• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: chimney

Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879

05 Sunday May 2019

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1879, 7*, axle, boulevard, burn, carriage, chimney, evening, future, horses, individualism, lives, Montmartre, night, passengers, pavement, pediment, petrol, Pissarro, shops, skyline, sun, time, windows


Boulevarde Montmartre, Evening Sun, 1879

                each atelier window
                piled up above the
                pediment line,
                shutter-shut but
                lives to be told, each
                with individual chimney

                each carriage with each
                passenger pulled by their
                own horse evenly around
                an axle; fixed,
                only the boulevard proceeds …

Boulevarde Montmartre at Night, 1879

                … through time; but at night
                the shop-fronts burn and
                ignite the petrol pavement,
                there, under the rippled
                surface, the ache of things to come

 

 

 

————w(O)rmholes________________________________|—–

chimney wormhole: Impression of Winter: Carriage on a Country Road, 1872
evening wormhole: Puerto del Carmen
night & skyline wormhole: intent
shops wormhole: pediment to behold
sun wormhole: Staffa Fingal’s Cave, 1832
time wormhole: the old man;
windows wormhole: Female Peasant Carding, 1875

 

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Impression of Winter: Carriage on a Country Road, 1872

23 Wednesday Jan 2019

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1872, 2018, 6*, black, chimney, contemplation, earth, Eternity, grey, hill, horizon, leaves, moon, path, Pissarro, red, sky, winter, woodland

                at the brow of even mild hills
                on the curve of the red-leaf path

                the copse at either side will be
                black and hack-hack skeletal and

                the tatterdemalion-grey sky
                will seem like the moon has

                come too close to Earth, only
                the ridge and chimney of the next

                dwelling sits down beyond the
                brow quietly contemplating eternity

 

Impression of Winter: Carriage on a Country Road, 1872 by Camille Pissarro – the only image I could find online, but it is not the colours I have seen

 

 

————w(O)rmholes________________________________|—–

black wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
chimney wormhole: The Boats of Vallisneria by Michael J Redford – Working
grey & red wormhole: La Route, Effet d’Hiver, 1872
horizon & moon wormhole: Fishermen at Sea, 1796
leaves wormhole: Dulwich College, London, 1871
path wormhole: The Passage of the St. Gothard, 1804
sky wormhole: {reading right to left}
winter wormhole: The Boats of Vallisneria by Michael J. Redford – Trees

 

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The Boats of Vallisneria by Michael J Redford – Working

07 Wednesday Feb 2018

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

1967, chimney, clouds, corn, cows, dusk, eggs, elm, farming, fence, fields, flood, food distribution, future, gale, gaze, green, grey, harvest, hay, hills, identity, leaf, letter, machines, meadow, meat production, Michael J Redford, milk, morning, oats, poetry, rain, sheep, silence, summer, sun, the Boats of Vallisneria, thought, time, tractors, trees, valley, weather, wheat, wind, windows, work, writing

Chapter 4

Working

A Letter of Two Parts

Dear Pat and John

I thought it high time I dropped another letter from the country into the post.   Looking back over the past summer months seems more like looking back over a bleak and stormy winter.   The weather has of course played havoc with the haymaking and harvesting.   I hear that at one time, medium quality hay was fetching nearly £20 per ton, and taking into account the wide-spread flooding that has occurred, it seems there’ll not be enough oat straw to feed in place of it.   With this drastic shortage of hay and straw, the outlook is black indeed.

Even as I write, the rain is beating alarmingly against the window panes, borne upon a gale that roars like an express up the valley, each gust falling over the next in its haste to wreak havoc on the exposed hills.   As I gaze through the window pane distorted with rivulets and splashes, I perceive a hazy image of grey hills shouldering leaden clouds, and every few minutes the wind rattles the frame and comes sighing down the chimney.   The whole house shudders a little and a log in the hearth slips, sending up a shower of sparks to meet the confusion above.   The fields are in a sorry state.   Most of the corn has been lodged as if trampled by some strident giant, fences have been breached by falling trees and many sheep throughout the country have been drowned in the spreading waters.

