• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
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    • William Carlos Williams
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  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: bay window

amniotic avenue

22 Sunday Apr 2018

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2017, 5*, ageing, avenue, bay window, Bodhisattva Vow, change, conditioned existence, Eastbourne, Have, life, lifetimes, mother sentient beings, passing, people, perspective, promenade, shadow, shops, society, step, time, walking

                                                                amniotic avenue

                ah, here they come
                out from under the receding bay windows above

                people emerge
                by the flanking promenade of shopfronts that come and go over decades                

                ageing with each step
                and pass

by

 

 

 

————w(O)rmholes________________________________|—–

change & life wormhole: polystyrene / boulderscape
Eastbourne & walking wormhole: perspective
Have wormhole: it’s all about…;
lifetimes wormhole: stuck in lower realm
passing wormhole: skeins of candy pink and lilac
people wormhole: I am not yet ready
promenade wormhole: and ‘naerrgh’ a mention of a seagull’s call
shadow wormhole: with all love released
shops wormhole: the silent night of the Batman
society wormhole: growth
time wormhole: {Ellen Terry’s house}

 

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perspective

07 Saturday Apr 2018

Posted by m lewis redford in poems

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Tags

'scape, 2017, 5*, architecture, bay window, Eastbourne, elm, gables, head, line, looking, passing, pavement, perspective, reading, rooftops, time, walking, wind

                perspective

                the line of gabled rooflines
                over neat bay windows

                and the line of coppiced elms
                edging the pavement

                looking upwards reading
                upwards underneath

                occasional blessings
                of wind about my head

 

 

 

————w(O)rmholes________________________________|—–

architecture & walking wormhole: and ‘naerrgh’ a mention of a seagull’s call
Eastbourne & passing & time wormhole: where did the silence go
looking wormhole: it’s all about…;
reading wormhole: two profiles
rooftops wormhole: animus rises – powieview #37
wind wormhole: The Boats of Vallisneria by Michael J Redford – Working

 

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and ‘naerrgh’ a mention of a seagull’s call

21 Wednesday Feb 2018

Posted by m lewis redford in poems

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Tags

19th century, 2016, 20th century, 8*, access, air conditioning, alley, architecture, back, balcony, bay window, being, black, blindness, blue, burgundy, carlights, chimney stacks, clouds, compromise, contemplation, cross-section, distance, down, Eastbourne, eyes, facade, Ford Cortina, foreground, front, Have, height, hierarchy, history, hope, hotel, houses, inside, life, living, outside, passing, pier, pipes, privacy, prologue, promenade, sea, seagull, seeing, sky, society, sound, streetlight, sun, time, tree, up, Victorian houses, walking, walls, waves, white, windows

                and naerrgh a mention of a seagull’s call

                prologue

                the fetch of uneventful league to
                mingle with pier piles nonchalant;

                the borderline lightbulbs strung for
                decades between promenade lamp

                and stack of height and white façade
                of black-wrought balcony for where to stay

                setting

                frontage shows the way-to-look-
                ing blind to what is seen amid

                all the detail of hierarchy, eye
                turned to what it hopes, while

                rear windows, set central in
                the shapèd drop, look inward

                to find the fit to be; in time
                the rear extension of amenity

                cut fresh cross-sections of life
                turned 90° deep with windows

                unadorned; but then
                were added storey, creating alley

                to hidden access whenever
                contemplating the corners

                that encourage right angle
                where you can serve your

                down and truncating down-
                pipe blind to abutted wall

                perambulation

                                but, I’m in luck

                eye caught by extractor flaps
                in the foreground venting downwards

                venting upwards, sun neatly off
                the downpipes to the right

                on the left long-painted white pipes
                rusting, and between, a leafing tree

                undecided which way to lean
                the background, the monolith back

                of the seafront hotel, conditioning
                air; later, passing the backs of

                houses-become-their-own-entrance,
                seagulls perched at rest

                on the chimneys, I caught
                the tail of a reg-D Cortina with

                burgundy-deep fins and round
                tripartite lights, smaller

                than I remember

                epilogue

                oh, yes and a Persian-blue
                chimney stack with off-white pots

                under sky-blue sky
                and wisps of cloud

 

 

 

