The Boats of Vallisneria by Michael J. Redford – Rain

Tags

ash, beauty, bridge, clouds, consciousness, cottage, dawn, eyes, garden, gazing, gold, grass, grey, hedge, hill, land, leaves, light, memory, Michael J Redford, mist, morning, passing, petunia, quiet, radio, rain, reflection, river, roads, silence, silver, sky, skyline, smell, sound, speech, starlings, stillness, stone, summer, sun, sycamore, the Boats of Vallisneria, trees, valley, village, water, weather, willow, writing

Rain

“The morning will be overcast with frequent showers. They will be heavy at times in the south east but brighter weather will follow later from the west …”

Thus spake the oracle from the radio early one summer morning casting his own black cloud over the hearts of many.   I was a keen cyclist in my teens and at many a weekend my schoolmate and I would grease up our cycles and head for the open road.   Shoreham was our target this particular day but the voice of doom did not quell our enthusiasm.   The weather was kind to us on the way down with the sun occasionally breaking through the gloom above to splash a little watery light on the road ahead and we arrived on the outskirts of the village at around nine o’clock. Passing Samuel Palmer’s old cottage we came upon the bridge and dismounted.   After a strenuous exercise, it is a delight to lean upon a bridge and gaze upon the waters emerging from beneath one’s feet.   The flow catches the eye and lifts it slowly into the distance and the senses relax to the accompaniment of its music.   There weren’t many gnats and midges at that time of day, but those that were about were flying very low indeed.   Certainly there was rain about and it wasn’t very far off either for we could just detect the faint scent of it even above the mass of water at our feet.   Not wishing to miss any of its quiet charm, we walked our bicycles through the village, and as the sky grew heavy above us, my thoughts turned to my companion’s pet tortoise Horace who had been extremely active earlier that morning, this being a sure sign of approaching rain.   We turned down the hill past the Crown Hotel, on past the water mill which was then a tea house (I believe it is now a private dwelling) and out onto the banks of the Darenth.

A damp mist had filtered through the trees on the hill opposite and the grey light had transmuted the upturned leaves of ash and sycamore into flecks of silver that hung without movement in the stillness of the impending downpour.   An old weeping willow, pollarded of its crowning glory, leaned out from the bank across the water and as I peered into its dark reflection a crayfish, startled by the leviathan that reared above it, scuttled beneath the smooth stones. As I gazed, the picture was suddenly distorted.   A raindrop had followed immediately by another and yet another and soon I was no longer able to fathom the depths.   We donned our capes, drew up our knees and huddled against the tree like two diminutive bell tents.   Cozy in our little dry islands, the raindrops drummed upon our capes in anger and hissed at us from the river turning it into a boiling cauldron.   The mist that had settled among the trees on the hill opposite had drifted on making way for a great veil of rain that spanned the skyline in graceful folds – a grey but beautiful replica of the Aurora Borealis.

As the curtain drifted slowly by, the day grew appreciably lighter and the deluge eased to a steady drizzle.   Soon after, the clouds broke a little, and a shaft of pure gold struck the hills, becoming wider at its base as it raced swiftly down the valley.   Then the rain ceased as quickly as it had begun and silence, the ethereal beauty of which is always magnified when the rains are over, tumbled into the valley.   We sat in silence beside the bubbling waters and for several minutes we watched its breathless pursuit of the shaft of gold.

