• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: change

beneath

15 Thursday Aug 2019

Posted by m lewis redford in poems

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2019, 5*, books, change, Channel Tunnel, dark, growth, guidance, life, opening, pink, retirement, skin, time, train, travelling

                a smooth and railed
                in-noticeable decline to the tunnel under the channel

                and sudden dark,
                lighted for miles;

                the books and persons
                I selectively collected for a

                lifetime
                are crusting away painlessly

                revealing pink
                and sensitive skin beneath

 

 

 

————w(O)rmholes________________________________|—–

books wormhole: threshold to behold
change wormhole: c’mon – keep up
life wormhole: slight sneer
pink & retirement wormhole: ‘don’t look at it …’
time wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
train wormhole: 10/30 by William Carlos Williams
travelling wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley

 

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c’mon – keep up

19 Friday Jul 2019

Posted by m lewis redford in poems

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2019, 6*, acceptance, career, change, CPD, identity, measure, music, Pink Floyd, principle, reputation, system, teaching, wind

                c’mon – keep up

                I was a teacher
                I was sometimes
                very good, I cut edges;

                things changed,
                (they’d never
                 quite coalesced)

                I stuck to
                principle, fatal
                to behold,

                couldn’t shimmy
                with the wind (there
                was never a wall

                that created the
                draft) I was
                still, sometimes,

                very good,
                but things just
                changed –

                                ~ O —

                wazzat I hear,
                music, far away,
                can’t make it out:

                “I don’t need no reputation
                  I don’t need no CPD
                  no starkly standards by which to measure

                  system leave them selfs alone … … …
                  hey, system, leave yourself alone …
                  all in all I’m just another brick in the wall”

 

from Bodhisattvacharyavatara, VI, 90-93: [90] And as for praise and fame and status, these will not necessarily affect my life at all; they will not bring me virtue or recognition, they will not extend my life-span or give me strength or free me from sickness or even make me feel good.   [91] If I truly knew what was of benefit and import to my life, what value would I hold in pursuing such things?   If all I want is some nominal, transient mental entertainment, perhaps I should just indulgently devote myself to gaming and getting high and such.   [92] And yet if, in pursuit of fame, I squander everything I have or even get myself killed for some point of honour, of what use would be the mere sound of words to anyone?   Once I am dead, to whom, of all the people I knew, would they bring satisfaction?   Can you eat words as if they were flesh?   When I am dead, what comes of my honour?   [93] When their mud-houses (and sand-castles) collapse, children spontaneously burst out crying in despair and anguish; and, likewise, when my approbation and renown dry up, my own mind reacts just like a silly child.

 

 

————w(O)rmholes________________________________|—–

acceptance wormhole: the mantra of Maitreya
career & change wormhole: Renunciation
identity wormhole: looking for the right exit
music wormhole: there will be ovations
teaching wormhole: my uncomfortable life
wind wormhole: the old man;

 

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Renunciation

22 Wednesday May 2019

Posted by m lewis redford in poems

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2019, 6*, betrayal, career, change, changing, doing, falling, identity, irrelevance, performance, profile, redundancy, renunciation, retirement, samsara, society

                Renunciation

                you make your mark
                and you form your identity

                when you make it work
                or you make it otherwise

                or opt-out of the way
                it is currently done

                and you detail the profile
                and service your brand

                while making it perform
                or making it change

                or becoming irrelevant
                to the way things develop

                and you become your own redundancy
                and wonder why

                while perfecting your take
                or taking the fall

                or being betrayed
                by the way things changed

                out of anyone’s hands;
                or not

 

 

 

————w(O)rmholes________________________________|—–

career wormhole: my uncomfortable life
change wormhole: A Corner of the Garden at the Hermitage, 1877
doing & identity & society wormhole: mandala offering
renunciation & samsara wormhole: the old man;
retirement wormhole: it’s / not what you do or what you say / if it ain’t got that swing

 

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A Corner of the Garden at the Hermitage, 1877