————w(O)rmholes________________________________|—–

20th century wormhole: looking ahead
architecture wormhole: London refugee march – 120915
being wormhole: green and / luminant / to behold
black & blue & Have & living & passing & society & walking wormhole: Sheffield Park Gardens
burgundy wormhole: pine // gladioli // [&] wisteria
clouds wormhole: The Boats of Vallisneria by Michael J Redford – Working
compromise wormhole: after all
Eastbourne wormhole: city streets
eyes & life & seeing & time wormhole: 1964
history wormhole: looking / ridiculous
hotel wormhole: and // do your ears burn red?
promenade & sea wormhole: Bexhill 140215
seagull wormhole: do I
sky & white wormhole: travelling // arrival
sound & sun & windows wormhole: Lapping Reflections [Deep Within Waters] – reaping
streetlight wormhole: ‘charcoal grey-slate sky …’
Victorian houses wormhole: red / lacquer / door
walls wormhole: certainly a Captain, / but not America
waves wormhole: place

 

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red / lacquer / door

12 Sunday Nov 2017

Posted by m lewis redford in poems

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Tags

2014, 5*, bay window, child, doors, Hastings, life, red, step, streets, Victorian houses, view

                                               red
                                       lacquer
                                            door

                there is much up steep street
                where Victorian double bay

                stands proud to view over all
                steps too much for child to race

                wide-steps up and up while the
                buggy is meticulously folded

 

 

 

————w(O)rmholes________________________________|—–

child wormhole: lime crocs
doors wormhole: I turn to wake up
life wormhole: found
red wormhole: twilight / and parasols down / within minutes
streets wormhole: between
Victorian houses wormhole: landscape of cloud over London / with differing depths of grey

 

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in the Java ‘n’ Jazz

02 Saturday Sep 2017

Posted by m lewis redford in poems

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Tags

2014, 6*, afternoon, Ashdown Forest, balance, bay window, bossanova, clockwork, coffee shop, Forest Row, guitar, jazz, music, openness, pavement, Saturday, shops, Sunday

                                                                                in the Java ‘n’ Jazz the
                                                                                                                bossanova
                                                                                                guitar

                                                                chorded and semi toned (down the
                                                                                                neck) and
                                                                                always regained on the

                                                minor before the bay window-front
                                                                                onto
                                                                a muggy Saturday afternoon

                                like Sunday used to be with all the shops
                                                                closed and
                                                with clockwork

                the pavement shop sign is folded up
                                                and returned closed
                                by the door

with next week’s opening times

 

first published in the Poetry Jar 160914; the Java ‘n’ Jazz is a coffee shop that relaxes in the small village of Forest Row in Ashdown Forest

 

 

————w(O)rmholes________________________________|—–

afternoon wormhole: make your rickety / constructs strong with / unbending grids / of attention and wide- / open grates of let
Ashdown Forest wormhole: a nice grey woollen picnic blanket
balance wormhole: balance
coffee shop wormhole: Mark & Jon at the coffee shop IV: right angles
guitar wormhole: words tumble like / boulders – poewieview #25
music wormhole: ‘someone …’
openness wormhole: this time
Saturday wormhole: time
shops wormhole: in the / Citadel / Park / a leaf / new / ly fell
Sunday wormhole: Lapping Reflections [Deep Within Waters] – intemperance

 

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that comicbookshop … // … in dreams

06 Friday Jan 2017

Posted by m lewis redford in poems

≈ 5 Comments

Tags

1960s, 2015, 8*, anxiety, bay window, black, childhood, collecting, comics, doing, doors, dream, Edward Hopper, eyes, floorboards, frustration, grey, heart, high, hill, labyrinth, lemon, life, lifetimes, lino, message, moon, morning, numbers, path, pipes, Plumstead, power, reaching, searching, shadow, shops, sky, smell, society, streets, sycamore, Thames, universe, walls, windows, Woolwich, wormhole, writing

dc-gogocheck

that comicbookshop …

where the sidestreets meet together off the highstreets
under slanting shadows down the rear pipework of façades and blackened window
from so much higher up than could never concern us it’s frightening,
the morning after Hopper’s Nighthawks,
is closing down

the ones I try to get to when I find myself done in town
(right after the frustration of trying to get somewhere or the anxiety of trying to
get away from somewhere that always follows me) but never arrive at;
I make my various ways there, I know the routes
like the back of my hand

the ones with warped door stuck at the top or stuck at the bottom
(will the glass pane hold), with step onto lino once lemon and grey with hope
now one with the floorboards sagging under warren of backrooms (forgotten lifetimes
wormholes everywhere) to the pulp of paper and number for finding,                
are closing down; I