It is within such a quietude that I sit now jotting down these notes.   This morning was a grey but clean smelling morning upon which the hedgerow leaves quivered.   It had been raining all night but had stopped just as dawn broke, leaving behind a miscellany of drips and drops, musical and echoing.   Each blade of grass had its tip bent by a raindrop and the clothes line was a string of pearls waiting to be spilled upon the lawn by the quick grasp of a starling’s feet.   By mid-morning the low cloud had dispersed and great mountains of summer cumulus were heaped about the sky.   It was my intention this morning to tackle one or two gardening chores that had been neglected but due to a tiny and insignificant happening, these have yet to be done.   As I passed the petunia bed, I bent to pick up an old seed packet that had appeared and my sleeve touched a petunia leaf.   Upon this leaf there were three rain drops, and as the leaf was set in motion, the three tiny drops rushed towards one another and merged into one large globule that trembled precariously in the centre of the leaf before rolling off the edge and disappearing into the soil.   This tiny happening caused my mind to leap back across the years to remember once more a particular drop of water out of all the millions that must have fallen that day at Shoreham; a single drop of water that has long since been returned to Poseidon from whence it came. We were walking back through the village when we paused awhile beside a cottage garden to discuss our plans.   The clouds were now few and the sun was strong in the cleansed sky drawing out the sweet scent of purity from the land.   Suddenly, a spark of light leapt from the ground and pierced my eye.   So bright was it that it might well have been of solid substance, for it so dazzled the eye that it quite took the breath from me.   I stooped to discover the origin of this manifestation and there, within the cupped hands of a lupin leaf was a tiny trembling rain drop.   It was a perfect globe clearer than crystal; a gem that would have done justice to the diadem of the most illustrious of monarchs.

So it is that my gardening chores for today have once more been neglected.   A rain drop fell from a leaf and in that single drop a flood of memories, memories I felt I had to record, for – they had been pushed so far below the plane of consciousness, that I was afraid they would never have come to the fore again.

 

read the collected work as it is published: here

 

 

^{————w}(O)_{rmholes________________________________|—–}

beauty & dawn & rain & silence wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
bridge wormhole: Great Bridge, Rouen, 1896
clouds & passing wormhole: slight sneer
eyes wormhole: mandala offering
garden wormhole: A Corner of the Garden at the Hermitage, 1877
gold & grey & leaves & sun & trees wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
hedge wormhole: it’s / not what you do or what you say / if it ain’t got that swing
light & river wormhole: the Bodhisattva set out / for the Seat of Awakening
mist & morning & sound wormhole: 10/30 by William Carlos Williams
quiet wormhole: quietly in my quiet house
radio wormhole: within
reflection wormhole: in turgid reflection
roads & silver wormhole: Hastings: neither all or nothing
sky & speech & writing wormhole: 11/1 by William Carlos Williams
skyline wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
smell wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
stillness wormhole: Lapping Reflections [Deep Within Waters] – pigs
stone wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
water wormhole: Valentine’s Day 2019

 

Advertisement

The Boats of Vallisneria by Michael J. Redford – Sky

Tags

1967, afternoon, air, beauty, being, birdsong, black, breathing, camera, candle, church, clouds, colour, comet, consciousness, corridor, countryside, dance, dawn, depth, earth, elm, emotion, evening, eyes, fields, fire, gaze, gold, grey, heat, hills, horizon, identity, jade, leaves, life, light, mauve, Michael J Redford, mind, night, orbit, painting, photography, planet, rain, red, silence, silhouette, sky, space, spire, stars, storm, sun, sunset, the Boats of Vallisneria, thunder, trees, turquoise, valley, west

Sky

One evening about two years ago, there was, in my part of the country, one of the most magnificent sunsets that I have ever been privileged to witness.   Being a keen photographer (although not a very good one, for other peoples’ photographs always seem better than mine), I took my camera into the fields to capture the scene in colour.   It all began when the grey broken clouds, the ‘left overs’ of a stormy day, drifted slowly across the horizon, taking with them the tumult of the heavens.   It had been a somewhat dismal day with an atmosphere that clung like a warm damp blanket, enveloping all with an oppressive heat that made even the unconscious act of breathing an effort.   The day thus sulked its way through the hours, stifling the energy of life and suffocating the songs of birds until at long last, at about three o’clock in the afternoon, the sky, no longer able to contain its pent up emotions, savaged the countryside with a violent storm.   In fact three storms had tumbled into the valley that afternoon that gave rise to a continuous end-of-the-world -like thunder that reverberated about us for an hour and a half.   Fearful though the storms were, the rain felt good, the soil quenched its thirst and the air became cool, and when the storm had flung its final volley of anger contemptuously at us, I saw that the wilted leaves had renewed vigour and had turned their faces once more to the sky.   Suddenly, the late evening sun broke loose and shone low across the fields, igniting the treetops with a blaze of old gold and adorning the scene with the tint of an old master’s painting. Screwing tripod to camera, I raised it to my eye and squinted through the view-finder.   For some moments I indulged in a danse macabre around the field with the tripodial skeleton stiff within my embrace, searching for the most artistic composition to enter the field of view.   By now the sun was an enormous dull-red hemisphere reclining upon the distant hills, infusing the undersides of the remaining clouds above with a heavy mauve the deepened perceptively as I gazed.   The solar chord became shorter and shorter until finally the perimeter of the disc was extinguished suddenly by the horizon as one snuffs out the flame of a candle.   Then, in a most abrupt and startling manner, the populace of the heavens turned to fire.   The clouds appeared to radiate from a point somewhere below the horizon in the vicinity of the sun and spread out above and behind me, plumbing the very depths of space itself.   It was as if Earth had entered the tail of a super comet that had passed close by on its elliptical orbit about the sun.   Hurriedly I set the tripod firmly on the ground and framed the sunset between the jet-black silhouettes of two sentinel elms.

