What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

Advertisement

SUMMER SONG by William Carlos Williams

Tags

1917, 5*, blue, colour, dew, irony, journey, moon, morning, question, shirt, sky, smile, song, summer, tie, wandering, William Carlos Williams

                                SUMMER SONG

                Wanderer moon
                smiling a
                faintly ironical smile
                at this
                brilliant, dew-moistened
                summer morning,–
                a detached
                sleepily indifferent
                smile, a
                wanderer’s smile,–
                if I should
                buy a shirt
                your color and
                put on a necktie
                sky-blue
                where would they carry me?

 

from Al Que Quiere, 1917

the trajectory of a turn of quip of humour going absolutely nowhere far, with dew

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: PASTORAL by William Carlos Williams
moon wormhole: sufficiently away
morning wormhole: letting them go
sky wormhole: transferring
smile wormhole: skeins of candy pink and lilac
William Carlos Williams wormhole: EL HOMBRE by William Carlos Williams

 

The Boats of Vallisneria by Michael J. Redford – A Precious Moment

Tags

1967, 3*, air, answers, beauty, being, bells, black, breath, breeze, brown, bull, cause and effect, childhood, clarity, clouds, cows, curtains, dancing, dawn, dew, doing, dusk, earth, east, Einstein, elm, energy, evening, field, freedom, grass, green, grey, heat, hedge, hills, horizon, identity, Jupiter, leaves, life, light, logic, meadow, mind, moment, months, moon, morning, mother, mouse, nature, night, nightjar, noise, openness, order, owl, questions, quiet, rabbit, rebirth, scarlet, September, silence, silhouette, silver, sky, slow, space, stars, summer, the Boats of Vallisneria, thought, time, truth, ultimate reality, uncle, universe, valley, velvet, white, wind, wings, woodland, words

A Precious Moment

As after the heat of a summer’s day the face glows in the mildness of evening, so the face of the countryside glows in the mildness of early autumn.   The summer months have infused the merest suggestion of brown in the deepening green of the foliage and the face of the earth gives up its warmth to the stars above to see them dance.   It was into this calm that I walked one late September’s eve.   The evening star cast her unblinking eye across the heavenly dome to Jupiter in the darkening east and the nightjar echoed its song above the empty fields.   I stood at the end of the stack-yard and returned the disinterested gaze of a cow in the field beyond.

It is during these slow hours when the pace of the day has declined, that the smaller noises of the land become apparent.   The bull, who was tethered a full two hundred yards away in the next field could be heard to rattle his chain and blow down his nose at a particularly juicy clump of grass he has found.   Behind me in the ‘maternity’ box, a freshly calved heifer mooed huskily yet very softly as its offspring raised its head suddenly at a strange sound.   Perhaps it was the sound of ancient timbers creaking under the weight of centuries, or that of the leaves above whispering to the bowed stems in the hay meadow below.   Or maybe it was the very silence that enshrouded these small sounds that attracted its attention, for silence is so startling in its rarity and its beauty.   Dusk gave way to night and I became aware of the immense depths of space, the dizzy height of the mackerel sky, and although it was the clouds that moved, it seemed they were stationary against the clear black silhouettes of the elms and that it was the motion of the gibbous moon behind the clouds that alternately blackened and silver-plated the night.   Even at the tender and romantic age of sixteen I was aware of this quietude, and in one enlightened moment jotted down these few words on an old envelope:

         Soft, soft, the bell that tolls the evensong
         Across full summer’s empty fields serene.
         And slowly draws the scarlet cloak, the hem’s
         Black velvet, diamond specked, communes me with
         The white barn owl, who with his noiseless wings
         Doth glide and swoop upon the luckless mouse.
         Selene set within the lap of dusk
         Transmutes the living green to silver plate,
         Enshrouds my world with immobility.
         And with a quietude that frees the mind
         Of bondage from the peering eyes of day,
         I fain become the earth, the sky, the all.

But it wasn’t until my late teens that I realised there are two times during the twenty four hour cycle when such a quietude exists. One is just before the dusk and the other just before dawn.   Although both seem to be divisions between day and night, the prelude to dawn seems to me to be the more startling and more satisfying to experience.   In the evening the mind is released into a reverie bound by personal conscious thought, but during the morning pause one experiences a freedom and profundity of thought that is rarely to be found in any other part of time.

It is barely half past five in the morning when I start milking, but often I arrive at the cowshed half an hour before in order to experience this precious moment.   Although at this hour the ‘Stone that puts the stars to flight’ has yet to be flung, I can sense the great spaciousness of the valley before me.   Again the trees move softly and the long grass in the hay meadow sifts the breath of night, and I wait.   I wait for that incorporeal beauty that is the union of soul and nature.   It begins where the breezes end and the rustling leaves are stilled.   A serene stillness envelopes the woods and meadows and even I am not conscious of breathing.   I am drawn into the quietude and become part of it; become part of the very earth on which I stand; part of the universe through which I move.   I have become part of each blade of grass in the valley before me, part of every hill.   I feel myself part of the earth, feel its very movement through space.   Unfortunately mere words can no longer be the conveyance of the emotions involved (and I use the word ‘emotions’ for want of a better noun) for they become so expansive and so personal.   No longer can mere words impress the reader’s soul with such profundity of emotion that this experience releases within me.   Each must go his own way, search alone and experience it first hand and with an open mind.

