• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: decades

travel // when I die

02 Saturday Nov 2019

Posted by m lewis redford in poems

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2019, 7*, accountability, afterlife, afternoon, architecture, bardo, being, black, brick, brown, buildings, capitalism, century, clouds, crane, data, death, decades, dedication, depth, doing, echo, fields, floating, green, ground, Have, height, horizontal, identity, industry, interdependent origination, iteration, length, lintel, London, magenta, mind, notice, orange, passing, perspective, pillars, presence, purple, rain, rainbow, red, reference, ripple, rooftops, russian vine, samsara, sandstone, sapphire, self-cherishing, self-grasping, silence, sill, sky, sound, speech, Thames, thought, tide, time, train, travelling, trees, Uckfield-London line, utility, walls, white, world, writing

                                                                                travel

                                                                                noticing
                                                                at all is a product of
                                                                shifted perspective
                                                                related to behold;

                                                                when I’ve nothing to write
                                                                I’ve lost any perspective,
                                                                cornered by both these walls
                                                                I’ve walked along

                when I die
                this mind will no longer whorl about this pinchèd self
                in a world of diminished return and profusion of iteration

                                                                cranes atop
                                                                pulling them further up and up
                                                                from the ground on which they
                                                                balance on receding point;

                                                                communities of them
                                                                each taller than the last and the next
                                                                all along the wharfs
                                                                of endless account

                it will be expansive
                high and up in industrial and sandstone sky
                it will fathom all the deep of brown kelp in shifting purple

                                                                kilometres long
                                                                courses of brick
                                                                grimed black and utility-studded
                                                                updown onoff foothold and wire

                                                                ripple along nicely
                                                                across right-angled centuries
                                                                and occasional shot bolts
                                                                of deepest russian vine

                with no sound
                save diminishing echoes of a pleading late self
                having nothing left to refer to and nothing left to here, and

                                                                believe it or not
                                                                a rainbow exponential
                                                                to the white arch of Wembley
                                                                we’ll chase for miles

                                                                orange shimmering to
                                                                magenta through staccato tides
                                                                out and over flat roofs
                                                                on and into the fields

                all data wiped –
                suds off my hands from my shoulders –
                and did I back enough up for some grander vector to reach?

                                                                where trees grow from ground
                                                                shaping over decades
                                                                green-flamed cupolas
                                                                clamped to the sky

                                                                and from perspective passing
                                                                of open field
                                                                turn – creak –
                                                                the whole world

                I may well
                have built pillars of cleverness and thought:
                plinthed, fluted, capitaled and giddyingly architraved …

                                                                and there
                                                                Lancashire red brick
                                                                with high and whitey
                                                                sills stale and lintel

                                                                before washed-out
                                                                sapphire-afternoon of steely sky
                                                                and horizontal fingers of
                                                                scud-rain

                … but they’d just
                floated there upright in space ‘neither use nor ornament’
                straining on the string in my baby-fat hands, I’ve

                                never really
                                made stuff happen
                                and didn’t have to try

                                more than let more and more
                                of stuff happening anyway
                                happen through me

 

train trip; East Sussex to London to Lancaster to Ulverston, Cumbria; where we lived for three years and started a family; stay at Swarthmore Hall; visited Conishead Priory where we lived for 18 months after marriage and graduation; notes and observations on the journey, sense of bridging 32 years of lifetime(s); notes > (maybe) two poems, but two which could nevertheless not be separate, although distinct, like train tracks; three years retired, still processing if I achieved anything in this capitalist and samsaric world …; London centuries old, still processing …; architecture as the stage-scenary of endeavour; the ‘here’ in the 9th stanza is definitely (sic); this is, positive

 

 

————w(O)rmholes________________________________|—–

afternoon & sky wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
architecture & thought wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
being wormhole: 11/1 by William Carlos Williams
black & sky wormhole: Lapping Reflections [Deep Within Waters] – valley
brown & green & walls wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
buildings & crane & rain & red & speech wormhole: riders of the night
capitalism wormhole: `whappn’d!
clouds wormhole: at Kreukenhof
death & identity wormhole: psssssh
doing wormhole: writening
echo & mind & passing & sound & time wormhole: – creak —
Have wormhole: on facing the Have
London wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
orange wormhole: ‘don’t look at it …’
purple wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
rooftops wormhole: Great Bridge, Rouen, 1896
samsara & trees wormhole: breakfast
silence wormhole: window
Thames wormhole: London, 1809
train & travelling wormhole: beneath
Uckfield-London line wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
white wormhole: 10/22 by William Carlos Williams
world wormhole: none and all
writing wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later