After taking the photograph, I packed the equipment in its case, stood up and looked once more through the elms.   My gaze passed by the silent trees, through the sunset and beyond into space, leaving the great orb of this planet at a tangent.   The moment developed into one of those rare intervals in time when an overwhelming consciousness of the beauty about one descends and becalms the mind.   Although my gaze flew past the elms at incomprehensible speed, I was aware of their crisp outlines against the sky, and as it passed on through the sky into the depths of space, I could see the fire shrinking before me like the glow of a lantern disappearing down a long, dark corridor.   My eyes were now being lifted by a power exterior to my own being.   Up, up they went until I was craning my neck and gazing out into the zenith of space.   I had always been conscious of the great depths of space about me, but could not help regarding the heavens as anything but a dome viewed from a central point, the stars being spattered over the surface of this invisible hemisphere, all equidistant from me.   But on this particular occasion, I became aware of the three dimensionality of space, each planet, star and nebula standing out in such relief from each other, that I felt I could lift my hand and pluck them from their ethereal settings.   Immediately above my right shoulder the crooked W of Cassiopeia pierced the depths with startling clarity and midway between this and the great square of Pegasus, there glowed faintly the spiral nebula of Andromeda, so far flung into the void as to make the magnificent gold and blue binary system of Gamma Andromeda appear but ten steps distant.

Becoming dizzy from the depths above me I turned and cast my eyes down to the eastern horizon.   The Pleiades had just shown itself above the distant trees and was discernible only by averted vision, but its presence was sufficient to tell me that within the hour Aldebaran, the red eye of Taurus, would begin its journey above the horizon to dissolve overhead in the light of tomorrow’s dawn.   But even before Antares had touched the distant church spire in the darkening west, the night air became chill and with a shudder I headed for home.

Some days later when I had the film processed, I discovered much to my dismay, that I had become so involved with the scene before me that I had forgotten to remove the dust-cap from the lens, consequently I have no visual proof to offer my friends of the glory I have witnessed.   Often I am accused of exaggeration when describing a scene that has made an impression on me, yet I experience difficulty in finding adjectives of sufficient depth, colour or subtlety to use in such instances.   How can one convey to others the emotions that rise to greet the song of a nightingale, or to what depths the heart yearns to fly with the swift and embrace all three dimensions.   How can one possibly convey through the medium of the written or spoken word the sight of an evening sky washed with the faint mauve streaks that herald a sunset, or describe the background tint of the sky that is somewhere between a shade of jade and turquoise?

My attempts at describing this beautiful sunset to a friend met with very little response.   Emotion is a very personal thing and that which gives rise to emotion in one, may leave another completely cold.   Even so, I was completely taken aback when my friend said, “what sunset?”

