despite all / depiction

Tags

2019, 5*, appearance, architecture, art, cows, Darmstadt, east, empire, history, illusion, life, line, mass, reality, survival, thinking

                so, lowing
                and looking east
                from all the crumbling musculature
                of past empire,
                chewing cud

                ninety nine percent
                of all and ever species have become extinct and I
                cannot deconstruct
                the categories-
                enough to read

                the lines and mass
                of stijl, reminds me
                that I try to be far too clever trying to read
                despite all
                depiction

 

mused from a visit ot the Museum at Darmstadt attending the celebration of Jon and Sara’s wedding

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: travel // when I die
history wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
life wormhole: poessay XI – piquant love
reality wormhole: SPRING AND ALL XXII by William Carlos Williams
thinking wormhole: riders of the night

 

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the balance necessary between

Tags

2017, 7*, appearance, balance, being, cause and effect, checking, coagulation, denial, doing, empty, fortune, healing, holding onto, karma, legacy, life, lifetimes, lunge, morning, path, Refuge, relationship, room, self-grasping, shutters, statue, trauma, true nature, urge

in my corner of the room
                I have only just noticed the shutters ajar –
                                wondering if I dare push them further apart –

the dynamics of past lifetimes
                rebirths of exact measure to the traumas
                                round which they coagulate; but then, also, the

healing of relationships
                which tip towards fortune however
                                you make them, the balance necessary between doing

all that holding and checking
                of all those causes and effects which
                                comb-through the tangles of legacy but which

can so-easily become the
                local point of selfish, and being
                                insight through the skein of appearences into

their respective empty
                nature enabling them all to
                                appear in the first place which can so-easily

become a stoney denial
                of causality into one’s own statue
                                stuck in pose; the path through which neither

aggravates nor heals;
                the practice of Refuge in the
                                morning and at the urge to lunge of all

my doings, alongside
                all the other 6-fingered and 4-
                                thumbed sisters of this world

 

this teetered out of a comment made in response to one of Jana H. White’s posts, but I’ve been all the way through her site and can’t find it – she must have taken it down: it would make sense of the ‘corner of the room’ and the ‘6-fingered and 4-thumbed’ references, but, maybe, if you tune out a little, it works nonetheless…

 

 

^{————w}(O)rmholes_________________________________|—–

balance wormhole: green and / luminant / to behold
being & doing wormhole: behind / glass walls and wan and hooded eye
life & lifetimes wormhole: amniotic avenue
morning wormhole: The Boats of Vallisneria by Michael J Redford – Working
path wormhole: in the / Citadel / Park / a leaf / new / ly fell

 

just saying, is all VIII: keeping up toxic appearences

Tags

2013, 5*, appearance, breath, career, communication, decades, dialectic, lungs, managerialism, neglect, no voice, offering, plastic, professionalism, rights, teaching, toxic

                                                                                 just saying, is all VIII:

                                              and after all
                                              I had something to offer
                                              to the very fibre and vessel of teaching

                                              that was ‘hoff’-
                                              ishly and consistently denied the right to enter
                                              that holy dialectic, it was

                                              sincere and
                                              credible and beneath
                                              neglect, while keeping up toxic appearences

                                              of communication,
                                              thriving in a sealed plastic bag …
                                              … in which I have taken breath for decades

                                              my lungs
                                              now shot through, unable to
                                              speak but still reliant on a borderline-

                psychotic professionalism wasting me to the bone

 

 

 

^{————w}(O)rmholes_________________________________|—–

breath wormhole: stone
career & managerialism wormhole: just saying, is all VII: // `spolitical
communication wormhole: reprieve
professionalism & teaching wormhole: wakeoutofadream

 

more than effigy

Tags

5*, appearance, attachment, Bodhichitta, Bodhisattvacharyavatara, body, Dharmakaya, emptiness, identity, image, jewel, quicksilver, Shantideva, tathagatagarbha, true nature, value, worth

                                   laying hold of
                                   all my like-ness

                                   with the grasp
                                   of quick-silver

                                   transforms my
                                   worth to such

                                   as it is, priceless
                                   as a Jewel worth

                                   more than effigy

 

Bodhisattvacaryāvatāra I, 10

 

 

^{————w}(O)rmholes_________________________________|—–

Bodhichitta & emptiness wormhole: a crack of lightning / in the dark of night
identity wirmhole: reaching branch

 

impressionism

Tags

'scape, 1878, 1880, 1888, 1889, 1890, 1892, 1901, 1935, 19th century, 2015, 20th century, appearance, beer, being, blue, cafe, chair, cypress, decision, doors, Edouard Manet, Edouard Vuillard, emerald, field, garden, glasses, hair, impressionism, leaf, living, looking, mass, passing, Paul Cezanne, people, photograph, posture, profile, rock, shadow, skyline, sound, speech, survival, turquoise, van Gogh, view, writing