10 Friday May 2019

Posted by m lewis redford in announcements

≈ 2 Comments

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1877, 2018, 7*, being, bench, book, change, distance, garden, ground, growth, meaning, Pissarro, quiet, seasons, shrub, sister, sky, speech, trees, words, world

                there are words in the book
                look, they match things

                in the world, the little sister
                was unconvinced and

                leaned on the bench
                to keep it on the ground,

                she knew the tree behind
                grew slowly in more

                than one direction,
                the tall shrubs all shushed

                in the distance, but the
                sky had already turned season

 


slyly, from the corner of A Corner of the Garden at the Hermitage, 1877 by Camille Pissarro

 

 

————w(O)rmholes________________________________|—–

being & garden & meaning & sky & trees wormhole: threshold to behold
bench wormhole: snapshots about Totnes
change wormhole: so, how long is, a piece of string?
quiet wormhole: horizon
speech wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
words wormhole: my uncomfortable life
world wormhole: Batman: Oddysey

 

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so, how long is, a piece of string?

27 Wednesday Mar 2019

Posted by m lewis redford in poems, reflectionary

≈ 5 Comments

Tags

2018, 8*, anger, being, Bodhisattvacharyavatara, cause and effect, change, conditioned existence, doing, echo, enemy, event, existence, ghosts, identity, interaction, karma, knot, mind, others, practice, pre-existence, samsara, self-grasping, speech, talking to myself, tangle, thought, uncaused, untangling, web

                so, how long is a piece of string?

                always somehow, and ever somewhere,
                in a thousand different ways and
                a thousand different times, I set myself up,

                I set my self up
                to be the clever one, to be right in the end, and inevitably,
                like a thousand different echoes,

                someone comes and stands
                right in my way, or kneels in a ball behind me while someone else
                shoves me backwards

                so that I fall like a prat, and then someone else points
                and says ‘ha; ha’ in a thousand different ways; where
                do they all come from,

                do they just shimmer out of nowhere
                like ghosts just to frustrate me –whooo!–
                do they come out of nature,

                naturally unjust, naturally evil; are they just there
                existing from their own side, like a sharp bend in a long stretch of road
                {oh, come on,

                 no, they’d have to pre-exist in order to
                 come into existence, which would involve
                 a change in something which cannot change

                 because it is pre-existent, and therefore
                 causeless, so that it would have to stop being what it is
                 in order to be what it isn’t,

                 you know that, don’t you}; no, everything
                is conditioned, yes, and nothing stands
                independent by itself, so everything

                I have ever done or said or thought
                has been conditioned already, ok, but also,
                everything I have ever done or said

                or thought has also set up a
                whole web of further conditions
                which have had, or are nail-tapping waiting to have,

                an impact on other events
                and people; and yes, that’s ‘me’ in the corner …:
                the endless twists and turns I have made,

                and still making with every move and word and thought,
                which bind me in, tightly or loosely,
                to everything with which I interact –

                completely and utterly tangled:
                I hope I acted cleanly and carefully,
                but I’m afraid I didn’t – I’m … going to have to face my

                whole knot – a universally big ball,
                so much bigger than l’il ole me
                that it doesn’t seem to have much to do with me, but it does,
                it, all, does;

                and I’d better stop pulling and tugging away at it
                to get my own way and
                start untangling, and start untangling …

…I had a tangle of garden-wire to sort today; it had been wound round a dispenser but some of it had crossed over, become entangled, yanked, and a whole middle section had come away; then it had been worked on, to untangle it, but impatiently, and without thought, and so whole rolls of it had become furled over and through themselves, some bits were knotted, some bits were hanging out in great loops; being garden-wire, it kinked where it had been bent which also caught other strands as they came close to them in their tangle; and it had been cut for a quick solution, and so I had more than two ends that I could make any sense of; it took time untangling it, it took willing to give up on some progress I had already made on seeing that I’d started too far in, or too peripherally; it meant keeping hold of the thread I was starting with and turning the whole tangle around it, rather than working through the tangle, knowing that I was making problems for myself further down the line but I couldn’t worry about that yet; it meant having to abandon my initial thread sometimes to concentrate on further-on loops before I could return to it released; it meant I had to think ahead a bit to loosen the tangle in all the ways that it would, even if it meant unravelling the newly-wound initial thread I’d already sorted, a little; I had to take a rest every once in a while because I was concentrating too tightly …

                no, these enemies they’ve
                been ‘here’ all along, right in the
                back of my head, long forgotten,

                but from the time I crossed them
                in a thousand different ways
                and a thousand different times,

                they’ve been waiting, relentlessly,
                for a body and a circumstance to come together
                to respond:

                “there you go, mate, I owed you that”
                and inexorably I’d been setting myself up with just the right conditions
                to receive it

 

Bodhisattvacharyavatara chapter VI, verse 47: Impelled by my actions – [drawn out by circumstance, incited by the heat of the moment, prompted by hearsay, provoked by trigger, instigated by design, mobilised by obligation, shoved by control, summoned by role] – those who cross or hurt me, those who do me wrong just appear, right in my way and do what they have to do. And because of their actions, they will end up fallen and consigned to the infernal realms … surely, isn’t it actually me who have destroyed and damned them, haven’t I just been the mirror to magnify back to them their harm?

and, yes, that is a reference to the REM song, losing … something

 

 

————w(O)rmholes________________________________|—–

being & mind wormhole: …zzh-vvttP*–… … …
change wormhole: on facing the Have
doing & speech wormhole: ‘ouch’
echo wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
ghosts wormhole: what wounds have you got?
identity & others wormhole: there will be ovations
practice wormhole: ‘there, …’
samsara wormhole: glamour of saṃsāra
talking to myself wormhole: SPRING AND ALL VI by William Carlos Williams
thought wormhole: horizon

 

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on facing the Have

01 Tuesday Jan 2019

Posted by m lewis redford in poems

≈ 2 Comments

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2018, 7*, being, block, blue, bone, cause and effect, change, choice, clothes, clouds, Darwin, death, depth, discipline, doing, dream, drifting, economics, emerald, extermination, faces, government, green, grey, hats, Have, head, hills, hinge, humanity, identity, iron, kiss, life, loss, making, mud, music, neck, peacock, photography, power, quotidian, river, roof, settlement, shadow, Shrewsbury, slow, society, statue, stone, streets, tectonic plates, time, trees, violence, walls, war, watching, water, woman, World War, writing

                bone to stone drifting
                catastrophic slow

                lee to face-ward drifting
                shadow to quotidian

                suggesting life
                only when settled

                under branch of roof;
                noticeable change

                comes at the price
                of sheild and pike:

                death-mask disciplined
                to the painted face

                open to the very depth
                of loss, later settled

                to economies of
                plea, barter and

                proliferation of fact
                artisaned superfluous

                to being – faces fixed
                in leer the rest of

                born days, where
                animals are skinned

                under abnegated face,
                where stone walls

                turn green, staining
                clothing and where the

                emerald poise of head
                and neck watches

                the peck of open flay, all
                “exterminated by

                 slow acting and still
                 existing causes …”

                … time begins
                to tick – well it had to

                start somewhere – and
                with time cometh writing

                and with writing the
                topography fades from

                hill-wide face to
                pock-mark street and settlement

                all fitted ingeniously
                with raised wall over arch,

                high to unresolved descant
                always left in minor;

                the woman bends
                to the laundry before

                the rush of water
                released from the mill:

                power is only explicit
                when blocked and

                channelled, tree to
                gable with date

                and signature, silk
                to valence with

                drape of repose and spreading peacock dream;
                so, is there choice

                of governance: cut
                through from neck to child;

                you stay unnatural-still
                your image will be caught,

                you turn, and your
                head will disappear,

                you climb the wall
                and stand still, you

                stay in the mud yard
                and stand still, … only

                hats stay constant, cast-
                iron flanges reach

                from cast-circular
                hinges, woven to corset,

                slave to youth; the
                memorial stone,

                painfully-carved,
                reflects the blue

                of grey cloud, under
                posts of wire

                the death-etched
                face stoops to kiss

                the face of
                wholly mud

 

291218 – spent the afternoon at the Shrewsbury Museum and Art Gallery to tread time from immemorial to the First World War; the quote is from “Thinking Path” by Shirley Chubb (2004), an exhibition that explores the life and legacy of Charles Darwin, an artwork and series of installations inspired by Darwin’s daily ritual of walking the same path at Down House; “Shadow Stories”, an animated short film by Samantha Moore is not directly referenced but weaves about the whole perambulation; references include the Roman conquest, medieval, Civil War, and industrial exhibits, up to the Open Art Exhibition commemorating the 100th anniversary of the First World War

 

 