There was a period two weeks ago when the tempest eased a little and allowed a little watery sun into our eyes, but this lasted for only seven days, after which the rain set in again and eased up only occasionally for an odd day here and there.   We have managed to stack about half the oats, but the remainder will probably have to be written off.   The wheat would have encountered a similar fate had it not been for the three hired combines.

Now here once again are the winds and the rains.   A dead leaf, too sodden to absorb any more water is whipped across the window and trembles for a brief second on the sill before joining the hosts that cling to the chicken coop wire.   Incidentally, I’d better put this letter to one side for a moment in order to collect the eggs before the half light fades completely.

                                * * * * * * * *

Dear Pat and John,

I’ve had to restart this letter.   Owing to this sudden bright spell we’ve been working like mad trying to catch up on the backlog of harvesting and general repairs.   I started this letter well over two weeks ago but I’m afraid I’ve not had time to finish it until now.   It is remarkable how the view has changed outside my window.   The country scene these past few days has been one of violent human and mechanical activity.

Implements of all shapes, sizes and colours have erupted from their unusual passiveness and are droning, roaring and rattling over the soil.   A combine harvester, like a metal monster from a Wells novel, trundles ponderously across the field, digesting the grain and vomiting the residue in its wake.   Tractors career madly through the lanes, heave with throbbing effort towering loads of sheaves and haul balers which follow on, nodding idiotically like inane sheep.   Men race fervently against time commanding machines, pitching sheaves, building stacks, their pitchforks leaping and flashing under the sun.   Farmers and farm workers alike are conscious of the urgency of the hour, but no clock watching for them, they are eager to see the culmination of a years’ hard work.   To these men, their work is not merely a means of earning a living, it is something far more than this, something far more personal and important to them as individuals.   These men work not so much for their employers but with them, and it is through this combined effort that the tempestuous vagaries of the past year have been overcome.

If a machine breaks down, there is a curse and several pairs of hands are immediately locating the trouble.   They may not be expert mechanics but farm workers are masters of improvisation and no machine is standing idle for long.   It is this knack of ‘making do’ that is the seed of many weird and wonderful machines that have appeared on the agricultural scene, and it would indeed be difficult to find any industry which has produced in such a short period of time a greater range of impossible machines to tackle such improbable tasks.   No doubt to the layman it would appear that with all these modern innovations, the life of the farm worker today is almost as idyllic as the sentimentalised conception of the pseudo-bucolic poets of the seventeenth century:-

                “O happy life, if that their good
                The husbandman but understood.
                Who all the day themselves do please …”

Whenever a new acquaintance asks the nature of my work they are, on being told, shocked into silent disbelief.   Apparently I neither look like a farm labourer nor do I sound like one (how does such a person look and sound), and henceforth I am re-introduced either as a farmer or, by those who are more sensitive towards the truth, as being ‘in farming’, thereby implying that I own vast acres and hunt every Tuesday and Saturday.   A wistful ‘back to the land’ look then enters the eye.   “I’ve always wanted to work on a farm” they sigh.   No doubt there have been insuperable obstacles in ambition’s path for many people, but surely not all, and I have yet to meet the person who doesn’t bemoan his lot in town and gaze longingly at the green hills.   And just as a point of interest, I have yet to meet the person who doesn’t have an uncle somewhere who owns a farm.

Their conception of farming today seems even more idyllic than that of their fathers’.   Machines, they say, have taken the hard work out of farming, all we have to do is sit on a tractor all day and press buttons.   Perhaps they would like to spend a day stacking bales of hay under a sizzling hot roof of a Dutch barn, or perhaps after a sixteen hour day during harvest, [perhaps] they would like to sit up all night with a cow who is having a difficult time calving and work another sixteen hours the following day, and the day after that.   Unless a farmer specialises in a line for which a particular machine or implement has been designed, then it is not economical to purchase that machine.   For example, a man with just one house cow would find it uneconomical to install a completely automatic milking unit, but even where this is justified, as in the case of larger herds, the farmer or herdsman still has to rise at five o’clock on a bitterly cold winter’s morning seven days a week.   The advent of the machine has not necessarily lessened the amount of hard work to be done, it has merely allowed us to do more work in a given amount of time.   In fact, it is because of the machine that the herdsman’s lot today is becoming an increasingly intolerable one.

