• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: dusk

mauve

23 Wednesday May 2018

Posted by m lewis redford in poems, poeviews

≈ 3 Comments

Tags

1973, 2017, 6*, birdsong, blue, buildings, clouds, dusk, gold, hills, horizon, left, lime, mauve, mist, olive, right, sidewalk, sky, Steely Dan, streets, sun, syncopation, white

                                mauve
                                {Your Gold Teeth}

                in 1973
                                waste bins jumped up
                                                syncopated
                                                                all down the sidewalk

                down the street apiece
                                the olive and mist
                                                second-floor horizon
                                                                looked left

                                                                before the hills
                                                sun going down
                                in a Prussian sky
                {West of Hollywood}

                                to the right to the left
                                the bird on the single

                                remaining post called
                                the last lime skeak

                                to white curds above
                                the darkening hills

 


 

 

————w(O)rmholes________________________________|—–

blue wormhole: Bridgnorth
buildings wormhole: between
clouds wormhole: all the low clouds keeping pace / through the train window, / always arriving, whether fast or / slow, but never actually moving
gold & sky wormhole: behind / glass walls and wan and hooded eye
hills & mauve wormhole: polystyrene / boulderscape
horizon wormhole: travelling // arrival
lime wormhole: turned backs of saddened victory
mist wormhole: is this it // all the time
olive wormhole: pine // gladioli // [&] wisteria
streets wormhole: coagulating
sun wormhole: The Boats of Vallisneria by Michael J. Redford – Making Hay
white wormhole: sharpened apex

 

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The Boats of Vallisneria by Michael J Redford – Working

07 Wednesday Feb 2018

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

1967, chimney, clouds, corn, cows, dusk, eggs, elm, farming, fence, fields, flood, food distribution, future, gale, gaze, green, grey, harvest, hay, hills, identity, leaf, letter, machines, meadow, meat production, Michael J Redford, milk, morning, oats, poetry, rain, sheep, silence, summer, sun, the Boats of Vallisneria, thought, time, tractors, trees, valley, weather, wheat, wind, windows, work, writing

Chapter 4

Working

A Letter of Two Parts

Dear Pat and John

I thought it high time I dropped another letter from the country into the post.   Looking back over the past summer months seems more like looking back over a bleak and stormy winter.   The weather has of course played havoc with the haymaking and harvesting.   I hear that at one time, medium quality hay was fetching nearly £20 per ton, and taking into account the wide-spread flooding that has occurred, it seems there’ll not be enough oat straw to feed in place of it.   With this drastic shortage of hay and straw, the outlook is black indeed.

Even as I write, the rain is beating alarmingly against the window panes, borne upon a gale that roars like an express up the valley, each gust falling over the next in its haste to wreak havoc on the exposed hills.   As I gaze through the window pane distorted with rivulets and splashes, I perceive a hazy image of grey hills shouldering leaden clouds, and every few minutes the wind rattles the frame and comes sighing down the chimney.   The whole house shudders a little and a log in the hearth slips, sending up a shower of sparks to meet the confusion above.   The fields are in a sorry state.   Most of the corn has been lodged as if trampled by some strident giant, fences have been breached by falling trees and many sheep throughout the country have been drowned in the spreading waters.

There was a period two weeks ago when the tempest eased a little and allowed a little watery sun into our eyes, but this lasted for only seven days, after which the rain set in again and eased up only occasionally for an odd day here and there.   We have managed to stack about half the oats, but the remainder will probably have to be written off.   The wheat would have encountered a similar fate had it not been for the three hired combines.

Now here once again are the winds and the rains.   A dead leaf, too sodden to absorb any more water is whipped across the window and trembles for a brief second on the sill before joining the hosts that cling to the chicken coop wire.   Incidentally, I’d better put this letter to one side for a moment in order to collect the eggs before the half light fades completely.

                                * * * * * * * *

Dear Pat and John,

I’ve had to restart this letter.   Owing to this sudden bright spell we’ve been working like mad trying to catch up on the backlog of harvesting and general repairs.   I started this letter well over two weeks ago but I’m afraid I’ve not had time to finish it until now.   It is remarkable how the view has changed outside my window.   The country scene these past few days has been one of violent human and mechanical activity.