 

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… vague / thunder

23 Wednesday Aug 2017

Posted by m lewis redford in poems

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'scape, 2014, 5*, chimney stacks, decades, house, Italianate, lemon, light, office, phone, rain, roof, sky, talking, thunder, Tunbridge Wells, windows

                                                … vague
                                                thunder

                almost a cube of house
                                with italianate roof
                                used as office now
                (upper floors lighted by darkening afternoon
                 bare windowed like decades no longer used)
                                                fluorescent square light
                                                down the side
                                dim light from the high ceiling
                                through the front window
                but someone in a lemon jacket
                standing turning to a wall chart talking
                on the phone
                                the chimney stacks rendered
                                but unpainted high
                                and granular against the sky
here comes the rain
                                                big wet patches on my trouser leg

 

 

 

————w(O)rmholes________________________________|—–

house wormhole: prospect
lemon wormhole: greedy
light wormhole: the quiet whale
rain & sky wormhole: pass and / fro
roof wormhole: balance
talking wormhole: and I lose sight of her into memory
Tunbridge Wells wormhole: Trinity Arts
windows wormhole: the sitting room

 

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just saying, is all VIII: keeping up toxic appearences

22 Monday May 2017

Posted by m lewis redford in poems

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Tags

2013, 5*, appearance, breath, career, communication, decades, dialectic, lungs, managerialism, neglect, no voice, offering, plastic, professionalism, rights, teaching, toxic

                                                                                 just saying, is all VIII:

                                              and after all
                                              I had something to offer
                                              to the very fibre and vessel of teaching

                                              that was ‘hoff’-
                                              ishly and consistently denied the right to enter
                                              that holy dialectic, it was

                                              sincere and
                                              credible and beneath
                                              neglect, while keeping up toxic appearences

                                              of communication,
                                              thriving in a sealed plastic bag …
                                              … in which I have taken breath for decades

                                              my lungs
                                              now shot through, unable to
                                              speak but still reliant on a borderline-

                psychotic professionalism wasting me to the bone

 

 

 

————w(O)rmholes________________________________|—–

breath wormhole: stone
career & managerialism wormhole: just saying, is all VII: // `spolitical
communication wormhole: reprieve
professionalism & teaching wormhole: wakeoutofadream

 

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the missing chord // the now-silent seagull

18 Wednesday May 2016

Posted by m lewis redford in poems

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Tags

'scape, 2016, angle, architecture, birdcall, buddleia, chimney, chords, decades, Eastbourne, fire-escape, flying, gliding, hotel, keyboard, seagull, silence, sky, time, yard

                                                   the missing chord

                           spotted high and gliding from somewhere out the picture
                           down in the delivery lane between the seafront hotels –

                                          the heights of decades passed
                                          with stacks and chimney pots
                                          held motionless over long-
                                          vanished keyboard above the
                                          crescendo of utility rooms and
                                          fire-escape at all angles –

                           sinking down to the yard wall, the switch of buddleia that’ll do nicely
                           reached back up to glide home somewhere in the heavens

                                                   the now-silent seagull

 

 

 

————w(O)rmholes________________________________|—–

architecture wormhole: Le Pont Royal, 1909
buddhleia wormhole: like butterflies on / buddleia
chimney & hotel wormhole: B le tch l ey P ark
Eastbourne wormhole: and that’s where I are
seagull wormhole: now, have I forgotten anything
silence wormhole: fine
sky wormhole: 1967
time wormhole: bloogying

 

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New York, New Haven and Hartford, 1931

24 Sunday Jan 2016

Posted by m lewis redford in poems, poeviews

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'scape, 1931, 2015, chimney, decades, Edward Hopper, facade, house, lawn, morning, New York, railtrack, sky, sun, trees

 

 

 

                      New York, New Haven and Hartford, 1931

                      morning sun appears in fat fingers along the
                      railway track, along the lawn getting somewhere:

                      it fringes the finials of the trees and brush
                      phlanged in all directions but splats façade-

                      on and aspectedly against the sited house for
                      decades reaching 3D chimneys high to the sky

 

 

 

————w(O)rmholes________________________________|—–

chimney wormhole: … the discipline of shamatha / the waft of vipashyana
Edward Hopper wormhole: Seven A.M, 1948
house wormhole: sit
morning & sky wormhole: library windows
sun wormhole: finding my own true nature – Plumstead, Woolwich, 190915
trees wormhole: train journey // like a branch