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon & grey & rain & red & sky wormhole: Pont Neuf, Paris, 1902
air & silence & trees wormhole: 10/30 by William Carlos Williams
beauty wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
being & black wormhole: in deed
breathing wormhole: there will be ovations
church & silhouette wormhole: Vue de Pontoise, 1873
clouds wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
dawn & storm wormhole: birth in the world
evening & life wormhole: threshold to behold
eyes wormhole: mandala offering
gold wormhole: Entry to the Village of Voisins, Yvelines, 1872
hills wormhole: Puerto del Carmen
horizon & sunset wormhole: in turgid reflection
identity wormhole: quietly in my quiet house
leaves wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
light & sun wormhole: Cours La Reine, Rouen, 1890
mauve wormhole: travelling / back
mind wormhole: so, how long is, a piece of string?
night wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
space wormhole: the reach turned to love
stars wormhole: TREES by William Carlos Williams
valley wormhole: coterminalism – there is nothing happens by itself, / 070118

 

birth in the world

Tags

2019, 7*, air, Arya Lalitavistara, Buddha, chords, crown, dawn, distance, glass, heather, lemon, light, Maitreya, mist, note, olive, rebirth, shade, silence, storm, windows

                the air refreshed
                and folded by several
                degrees as if to storm,
                the light became

                slightly shaded as if
                through olive glass
                but remained lemon
                in the distance, the

                silence dampened
                like mist as minute
                heather flowers turned
                to dawn, and all the

                abandoned instruments,
                their boxes taut to struts,
                their strings resigned
                to tonnage, discarded

                over couches, before
                windows, each creaked
                and let a single note that
                ne’er had pitched and

                held – chords
                o’er room and vale;
                it was time the
                effervescent crown

                were passed to the
                Regent and the
                Bodhisattva take
                birth in the world

 

bevelled up and out of the Arya Lalita Vistara Nama Mahayana Sutra: before the Buddha was born a prince in a principality in India, he was residing in a heavenly realm (with the gods), but his vows and wishes over endless waves of previous lifetimes urged him to one final birth to consummate them all in Enlightenment; the Regent is Maitreya, the next Bodhisattva to take birth in this world and show Enlightenment … in future

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
Buddha wormhole: and … // … sound
dawn wormhole: What You Are by Roger McGough
glass wormhole: ‘… and yet I think I am so modest: …’
lemon wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
light wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
Maitreya wormhole: Prajnaparamita // Maitreya
mist wormhole: to let be
olive wormhole: coterminalism – there is nothing happens by itself, / 070118
silence wormhole: La Route, Effet d’Hiver, 1872
windows wormhole: Hastings: neither all or nothing

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

between

Tags

2014, 7*, Batman, branches, buildings, cape, city, cornice, cowl, dawn, dichotomy, edge, facade, identity, leaves, light, moon, rooftops, shadow, silhouette, silver, sky, streetlamp, streets

                above the edges of rooftop
                are ever silhouettes

                of taller building and watery tower
                by the light of the silvery moon

                sometimes hanging upside down
                will be the Batman

                cape hanging uselessly, otherwise
                he may stand on cornice

                and look down on a street lit by lamp
                and throw shadow

                over the whole façade – impasse between
                moon and lamp –

                the eternal dichotomy;
                outside the city the detail is in the sky

                between branch and leaf
                and as dawn approaches the cowl

                and the cape
                will come off

 

 

 

^{————w}(O)rmholes_________________________________|—–

Batman wormhole: Infantino / district of Gotham
branches & shadow wormhole: such such potential
buildings wormhole: windows // and balconies
city & rooftops wormhole: ‘charcoal grey-slate sky …’
dawn wormhole: every step I take
identity wormhole: circuitry
leaves wormhole: walk from Castleton to Hope
light wormhole: the evening
moon wormhole: that comicbookshop … // … in dreams
silhouette wormhole: ‘avenue of wraggled gorse tops …’
silver wormhole: garden
sky wormhole: forgotten anything
streetlight wormhole: faintly apricot air?
streets wormhole: place

 

every step I take

Tags

2013, 6*, awareness, climbing, dawn, doors, grey, hope, life, living, nausea, ochre, rock, seeing, step, walking, walls

                there is a wall before me
                gets higher as I walk towards it
                so wide that I cannot turn my head
                footings deep of the rock on which I stand

                I thought there was a door once
                but I can never see where I want to
                I thought to climb it for there was a dawn which crept along its
                battlements but it is featureless it silently radiates grey with ochre stains of nausea

                hopeless
                but that I have come such a long way
                I shall just have to walk through it without
                knowing where to go sure only of every step I take