 

 

 

                      impressionism

                      when it appeared that being
                      took more than looking
                      to survive in grander scale

                      people froze in pose of living
                      and, standing, turned from the
                      emerald skyline and blue of leaf

                      until the ‘chirrup’-click
                      fit to portrait – maybe landscape –
                      enlarged, reduced (and whopaintedthis ‘click’ gottit) of

                      chair standing but not on
                      the tiles by the
                      turquoise door blue – wassnext! – standing

                      right in front (of the view
                      looking to be written on a notepad) right there
                      to one side of the frame in profile, ‘like I was …’

                      looking in ‘ready’ chirrup – then
                                                                      nudged
                      passing out of everyone’s way – ‘sorry!’

                      glasses on the head before
                      wheatfield with cypresses, hennaered
                      hair before rock shadows, and

                      tell me, is it the transluscent beer
                      or the backward look to another order
                      the point in the corner of the café-concert?

 

witnessed between elbows at the National Gallery, Trafalgar Square, London, 030515: La Terrasse at Vasouy, The Garden, Edouard Vuillard, 1901, reworked 1935; Van Gogh’s Chair, Vincent van Gogh, 1888; A Wheatfield, with Cypresses, Vincent van Gogh, 1889; Hillside in Provence, Paul Cézanne, about 1890-2; Corner of a Café-Concert, Edouard Manet, probably 1878-80

 

 

^{————w}(O)rmholes_________________________________|—–

20th century & sound wormhole: a theremin note – poewieview #21
being wormhole: dash
blue wormhole: Jon
doors wormhole: through
field wormhole: keep the light off
garden wormhole: the open window
glasses wormhole: new garden
hair & shadow wormhole: 1964
living & skyline wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
looking & posture wormhole: and that’s where I are
passing wormhole: 1963
people & writing wormhole: well,
speech wormhole: quite … / … yet – poewieview #12

 

and that’s where I are

Tags

2016, Aleister Crowley, alley, appearance, birch, black, Bowie, breakdown, breeze, brick, building, car park, career, Carol, cars, cats, child, church, clothes, coffee shop, creativity, decision, Diane di Prima, disappearance, down, Eastbourne, emptiness, fear, form, grey, Heart Sutra, horizontal, humanity, identity, left, leg, looking, mother, muse, others, passing, pavement, plane, posture, quantum, rebellion, right, right angle, roads, school, searching, seeing, silence, silver, sitting, sound, spire, stain, stopped, streets, talking to myself, teaching, trees, up, vertical, waiting, walking, walls, William Carlos Williams, wind, writers, writing

            inner coffee shop

            so, is writing pointless,
            just rebellion from root
            just the muscling of me
            to spite the hard fear that

            I’ll turn to stone if I look
            into her face … `spite the
            knowledge that others are
            far more brave than me?

            St. Saviour & St. Peter

            so what draws me to sit,
            after all, on the roadside
            wall across from the spire
            clear for all to see the

            even bricks buttress, cap
            and flute up so high to
            eleven storeys to, maybe,
            the single point, with run-

            down stain and grimèd
line defining plane and vertical rightened quantum to the neat, surrounding parking and the passing upright
            humans both of public
            dress and private gait

                           360º

            and then the grey cat
            strolled from some-
            where left between
            silent cars to cross the

            road right – stopped –
            t’looka’leaf ‘n’ disappear
            up on wall by tree-sniff
            stop – fence? – no,

            down be-hind th’wall
            out through th’front
            windscreen ‘n’
            downastepps t’street

            to not appear where
            expected; ‘shut’, a mother
            leads a tot from front
            door to car …
                                   … still no appearance

            … … scamper with the
            wind behind as the car
            pulls away; maybe I should
            record this wh’appened all

            around breeze, strolled –
            stopped – by the wall
            back from b’hind m’left
            enters the gateway out

            by th’alleyway (with the
            bold and naked silver birch
            I hadn’t noticed);
                                          upover
            the fence [not attempted

            before] tadaaanother cat
            black treesniff checkleft
            then … left, jumptowall,
            jump to pavementstop;

            over the road frontleg
            onelick s t r o l l s car-
            shielded; black belly-slink
            low across the road; they

            walk away both from
            sight either side of the van;
            one tail up and wiggy
            one tail fluffy with spine

            these things all of great
            importance to spite the hard fact
            of my writing them,
            old Bull Williams would have

            and that’s where I are

 