comicbookshop

should have patronised them more, I suppose;
`still haven’t found that second issue, that elusive fourth, and the stacks
just kept on sliding: lettering and universes pressing their skies and moons into my eyeball
but I couldn’t keep up with them, blinked too soon, have to get on,
things to do, places to be

it’s having a sale, clearing all stock; the sentinels stand impassive
to all find, impassive to all loss, hooded eyes on somefaraway beach;
for old times’ sake I pick some up, figures reaching stanceofopera out of panel,
maybe a sixth issue, maybe an intertextual fanzine, avoid the modern
too defined in detail, too static in marque,

and come away with stash held to heart, out
into the bustle busily in all direction, weak indication and giant message
I’ll work my way uphill by quiet sidestreet past high walls holding sycamores and
bay windows over the river home to catalogue my finds like a labyrinth and
plot their weave like a stanza

… in dreams

journey-into-mystery-logo

 

 

 

————w(O)rmholes________________________________|—–

anxiety & searching wormhole: pocket
black & shops wormhole: the silent night of the Batman
childhood & life wormhole: alighted
comics wormhole: ah … // oh … // meanwhile … // … // tha ya ta …
doing & dream & lifetimes wormhole: comfy
doors wormhole: hello, luvvey, do you want a cup of tea?
Edward Hopper wormhole: El Palacio, 1946
eyes wormhole: Lapping Reflections [Deep Within Waters] – snow
grey & morning & Plumstead & shadow & sky & streets wormhole: faintly apricot air?
lemon wormhole: 1967
moon wormhole: the too big moon
path wormhole: Clea
power wormhole: the skyline
smell wormhole: 1967
society wormhole: this sodden land
Thames wormhole: time
walls wormhole: familiasyncopation
windows wormhole: open window
Woolwich wormhole: up on the hill
writing wormhole: writing: // in turn

 

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‘hope for things to come’

27 Wednesday Jul 2016

Posted by m lewis redford in poems

≈ 3 Comments

Tags

'scape, 2016, 20th century, 4*, bay window, buildings, Eastbourne, grey, history, hope, life, looking, promise, rooftops, shops, storey, time, white

                     stories above shop fronts look
                     outwards bay and grey, their white

                     capped finials preserved in spike
                     for the due middle between the

                     beginning of ground floor promise
                     and the rooftop end of ‘hope for things to come’

 

 

 

————w(O)rmholes________________________________|—–

20th century wormhole: Doctor Strange II – … things are the same again
buildings & history wormhole: listen willya
Eastbourne wormhole: the missing chord // the now-silent seagull
grey wormhole: carpet worn / to the backing – poewieview #30
life wormhole: what life went on
looking & time wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – from arm to nature, doing nothing
rooftops wormhole: 1967
shops wormhole: constant hummm
white wormhole: trellis / and wisteria – poewieview #29

 

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tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair

25 Monday Apr 2016

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2015, bay window, Crowborough, economics, emptiness, eyes, haiku, hair, hands, Have, hedge, Herbert Road, hills, Hillside, history, horizon, hotel, house, humanity, life, London, rooftops, Shooters Hill, sight, society, tag cloud poem, terrace, Thames, time

                                                     haiku   is awkward

   the more that is left in

     like uncombed  hair

 

 

                                                                                                                                                                            the hands that Have   are

 
                                                    small and gnarly that hedge a                
                                                        fund and close their eyes;

 
                                                my sight formed along
                                          rooflines of
Herbert Road edged
                                                           above the distant
hills

 
                                beyond the river
from terraced steppes along the
     declining line of

 
                                                      Shooters
 Hill; but then

                  my sights folded inwards at

                                                                   Hillside, pages of

 
                                                              turned
 history that had

                                lost its own horizon, from

                                                                                                            hotel to house in

 
                              the bay windows of
                              London where
 humanity
                                                                              is stuck in all time

 

‘aitches’ touch on quite a few boat-ties to my past: ‘Herbert Road’ was the local shopping high street where I lived in London until I was 19; it is in Plumstead which spreads south over the crest of ‘Shooters Hill’ and merges into Woolwich down to the river Thames; ‘Hillside’ is one of a little cluster of houses where I settled to raise a family and grow a career in Crowborough in the late 1980s – that same 80s that, mean-and-all-the-while, Thatcher was creaking open that casket (‘can’t read the label – “–ora’s Box”?’) which left me alien to my own background and lost in my own riverbank mist, save for the miraculous peek of haiku and the deadened gaze of bay window …

`haven’t published a tag cloud poem in a while: they’re made up of the larger tags of my work built up over the years – this one emerged into a series of haiku[esque] pieces of work – almost inevitably; this one was particularly difficult to form, the tag-words didn’t run off each other smoothly – I must admit I left a few words out; the green links are to those respective tags, the different sized fonts determined by the number of ‘topics’ that pertain to that tab … nerk!

