• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: breeze

time

19 Thursday May 2022

Posted by m lewis redford in poems

≈ 6 Comments

Tags

'scape, 2022, 7*, afternoon, birdsong, breeze, Carol, chaos, chorus, doppler, echo, Emmett's Gardens, garden, jet plane, morning, pigeons, pine, shadow, silence, sky, speech, sun, time, tulip, walls, watching

                                                an array of peaceful jet-scores
                                                across the sky never colliding
                                                welcome to Emmett’s Gardens

                                    time

                        various pine shadow of afternoon
                        away from height of morning sun
                        beyond the rose garden wall

                        held from chaos by the chorus
                        of chivourrts, ch-hwhtts and echoed pigeons
                        from the facing proscenium …

                        … ah, we’ve missed the tulips
                        just stalks top-heavy no we haven’t
                        said Carol watching them twaddle

they doppler even as we watch
between breezes some coming low
to land behind the pines

 

————w(O)rmholes________________________________|—–

afternoon wormhole: ‘in my car I pass…’
breeze & morning & speech wormhole: Journey
Carol & silence wormhole: ‘‘she shook the sweets …’
echo wormhole: travel // when I die
garden wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
pigeons wormhole: municipal garden
pine wormhole: out
shadow & sky & sun wormhole: taking birth
time wormhole: the simple prayer // the tattered poem // the bitter lament
tulip wormhole: Tulips by Sylvia Plath – How Far To Step Before You Raise The Other Foot
walls wormhole: silence

https://www.nationaltrust.org.uk/emmetts-garden

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Journey

Featured

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2018, 8*, birds, blue, breeze, Buddha, city, clouds, day, death, departure, eclipse, evening, fire, flame, form, Ganges, gold, grass, green, hills, horizon, India, Kusinagara, life, looking, morning, night, salvation, sleep, sound, speech, stage, step, stone, stream, teaching, time, town, trees, Vaisali, valley, voices, walking, wandering, wondering

                        the evening before when at length he’d departed,
                Vaiśālī no longer glowed
        like some future city –

                        recent stones of monument
                seemed already unaligned,
        boroughs swallowed by evening hills;

                        we walked wide by the trees across the Gangetic plain,
                robes flupped with each step,
        we lost form as we wandered

                        and we wondered ‘born but to die’,
                still wanting any intoxication
        before the execution;

                        but he looked, always bittersweet,
                to the next horizon – this
        vast and empty stage;

                        in the morning he’d said
                ‘always bite and heat your gold’ and ‘never
        hold the sword by the blade’;

                        ‘I shall lay between those two trees’
                he said in the evening – forks
        around which the whole of time tuned;

                        I prepared grasses about
– I never usually made particular preparations for the night, he would end the day sitting by some copse or stone, away from where we slept glowing like embers,
        as we turned through the night –

                        but he pillowed his head on his hand
                that night, the grasses
        preened green and blue

                        the birds stopped
                as if there were eclipse, the trees ignored
        the breeze,

                        and with shaking headdresses
                dignitaries came to visit from the town
        supplicating –

                        but he spoke with a voice like a cloud, both proximate
and spanning valleys, yearning and teaching to lay down this dried and splintered weight, ‘salvation does not come from the mere sight of me’,
        ‘control the mind’ –

                        and the flames of the fires were low
                as they returned to Kuśinagara
        as if against the stream

                                

Postface Overduction: end of life of the Buddha; narrated by Ananda, close attendant; itinerant life teaching from town to town, area of a few hundred kilometers around central Ganges; left Vaiśālī last, stopped just outside Kuśinagara, town dignitaries came to honour him, had known him before; ‘two trees’ are ‘sal trees‘ tall trunk, no branches until the canopy, northern India, 6th-5th centuries BCE (although there is dispute about this);

        

————w(O)rmholes________________________________|—–

birds wormhole: threshold to behold
blue & city & horizon & morning & time wormhole: under the blue and blue sky
breeze & clouds & valley wormhole: here today and …
Buddha wormhole: eyes like petals
death & speech wormhole: travel // when I die
evening wormhole: nowhere / that can be seen
grass & life & trees wormhole: sweet chestnut
green wormhole: ‘she shook the sweets …’
hills & sleep wormhole: Lapping Reflections [Deep Within Waters] – valley
looking wormhole: looking hard enough
night & sound & stone & walking wormhole: meanwhile
teaching wormhole: c’mon – keep up
voices wormhole: travelling / back