Implements of all shapes, sizes and colours have erupted from their unusual passiveness and are droning, roaring and rattling over the soil.   A combine harvester, like a metal monster from a Wells novel, trundles ponderously across the field, digesting the grain and vomiting the residue in its wake.   Tractors career madly through the lanes, heave with throbbing effort towering loads of sheaves and haul balers which follow on, nodding idiotically like inane sheep.   Men race fervently against time commanding machines, pitching sheaves, building stacks, their pitchforks leaping and flashing under the sun.   Farmers and farm workers alike are conscious of the urgency of the hour, but no clock watching for them, they are eager to see the culmination of a years’ hard work.   To these men, their work is not merely a means of earning a living, it is something far more than this, something far more personal and important to them as individuals.   These men work not so much for their employers but with them, and it is through this combined effort that the tempestuous vagaries of the past year have been overcome.

If a machine breaks down, there is a curse and several pairs of hands are immediately locating the trouble.   They may not be expert mechanics but farm workers are masters of improvisation and no machine is standing idle for long.   It is this knack of ‘making do’ that is the seed of many weird and wonderful machines that have appeared on the agricultural scene, and it would indeed be difficult to find any industry which has produced in such a short period of time a greater range of impossible machines to tackle such improbable tasks.   No doubt to the layman it would appear that with all these modern innovations, the life of the farm worker today is almost as idyllic as the sentimentalised conception of the pseudo-bucolic poets of the seventeenth century:-

                “O happy life, if that their good
                The husbandman but understood.
                Who all the day themselves do please …”

Whenever a new acquaintance asks the nature of my work they are, on being told, shocked into silent disbelief.   Apparently I neither look like a farm labourer nor do I sound like one (how does such a person look and sound), and henceforth I am re-introduced either as a farmer or, by those who are more sensitive towards the truth, as being ‘in farming’, thereby implying that I own vast acres and hunt every Tuesday and Saturday.   A wistful ‘back to the land’ look then enters the eye.   “I’ve always wanted to work on a farm” they sigh.   No doubt there have been insuperable obstacles in ambition’s path for many people, but surely not all, and I have yet to meet the person who doesn’t bemoan his lot in town and gaze longingly at the green hills.   And just as a point of interest, I have yet to meet the person who doesn’t have an uncle somewhere who owns a farm.

Their conception of farming today seems even more idyllic than that of their fathers’.   Machines, they say, have taken the hard work out of farming, all we have to do is sit on a tractor all day and press buttons.   Perhaps they would like to spend a day stacking bales of hay under a sizzling hot roof of a Dutch barn, or perhaps after a sixteen hour day during harvest, [perhaps] they would like to sit up all night with a cow who is having a difficult time calving and work another sixteen hours the following day, and the day after that.   Unless a farmer specialises in a line for which a particular machine or implement has been designed, then it is not economical to purchase that machine.   For example, a man with just one house cow would find it uneconomical to install a completely automatic milking unit, but even where this is justified, as in the case of larger herds, the farmer or herdsman still has to rise at five o’clock on a bitterly cold winter’s morning seven days a week.   The advent of the machine has not necessarily lessened the amount of hard work to be done, it has merely allowed us to do more work in a given amount of time.   In fact, it is because of the machine that the herdsman’s lot today is becoming an increasingly intolerable one.

An old friend of mine once milked twenty five cows night and morning with two machines.   He know his cows and his cows knew him.   Although he did not rush things, he was efficient.   He would stand aside as the cows came into the shed and cast his eye over each one, and as he milked, he ran his hand over their coats and looked at their droppings.   Old Charlie could tell immediately if one of the animals was off colour.   Then his employer retired and a young, progressive farmer moved in.   Fortunately he ask Charlie to stay on as cowman.   Now, Charlie milks sixty cows night and morning with four machines in a well-parlour.   On being asked how he liked the new system, the old cowman sighed.

“Well I dunno.   We gets the milk, that’s fer sure, but ‘tis like working in a factory.   There’s pipes, tubes, valves, taps an’ switches everywhere.   The animals go through the parlour like a dose o’ salts – you’ve ‘ardly got time to wash their bags.   All you can see of ‘em is one side, their guts might be ‘anging out the other fer all I know.”   His addendum, I think, summed up his real grievance.