 

 

 

^{————w}(O)rmholes_________________________________|—–

awareness wormhole: lesson from watching two crane flies work the evening / skating across the panes flying and pushing legs grappling / the glass crossing repulsive over themselves and clinging akimbo / for a rest until lifeless just to get their stickly bodies through to the light
dawn wormhole: the silent night of the Batman
doors & walls wormhole: such such potential
grey wormhole: ‘avenue of wraggled gorse tops …’
life wormhole: divergent // direction
living wormhole: do I
ochre wormhole: “I / am Spartacus”
seeing wormhole: the goldilocks stance
walking wormhole: step

 

the silent night of the Batman

Tags

1970, 7*, attention, Batman, black, blue, Christmas, city, dawn, east, fear, glass, green, guilt, ink, light, Neal Adams, night, purple, quiet, river, rooftops, rose, shadow, shops, sky, skyline, smile, sound, south, stars, streetlamp, vista, windows, writing

                the silent night of the Batman

                even while they carried their
                gift-wrapped parcels and looked
                to each other with smiles of belief

                the shop signs hummed dark
                against the marbled frontage
                while above, the quiet floors

                of stone windows looked east
                looked south in the ink-black sky
                enough to write a novel in a

                single sitting, enough to hold
                a fleet of stars above the skyline
                stacking slowly; when the sky

                is ink-green the rooftop
                gathers ink-blue attention
                and leaps without step or

                swing through the glass and
                ledges of city vista, the lingering
                thought to shadow the guilt,

                the alley divide to streetlamp
                the fear, and over the river the rose
                cast high and wide to the stars until

                marzipan fingers reach across the
                ink-purple sky and marshmallow lights
                go out

 

 

I am so pleased to say that this is the sixth time I have posted this poem, mostly always on Christmas Eve: the poem in which my hero-ego – Batman – doesn’t appear and yet everthing is done by his having been there all along; Batman doesn’t swing across the rooftops, it’s just that we sometimes find the space to change our minds; who is the Santa Claus for the 21st century – Batman (termsandconditionsapply:discussionaboutexistenceis … irrelevant); sculpted out of “The Silent Night of the Batman” in Batman #219 by Gary Friedrich and Neal Adams

 

^{————w}(O)rmholes_________________________________|—–

attention wormhole: interim
Batman wormhole: the too big moon
black & skyline wormhole: the skyline
blue & sky & streetlight & windows & writing wormhole: passing below
Christmas wormhole: 1967
city wormhole: 1966
dawn wormhole: The Boats of Vallisneria by Michael J. Redford – A Precious Moment
glass wormhole: time
green & quiet & sound wormhole: Lapping Reflections [Deep Within Waters] – intemperance
light wormhole: ah … // oh … // meanwhile … // … // tha ya ta …
night wormhole: “The Lady from Nowhere”
purple wormhole: 1967
river wormhole: pen and ruler
rooftops wormhole: passersby
shadow wormhole: Prajnaparamita // Maitreya
shops wormhole: ‘hope for things to come’
smile wormhole: comfy
stars wormhole: Clea

 

The Boats of Vallisneria by Michael J. Redford – A Precious Moment

Tags

1967, 3*, air, answers, beauty, being, bells, black, breath, breeze, brown, bull, cause and effect, childhood, clarity, clouds, cows, curtains, dancing, dawn, dew, doing, dusk, earth, east, Einstein, elm, energy, evening, field, freedom, grass, green, grey, heat, hedge, hills, horizon, identity, Jupiter, leaves, life, light, logic, meadow, mind, moment, months, moon, morning, mother, mouse, nature, night, nightjar, noise, openness, order, owl, questions, quiet, rabbit, rebirth, scarlet, September, silence, silhouette, silver, sky, slow, space, stars, summer, the Boats of Vallisneria, thought, time, truth, ultimate reality, uncle, universe, valley, velvet, white, wind, wings, woodland, words

A Precious Moment

As after the heat of a summer’s day the face glows in the mildness of evening, so the face of the countryside glows in the mildness of early autumn.   The summer months have infused the merest suggestion of brown in the deepening green of the foliage and the face of the earth gives up its warmth to the stars above to see them dance.   It was into this calm that I walked one late September’s eve.   The evening star cast her unblinking eye across the heavenly dome to Jupiter in the darkening east and the nightjar echoed its song above the empty fields.   I stood at the end of the stack-yard and returned the disinterested gaze of a cow in the field beyond.