 

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finding my own true nature – Plumstead, Woolwich, 190915

18 Monday Jan 2016

Posted by m lewis redford in poems

≈ 6 Comments

Tags

2015, advertising, afterlife, alignment, alley, angel, apartment, architecture, ash tree, Ashlar Place, balcony, baptism, bay window, beech, belief, Beresford Square, Bloomfield Road, boundary, brick, brown, building, buildings, bus, cars, change, childhood, church, compassion, crane, daughter, death, decades, Eglinton Hill, family, glass, God, gold, grass, grey, gurdwara, halo, hedge, hill, history, houses, identity, iron, jet plane, John, khanda, Lee Rigby, leylandii, life, lime, living, London, loneliness, looking, love, memory, mother, Mum, Nan, passing, photograph, pipes, Plumstead, rain, red, rooftops, sandstone, shadow, shop, sky, smile, society, sound, stone, streetlight, streets, suitcase, sun, the British Empire, time, traffic, travelling, trees, true nature, walls, wind, Woolwich, Woolwich New Road, writing

            looking for my own true nature – Plumstead, Woolwich, 1909151

            these times of being cut loose are more usual than comfortable
            the buzz of contact and identity more potential than actual

            I go up to London to find bits of my true nature somewhere
            deep inside the forty four miles of time that has elapsed,

            past the same street boards advertising new plastic on trend,
            in even more colourful lime but now un-im-bleach-able;

            where grand gable and architrave stand cleanly revealed in all
            of their time from behind trimmed hedge, but window bay and

            fanned lintel remain obscured behind opportune ash (and
            where crickets rasp in raised lawn to ear level off the hill); on

            the hill2 a crack in the front wall sinking century-ly downhill
            under sounds of jet somewhere in the sky hidden by dampening

            of leylandii; did I get baptised at All Saints Shooters Hill3,
            or did my brother, when the church was still young, its

            thousand panes held individual by lead, reflecting the
            cubist street, I don’t remember now – fractured memory;

            where sandstone is shaped short in modest Empire-control: in
            niche and ledge and decorative finial, during all the wind of

            cold streets, withstanding the new redbrick of decades; I
            cannot draw the line of brick at the corner of Bloomfield

            Road, true neither to hill nor sky nor shadowed underledge
            to the proud cornice (boundaries to distant-impossible crane)

            or even the sharp roofs clipped to lead-clad valley, let alone the
            ample iron downpipe … but I have learnt to write the architecture

            of odd alignment and cut-through alley; perched now against
            Ashlar Place at just the right angle between sun-wipe and shadow

            (shiny haloes in the indents on the page as I write Gurdwara
             Sahib Ramgarhia Temple
4 in biro), the architecture of

            eternal Empire highlighted in gold with khandas blowing
            in the wind … still cannot obscure the luxury apartments in

            constant construct: -ING IS BELIEVING;5 buses come and
            buses go all along Woolwich New Road before the clapping

            troup of ‘Time for God’ angels and their families stood around,
            full of God’s immanent voices, in and out of sight and chant,

            (I have an old photo: a man crossing the road from Beresford
             Square6 with box suitcase in grey [and suggested brown] after

            apparent rain … when the retired newsagent passed by adding
            that he had run that shop opposite for thirty years, how –

            much – it – has – changed); perched, now, on the Metropolitan
            Drinking Fountain & Cattle Trough, oiled and crust stone

            from hide-breath and redundant exhaust; a mother and slinky
            daughter watch the marching bands pass from their third floor

            balcony, height of streetlight, defined before the upright
            sea of tarp covering the next block of the Royal Arsenal

            Riverside in construct (surprise!); ah, Lee Rigby,7 under height
            of Elliston House, these cars pass far too quick to get

            to their traffic, those beech trees opposite have grown to
            lean downhill for fifty years and more; I looked at every

            plaque, Mum, found plenty of Jeans and Margarets (and
            even Gladyss) but no Redfords, I can’t think I would have

            missed you sixteen years into other existences … I don’t
            know: I smiled at some of the plaques as I looked for you,

            I shall smile at everyone now that I haven’t found you

 

1 this peice follows my last visit to London: walking downhill from Plumstead to Woolwich and around and back, driving to Eltham to where my mother (Jean Marguerite Redford 1933-1999, daughter of Gladys Charlotte Conlay 1906-1989) was cremated
2 Eglinton Hill, early childhood home
3 All Saints Shooters Hill
4 Woolwich Gurdwara
5 woolwich new road and buildings
6 true nature II
7 Lee Rigby tributes in front of Elliston House