                “Trouble is – I ‘ent got enough time to get to know me animals.”

What could once be classified as a pleasurable occupation was now, through the advent of the machine, become a tiresome chore, and as mechanisation infiltrates more and more, so true herdsmanship is disappearing.   The reticent paragon of tolerance, that slow, amiable patient being that was once the cowmen, is now being pushed aside to make way for the impatient, ulcer-ridden milker of high speed conveyer-type milk production of today, so much so in fact, that on some larger farms, milkers are already working a shift system to break the seven day a week monotony.

I can foresee in the not so distant future, a herd of a thousand or more cows, zero grazed, moving almost continuously through a system of yards and parlours twice every twenty four hours.   In the parlours, shift work will be in progress with round the clock milking.   The milk will be pumped through to the distribution.   The organisation will manufacture its own concentrates, will employ its own veterinary surgeon, accountant and secretary and will have a resident Ministry Inspector equipped with his own laboratory.   And of course the whole concern will be owned by the big industrialists of the day.   This is not such an improbability as may at first appear for this has already happened to a great degree to some of our poultry farms.   There are now vast empires where eggs are fed into one end of a building and emerge twelve weeks later at the other as pre-packed chickens with their giblets frozen into little polythene bags inside them.   Then there is the abomination of the sweat box and battery systems of meat production.   Agricultural evolution has reached a point where farming, as we know it, is slowly but surely plunging into self-annihilation and dragging down with it the responsibility of moral thought into a morass of turpitude.   We are entering an age of hydroponic systems where an agricultural technocracy permits controlled environment and mass production of living creatures to an extent unparalleled in human history.   It is as if we have forgotten that we are dealing with life itself and not inanimate lumps of putty waiting to be moulded into any shape by the current market.   Yet if the farmers of today do not keep abreast of [the] latest scientific developments, they would find it almost impossible to feed themselves let alone provide food for others.   Even so, despite the fact that agricultural efficiency and production have increased beyond the wildest dreams of great pioneers such as John Lawes and Sir Humphry Davy, people are still dying in their thousands for want of food.   Despite the fact that there is enough food produced throughout the world in any one year to supply mankind with the essentials of life for the next twenty, the bloated belly of the beggar is still a common sight in the greater part of the world.   It is not, therefore, research into agricultural production methods which is urgently needed, but research into the distribution of those products.   It is in this sphere that the great fields of ignorance lay.

But let me rein back awhile for I have digressed too far.   This letter to you was intended to be a portrait of the countryside as I have seen it during the last two months, so now let me gaze upon the pastoral scene beyond my window.   The cows have finished grazing and are lying in the meadow cudding methodically.   The sun falls upon their backs like a warm blanket and a faint breeze fans their faces.

It was nine o’clock last night that the last load was brought home.   Engines were switched off one by one across the fields and, as the evening star faded, Pegasus shimmered the in the warmth of dusk and gazed upon the southern elms.   As the last sheaf was laid upon the stack, the year ended, our year, that is.   George stood, hands on hips.   Harry leaned upon his pitchfork.   Alf and Arthur sat upon the trailer and Jim stood with one foot upon the wheel hub.   In silence they gazed at the stack, each man with his own thoughts, each man reaping his own spiritual harvest.

 

read the collected work as it is published: here

 

————w(O)rmholes________________________________|—–

chimney wormhole: the missing chord // the now-silent seagull
clouds & identity & time & wind wormhole: travelling // arrival
green wormhole: green and / luminant / to behold
grey wormhole: for / the first time
hills & valley wormhole: volcanic rock
morning wormhole: forgotten anything
poetry wormhole: Pilot 125 … // … being excursion in the interludes
rain wormhole: when the rain has settled / the dust
silence wormhole: without any buffet at all
sun wormhole: is this it // all the time
thought & writing wormhole: Christmas 2015
trees wormhole: Plumstead – Woolwich – Plumstead 220211
windows wormhole: river
work wormhole: I am not yet ready

 