It is during these slow hours when the pace of the day has declined, that the smaller noises of the land become apparent.   The bull, who was tethered a full two hundred yards away in the next field could be heard to rattle his chain and blow down his nose at a particularly juicy clump of grass he has found.   Behind me in the ‘maternity’ box, a freshly calved heifer mooed huskily yet very softly as its offspring raised its head suddenly at a strange sound.   Perhaps it was the sound of ancient timbers creaking under the weight of centuries, or that of the leaves above whispering to the bowed stems in the hay meadow below.   Or maybe it was the very silence that enshrouded these small sounds that attracted its attention, for silence is so startling in its rarity and its beauty.   Dusk gave way to night and I became aware of the immense depths of space, the dizzy height of the mackerel sky, and although it was the clouds that moved, it seemed they were stationary against the clear black silhouettes of the elms and that it was the motion of the gibbous moon behind the clouds that alternately blackened and silver-plated the night.   Even at the tender and romantic age of sixteen I was aware of this quietude, and in one enlightened moment jotted down these few words on an old envelope:

         Soft, soft, the bell that tolls the evensong
         Across full summer’s empty fields serene.
         And slowly draws the scarlet cloak, the hem’s
         Black velvet, diamond specked, communes me with
         The white barn owl, who with his noiseless wings
         Doth glide and swoop upon the luckless mouse.
         Selene set within the lap of dusk
         Transmutes the living green to silver plate,
         Enshrouds my world with immobility.
         And with a quietude that frees the mind
         Of bondage from the peering eyes of day,
         I fain become the earth, the sky, the all.

But it wasn’t until my late teens that I realised there are two times during the twenty four hour cycle when such a quietude exists. One is just before the dusk and the other just before dawn.   Although both seem to be divisions between day and night, the prelude to dawn seems to me to be the more startling and more satisfying to experience.   In the evening the mind is released into a reverie bound by personal conscious thought, but during the morning pause one experiences a freedom and profundity of thought that is rarely to be found in any other part of time.

It is barely half past five in the morning when I start milking, but often I arrive at the cowshed half an hour before in order to experience this precious moment.   Although at this hour the ‘Stone that puts the stars to flight’ has yet to be flung, I can sense the great spaciousness of the valley before me.   Again the trees move softly and the long grass in the hay meadow sifts the breath of night, and I wait.   I wait for that incorporeal beauty that is the union of soul and nature.   It begins where the breezes end and the rustling leaves are stilled.   A serene stillness envelopes the woods and meadows and even I am not conscious of breathing.   I am drawn into the quietude and become part of it; become part of the very earth on which I stand; part of the universe through which I move.   I have become part of each blade of grass in the valley before me, part of every hill.   I feel myself part of the earth, feel its very movement through space.   Unfortunately mere words can no longer be the conveyance of the emotions involved (and I use the word ‘emotions’ for want of a better noun) for they become so expansive and so personal.   No longer can mere words impress the reader’s soul with such profundity of emotion that this experience releases within me.   Each must go his own way, search alone and experience it first hand and with an open mind.

A thought is born and from that thought comes two more.   The two are made four and the four made eight, a self-multiplying chain reaction of thoughts has been set in motion that flows with great haste through the mind; in fact a torrent of thoughts in one brief second, and yet each one is startlingly clear and leads the mind one step nearer the truth.   The heavenly dome is vast above the valley and the stars, thrown into their mythological patterns by the great cosmic hand, impress their presence on the mind with unusual brilliance and time is no more.   Now the mental hosts are converging, and step by step I am racing towards that vertex which is the ultimate truth.   The questions are being answered at an ever increasing rate, the startling, brutal logic disclosing the result of a preceding reaction which itself, reveals a cause.   So through to the highest plane the mind soars upon an ever accelerating reversal of the law of causation. But the pace is too much.   The mind flags and begins to flounder.   At this juncture the mind can be likened to a water skier who, while the pace is kept up skims along the surface in the sun, but immediately he slows down he begins to sink, until at length he finds himself floundering with no forward movement.   Now the mind has become weak and cannot comprehend the unfathomable thought.   But I have brushed the grey curtain; I have seen a light faint though it may be and both my physical and spiritual selves have been revitalised and my cup runneth over.