————w(O)rmholes________________________________|—–

being & clouds & doing & identity & power wormhole: The Passage of the St. Gothard, 1804
blue & woman wormhole: SPRING AND ALL XI by William Carlos Williams
change & streets wormhole: to let be
death wormhole: What You Are by Roger McGough
dream wormhole: THURSDAY by William Carlos Williams
economics & society & walls & war wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
faces wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
green & shadow & trees & writing wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
grey & time wormhole: La Route de Louveciennes, 1870
Have wormhole: SPRING AND ALL VI by William Carlos Williams
life wormhole: ‘… and yet I think I am so modest: …’
music wormhole: JANUARY by William Carlos Williams
river wormhole: quiet river
roof wormhole: breakfast
stone wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
water wormhole: SPRING AND ALL I by William Carlos Williams

 

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to let be

21 Wednesday Nov 2018

Posted by m lewis redford in poems

≈ 4 Comments

Tags

2018, 6*, allowing, being, change, echo, identity, letting go, looking, meaning, mist, Mum, prospect, purpose, putting out, retirement, rhetoric, school, shopping, space, streets, voice, wisdom

                                so I stopped working
                in an institution that couldn’t converse within its own rhetoric

                                couldn’t find a voice
                to navigate through all that drifting mist, and got lost, so I

                                no longer comb
                through shops and streets looking for echoes of a lost chord

                                that would weave
                my lives back together (couldn’t find it in all that looking),

                                all that
                                anxious putting-out
                and prospect, finding everything changed and nothing done,

                                and no monument
                that I was ever really there other than the space through

                                which the change
                happened glorious to allow, nothing to behold, everything

                                to be, a lot of
                history to let go – it was obstructive of me to try to solidify

                                there anyway,
                I should have stayed with the wisdom I inherited before

                                I was born,
                allowed the acceptance of my mother’s wisdom: to let be

 

 

 

————w(O)rmholes________________________________|—–

being & identity & meaning wormhole: SPRING AND ALL VI by William Carlos Williams
change wormholeL The Boats of Vallisneria by Michael J. Redford – Trees
echo wormhole: La Route de Louveciennes, 1870
letting go wormhole: beguiled / desire
looking wormhole: SPRING AND ALL XI by William Carlos Williams
mist wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
Mum wormhole: Plumstead – Woolwich – Plumstead 220211
retirement wormhole: Lapping Reflections [Deep Within Waters] – old George
school & streets wormhole: THE LONELY STREET by William Carlos Williams
space wormhole: space for probing thought

 

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The Boats of Vallisneria by Michael J. Redford – Trees

18 Thursday Oct 2018

Posted by m lewis redford in announcements

≈ 2 Comments

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1967, alder, almond, amethyst, apple, armchair, beech, blossom, branches, breeze, cattle, change, cherry, children, chimney stacks, church, clock, common, cottage, economics, elm, enclosure, Essex, evening, eyes, fields, fir, fire, flame, forest, garden, gate, grass, green, hedge, Henry VIII, history, knowledge, landscape, lanes, laughter, leaves, London, Michael J Redford, mind, noise, oak, orchard, passing, past, pink, pollen, poplars, progress, red, rust, shadow, ships, silence, sitting, sky, smoke, society, speech, Spring, summer, the Boats of Vallisneria, thought, tiles, time, trees, village, walls, war, white, winter, woodland, writing, yellow

Trees

Spring’s tonic has risen within the trees and hazel catkins have swollen in greeting to the first warm days of the year.   Elm and alder are soon to follow heralding beech and oak and in a month or so the firs will show their new cones, green and full of juice, and their catkins will dust the ground yellow with pollen.   Throughout the villages cottage gardens will soon be filled with almond blossom and orchards will froth over with cherry white and apple pink spilling an aperitif to summer upon the living fields.   The hedgerows and woodlands become en-veiled by the diaphanous greenery of a million tiny leaves, an amethyst haze so tender and tenuous that I fear for its safety lest it be borne away upon the passing breeze.   I become aware of a restlessness within me that calls with increasing persistence to forego my writing and step out beneath the cavernous spring sky.   The pageant of the trees has begun.   Field and lane alike become heavy with leaf and only a section of red tile or a chimney stack, like flakes of old rust within the foliage, betray the presence of human habitation.   The blanket of summer affords us a privacy and seclusion that is unattainable in naked winter when one’s every move can be discerned by the neighbour’s critical eye, but here in the depths of summer, we can take our thoughts into the quiet of a woodland glade, we can be silent and be within silence for a little while and rest your eyes upon the shadows of the dancing leaves above.   And how restful the colour green, and how restful to the eye and through the eye to the mind that blossoms forth green thoughts.