An old friend of mine once milked twenty five cows night and morning with two machines.   He know his cows and his cows knew him.   Although he did not rush things, he was efficient.   He would stand aside as the cows came into the shed and cast his eye over each one, and as he milked, he ran his hand over their coats and looked at their droppings.   Old Charlie could tell immediately if one of the animals was off colour.   Then his employer retired and a young, progressive farmer moved in.   Fortunately he ask Charlie to stay on as cowman.   Now, Charlie milks sixty cows night and morning with four machines in a well-parlour.   On being asked how he liked the new system, the old cowman sighed.

“Well I dunno.   We gets the milk, that’s fer sure, but ‘tis like working in a factory.   There’s pipes, tubes, valves, taps an’ switches everywhere.   The animals go through the parlour like a dose o’ salts – you’ve ‘ardly got time to wash their bags.   All you can see of ‘em is one side, their guts might be ‘anging out the other fer all I know.”   His addendum, I think, summed up his real grievance.

                “Trouble is – I ‘ent got enough time to get to know me animals.”

What could once be classified as a pleasurable occupation was now, through the advent of the machine, become a tiresome chore, and as mechanisation infiltrates more and more, so true herdsmanship is disappearing.   The reticent paragon of tolerance, that slow, amiable patient being that was once the cowmen, is now being pushed aside to make way for the impatient, ulcer-ridden milker of high speed conveyer-type milk production of today, so much so in fact, that on some larger farms, milkers are already working a shift system to break the seven day a week monotony.

I can foresee in the not so distant future, a herd of a thousand or more cows, zero grazed, moving almost continuously through a system of yards and parlours twice every twenty four hours.   In the parlours, shift work will be in progress with round the clock milking.   The milk will be pumped through to the distribution.   The organisation will manufacture its own concentrates, will employ its own veterinary surgeon, accountant and secretary and will have a resident Ministry Inspector equipped with his own laboratory.   And of course the whole concern will be owned by the big industrialists of the day.   This is not such an improbability as may at first appear for this has already happened to a great degree to some of our poultry farms.   There are now vast empires where eggs are fed into one end of a building and emerge twelve weeks later at the other as pre-packed chickens with their giblets frozen into little polythene bags inside them.   Then there is the abomination of the sweat box and battery systems of meat production.   Agricultural evolution has reached a point where farming, as we know it, is slowly but surely plunging into self-annihilation and dragging down with it the responsibility of moral thought into a morass of turpitude.   We are entering an age of hydroponic systems where an agricultural technocracy permits controlled environment and mass production of living creatures to an extent unparalleled in human history.   It is as if we have forgotten that we are dealing with life itself and not inanimate lumps of putty waiting to be moulded into any shape by the current market.   Yet if the farmers of today do not keep abreast of [the] latest scientific developments, they would find it almost impossible to feed themselves let alone provide food for others.   Even so, despite the fact that agricultural efficiency and production have increased beyond the wildest dreams of great pioneers such as John Lawes and Sir Humphry Davy, people are still dying in their thousands for want of food.   Despite the fact that there is enough food produced throughout the world in any one year to supply mankind with the essentials of life for the next twenty, the bloated belly of the beggar is still a common sight in the greater part of the world.   It is not, therefore, research into agricultural production methods which is urgently needed, but research into the distribution of those products.   It is in this sphere that the great fields of ignorance lay.

But let me rein back awhile for I have digressed too far.   This letter to you was intended to be a portrait of the countryside as I have seen it during the last two months, so now let me gaze upon the pastoral scene beyond my window.   The cows have finished grazing and are lying in the meadow cudding methodically.   The sun falls upon their backs like a warm blanket and a faint breeze fans their faces.

It was nine o’clock last night that the last load was brought home.   Engines were switched off one by one across the fields and, as the evening star faded, Pegasus shimmered the in the warmth of dusk and gazed upon the southern elms.   As the last sheaf was laid upon the stack, the year ended, our year, that is.   George stood, hands on hips.   Harry leaned upon his pitchfork.   Alf and Arthur sat upon the trailer and Jim stood with one foot upon the wheel hub.   In silence they gazed at the stack, each man with his own thoughts, each man reaping his own spiritual harvest.