For most of our lives we are lost beings out of tune with life around us.   Only during such precious moments as these do we fit into the great harmonious chord; all things round and above have their special place in it, from the fat brown rabbit throbbing in the cornfields to the fleecy pieces of golden cloud that sail upon the pale green skies of dusk.   Worries, anxieties, tensions, all are reduced to their proper size in relation to life, and as the imperceptible ‘Left hand of dawn’ lifts the veil on the eastern horizon, we are cleansed and reborn with the stripling day.

It is only during such periods that nature can be reduced to anything approaching order, and that there is an order I am in no doubt.   Einstein’s inquiring mind was working on the universal equation when the workings of that very same equation stilled his physical being; perhaps now he has solved it, we in this life never shall.   The perpetual motion of nature is the perfect machine and we are part of that machine.   It is complete within itself, recreating its own new parts from the debris of the old.   No energy is wasted or lost, just charged in form.   Nature permits us a marginal tolerance within which we may make one or two adjustments to suit our needs and requirements, but beyond this we dare not go for we merely create more problems than we solve.

         So does she pass, the gentle night,
         Slow seeps the dawn upon the scene.
         Dew sparkling in the first light of
         The new day shows where she has been.
         The eyes of day now open on
         The dewy sward and gossamer
         Bows low beneath its pearly load,
         And hedgerows faintly scent the air
         With green along the unused road.
         And I am born once more and see
         The day as I once first beheld –
         A child within his mother’s arms,
         Another, within its mother’s arms.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

air & field & morning wormhole: Lapping Reflections [Deep Within Waters] – autumn
beauty wormhole: the policies came to nothing
being wormhole: The Boats of Vallisneria by Michael J. Redford – Introduction
black & wind wormhole: The Boats of Vallisneria by Michael J. Redford – A Bowl of Gourds
breath wormhole: inbreath
breeze wormhole: and that’s where I are
brown wormhole: Michael Redford: triptych
childhood wormhole: 1964
clouds wormhole: reaching branch
evening & silhouette wormhole: tired
green & space & uncle wormhole: Lapping Reflections [Deep Within Waters] – the soft canticle of the gourds:
grey & horizon wormhole: being in love – poewieview #26
hedge & hills & life & light wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
identity wormhole: with endless love
leaves & mother wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
moon wormhole: don’t look / at her eyes – poewieview #18
night & silence & sky wormhole: a crack of lightning / in the dark of night
openness wormhole: ‘on second thought …’ – poewieview #27
quiet wormhole: Jericho
silver wormhole: Jon
thought & time wormhole: inbreath
white wormhole: mauve
words wormhole: bloogying

 

the sounds of 1969 // [would have] seemed that way – poewieview #13

Tags

1969, 2016, accountability, appearance, ascent, becoming, being, Bowie, chords, clouds, coalescence, counting, crescendo, dawn, doing, doors, earth, echo, fall, gods, history, horizon, kitchen, looking, loss, lost, love, neighbourhood, people, possibility, rocket, silence, society, sound, stillness, streets, stumbling, suburbia, travelling, trees, up, variation, warp, weft, wish, years

                                   … oh,

                      here it comes again, between
                      the warp and weft of chording;
                      all the engines of thrust, all
                      the snare of history, all propulsion