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just

07 Monday Aug 2017

Posted by m lewis redford in poems, poeviews

≈ Leave a comment

Tags

2014, 3*, boundary, dusk, eyes, film, freedom, horse, looking, meadow, morning, mountains, waiting

                just

                                crouching
                from mid-morning until gathering dusk
                                not moving
                                                drying
looking deep across the meadow with no boundaries but the mountains
                into the horse’s eyes who
                                just doesn’t
                                                run
                                                free

 

film: ‘The Horse Whisperer’, 1998

 

 

————w(O)rmholes________________________________|—–

eyes wormhole: free
film wormhole: divergent // direction
looking wormhole: dream I // dream II
morning wormhole: make your rickety / constructs strong with / unbending grids / of attention and wide- / open grates of let
waiting wormhole: I keep / waiting to be discovered and get lost in anticipation

 

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The Boats of Vallisneria by Michael J. Redford – A Precious Moment

02 Saturday Jul 2016

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

1967, 3*, air, answers, beauty, being, bells, black, breath, breeze, brown, bull, cause and effect, childhood, clarity, clouds, cows, curtains, dancing, dawn, dew, doing, dusk, earth, east, Einstein, elm, energy, evening, field, freedom, grass, green, grey, heat, hedge, hills, horizon, identity, Jupiter, leaves, life, light, logic, meadow, mind, moment, months, moon, morning, mother, mouse, nature, night, nightjar, noise, openness, order, owl, questions, quiet, rabbit, rebirth, scarlet, September, silence, silhouette, silver, sky, slow, space, stars, summer, the Boats of Vallisneria, thought, time, truth, ultimate reality, uncle, universe, valley, velvet, white, wind, wings, woodland, words

A Precious Moment

As after the heat of a summer’s day the face glows in the mildness of evening, so the face of the countryside glows in the mildness of early autumn.   The summer months have infused the merest suggestion of brown in the deepening green of the foliage and the face of the earth gives up its warmth to the stars above to see them dance.   It was into this calm that I walked one late September’s eve.   The evening star cast her unblinking eye across the heavenly dome to Jupiter in the darkening east and the nightjar echoed its song above the empty fields.   I stood at the end of the stack-yard and returned the disinterested gaze of a cow in the field beyond.

It is during these slow hours when the pace of the day has declined, that the smaller noises of the land become apparent.   The bull, who was tethered a full two hundred yards away in the next field could be heard to rattle his chain and blow down his nose at a particularly juicy clump of grass he has found.   Behind me in the ‘maternity’ box, a freshly calved heifer mooed huskily yet very softly as its offspring raised its head suddenly at a strange sound.   Perhaps it was the sound of ancient timbers creaking under the weight of centuries, or that of the leaves above whispering to the bowed stems in the hay meadow below.   Or maybe it was the very silence that enshrouded these small sounds that attracted its attention, for silence is so startling in its rarity and its beauty.   Dusk gave way to night and I became aware of the immense depths of space, the dizzy height of the mackerel sky, and although it was the clouds that moved, it seemed they were stationary against the clear black silhouettes of the elms and that it was the motion of the gibbous moon behind the clouds that alternately blackened and silver-plated the night.   Even at the tender and romantic age of sixteen I was aware of this quietude, and in one enlightened moment jotted down these few words on an old envelope:

         Soft, soft, the bell that tolls the evensong
         Across full summer’s empty fields serene.
         And slowly draws the scarlet cloak, the hem’s
         Black velvet, diamond specked, communes me with
         The white barn owl, who with his noiseless wings
         Doth glide and swoop upon the luckless mouse.
         Selene set within the lap of dusk
         Transmutes the living green to silver plate,
         Enshrouds my world with immobility.
         And with a quietude that frees the mind
         Of bondage from the peering eyes of day,
         I fain become the earth, the sky, the all.

But it wasn’t until my late teens that I realised there are two times during the twenty four hour cycle when such a quietude exists. One is just before the dusk and the other just before dawn.   Although both seem to be divisions between day and night, the prelude to dawn seems to me to be the more startling and more satisfying to experience.   In the evening the mind is released into a reverie bound by personal conscious thought, but during the morning pause one experiences a freedom and profundity of thought that is rarely to be found in any other part of time.