        

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here today and …

05 Sunday Jan 2020

Posted by m lewis redford in poems

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Tags

'scape, 2019, 7*, being, Blake, breeze, clouds, creation, field, hedge, stillness, Totnes, tractors, trees, valley

                and are those clouds
                bent double in-Newton musculature

                poised in-dreadful calliper
                wide across the vale; no,

                no: the tractor makes field up
                in-possible way, and the breeze

                in-forms the trees constant
                even when still; and lo

                there is in-fill between hedge
                and row, here today and …

 

“…till we have built …”

 

 

————w(O)rmholes________________________________|—–

being & valley wormhole: ‘not sure …’
breeze & clouds wormhole: ‘from the cathedral window two stories / high …’
field wormhole: 10/22 by William Carlos Williams
hedge wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
stillness wormhole: eyes like petals
trees wormhole: looking hard enough

 

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‘from the cathedral window two stories / high …’

20 Friday Dec 2019

Posted by m lewis redford in poems

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Tags

2019, 6*, air, balcony, bamboo, blue, breeze, clouds, cream, doors, facade, grey, height, history, pastel, pink, sweet-pea, Totnes, vertical, white, windows

                from the cathedral window two stories
                high above town

                the eiderdown cloud has settled
                patchwork greys

                (and pastels blue
                 through the pulled-back door to the

                 balcony); there
                and here, the various facades all cream

                and white, but
                the haphazard verticals of the sweet-pea

                crane pink
                with-out the bamboo spine

                exercising constant flexed ligament to the air
                but not the breeze

 

still in Totnes; ‘stories’ are definitely … sic

 

 

————w(O)rmholes________________________________|—–

air wormhole: psssssh
blue & grey wormhole: travelling,
breeze wormhole: on / that / day
clouds wormhole: travel // when I die
doors & windows wormhole: Lapping Reflections [Deep Within Waters] – valley
history wormhole: despite all / depiction
pink wormhole: riders of the night
white wormhole: nowhere / that can be seen

 

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on / that / day

11 Monday Nov 2019

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2019, 6*, arms, bread, breeze, brows, cake, chickens, Darmstadt, dog, ears, elderflower, family, feet, friends, happening, harps, Jon, Krishna, marriage, people, pine-cones, salad, Sara, serviettes, sunlight, trees

                                on
                                that
                                                day

                when the breeze was high in the trees and the sunlight
                occasional across pebble paviours

                when the harps cried ‘hallelujah!’
                and the puppy’s brows drew ears to attention of
                                chickens!

                when the cake was spread before the salad as only Krishna would have liked                
                and families multiplied like fanned serviettes

                and friends came together like classmates
                and peoples’ feet jumped one way, their arms waving the other,

                Jon and Sara pulled the bread and divined pinecones and elderflowers
                when things really had
                                come together beautifully

 

Jon and Sara married a couple of weeks earlier, but we celebrated later all together

 

 

————w(O)rmholes________________________________|—–

breeze wormhole: at Kreukenhof
dog wormhole: 10/22 by William Carlos Williams
family wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
feet wormhole: waiting to be heard
Jon wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
people wormhole: boiled spangle with soft centre
trees wormhole: travel // when I die

 

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at Kreukenhof

18 Sunday Aug 2019

Posted by m lewis redford in poems

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Tags

2019, 5*, air, Amsterdam, breeze, clouds, compassion, curtains, fashion, fire, flowers, gravity, growth, Kreukenhof, letting go, photograph, retirement, river, role, samsara, sky, sound, traffic

                gravity, and river air hold the curtains
                down, breezes and distant traffic make them
                adjust against the sill stiffly, audibly

                but then, my people, I am learning
                not to resent your burning like fire
                when you play your endless roles like fashion

                and I am learning to let clouds fill the sky
                as you take every single photo
                of every single flower at Kreukenhof

 

Kreukenhof is a display garden near Amsterdam sited amid surrounding fields and fields of cultivated tulips, grown in strips of colour across a whole field; when we visited this year, we stayed on the Botel, a converted ship docked on the river Amstel in the IJ bay