 

 

————w(O)rmholes________________________________|—–

architecture wormhole: ING IS BELIEVING
brown & love & red wormhole: when in Belgium do as the chocolates do
buildings & life & streets wormhole: gotcha
bus & sun wormhole: Christmas lights / around the lamp post
cars wormhole: portrait: / two pigeons
change & gold & Woolwich wormhole: ING IS BELIEVING
childhood & Nan wormhole: new garden
church wormhole: you can only smell the candles / when they have been snuffed out
compassion wormhole: [s]
crane wormhole: com- / mute
daughter wormhole: the retriever the daughter and the mother
death & writing wormhole: Poewieviews
Eglinton Hill & London wormhole: the breath of London
family wormhole: let’s have some ice creams
glass wormhole: ‘in clear oil air …’
grey & identity & time & trees & walls wormhole: walking through Lewes
hedge wormhole: the continental stride of trains
history & Mum wormhole: sit
lime & sky & stone wormhole: David Bowie – Iris
living wormhole: currency: / assent for statement – / ‘smakin’alivvin’
loneliness wormhole: ‘passing overhead …’
looking wormhole: Office at Night, 1940
mother wormhole: gre[wh]y / has Daddy left us?
passing wormhole: clouds
Plumstead wormhole: dream 260815
rain wormhole: “walking …”
rooftops & smile & streetlight wormhole: the silent night of the Batman
shadow wormhole: Seven A.M, 1948
society wormhole: the Growing Man
sound & wind wormhole: the open window
travelling wormhole: Compartment C, Car 193, 1938

 

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The Godfather III: // AAAAAAAAAAAAAAAGHHHHHHHHHHHHH …

19 Wednesday Aug 2015

Posted by m lewis redford in poems, poeviews

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2014, blood, cog, decades, film, Francis Ford Coppola, hair, Have, identity, loss, mother, mouth, naked, power, sound, The Godfather, tragedy, ugly

 

 

 

                                                                 The Godfather III:

                                                                           long
                                                                 silent         cry
                                   mouth open ugly naked
                                                 power gone

                   and every cog of every decade caught
                   on the same piece of rag coiled around each tooth
                   limp bloody and hair-fallen in her mother’s arms

                                                                                              … … …

                                                         … … …

                … … …

                AAAAAAAAAAAAAAAGHHHHHHHHHHHHH …

 

 

 

————w(O)rmholes________________________________|—–

film wormhole: I need to keep my eyes open / in meditation
hair wormhole: the tangles fall apart
Have wormhole: the lines are not that straight / after all
identity wormhole: dream 230315
mother wormhole: sight / seeing
mouth wormhole: sitting
power wormhole: the Conqueror
sound wormhole: the / very gradual art of sitting

 

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my life / of others

11 Thursday Jun 2015

Posted by m lewis redford in poems

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2012, Allen Ginsberg, allowing, America, awkward, being, bittersweet, breathing, community, decades, desert, doing, echo, eyes, family, fog, giving, gravity, horizon, identity, inclusion, ink, life, lifetimes, listening, loneliness, love, management, marble, mauve, meaning, others, planet, pointlessness, purpose, radiation, relationship, secret, silence, sitting, society, talking to myself, time, twilight

 

y’know; sometimes you’ve just got to have a rambling, indulgent, pig-headed, why-is-no-one-listening-to-me, pathetic, awkward (don’t forget the ‘awkward’), poor-me whiiine to realise just how rambling, indulgent, pig-headed, why-is-no-one-listening-to-me-ie, pathetic, and awkward you can be; sigh – but there’s still some poetry in it, so I’ll share the self-pity about (caution: this is quite a high-pitched whiiine; it is strongly urged that you wear ear-protection – or at least stick your fingers in your ear reciting la-la-la – if you undertake to read this; you have been warned)

 

 

                my life
                                of others

                                how long has this been going on
                how long this has been going on

demands in their eyes pull me to them like a planet
                pull on me to contain them
                                pull deep in me through the latest casual orbit

                                I give because I can
                learnt silently over decades
                                              I have lived to allow ever wider
                                in order to include
                                              to neutralise my gravity in order to listen
                and let them breathe enough
                                              to find their own solution –
decades of leaning a hundred awkward ways
                                              to be with others
                                decades of privately finding ways
                to re-collect my own gravity –
                                                              shiny marbles with petrified ink –
                                              and decades having to let them go
                                                              one by one
                                              tearfully
                                eventually