A thought is born and from that thought comes two more.   The two are made four and the four made eight, a self-multiplying chain reaction of thoughts has been set in motion that flows with great haste through the mind; in fact a torrent of thoughts in one brief second, and yet each one is startlingly clear and leads the mind one step nearer the truth.   The heavenly dome is vast above the valley and the stars, thrown into their mythological patterns by the great cosmic hand, impress their presence on the mind with unusual brilliance and time is no more.   Now the mental hosts are converging, and step by step I am racing towards that vertex which is the ultimate truth.   The questions are being answered at an ever increasing rate, the startling, brutal logic disclosing the result of a preceding reaction which itself, reveals a cause.   So through to the highest plane the mind soars upon an ever accelerating reversal of the law of causation. But the pace is too much.   The mind flags and begins to flounder.   At this juncture the mind can be likened to a water skier who, while the pace is kept up skims along the surface in the sun, but immediately he slows down he begins to sink, until at length he finds himself floundering with no forward movement.   Now the mind has become weak and cannot comprehend the unfathomable thought.   But I have brushed the grey curtain; I have seen a light faint though it may be and both my physical and spiritual selves have been revitalised and my cup runneth over.

For most of our lives we are lost beings out of tune with life around us.   Only during such precious moments as these do we fit into the great harmonious chord; all things round and above have their special place in it, from the fat brown rabbit throbbing in the cornfields to the fleecy pieces of golden cloud that sail upon the pale green skies of dusk.   Worries, anxieties, tensions, all are reduced to their proper size in relation to life, and as the imperceptible ‘Left hand of dawn’ lifts the veil on the eastern horizon, we are cleansed and reborn with the stripling day.

It is only during such periods that nature can be reduced to anything approaching order, and that there is an order I am in no doubt.   Einstein’s inquiring mind was working on the universal equation when the workings of that very same equation stilled his physical being; perhaps now he has solved it, we in this life never shall.   The perpetual motion of nature is the perfect machine and we are part of that machine.   It is complete within itself, recreating its own new parts from the debris of the old.   No energy is wasted or lost, just charged in form.   Nature permits us a marginal tolerance within which we may make one or two adjustments to suit our needs and requirements, but beyond this we dare not go for we merely create more problems than we solve.

         So does she pass, the gentle night,
         Slow seeps the dawn upon the scene.
         Dew sparkling in the first light of
         The new day shows where she has been.
         The eyes of day now open on
         The dewy sward and gossamer
         Bows low beneath its pearly load,
         And hedgerows faintly scent the air
         With green along the unused road.
         And I am born once more and see
         The day as I once first beheld –
         A child within his mother’s arms,
         Another, within its mother’s arms.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

air & field & morning wormhole: Lapping Reflections [Deep Within Waters] – autumn
beauty wormhole: the policies came to nothing
being wormhole: The Boats of Vallisneria by Michael J. Redford – Introduction
black & wind wormhole: The Boats of Vallisneria by Michael J. Redford – A Bowl of Gourds
breath wormhole: inbreath
breeze wormhole: and that’s where I are
brown wormhole: Michael Redford: triptych
childhood wormhole: 1964
clouds wormhole: reaching branch
evening & silhouette wormhole: tired
green & space & uncle wormhole: Lapping Reflections [Deep Within Waters] – the soft canticle of the gourds:
grey & horizon wormhole: being in love – poewieview #26
hedge & hills & life & light wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
identity wormhole: with endless love
leaves & mother wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
moon wormhole: don’t look / at her eyes – poewieview #18
night & silence & sky wormhole: a crack of lightning / in the dark of night
openness wormhole: ‘on second thought …’ – poewieview #27
quiet wormhole: Jericho
silver wormhole: Jon
thought & time wormhole: inbreath
white wormhole: mauve
words wormhole: bloogying

 

duck calls

Tags

'scape, 2012, 5*, childhood, dew, duck, field, garden, green, mist, morning, Ramsden Heath, sound, trees

 

 

 

                      in the early morning
                      the ground seemed frozen
                      but it was the shifting dew-mist

                      shh – duck calls

                      from behind the dark trees
                      along the bottom of the garden
                      where the fields and water were

 

 

 

^{————w}(O)rmholes_________________________________|—–

childhood & trees wormhole: the spectre
field wormhole: train journey
garden wormhole: ‘across the flat meadow …’
green wormhole: bench / corner of Cantwell Road / and Eglinton Hill
mist & morning wormhole: The Smoker You Drink The Player You Get (1973) – tribute
Ramsden Heath wormhole: radio
sound wormhole: double glazing