 

 

————w(O)rmholes________________________________|—–

air wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
breeze wormhole: threshold to behold
clouds wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
compassion wormhole: light of all interaction
curtains wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
letting go wormhole: mandala offering
retirement & sky wormhole: ‘don’t look at it …’
river wormhole: boiled spangle with soft centre
samsara wormhole: the Bodhisattva set out / for the Seat of Awakening
sound wormhole: the blessings of the Buddhas

 

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threshold to behold

09 Thursday May 2019

Posted by m lewis redford in poems

≈ 10 Comments

Tags

1967, 2019, 8*, abandonment, alcove, being, birds, blue, books, breeze, Dad, Eglinton Hill, evening, garden, head, identity, life, meaning, openness, place, purpose, room, shoulders, skirting board, sky, son, sound, standing, text, time, trees, Victorian houses, weight, windows

                                  threshold to behold

                having persistently interrogated every alcove
                and skirting and sash-window of every room
                he could possibly have been in

                for any lead to any whereabouts, to even a
                chalk-outline, of how to be (beyond the breath
                of standing next to him in the breezy garden) –

                they were so well-moulded, fitted at perfect
                right angle, pulleys holding the weight just right
                to open, surely they would know – nothing,

                (or were they just too arcane to decode),
                the son stood before the bookshelves – how
                was it, now – legs not really astride but anyhow,

                (dangling, even), but head and shoulders alert,
                scanning the spines, weighing what each had
                to offer to respective places and times in the

                whole of a life, ah, this is the one – plucked –
                from the top of the spine, reached down; felt
                their weight, now, opened boarded covers

                (sound of crease), open at random (must of
                decades), what does the text say when
                eavesdropped unaware, has it sense, could I inhabit

                that sense enough to see what to do, to breathe
                what to be – birds take flight into the turning deep blue
                above evening trees

 

my father left his family on my eighth birthday; I’m sure he didn’t plan in that way, but that’s the day he happened to come home late again and confess that he’d been seeing someone else – I played with my new cars behind the sofa and listened to him leave, I didn’t look up so much as stare at the shape of the room as if noticing for the first time in the Victorian house on the hill where we lived; ‘I searched for form and land, for years and years I roamed’ (a no-prize to anyone who can name where these lyrics come from) looking for the direction I needed to be ‘the man of the house, now’ as someone said to me at the time; it’s only now I have retired that I realise there is no direction to go and that there is no man about the house other than saying makes it so; I still don’t look up, but am more and more sure that I don’t have to, now; still, all that browsing, plucking and hoarding over the years …

 

 

————w(O)rmholes________________________________|—–

abandonment & Dad & life wormhole: my uncomfortable life
being wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
birds wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
blue & trees wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
books wormhole: ‘… and yet I think I am so modest: …’
breeze wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
Eglinton Hill wormhole: Plumstead – Woolwich – Plumstead 220211
evening & time & windows wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
garden wormhole: Landscape, Pontoise, 1875
identity wormhole: so, how long is, a piece of string?
meaning wormhole: the old man;
openness wormhole: the mantra of Maitreya
sky wormhole: Staffa Fingal’s Cave, 1832
sound wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
Victorian houses wormhole: Hastings: neither all or nothing

 

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Lapping Reflections [Deep Within Waters] – pageant of the trees

17 Saturday Nov 2018

Posted by m lewis redford in poems

≈ 8 Comments

Tags

2018, 5*, alder, almond, apple, ash, beech, blossom, breeze, cherry, clock, elm, eyes, fir, fire, flame, garden, gaze, green, ground, hazel, hedge, leaves, oak, orchard, pink, shadow, silence, sky, sound, Spring, step, thought, trees, white, wood, writing, yellow

                pageant of the trees

                spring’s tonic rising
                and hazel catkins swell
                to greet the first warm days

                elm and alder to follow
                heralding beech and oak
                and later the firs will show

                their new cones, dusting
                the ground with yellow;
                the gardens will fill with

                almond blossom and
                orchards will froth with
                cherry white and apple pink,

                aperitif to coming summer;
                hedgerows become en-veiled
                in diaphanous haze, a

                million leaves on the
                passing breeze; stop
                writing, now, step out

                beneath the cavernous sky,
                deep into the quiet of a glade
                to be silent within silence,

                eyes open like shadows
                in dancing leaves and thoughts
                greener to the underside