there are expanses awkward to the landscape in writing sometimes: the technique is there, the shift can be made, but the will and excitement just isn’t; I have been reading Diane di Prima’s “Recollections of My Life as a Woman”, I greatly fed off her childhood but have languoured once she got into the Work; I have been reading about Aleister Crowley’s ‘Do What Thou Wilt’ awkward plane; I have a huge project ongoing writing poewieviews to David Bowie’s oeuvre – I am going to new lands but the luggage is heavy and awkward and requiring decisions which I don’t easily make; oh, and I am off work again, feeling un-plugged in to my own practice of vocation like a forlorn state-of-the-art food mixer; I spent a morning down in Eastbourne chauffeuring my wife around like the successful carer that she is; walking; sitting in a coffee shop; snagged at St. Saviour & St. Peter Church on the corner of Spencer Road and South Street, still pondering the relationship between multifarious form and the emptiness makes it dynamic; but it wasn’t until I sat back in the waiting car and watched the chess moves of two cats in the street that I stumbled across the full quote from the Heart Sutra: “form is emptiness; emptiness is form; emptiness is no other than form, form also is no other than emptiness”; but it wasn’t until I got home and shaped it all up from scribbles to column – with my ageing black AND white cat leaning against my foot – that I wondered if I still hadn’t quite got it yet (as William Carlos Williams, the great great practicer of ‘no poetry but in things’ said); and yet it has been satisfying finding not so …

 

 

^{————w}(O)rmholes_________________________________|—–

birch wormhole: fine droplets / across the glass
black & grey wormhole: hinged – From Hell ch. V
Bowie wormhole: Quiver of / Tiffany – poewieview #20
breakdown & writing wormhole: nothing to write
breeze wormhole: strange / tarnish
buildings & silver & streets wormhole: crease and score of silver-morning sky
carer wormhole: just saying, is all IV: // lost
Carol wormhole: when in Belgium do as the chocolates do
cars wormhole: stacked
cats wormhole: new garden
child wormhole: dream 260815
church wormhole: finding my own true nature – Plumstead, Woolwich, 190915
coffee shop wormhole: ‘from under the awning …’
creativity & school wormhole: through
Eastbourne wormhole: along
emptiness wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
identity wormhole: dear clown’s face
looking & muse & sound wormhole: don’t look / at her eyes – poewieview #18
mother & silence wormhole: early evening
others wormhole: my // shell – poewieview #19
passing & posture wormhole: really
roads wormhole: sixty four sixty five – poewieview #1
searching wormhole: opening
seeing wormhole: where the goblins leered – poewieview #14
sitting & talking to myself wormhole: tong len / the inauguration of another – timely – butter fly effect / taking and giving
teaching wormhole: the MagOO Effect Effect
trees wormhole: Shonagh – poewieview #17
waiting wormhole: Saturday – poewieview #3
walking wormhole: b / r / e / a / t / h / i / n / g
walls wormhole: Nostalgia for Samsara – poewieview #16
[William Carlos] Williams wormhole: and then just stop
wind wormhole: keep the light off

 

the sounds of 1969 // [would have] seemed that way – poewieview #13

Tags

1969, 2016, accountability, appearance, ascent, becoming, being, Bowie, chords, clouds, coalescence, counting, crescendo, dawn, doing, doors, earth, echo, fall, gods, history, horizon, kitchen, looking, loss, lost, love, neighbourhood, people, possibility, rocket, silence, society, sound, stillness, streets, stumbling, suburbia, travelling, trees, up, variation, warp, weft, wish, years

                                   … oh,

                      here it comes again, between
                      the warp and weft of chording;
                      all the engines of thrust, all
                      the snare of history, all propulsion

                      `round various turnings, trails
                      left vaporising; counting … up
                      to crescendo, looking up to tread,
                      to lacunae; to ascend is to lose,

                      to step through that door: fall/
                      ascent mean nothing off-sphere;
                      tumult of horizon sitting in my
                      kitchen, stumbling on my planet,

                      there’s nothing I can do: there
                      are – so – many – more – chords,
                      variants on a minor, travelling to
                      where we are all along, feeling

                      very still … lost where we all are;
                      the sounds of 1969 looked very
                      different today – loved-up, peopled-
                      up, gods upped be-coming – up;

                                          ~O~~~

                      down the slippey ascension of wish,
                      up to the echoing boroughs of cloud-
                      bank, where the damp damp dawn
                      falls silent to urban horizon, higher

                      for to widen the neighbourhood
                      streets and higher to deepen the road-
                      side trees; none of it didn’t, but it
                      [would have] seemed that way

 

filtered through grill of angst: Space Oddity, 1969, Cygnet Committee, 1969, Memory of a Free Festival, 1969

Read the collected movements in David Bowie: Movements in Suite Major

 

 