                                              all under the great broad horizon
                                lost before the hills on the great broad horizon
                the beautiful-twilight mauve desert
                                              and the radiation presence of another close planet they
                cannot do the same for me
                                                              they will not do the same for me:

                                the squalls and foreclosures,
                                              they are of my own making
                an audience extends only so far as to conclude that it is all my own awkwardness – all I have to do is fit –
                                              before I have even finished explaining
                usually I don’t bother to finish
                                or even start
                                              the solution is ready-made
                                                              (with a few ‘hmm’s to make it look kindly)
                or just kept to themself
                                echoing loudly behind their eyes

                                              like sharing secrets with the fog
                                                              I find myself alone
                each one of them was the last person I could turn to in the world
                                but they all uncannily agree with each other
                                              they are the Company Man

                                I have done my bit for the family
                                I have done my bit for the team
                                I have done my bit for the community
                                                              all by not being there
                                              all by not getting in the way
                I cried when I was acknowledged once
                                                                                 it never happened again

                                I suppose
                                it’s just
                                              they need to keep from shattering in a thousand pieces
                they need to hold the whole damn thing together
so I give because I can
                                because it is right
                                                              but cannot expect return
                                                              they cannot give
                                                              what they expect
                                                              in return
                                for sure things are done things may be organised
                                                              (sometimes even when I want them)
                                              but for some greater good
                                                              for some greater career
                                                              for some greater legacy
                                                                                 not mine
                                              certainly not mine (‘America I have given you all
                                                              and now I am nothing’)

                                              when I work it is all about them
                when I stop it is all about how they performed
                                all that I do and don’t do
                                              is how it sits as support or burden
                                                              to them
                                conclusion: it is only them who do the work
                                              the thinking the organising
                                                              I seem to do nothing
                                                              really
                and do it annoyingly and awkwardly and thinkingly – roll of eyes – I
                                have to be managed to be of any competence
                                              (that’s meant affectionately) I
                                              am just the recipient of their
                                                              good work
                                                              (what do they call them these days – ‘clients’)
                                              my value
                                              my contribution
                                              what I am
                                                              are the price I pay to receive

                so I don’t say anything much – what’s the point?
                                I’ll put a few things out
                                              tentatively
                                (where I might be patronised at best – if I’m lucky,
                                                                                 if the planets are lined up right)
                                                              told it’s cute
                                              or individual
                                or much too clever to understand
                or it’s not what was needed
                                              or sorry, Mark, did you say something
                                                              and the audience will move deftly on
                                to what it wanted to talk about anyway
                or what it wanted to be doing
                                              all along

                                I mostly keep it to myself
                                                              here
                                              in the place I claim
                                              each day – time to myself bittersweet
                                                              (at siege from service and compliance)
                to ‘indulge’ myself ‘stay up too late’ ‘contemplate my navel’
                                                              otherwise I get ‘grumpy’
                                              I talk to
                                              myself
                                                              I am not the Company Man
                                                                                 no one
                                                                                 to share
                                                                                 me with
                no one beyond the managed obliged corporate return
                                              oh yes I return to myself
                                                              find my own meaningpurposeaudiencelove
                                              safe in the fifty year relationship
                                which is good for only one

                                decades whittled away
                                              here and there
                                                              chips and shavings on the floor
                                leaving a petrified face
                eyes wide mouth open
                                              bas-relief out from being

 

 

 

————w(O)rmholes________________________________|—–

Allen Ginsberg & giving wormhole: tag cloud poem VIII – growth
allowing & loneliness wormhole: letters to Mum VI – Years / after you have gone. Still.
being & breathing & sitting wormhole: the art of sit and follow
doing & identity wormhole: my beauty
echo wormhole: library: start where you are IV // all the distance I have travelled!
eyes & time wormhole: ambling around / the garden centre
family wormhole: sometimes
fog homework: tag cloud poem VII – form new freedom:
horizon wormhole: To my Mum
life & love wormhole: I love with all the history and lack of perfections at our command
lifetimes & others & pointlessness & society wormhole: Totnes
listening wormhole: before // writing?
management wormhole: poessay VIII: / educational behaviourism
mauve wormhole: ‘green post …’
meaning & talking to myself wormhole: the stance of Buscema // qualitatively
twilight wormhole: the four whores of the apocalypse

 

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"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

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