apartment, architecture, ash tree, Ashlar Place, balcony, baptism, bay window, beech, belief, Beresford Square, Bloomfield Road, boundary, brick, brown, building, buildings, bus, cars, change, childhood, church, compassion, crane, daughter, death, decades, Eglinton Hill, family, glass, God, gold, grass, grey, gurdwara, halo, hedge, hill, history, houses, identity, iron, jet plane, John, khanda, Lee Rigby, leylandii, life, lime, living, London, loneliness, looking, love, memory, mother, Mum, Nan, passing, photograph, pipes, Plumstead, rain, red, rooftops, sandstone, shadow, shop, sky, smile, society, sound, stone, streetlight, streets, suitcase, sun, the British Empire, time, traffic, travelling, trees, true nature, walls, wind, Woolwich, Woolwich New Road, writing

            looking for my own true nature – Plumstead, Woolwich, 190915¹

            these times of being cut loose are more usual than comfortable
            the buzz of contact and identity more potential than actual

            I go up to London to find bits of my true nature somewhere
            deep inside the forty four miles of time that has elapsed,

            past the same street boards advertising new plastic on trend,
            in even more colourful lime but now un-im-bleach-able;

            where grand gable and architrave stand cleanly revealed in all
            of their time from behind trimmed hedge, but window bay and

            fanned lintel remain obscured behind opportune ash (and
            where crickets rasp in raised lawn to ear level off the hill); on

            the hill² a crack in the front wall sinking century-ly downhill
            under sounds of jet somewhere in the sky hidden by dampening

            of leylandii; did I get baptised at All Saints Shooters Hill³,
            or did my brother, when the church was still young, its

            thousand panes held individual by lead, reflecting the
            cubist street, I don’t remember now – fractured memory;

            where sandstone is shaped short in modest Empire-control: in
            niche and ledge and decorative finial, during all the wind of

            cold streets, withstanding the new redbrick of decades; I
            cannot draw the line of brick at the corner of Bloomfield

            Road, true neither to hill nor sky nor shadowed underledge
            to the proud cornice (boundaries to distant-impossible crane)

            or even the sharp roofs clipped to lead-clad valley, let alone the
            ample iron downpipe … but I have learnt to write the architecture

            of odd alignment and cut-through alley; perched now against
            Ashlar Place at just the right angle between sun-wipe and shadow

            (shiny haloes in the indents on the page as I write Gurdwara
             Sahib Ramgarhia Temple⁴ in biro), the architecture of

            eternal Empire highlighted in gold with khandas blowing
            in the wind … still cannot obscure the luxury apartments in

            constant construct: -ING IS BELIEVING;⁵ buses come and
            buses go all along Woolwich New Road before the clapping

            troup of ‘Time for God’ angels and their families stood around,
            full of God’s immanent voices, in and out of sight and chant,

            (I have an old photo: a man crossing the road from Beresford
             Square⁶ with box suitcase in grey [and suggested brown] after

            apparent rain … when the retired newsagent passed by adding
            that he had run that shop opposite for thirty years, how –

            much – it – has – changed); perched, now, on the Metropolitan
            Drinking Fountain & Cattle Trough, oiled and crust stone

            from hide-breath and redundant exhaust; a mother and slinky
            daughter watch the marching bands pass from their third floor

            balcony, height of streetlight, defined before the upright
            sea of tarp covering the next block of the Royal Arsenal

            Riverside in construct (surprise!); ah, Lee Rigby,⁷ under height
            of Elliston House, these cars pass far too quick to get

            to their traffic, those beech trees opposite have grown to
            lean downhill for fifty years and more; I looked at every

            plaque, Mum, found plenty of Jeans and Margarets (and
            even Gladyss) but no Redfords, I can’t think I would have

            missed you sixteen years into other existences … I don’t
            know: I smiled at some of the plaques as I looked for you,

            I shall smile at everyone now that I haven’t found you

 

¹ this peice follows my last visit to London: walking downhill from Plumstead to Woolwich and around and back, driving to Eltham to where my mother (Jean Marguerite Redford 1933-1999, daughter of Gladys Charlotte Conlay 1906-1989) was cremated
² Eglinton Hill, early childhood home
³ All Saints Shooters Hill
⁴ Woolwich Gurdwara
⁵ woolwich new road and buildings
⁶ true nature II
⁷

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: ING IS BELIEVING
brown & love & red wormhole: when in Belgium do as the chocolates do
buildings & life & streets wormhole: gotcha
bus & sun wormhole: Christmas lights / around the lamp post
cars wormhole: portrait: / two pigeons
change & gold & Woolwich wormhole: ING IS BELIEVING
childhood & Nan wormhole: new garden
church wormhole: you can only smell the candles / when they have been snuffed out
compassion wormhole: [s]
crane wormhole: com- / mute
daughter wormhole: the retriever the daughter and the mother
death & writing wormhole: Poewieviews
Eglinton Hill & London wormhole: the breath of London
family wormhole: let’s have some ice creams
glass wormhole: ‘in clear oil air …’
grey & identity & time & trees & walls wormhole: walking through Lewes
hedge wormhole: the continental stride of trains
history & Mum wormhole: sit
lime & sky & stone wormhole: David Bowie – Iris
living wormhole: currency: / assent for statement – / ‘smakin’alivvin’
loneliness wormhole: ‘passing overhead …’
looking wormhole: Office at Night, 1940
mother wormhole: gre[wh]y / has Daddy left us?
passing wormhole: clouds
Plumstead wormhole: dream 260815
rain wormhole: “walking …”
rooftops & smile & streetlight wormhole: the silent night of the Batman
shadow wormhole: Seven A.M, 1948
society wormhole: the Growing Man
sound & wind wormhole: the open window
travelling wormhole: Compartment C, Car 193, 1938