^{————w}(O)rmholes_________________________________|—–

being & Bowie & doing wormhole: quite … / … yet – poewieview #12
clouds wormhole: dog bark
dawn wormhole: now, the verticals go down as well as they go up
doors wormhole: Seven A.M, 1948
echo & looking & people wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
history wormhole: London Park in Greenwich town – poewieview #5
horizon wormhole: com- / mute
kitchen wormhole: 1963
love wormhole: Grizedale College
silence wormhole: the open window
society wormhole: bookmark
sound & years wormhole: 1963
stillness wormhole: the windmill
streets wormhole: fine droplets / across the glass
travelling & trees wormhole: Saturday – poewieview #3

 

bookmark

Tags

2013, Adam West, appearance, attention, Batman, bronze, cowl, entrance, eyebrow, eyes, gold, life, reading, society, Sylvia Plath

                                              bookmark

                                while reading
                of Sylvia’s stay in Heptonstall
                after graduating from Cambridge
                                the dome
                of Adam West’s cowl – eyebrows
                raised as if scratched on as an after-thought –
                                caught my attention
                the innocent mouth and eye acting adult
                by the logical rules
                in front of the cardboard boxes
                sprayed bronze-gold to look like the
                stone cladding of the Municipal Hall
                                entrance

 

 

 

^{————w}(O)rmholes_________________________________|—–

attention wormhole: the silent night of the Batman
Batman wormhole: gotcha
eyes wormhole: sixty four sixty five
gold wormhole: poessay X: soul love
life & society wormhole: finding my own true nature – Plumstead, Woolwich, 190915
reading wormhole: Compartment C, Car 193, 1938
Sylvia Plath wormhole: like butterflies on / buddleia

 

poessay X: soul love – poewieview #2

Tags

2016, 7*, appearance, art, assimilation, asymmetry, Bowie, bread, butter, centrifugal, centripetal, chords, communication, defining, depression, dichotomy, eclectic, existence, gold, I, identity, illusion, inside, insight, leaves, liberation, living, love, meaning, music, naïveté, nose, octave, others, outside, piano, poessay, right & wrong, seeing, semantics, soul, superhero, syntax, warp, weft, words, world

                poessay X: soul love

                thin depression
                like butter over frozen bread
                when things go well, a shoulder tap,
                the superhero mask with no nose;

                somethings is not right
                outside or in, oneself aren’t what I thought, we
                just don’t co-ordinate as we should
                creating havoc with syntax; but there

                the gold, the outsight,
                that things isn’t quite right
                allows a cleaner, naïve sights of your leaves¹ as long as ‘I don’t fit’
                doesn’t get in the way;

                maybe ‘things’ don’t exist as they appear (or,
                even, shouldn’t),
                that everything are wrong (with
                trans-dualistic semantic); where depression

                is trying to maintain an illusion in a world we did not create (‘wauuugh’),²            
                not proof that ‘we’ is wrong but insight
                to what ‘things’ truly is, and where
                art could be liberative,

                if communicative; which is why Bowie w/is
                important: no sense but the weft of asymmetry
                and the warp of dichotomy in … love
                for other/s-ness-eh city, where eclectic

                assimilation is the means of meaning, always
                far wider than defined, where chordings and octaves are
                centripuntal to word; or not …
                with damn good piano solo

 

¹ this piece of work grew out of a conversation with Johnbalaya which we had over coffee and jam on toast one mornings in the pages of Powieviews; orange juice anyone?
² an mlewisredford No-Prize if you can tell me which character’s strap-line this is; c’mon, c’mon …

Read the collected movements in David Bowie: Movements in Suite Major

 

 

^{————w}(O)rmholes_________________________________|—–

Bowie & identity & naïveté wormhole: sixty four sixty five
communication wormhole: … the discipline of shamatha / the waft of vipashyana
depression & music wormhole: Poewieviews
gold & living & love wormhole: finding my own true nature – Plumstead, Woolwich, 190915
leaves wormhole: along
meaning & world wormhole: let the dreams / become the ghosts they / always were
others & piano wormhole: com- / mute
poessay wormhole: poessay IX – … just saying, is all II
seeing wormhole: Office at Night, 1940
superhero wormhole: sit
words wormhole: when writing // stay

 

1962

Tags

1960s, 1962, 2014, 4*, appearance, Burt Bacharach, Dionne Warwick, faces, others, society, speaking, years

 

 

Music: Don’t Make Me Over; singer: Dionne Warwick; writers: Burt Bacharach, Hal David

 

                                                              1962

                                                              she
                                              caught the side of his face as
                                she said the words she was supposed to
                                              stopped –
                                accordion-lines, jaw-&-sideburns-handsome –
                but didn’t finish

 

 

 

^{————w}(O)rmholes_________________________________|—–

Burt Bacharach & Dionne Warwick wormhole: 1964
faces wormhole: Dr Strange VI – to hold my face to the world
others wormhole: where the real action // always is
society wormhole: 1959 –– MANHATTAN –– 2012
years wormhole: 1977