                                                                —–

                                                gazing between sentences
                                                into the fire

                                                the beam from the
                                                old house burns clear flame,

                                                tinsel murmurings between
                                                the ticking clock,

                                                until pure white ash
                                                falls without sound

 

read the collected work of ‘Lapping Reflections [Deep Within Waters]‘ as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – Trees

 

 

————w(O)rmholes________________________________|—–

blossom & breeze & fir & garden & green & hedge & oak & shadow & silence & thought & writing & yellow wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
eyes wormhole: ‘… and yet I think I am so modest: …’
leaves & pink & sky & sound & trees & white & wood wormhole: La Route de Louveciennes, 1870
spring wormhole: SPRING AND ALL I by William Carlos Williams

 

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The Boats of Vallisneria by Michael J. Redford – Trees

18 Thursday Oct 2018

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

1967, alder, almond, amethyst, apple, armchair, beech, blossom, branches, breeze, cattle, change, cherry, children, chimney stacks, church, clock, common, cottage, economics, elm, enclosure, Essex, evening, eyes, fields, fir, fire, flame, forest, garden, gate, grass, green, hedge, Henry VIII, history, knowledge, landscape, lanes, laughter, leaves, London, Michael J Redford, mind, noise, oak, orchard, passing, past, pink, pollen, poplars, progress, red, rust, shadow, ships, silence, sitting, sky, smoke, society, speech, Spring, summer, the Boats of Vallisneria, thought, tiles, time, trees, village, walls, war, white, winter, woodland, writing, yellow

Trees

Spring’s tonic has risen within the trees and hazel catkins have swollen in greeting to the first warm days of the year.   Elm and alder are soon to follow heralding beech and oak and in a month or so the firs will show their new cones, green and full of juice, and their catkins will dust the ground yellow with pollen.   Throughout the villages cottage gardens will soon be filled with almond blossom and orchards will froth over with cherry white and apple pink spilling an aperitif to summer upon the living fields.   The hedgerows and woodlands become en-veiled by the diaphanous greenery of a million tiny leaves, an amethyst haze so tender and tenuous that I fear for its safety lest it be borne away upon the passing breeze.   I become aware of a restlessness within me that calls with increasing persistence to forego my writing and step out beneath the cavernous spring sky.   The pageant of the trees has begun.   Field and lane alike become heavy with leaf and only a section of red tile or a chimney stack, like flakes of old rust within the foliage, betray the presence of human habitation.   The blanket of summer affords us a privacy and seclusion that is unattainable in naked winter when one’s every move can be discerned by the neighbour’s critical eye, but here in the depths of summer, we can take our thoughts into the quiet of a woodland glade, we can be silent and be within silence for a little while and rest your eyes upon the shadows of the dancing leaves above.   And how restful the colour green, and how restful to the eye and through the eye to the mind that blossoms forth green thoughts.

This spring evening upon which I write is a decidedly chilly one even though the day itself has been full of warmth.   Thus I am to be found sitting in an armchair, putting my thoughts on paper, gazing between sentences into the dusty red glow of a log fire.   It is a funeral pyre really, the cremation of the last remains of an old local cottage that has long died, having fallen prey through disuse, to the vagaries of our climate and the onslaught of the village urchins.   I gaze with half closed eyes at the sawn up piece of beam that was once part of the skeleton of the old house, and see it burn with clear flame and little smoke.   In accompaniment to the ticking of the clock upon the mantle shelf I hear the old log’s tinsel murmurings that sound like a piece of screwed up silver paper, tossed aside and left slowly to expand, and as the pure white ash falls without sound, I feel myself drawn into the distant past and fancy I hear the laughter of children as they play beneath the boughs of a tree which this dead piece of wood was once a living part.   Whose children are these?   From what age do they come?   Perhaps they are the offspring of Henry VIII’s generation, the irresponsible youth of the day who cared nothing about the great cultural and religious upheaval taking place about them as they played handball between the northernmost buttresses of the old church wall.