 

read the collected work as it is published: here

 

————w(O)rmholes________________________________|—–

chimney wormhole: the missing chord // the now-silent seagull
clouds & identity & time & wind wormhole: travelling // arrival
green wormhole: green and / luminant / to behold
grey wormhole: for / the first time
hills & valley wormhole: volcanic rock
morning wormhole: forgotten anything
poetry wormhole: Pilot 125 … // … being excursion in the interludes
rain wormhole: when the rain has settled / the dust
silence wormhole: without any buffet at all
sun wormhole: is this it // all the time
thought & writing wormhole: Christmas 2015
trees wormhole: Plumstead – Woolwich – Plumstead 220211
windows wormhole: river
work wormhole: I am not yet ready

 

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the missing chord // the now-silent seagull

18 Wednesday May 2016

Posted by m lewis redford in poems

≈ 3 Comments

Tags

'scape, 2016, angle, architecture, birdcall, buddleia, chimney, chords, decades, Eastbourne, fire-escape, flying, gliding, hotel, keyboard, seagull, silence, sky, time, yard

                                                   the missing chord

                           spotted high and gliding from somewhere out the picture
                           down in the delivery lane between the seafront hotels –

                                          the heights of decades passed
                                          with stacks and chimney pots
                                          held motionless over long-
                                          vanished keyboard above the
                                          crescendo of utility rooms and
                                          fire-escape at all angles –

                           sinking down to the yard wall, the switch of buddleia that’ll do nicely
                           reached back up to glide home somewhere in the heavens

                                                   the now-silent seagull

 

 

 

————w(O)rmholes________________________________|—–

architecture wormhole: Le Pont Royal, 1909
buddhleia wormhole: like butterflies on / buddleia
chimney & hotel wormhole: B le tch l ey P ark
Eastbourne wormhole: and that’s where I are
seagull wormhole: now, have I forgotten anything
silence wormhole: fine
sky wormhole: 1967
time wormhole: bloogying

 

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B le tch l ey P ark

28 Thursday Apr 2016

Posted by m lewis redford in poems

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Tags

1960s, 1980s, 2016, 20th century, Bletchley Park, blink, cable, change, children, chimney, colour, communication, culture, data, Edwardian, elbow, ethic, Europe, eyes, grain, Have, history, hotel, ink, knowledge, legacy, living, Luton, marble, meaning, metal, militarism, mind, night, pattern, poem, point, politics, possibility, power, railtrack, rhythm, smell, smile, society, sound, story, subversion, table, the British Empire, thought, time, timetable, typewriter, veins, windows, wood, World War, writing

 

 

 

                                B  le  tch l  ey      P   ark

                                Edwardian fingers pointed
                                from military sleeve the way
                                in and the way through

                                while some knew that a W
                                will never return a W and
                                we will henceforth return

                                to a following possibility of
                                change, the veins in marble
                                cladding and the grain in

                                parquetry floor were no
                                longer décor of legacy but
                                cover for subversion – smiling

                                minds up in front of chimney
                                stacks – no, now, platted
                                and inflexible cable linked

                                lozenges of releasing code
                                (no-longer-just-location)
                                in patterns of levered ratchet

                                across European divide; no more
                                the flurry scratch of ink across
                                blotted paper with fortitude

                                and Empire wile, now the
                                erstwhile sturdy tables were
                                anchored by elbow and fallen

                                eye gazed at shifting pattern,
                                now the heat of metal and
                                ribbon made the ink fume

                                like acid; now was the time
                                of proletariat genius as tape
                                connected the diagonals and

                                metal frame softened and
                                bent in constant hold;
                                now the colour was splashed

                                and the ethic was learned
                                and the story is told to the
                                schoolchildren who – blink

 

visit, 260416, pages of scribbled notes; the poem sifted and shifted until a pattern formed and simultaneously dispersed, across time; in the hotel room in Luton right next to the rail-line which slingshot-ricochet’d passing trainsnotstopping in the window one side, out the window the other, all night and all of the day, in timetable but not necessarily rhythm

 

 