 

the silent night of the Batman

Tags

'scape, 1970, 2011, alley, attention, Batman, belief, black, blue, buildings, city, cornice, dark, east, fear, glass, green, guilt, ink, leap, light, marble, marzipan, night, purple, river, rooftops, rose, shadow, shopping, shops, silence, sky, skyline, smile, sound, south, stars, stone, streetlight, thought, vista, windows, writing, years

 

 

 

                     the silent night of the Batman

                     even while they carried their
                     gift-wrapped parcels and looked
                     to each other with smiles of belief

                     the shop signs hummed dark
                     against the marbled frontage
                     while above the quiet floors

                     of stone-framed window looked east
                     looked south all the same in ink-black sky
                     enough to write a novel in a single sitting

                     enough to hold a fleet of stars
                     above the skyline stacking slowly;
                     when the sky turns ink-green the rooftop

                     gathers ink-blue attention and leaps
                     without step or swing through the
                     glass and cornice of city vista and

                     lingering thought to shadow the guilt
                     to alley the share to streetlamp the fear
                     and river the rose cast high and wide to the stars

                     until marzipan fingers reach across the
                     ink-purple sky and marshmallow lights
                     go out

 

cf. “The Silent Night of the Batman” by Mike Friedrich, Neal Adams and Dick Giordano, published in Batman #219, February 1970

 

 

^{————w}(O)rmholes_________________________________|—–

attention wormhole: left alone
Batman wormhole: we play / the game
black & blue & green & sky wormhole: clouds
buildings & shops wormhole: Christmas lights / around the lamp post
city & light & windows & years wormhole: 1967
glass wormhole: dream 260815
night wormhole: Hotel Room, 1931
purple & rooftops wormhole: purple and mauve
river wormhole: row boat
shadow wormhole: com- / mute
silence wormhole: de Boeddha // of light
skyline & stone wormhole: sit
sound wormhole: plop!
streetlight wormhole: portrait: / two pigeons
thought wormhole: Automat, 1927 – held
writing wormhole: when writing // stay

 

now, the verticals go down as well as they go up

Tags

1970s, 1980s, 2015, alley, architecture, awning, buildings, chimney, city, colour, Daredevil, dark, dawn, drawing, Edward Hopper, form, Frank Miller, ground, hearing, height, identity, landscape, leisure, listening, litter, notice, orange, rain, rooftops, seeing, shops, silhouette, sitting, snow, sound, streetlight, streets, suburbia, tarmac, vertical

                now, the verticals go down as well as they go up

                                the form of
                                architecture
                                is drawn
                                by rain

                                streetlights
                                merely cast
                                the silhouettes
                                of dawn

                                in the 70s
                                and the 80s
                                the shops
                                opened late

                                like Hopper
                                landscapes
                                foretending
                                leisure

                                sleet down
                                an alley when
                                there are things
                                to be done

                                (cab waiting
                                with the meter
                                running) but
                                when it snows

                                it is time to sit
                                on a ledge and
                                listen to all the
                                muffled sound

                                below; lighted
                                billboards and
                                the uplit facades
                                of monoliths

                                above the
                                chimney stacks,
                                only when
                                sprung from

                                girders can you
                                hang foetus-like
                                above the roof-
                                tops; let all the

                                striving height
                                recede back
                                to the ground
                                it stands from

                                assassins and
                                bounty hunters
                                proceed colourful
                                and silent by the

                                dark rooftops
                                of old town
                                suburbia, only
                                the blind devils

                                leap the burning
                                awnings more
                                bright than day,
                                where only one

                                will notice from
                                the street, and
                                yet the fantastic
                                storeys of

                                orange-corporate
                                building rise
                                ineluctable
                                behind all

                                borough, seen
                                but not heard;
                                except for the
                                litter of paper

                                trailing the collateral
                                dance across tarmac
                                and paviours, hardly
                                noticed, but ever indulged

 

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: House by the Railroad, 1925
buildings wormhole: dream 260815
chimney wormhole: silhouette: // second / thoughts
city wormhole: Morning in a City, 1944
Daredvil wormhole: tag cloud poem V – draft-ness
dawn & orange wormhole: gre[wh]y / has Daddy left us?
Edward Hopper wormhole: Summertime, 1943
identity & streets wormhole: ‘from under the awning …’
rain wormhole: open window
rooftops wormhole: House by the Railroad, 1925
seeing & sound wormhole: after all?
shops wormhole: that comicbookshop in dreams,
silhouette wormhole: 1959
sitting wormhole: Ashdown Forest / 080213 14:47
snow wormhole: To my Mum
streetlight wormhole: the / very gradual art of sitting

 

1963

Tags

1963, 2014, alley, Burt Bacharach, colour, Dionne Warwick, Eglinton Hill, kitchen, open, passing, sound, Spring, Victorian houses, windows, years

 

 

 

                1963

                                the plastic click of
                                pull-down kitchen cupboards
                                of all colours through all the
                                open windows
                                in Spring
                all up and down the alley behind the steep hill of tall Victorian houses

 

(this empty space)

 

 

^{————w}(O)rmholes_________________________________|—–

Burt Bacharach & Dionne Warwick wormhole: 1963
Eglinton Hill wormhole: corner of Plum Lane / Eglinton Hill and / Shrewsbury Lane
kitchen wormhole: To my Mum
open wormhole: Evening Wind, 1921
passing wormhole: the peculiar continuum of trains
sound wormhole: block ‘n’ role
Spring wormhole: dream 260713
Victorian houses wormhole: that comicbookshop in dreams,
windows & years wormhole: Summertime, 1943