This spring evening upon which I write is a decidedly chilly one even though the day itself has been full of warmth.   Thus I am to be found sitting in an armchair, putting my thoughts on paper, gazing between sentences into the dusty red glow of a log fire.   It is a funeral pyre really, the cremation of the last remains of an old local cottage that has long died, having fallen prey through disuse, to the vagaries of our climate and the onslaught of the village urchins.   I gaze with half closed eyes at the sawn up piece of beam that was once part of the skeleton of the old house, and see it burn with clear flame and little smoke.   In accompaniment to the ticking of the clock upon the mantle shelf I hear the old log’s tinsel murmurings that sound like a piece of screwed up silver paper, tossed aside and left slowly to expand, and as the pure white ash falls without sound, I feel myself drawn into the distant past and fancy I hear the laughter of children as they play beneath the boughs of a tree which this dead piece of wood was once a living part.   Whose children are these?   From what age do they come?   Perhaps they are the offspring of Henry VIII’s generation, the irresponsible youth of the day who cared nothing about the great cultural and religious upheaval taking place about them as they played handball between the northernmost buttresses of the old church wall.

It was at about this time when the monasteries had just been dissolved that the first enlightening book on agriculture by Fitzherbert of Norbury had just been published.   Was this historic pioneer of fertility indirectly responsible for the downfall of this old tree?   For the seas of knowledge flooded the land and split the forests into arboreal islands and many fine examples of the medieval forests became the battered flotsam of progress.

Certainly this old piece of wood never witnessed an act of enclosure, for the open field system was predominant right up until the late eighteenth century, when round and about the great open fields sprawled the commons, the scrubland and marshes, creating through their wastefulness and their infertility, a barrier to agricultural and therefore economic progress.   Although enclosure was a costly business, required finances could be supplemented by felling timber which, during the Napoleonic wars commanded a high price.   Also, in order to fence off enclosures, what was more natural than to plant more timber which, unlike normal fencing that needed constant and costly repair, increased in value as time went by.   The first choice of timber was naturally that which was most valuable such as ash and oak.   But the oak was slow in maturing, and where the ash spread its roots, no crops or grass would grow and no cattle would graze.   It was thus that the stately elm made its appearance and stamped the English hedgerow with a character all its own.   Being able to grow, and grow quickly in all types of soil, made it a very desirable timber to grow.   Also, the elm allowed grazing beneath its boughs and, due to its durability in water, it was at this time much sought after by the Navy Board for its ships.   Water mills, lock gates and drain pipes were of elm, and at the turn of the century, London alone still had over four hundred miles of mains constructed from its timbers.

Caught upon the ebb flow of time, I see the trees’ ancestral giants, the calamites, that reared two hundred feet into the sky.   They heard no child’s laughter, neither did they hear the buzz of insects nor the songs of birds, for they existed in the dim distant dawn of the carboniferous age millions of years before the birth of man, when even the birth of the first blade of grass was aeons in the offing.

They grew long, long before man, mute sentinels surveying the changing landscape, witnessing scenes that no mortal has ever gazed upon.   Then when man came, they furnished him with food, shelter and fuel; they gave to him the means of traversing the oceans.   They have been instruments of both war and peace and have featured in mans’ writing, music and art.   They have been made gods and devils and have bought good luck and bad.   Man’s long and close association with trees is evident from his desire to wander beneath the green boughs when time and toil permit, and from picnic parties who would sooner travel an extra mile to spread their chequered cloths within their shadows.   Perhaps it is because a tree expresses continuity, a security that mankind through all the ages and searched and worked for.

Although not a native of Essex, this ancient county endears itself to me more and more as time rolls slowly by, and time does pass slowly in Essex, for to plumb its highways and byways is to plumb history itself.   It has been slow to change through the centuries and there are numerous back lane hamlets which, even to this day, have experienced virtually no change for many, many years.   One lively youngster or eighty five who lives on the borders of Chignal Smealy and Chignal St. James (what delightful names are these), told me that the only difference he could see in his village was the height of the poplars at the end of his garden which, when he was only “knee high to a goose-pimple” were only a “stack an’ ‘alf ‘igh”, even the cottage gate that was propped open on one rusty hinge was the very same one his grandfather had made.