It was at about this time when the monasteries had just been dissolved that the first enlightening book on agriculture by Fitzherbert of Norbury had just been published.   Was this historic pioneer of fertility indirectly responsible for the downfall of this old tree?   For the seas of knowledge flooded the land and split the forests into arboreal islands and many fine examples of the medieval forests became the battered flotsam of progress.

Certainly this old piece of wood never witnessed an act of enclosure, for the open field system was predominant right up until the late eighteenth century, when round and about the great open fields sprawled the commons, the scrubland and marshes, creating through their wastefulness and their infertility, a barrier to agricultural and therefore economic progress.   Although enclosure was a costly business, required finances could be supplemented by felling timber which, during the Napoleonic wars commanded a high price.   Also, in order to fence off enclosures, what was more natural than to plant more timber which, unlike normal fencing that needed constant and costly repair, increased in value as time went by.   The first choice of timber was naturally that which was most valuable such as ash and oak.   But the oak was slow in maturing, and where the ash spread its roots, no crops or grass would grow and no cattle would graze.   It was thus that the stately elm made its appearance and stamped the English hedgerow with a character all its own.   Being able to grow, and grow quickly in all types of soil, made it a very desirable timber to grow.   Also, the elm allowed grazing beneath its boughs and, due to its durability in water, it was at this time much sought after by the Navy Board for its ships.   Water mills, lock gates and drain pipes were of elm, and at the turn of the century, London alone still had over four hundred miles of mains constructed from its timbers.

Caught upon the ebb flow of time, I see the trees’ ancestral giants, the calamites, that reared two hundred feet into the sky.   They heard no child’s laughter, neither did they hear the buzz of insects nor the songs of birds, for they existed in the dim distant dawn of the carboniferous age millions of years before the birth of man, when even the birth of the first blade of grass was aeons in the offing.

They grew long, long before man, mute sentinels surveying the changing landscape, witnessing scenes that no mortal has ever gazed upon.   Then when man came, they furnished him with food, shelter and fuel; they gave to him the means of traversing the oceans.   They have been instruments of both war and peace and have featured in mans’ writing, music and art.   They have been made gods and devils and have bought good luck and bad.   Man’s long and close association with trees is evident from his desire to wander beneath the green boughs when time and toil permit, and from picnic parties who would sooner travel an extra mile to spread their chequered cloths within their shadows.   Perhaps it is because a tree expresses continuity, a security that mankind through all the ages and searched and worked for.

Although not a native of Essex, this ancient county endears itself to me more and more as time rolls slowly by, and time does pass slowly in Essex, for to plumb its highways and byways is to plumb history itself.   It has been slow to change through the centuries and there are numerous back lane hamlets which, even to this day, have experienced virtually no change for many, many years.   One lively youngster or eighty five who lives on the borders of Chignal Smealy and Chignal St. James (what delightful names are these), told me that the only difference he could see in his village was the height of the poplars at the end of his garden which, when he was only “knee high to a goose-pimple” were only a “stack an’ ‘alf ‘igh”, even the cottage gate that was propped open on one rusty hinge was the very same one his grandfather had made.

Having been one of the most heavily afforested counties in England, Essex is rich of fine examples of man’s utilisation of wood.   It can be seen in his architecture, in his tools, farm implements and vehicles.   The men of Essex are very conscious of their affinity with trees, and go to great lengths to preserve the more eminent members of their arboreal population, and I find it hard to believe that there is another county in the whole of the British Isles that can boast a greater number of ancient trees that have been propped up and strung up to cast their humbling shadows upon the heads of men.   Most of these old trees are of course oak, for Essex was noted for its oak forests, but as farming spread, so the forests disappeared, and the elms lining the fields and lanes now outnumber to oaks and are a far more familiar sight.   It is these old isolated trees that afford us a tangible link with the past.   They disperse any feeling of isolation in time and give to us instead a much needed sense of continuity, of that which has no end.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