————w(O)rmholes________________________________|—–

20th century wormhole: impressionism
change wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
chimney wormhole: hinged – From Hell ch. V
communication wormhole: Nostalgia for Samsara – poewieview #16
eyes & Have & history & hotel & time wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
knowledge wormhole: 1963
living wormhole: need
meaning wormhole: quite … / … yet – poewieview #12
mind wormhole: becoming
night & society wormhole: no one – poewieview #24
power wormhole: top table
politics wormhole: dear clown’s face
smell wormhole: when writing // stay
smile & thought wormhole: while walking
sound wormhole: 1965
table wormhole: 1964
windows wormhole: mauve
wood wormhole: quick inventory after coffee
writing wormhole: words tumble like / boulders – poewieview #25

 

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hinged – From Hell ch. V

24 Thursday Mar 2016

Posted by m lewis redford in poems, poeviews

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Tags

2015, Alan Moore, architecture, awe, birth, black, blood, chimney, dark, diptych, drawing, encounter, From Hell, generation, grey, history, ink, living, morning, pediment, pillars, privacy, sky, society, steeple, sunrise, windows

                                                              somewhere
                                              amid the pediments and private windows
                                              that make such things inevitable
                                a conception was made
                that would wash the steps and pillars with awe and blood
                                              for tens of cascading generations

                                                              all the while
                                              the stations of toilet and repose
                                              are observed with due quotidian solemnity
                                by both the Righteous and the Have Nots
                until their ineluctable encounter through askance
                                              diptych panels

                                                              nevertheless
                                              and always    hinged    conceive
                                              darkness clinging around
                                steeple and chimney like black-hatch etching
                until light feels its way through the sky again making everything a grey
                                              ink-wash

 

askance from chapter five of From Hell by Alan Moore and Eddie Campbell; architecture always ever is so much more than trim, being the solidified air of encounter between Disraeli’s ‘two nations’ that still breathes to this day; I’m sure Victor Hugo said something about this at length in the beginning pages of Hunchback of Notre Dame, but I can never seem to find them

a little snippet from askance From Hell, askance from chapter ten of From Hell by Alan Moore and Eddie Campbell, gwn’n’avvalook

 

 

————w(O)rmholes________________________________|—–

architecture & windows wormhole: openingAlan Moore wormhole: what heavy and cantilevered structure
black wormhole: ‘the hour before dinner – / the empire of dusk’ – poewieview #6
chimney wormhole: crease and score of silver-morning sky
grey & sky wormhole: b / r / e / a / t / h / i / n / g
history wormhole: the sounds of 1969 // [would have] seemed that way – poewieview #13
living wormhole: quite … / … yet – poewieview #12
morning wormhole: quick inventory after coffee
society wormhole: just saying, is all IV: // lost

 

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crease and score of silver-morning sky

09 Wednesday Mar 2016

Posted by m lewis redford in poems

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Tags

'scape, 2015, architecture, buildings, chimney, class, dome, glass, hats, life, morning, pediment, photograph, pillars, pipes, privacy, reaching, shops, silver, sky, society, streets, temple, time, Wellington Street, windows, wood, Woolwich, words

 

Woolwich Hippodrome and nascent cinema Wellington Street

 

 

                           buildings rise through time upon
                           all manner of wood-frame and
                           glass-case and curlèd-word frontage

                           with banner over blurring street-
                           function and hats of class
                           below stony windows of raised

                           privacy up by pillared frontages
                           and side-street down-pipe
                           up to lipped pediment and frilly

                           chimney all hunched in a row
                           to dome and timèd temple
                           filigree of reach oblivious to the

                           crease and score of silver-morning sky

 

 

 

————w(O)rmholes________________________________|—–

architecture & Woolwich wormhole: finding my own true nature – Plumstead, Woolwich, 190915
buildings wormhole: organ / sunlight in all our eyes – poewieview #11
chimney wormhole: fine droplets / across the glass
glass & time wormhole: where the goblins leered – poewieview #14
life & sky wormhole: life [‘n’ death] / legerdemain – poewieview #15
morning wormhole: London Hearts – poewieview #4
shops wormhole: the silent night of the Batman
silver wormhole: earthed
sky wormhole: Nostalgia for Samsara – poewieview #16
streets & windows wormhole: early evening
wood wormhole: dream 260815
words wormhole: quite … / … yet – poewieview #12