Having been one of the most heavily afforested counties in England, Essex is rich of fine examples of man’s utilisation of wood.   It can be seen in his architecture, in his tools, farm implements and vehicles.   The men of Essex are very conscious of their affinity with trees, and go to great lengths to preserve the more eminent members of their arboreal population, and I find it hard to believe that there is another county in the whole of the British Isles that can boast a greater number of ancient trees that have been propped up and strung up to cast their humbling shadows upon the heads of men.   Most of these old trees are of course oak, for Essex was noted for its oak forests, but as farming spread, so the forests disappeared, and the elms lining the fields and lanes now outnumber to oaks and are a far more familiar sight.   It is these old isolated trees that afford us a tangible link with the past.   They disperse any feeling of isolation in time and give to us instead a much needed sense of continuity, of that which has no end.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

blossom wormhole: BLUEFLAGS by William Carlos Williams
branches & mind wormhole: Lapping Reflections [Deep Within Waters] – old George
breeze wormhole: A Solitude by Denise Levertov
change wormhole: Bridgnorth
church wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
evening & sky & thpought wormhole: space for probing thought
eyes & passing & shadow & speech & walls wormhole: ‘… plane is upright …’
fir wormhole: Pilot 125 … // … being excursion in the interludes
garden wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
green & Spring wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
hedge wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
history wormhole: and ‘naerrgh’ a mention of a seagull’s call
knowledge wormhole: ‘a blacknight fitted perfectly …’
leaves wormhole: SPRING & LINES by William Carlos Williams
London wormhole: London refugee march – 120915
oak wormhole: behind / glass walls and wan and hooded eye
pink & time & white & yellow wormhole: THE LONELY STREET by William Carlos Williams
red wormhole: SPRING STRAINS by William Carlos Williams
silence wormhole: despite that
sitting wormhole: getting fat in me old age
smoke wormhole: cross-section
society wormhole: raised brow
trees & war & winter wormhole: What You Are by Roger McGough
writing wormhole: JANUARY by William Carlos Williams

 

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Bridgnorth

03 Thursday May 2018

Posted by m lewis redford in poems

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Tags

2017, 5*, blue, Bridgnorth, castle, change, flowers, ice cream, pink, red, time, yellow

                      Bridgnorth

                      at almost a quarter past
                the castle gate got ruined and
                      leant

                      stepped up
                the outer face with soundbites of yellowflowers
                      red pink

                      through time
                so what sauce do I want on my rum ‘n’ raisin, blue
                      bubblegum

 

a beautiful town in the NW Midlands; higher and lower; you get to walk up hundreds of iron-worn steps, and at the top you can watch the grease-soaked teeth and cables of the funicular make the journey of life instead

 

 

————w(O)rmholes________________________________|—–

blue wormhole: olive trees
change & time wormhole: amniotic avenue
pink wormhole: skeins of candy pink and lilac
red wormhole: where did the silence go
yellow wormhole: Sheffield Park Gardens

 

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amniotic avenue

22 Sunday Apr 2018

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2017, 5*, ageing, avenue, bay window, Bodhisattva Vow, change, conditioned existence, Eastbourne, Have, life, lifetimes, mother sentient beings, passing, people, perspective, promenade, shadow, shops, society, step, time, walking

                                                                amniotic avenue

                ah, here they come
                out from under the receding bay windows above

                people emerge
                by the flanking promenade of shopfronts that come and go over decades                

                ageing with each step
                and pass

by

 

 

 

————w(O)rmholes________________________________|—–

change & life wormhole: polystyrene / boulderscape
Eastbourne & walking wormhole: perspective
Have wormhole: it’s all about…;
lifetimes wormhole: stuck in lower realm
passing wormhole: skeins of candy pink and lilac
people wormhole: I am not yet ready
promenade wormhole: and ‘naerrgh’ a mention of a seagull’s call
shadow wormhole: with all love released
shops wormhole: the silent night of the Batman
society wormhole: growth
time wormhole: {Ellen Terry’s house}

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

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