blossom wormhole: BLUEFLAGS by William Carlos Williams
branches & mind wormhole: Lapping Reflections [Deep Within Waters] – old George
breeze wormhole: A Solitude by Denise Levertov
change wormhole: Bridgnorth
church wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
evening & sky & thpought wormhole: space for probing thought
eyes & passing & shadow & speech & walls wormhole: ‘… plane is upright …’
fir wormhole: Pilot 125 … // … being excursion in the interludes
garden wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
green & Spring wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
hedge wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
history wormhole: and ‘naerrgh’ a mention of a seagull’s call
knowledge wormhole: ‘a blacknight fitted perfectly …’
leaves wormhole: SPRING & LINES by William Carlos Williams
London wormhole: London refugee march – 120915
oak wormhole: behind / glass walls and wan and hooded eye
pink & time & white & yellow wormhole: THE LONELY STREET by William Carlos Williams
red wormhole: SPRING STRAINS by William Carlos Williams
silence wormhole: despite that
sitting wormhole: getting fat in me old age
smoke wormhole: cross-section
society wormhole: raised brow
trees & war & winter wormhole: What You Are by Roger McGough
writing wormhole: JANUARY by William Carlos Williams

 

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A Solitude by Denise Levertov

26 Sunday Aug 2018

Posted by m lewis redford in poems

≈ 6 Comments

Tags

1961, 7*, air, anxiety, being, blindness, breeze, children, Denise Levertov, doors, exit, face, hands, image, journey, joy, light, movement, nowhere, passing, people, presence, quiet, right, seeing, shame, smile, solitude, sound, speech, stairs, staring, station, stranger, streets, sunlight, thought, train, water, way, world

                                A Solitude

                A blind man. I can stare at him
                ashamed, shameless. Or does he know it?
                No, he is in a great solitude.

                O, strange joy,
                to gaze my fill at a stranger’s face.
                No, my thirst is greater than before.

                In this world he is speaking
                almost aloud. His lips move.
                Anxiety plays about them. And now joy

                of some sort trembles into a smile.
                A breeze I can’t feel
                crosses that face as if it crossed water.

                The train moves uptown, pulls in and
                pulls out of the local stops. Within its loud
                jarring movement a quiet,

                the quiet of people not speaking,
                some of them eyeing the blind man,
                only a moment though, not thirsty like me,

                and within that quiet his
                different quiet, not quiet at all, a tumult
                of images, but what are his images,

                he is blind? He doesn’t care
                that he looks strange, showing
                his thoughts on his face like designs of light

                flickering on water, for hedoesn’t know
                what look is.
                I see he has never seen.

                And now he rises, he stands at the door ready,
                knowing his station is next. Was he counting?
                No, that was not his need.

                When he gets out I get out.
                ‘Can I help you towards the exit?’
                ‘Oh, alright.’ An indifference.

                But instantly, even as he speaks,
                even as I hear indifference, his hand
                goes out, waiting for me to take it,

                and now we hold hands like children.
                His hand is warm and not sweaty,
                the grip firm, it feels good.

                And when we have passed through the turnstile,
                he going first, his hand at once
                waits for mine again.

                ‘Here are the steps. And here we turn
                to the right. More stairs now.’ We go
                up into sunlight. He feels that,

                the soft air. ‘A nice day,
                isn’t it?’ says the blind man. Solitude
                walks with me, walks

                beside me, he is not with me, he continues
                his thoughts alone. But his hand and mine
                know one another,

                it’s as if my hand were gone forth
                on its own journey. I see him
                across the street, the blind man,

                and now he says he can find his way. He knows
                where he is going, it is nowhere, it is filled
                with presences. He says, I am.

 

how to be in another’s head about being in another’s head: this is a wonderful example of Whalen’s ‘graph of the mind’ – the reach and score of effervent; there is a wonderful clarity and excise about these words such that the encounter is ours as much as just reported; thank you Denise Levertov, as she touches her throat lightly to feel the vibrations as she listens

 

 

————w(O)rmholes________________________________|—–

air wormhole: THE DESOLATE FIELD by William Carlos Williams
anxiety wormhole: anxiety
being & water wormhole: `whappn’d!
breeze & hands wormhole: Lapping Reflections [Deep Within Waters] – old George
doors wormhole: letting them go
light wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
passing wormhole: SPRING STRAINS by William Carlos Williams
people wormhole: tram
quiet wormhole: new blue porsche
seeing wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
smile wormhole: SUMMER SONG by William Carlos Williams
streets wormhole: PASTORAL by William Carlos Williams
thought wormhole: presence
train wormhole: all the low clouds keeping pace / through the train window, / always arriving, whether fast or / slow, but never actually moving
world wormhole: scintillating to mind’s content

 

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