 

 

————w(O)rmholes________________________________|—–

Crowborough wormhole: portrait: / two pigeons
economics wormhole: 1959
emptiness wormhole: need
eyes wormhole: bavardage
haiku[esque] wormhole: ‘green plum jam on rye …’
hair wormhole: impressionism
hands & humanity wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
Have wormhole: Nostalgia for Samsara – poewieview #16
hedge wormhole: where the goblins leered – poewieview #14
Herbert Road wormhole: bottom of Herbert Road to the / foot of Eglinton Hill dream
hills wormhole: life [‘n’ death] / legerdemain – poewieview #15
Hillside wormhole: Charlotte
history & horizon wormhole: a theremin note – poewieview #21
hotel wormhole: Hotel Room, 1931
house wormhole: first Spring storm
life & society wormhole: no one – poewieview #24
London & rooftops & Thames wormhole: up on the hill
tag cloud poem wormhole: tag cloud poem VIII – growth
time wormhole: 1968

 

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opening

11 Friday Mar 2016

Posted by m lewis redford in poems

≈ 2 Comments

Tags

'scape, 2013, allowing, architecture, art, bay window, being, finding, found, grey, high, Italianate, marble, open, opening, piano, searching, Sevenoaks, shape, sky, sound, Spring, stucco, suburbia, Victorian houses, windows

                                the art to finding
                                is not in the searching
                                but in the allowing

                                or opening to what
                                is to be found as spring
                                sounds like bay windows,

                                stucco, and Italianate
                                overhang of a late
                                Victorian villa under

                                high-marble grey sky in
                                suburban Sevenoaks from
                                which the faint idle

                                tinklings of a piano
                                shape through a let-open
                                window

 

 

 

————w(O)rmholes________________________________|—–

allowing wormhole: my life / of others
architecture wormhole: crease and score of silver-morning sky
being wormhole: becoming
grey wormhole: where the goblins leered – poewieview #14
open wormhole: Grizedale College
piano wormhole: ‘the hour before dinner – / the empire of dusk’ – poewieview #6
searching wormhole: thick thick fog
sky & windows wormhole: stacked
sound wormhole: the sounds of 1969 // [would have] seemed that way – poewieview #13
Spring wormhole: 50 mph
Victorian houses wormhole: gotcha

 

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finding my own true nature – Plumstead, Woolwich, 190915

18 Monday Jan 2016

Posted by m lewis redford in poems

≈ 6 Comments

Tags

2015, advertising, afterlife, alignment, alley, angel, apartment, architecture, ash tree, Ashlar Place, balcony, baptism, bay window, beech, belief, Beresford Square, Bloomfield Road, boundary, brick, brown, building, buildings, bus, cars, change, childhood, church, compassion, crane, daughter, death, decades, Eglinton Hill, family, glass, God, gold, grass, grey, gurdwara, halo, hedge, hill, history, houses, identity, iron, jet plane, John, khanda, Lee Rigby, leylandii, life, lime, living, London, loneliness, looking, love, memory, mother, Mum, Nan, passing, photograph, pipes, Plumstead, rain, red, rooftops, sandstone, shadow, shop, sky, smile, society, sound, stone, streetlight, streets, suitcase, sun, the British Empire, time, traffic, travelling, trees, true nature, walls, wind, Woolwich, Woolwich New Road, writing

            looking for my own true nature – Plumstead, Woolwich, 1909151

            these times of being cut loose are more usual than comfortable
            the buzz of contact and identity more potential than actual

            I go up to London to find bits of my true nature somewhere
            deep inside the forty four miles of time that has elapsed,

            past the same street boards advertising new plastic on trend,
            in even more colourful lime but now un-im-bleach-able;

            where grand gable and architrave stand cleanly revealed in all
            of their time from behind trimmed hedge, but window bay and

            fanned lintel remain obscured behind opportune ash (and
            where crickets rasp in raised lawn to ear level off the hill); on

            the hill2 a crack in the front wall sinking century-ly downhill
            under sounds of jet somewhere in the sky hidden by dampening

            of leylandii; did I get baptised at All Saints Shooters Hill3,
            or did my brother, when the church was still young, its

            thousand panes held individual by lead, reflecting the
            cubist street, I don’t remember now – fractured memory;

            where sandstone is shaped short in modest Empire-control: in
            niche and ledge and decorative finial, during all the wind of

            cold streets, withstanding the new redbrick of decades; I
            cannot draw the line of brick at the corner of Bloomfield