                      `round various turnings, trails
                      left vaporising; counting … up
                      to crescendo, looking up to tread,
                      to lacunae; to ascend is to lose,

                      to step through that door: fall/
                      ascent mean nothing off-sphere;
                      tumult of horizon sitting in my
                      kitchen, stumbling on my planet,

                      there’s nothing I can do: there
                      are – so – many – more – chords,
                      variants on a minor, travelling to
                      where we are all along, feeling

                      very still … lost where we all are;
                      the sounds of 1969 looked very
                      different today – loved-up, peopled-
                      up, gods upped be-coming – up;

                                          ~O~~~

                      down the slippey ascension of wish,
                      up to the echoing boroughs of cloud-
                      bank, where the damp damp dawn
                      falls silent to urban horizon, higher

                      for to widen the neighbourhood
                      streets and higher to deepen the road-
                      side trees; none of it didn’t, but it
                      [would have] seemed that way

 

filtered through grill of angst: Space Oddity, 1969, Cygnet Committee, 1969, Memory of a Free Festival, 1969

Read the collected movements in David Bowie: Movements in Suite Major

 

 

^{————w}(O)rmholes_________________________________|—–

being & Bowie & doing wormhole: quite … / … yet – poewieview #12
clouds wormhole: dog bark
dawn wormhole: now, the verticals go down as well as they go up
doors wormhole: Seven A.M, 1948
echo & looking & people wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
history wormhole: London Park in Greenwich town – poewieview #5
horizon wormhole: com- / mute
kitchen wormhole: 1963
love wormhole: Grizedale College
silence wormhole: the open window
society wormhole: bookmark
sound & years wormhole: 1963
stillness wormhole: the windmill
streets wormhole: fine droplets / across the glass
travelling & trees wormhole: Saturday – poewieview #3

 

now, the verticals go down as well as they go up

Tags

1970s, 1980s, 2015, alley, architecture, awning, buildings, chimney, city, colour, Daredevil, dark, dawn, drawing, Edward Hopper, form, Frank Miller, ground, hearing, height, identity, landscape, leisure, listening, litter, notice, orange, rain, rooftops, seeing, shops, silhouette, sitting, snow, sound, streetlight, streets, suburbia, tarmac, vertical

                now, the verticals go down as well as they go up

                                the form of
                                architecture
                                is drawn
                                by rain

                                streetlights
                                merely cast
                                the silhouettes
                                of dawn

                                in the 70s
                                and the 80s
                                the shops
                                opened late

                                like Hopper
                                landscapes
                                foretending
                                leisure

                                sleet down
                                an alley when
                                there are things
                                to be done

                                (cab waiting
                                with the meter
                                running) but
                                when it snows

                                it is time to sit
                                on a ledge and
                                listen to all the
                                muffled sound

                                below; lighted
                                billboards and
                                the uplit facades
                                of monoliths

                                above the
                                chimney stacks,
                                only when
                                sprung from

                                girders can you
                                hang foetus-like
                                above the roof-
                                tops; let all the

                                striving height
                                recede back
                                to the ground
                                it stands from

                                assassins and
                                bounty hunters
                                proceed colourful
                                and silent by the

                                dark rooftops
                                of old town
                                suburbia, only
                                the blind devils

                                leap the burning
                                awnings more
                                bright than day,
                                where only one

                                will notice from
                                the street, and
                                yet the fantastic
                                storeys of

                                orange-corporate
                                building rise
                                ineluctable
                                behind all

                                borough, seen
                                but not heard;
                                except for the
                                litter of paper

                                trailing the collateral
                                dance across tarmac
                                and paviours, hardly
                                noticed, but ever indulged

 

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: House by the Railroad, 1925
buildings wormhole: dream 260815
chimney wormhole: silhouette: // second / thoughts
city wormhole: Morning in a City, 1944
Daredvil wormhole: tag cloud poem V – draft-ness
dawn & orange wormhole: gre[wh]y / has Daddy left us?
Edward Hopper wormhole: Summertime, 1943
identity & streets wormhole: ‘from under the awning …’
rain wormhole: open window
rooftops wormhole: House by the Railroad, 1925
seeing & sound wormhole: after all?
shops wormhole: that comicbookshop in dreams,
silhouette wormhole: 1959
sitting wormhole: Ashdown Forest / 080213 14:47
snow wormhole: To my Mum
streetlight wormhole: the / very gradual art of sitting