 

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fine droplets / across the glass

24 Wednesday Feb 2016

Posted by m lewis redford in poems

≈ 2 Comments

Tags

'scape, 2013, birch, chimney, combe end, drops, fir, glass, grey, house, mist, notice, rain, roof, sky, streets, telephone lines, trees, waves, wind, windows

 

 

 

                                              fine droplets
                                              across the glass

                                              unnoticed
                as the mist wafts in occasional waves
                                              all up the street
                                and before and after the telephone wires thrum and
                                                              bounce but
                looking above the roof of the house opposite
                                the fir tree bristles and waves
                                                              constantly
                                              behind
                                while the bare birch just shrugs

                                              a chimney
                                              more trees
                                              light grey
                                              sky above

 

 

 

————w(O)rmholes________________________________|—–

birch wormhole: new year’s eve 2014; train up to London to / walk the bridges across the Thames, and / listen to the voices say it is, and was, like, / but get back home before the fireworks / obliterate it all in the emptying twilight
chimney & house & trees wormhole: New York, New Haven and Hartford, 1931
combe end wormhole: knees
fir wormhole: dawn
glass & grey wormhole: ‘the hour before dinner – / the empire of dusk’ – poewieview #6
mist wormhole: because
rain wormhole: library windows
roof wormhole: suddenly fly off again
sky & streets wormhole: organ / sunlight in all our eyes – poewieview #11
waves wormhole: development
wind wormhole: sixty four sixty five – poewieview #1
windows wormhole: Grizedale College

 

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New York, New Haven and Hartford, 1931

24 Sunday Jan 2016

Posted by m lewis redford in poems, poeviews

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Tags

'scape, 1931, 2015, chimney, decades, Edward Hopper, facade, house, lawn, morning, New York, railtrack, sky, sun, trees

 

 

 

                      New York, New Haven and Hartford, 1931

                      morning sun appears in fat fingers along the
                      railway track, along the lawn getting somewhere:

                      it fringes the finials of the trees and brush
                      phlanged in all directions but splats façade-

                      on and aspectedly against the sited house for
                      decades reaching 3D chimneys high to the sky

 

 

 

————w(O)rmholes________________________________|—–

chimney wormhole: … the discipline of shamatha / the waft of vipashyana
Edward Hopper wormhole: Seven A.M, 1948
house wormhole: sit
morning & sky wormhole: library windows
sun wormhole: finding my own true nature – Plumstead, Woolwich, 190915
trees wormhole: train journey // like a branch

 

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… the discipline of shamatha / the waft of vipashyana

29 Tuesday Dec 2015

Posted by m lewis redford in poems

≈ 3 Comments

Tags

'scape, 2013, Bournville, carillon, chimney, communication, constancy, direction, drops, glass, gutter, moss, rain, roof, seeing, shamatha-vipashyana, sky, sound, time, trees, wind, windows, Woodbrooke

 

staying at Woodbrooke again for a short break, I need to celebrate by posting one of my favourite poems, written here, again …

 

 

                the frame stays constant

                the trees tall and wave
                in constant negotiation
                with the drifting sky
                the Bournville Carillon
                strikes ten in all directions
                some faint some bong

                a telephone wire draped
                from a chimney to a ridge
                like a skipping rope and
                the constant run-off onto
                gutters despite the moss

                the frame has ghost-shifted
                double but remains constant
                the pane is not seen at all

                until I notice the drops run
                and then the frame snaps clear
                and c – o – n – s – t – a – n – t

                such useful things: windows …

                … the discipline of shamatha
                the waft of vipashyana

 

 

 

————w(O)rmholes________________________________|—–

chimney wormhole: the breath of London
communication wormhole: currency: / assent for statement – / ‘smakin’alivvin’
glass & sky & sound & windows wormhole: the silent night of the Batman
rain wormhole: south horizon
roof wormhole: library: start where you are IV // all the distance I have travelled!
seeing wormhole: out!
shamatha-vipashyana wormhole: Do Nothing Usually / Take Everything Regularly / Consider It All Clearly / And Step Aside It Waltzingly
time wormhole: if left alone
trees wormhole: new garden
wind wormhole: Hotel Room, 1931

 

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