            Road, true neither to hill nor sky nor shadowed underledge
            to the proud cornice (boundaries to distant-impossible crane)

            or even the sharp roofs clipped to lead-clad valley, let alone the
            ample iron downpipe … but I have learnt to write the architecture

            of odd alignment and cut-through alley; perched now against
            Ashlar Place at just the right angle between sun-wipe and shadow

            (shiny haloes in the indents on the page as I write Gurdwara
             Sahib Ramgarhia Temple
4 in biro), the architecture of

            eternal Empire highlighted in gold with khandas blowing
            in the wind … still cannot obscure the luxury apartments in

            constant construct: -ING IS BELIEVING;5 buses come and
            buses go all along Woolwich New Road before the clapping

            troup of ‘Time for God’ angels and their families stood around,
            full of God’s immanent voices, in and out of sight and chant,

            (I have an old photo: a man crossing the road from Beresford
             Square6 with box suitcase in grey [and suggested brown] after

            apparent rain … when the retired newsagent passed by adding
            that he had run that shop opposite for thirty years, how –

            much – it – has – changed); perched, now, on the Metropolitan
            Drinking Fountain & Cattle Trough, oiled and crust stone

            from hide-breath and redundant exhaust; a mother and slinky
            daughter watch the marching bands pass from their third floor

            balcony, height of streetlight, defined before the upright
            sea of tarp covering the next block of the Royal Arsenal

            Riverside in construct (surprise!); ah, Lee Rigby,7 under height
            of Elliston House, these cars pass far too quick to get

            to their traffic, those beech trees opposite have grown to
            lean downhill for fifty years and more; I looked at every

            plaque, Mum, found plenty of Jeans and Margarets (and
            even Gladyss) but no Redfords, I can’t think I would have

            missed you sixteen years into other existences … I don’t
            know: I smiled at some of the plaques as I looked for you,

            I shall smile at everyone now that I haven’t found you

 

1 this peice follows my last visit to London: walking downhill from Plumstead to Woolwich and around and back, driving to Eltham to where my mother (Jean Marguerite Redford 1933-1999, daughter of Gladys Charlotte Conlay 1906-1989) was cremated
2 Eglinton Hill, early childhood home
3 All Saints Shooters Hill
4 Woolwich Gurdwara
5 woolwich new road and buildings
6 true nature II
7 Lee Rigby tributes in front of Elliston House

 

 

————w(O)rmholes________________________________|—–

architecture wormhole: ING IS BELIEVING
brown & love & red wormhole: when in Belgium do as the chocolates do
buildings & life & streets wormhole: gotcha
bus & sun wormhole: Christmas lights / around the lamp post
cars wormhole: portrait: / two pigeons
change & gold & Woolwich wormhole: ING IS BELIEVING
childhood & Nan wormhole: new garden
church wormhole: you can only smell the candles / when they have been snuffed out
compassion wormhole: [s]
crane wormhole: com- / mute
daughter wormhole: the retriever the daughter and the mother
death & writing wormhole: Poewieviews
Eglinton Hill & London wormhole: the breath of London
family wormhole: let’s have some ice creams
glass wormhole: ‘in clear oil air …’
grey & identity & time & trees & walls wormhole: walking through Lewes
hedge wormhole: the continental stride of trains
history & Mum wormhole: sit
lime & sky & stone wormhole: David Bowie – Iris
living wormhole: currency: / assent for statement – / ‘smakin’alivvin’
loneliness wormhole: ‘passing overhead …’
looking wormhole: Office at Night, 1940
mother wormhole: gre[wh]y / has Daddy left us?
passing wormhole: clouds
Plumstead wormhole: dream 260815
rain wormhole: “walking …”
rooftops & smile & streetlight wormhole: the silent night of the Batman
shadow wormhole: Seven A.M, 1948
society wormhole: the Growing Man
sound & wind wormhole: the open window
travelling wormhole: Compartment C, Car 193, 1938

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
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    • Lapping Reflections [Deep Within Waters]
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    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
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recent leaks …

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Uncanny Tops

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