It is barely half past five in the morning when I start milking, but often I arrive at the cowshed half an hour before in order to experience this precious moment.   Although at this hour the ‘Stone that puts the stars to flight’ has yet to be flung, I can sense the great spaciousness of the valley before me.   Again the trees move softly and the long grass in the hay meadow sifts the breath of night, and I wait.   I wait for that incorporeal beauty that is the union of soul and nature.   It begins where the breezes end and the rustling leaves are stilled.   A serene stillness envelopes the woods and meadows and even I am not conscious of breathing.   I am drawn into the quietude and become part of it; become part of the very earth on which I stand; part of the universe through which I move.   I have become part of each blade of grass in the valley before me, part of every hill.   I feel myself part of the earth, feel its very movement through space.   Unfortunately mere words can no longer be the conveyance of the emotions involved (and I use the word ‘emotions’ for want of a better noun) for they become so expansive and so personal.   No longer can mere words impress the reader’s soul with such profundity of emotion that this experience releases within me.   Each must go his own way, search alone and experience it first hand and with an open mind.

A thought is born and from that thought comes two more.   The two are made four and the four made eight, a self-multiplying chain reaction of thoughts has been set in motion that flows with great haste through the mind; in fact a torrent of thoughts in one brief second, and yet each one is startlingly clear and leads the mind one step nearer the truth.   The heavenly dome is vast above the valley and the stars, thrown into their mythological patterns by the great cosmic hand, impress their presence on the mind with unusual brilliance and time is no more.   Now the mental hosts are converging, and step by step I am racing towards that vertex which is the ultimate truth.   The questions are being answered at an ever increasing rate, the startling, brutal logic disclosing the result of a preceding reaction which itself, reveals a cause.   So through to the highest plane the mind soars upon an ever accelerating reversal of the law of causation. But the pace is too much.   The mind flags and begins to flounder.   At this juncture the mind can be likened to a water skier who, while the pace is kept up skims along the surface in the sun, but immediately he slows down he begins to sink, until at length he finds himself floundering with no forward movement.   Now the mind has become weak and cannot comprehend the unfathomable thought.   But I have brushed the grey curtain; I have seen a light faint though it may be and both my physical and spiritual selves have been revitalised and my cup runneth over.

For most of our lives we are lost beings out of tune with life around us.   Only during such precious moments as these do we fit into the great harmonious chord; all things round and above have their special place in it, from the fat brown rabbit throbbing in the cornfields to the fleecy pieces of golden cloud that sail upon the pale green skies of dusk.   Worries, anxieties, tensions, all are reduced to their proper size in relation to life, and as the imperceptible ‘Left hand of dawn’ lifts the veil on the eastern horizon, we are cleansed and reborn with the stripling day.

It is only during such periods that nature can be reduced to anything approaching order, and that there is an order I am in no doubt.   Einstein’s inquiring mind was working on the universal equation when the workings of that very same equation stilled his physical being; perhaps now he has solved it, we in this life never shall.   The perpetual motion of nature is the perfect machine and we are part of that machine.   It is complete within itself, recreating its own new parts from the debris of the old.   No energy is wasted or lost, just charged in form.   Nature permits us a marginal tolerance within which we may make one or two adjustments to suit our needs and requirements, but beyond this we dare not go for we merely create more problems than we solve.

         So does she pass, the gentle night,
         Slow seeps the dawn upon the scene.
         Dew sparkling in the first light of
         The new day shows where she has been.
         The eyes of day now open on
         The dewy sward and gossamer
         Bows low beneath its pearly load,
         And hedgerows faintly scent the air
         With green along the unused road.
         And I am born once more and see
         The day as I once first beheld –
         A child within his mother’s arms,
         Another, within its mother’s arms.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

air & field & morning wormhole: Lapping Reflections [Deep Within Waters] – autumn
beauty wormhole: the policies came to nothing
being wormhole: The Boats of Vallisneria by Michael J. Redford – Introduction
black & wind wormhole: The Boats of Vallisneria by Michael J. Redford – A Bowl of Gourds
breath wormhole: inbreath
breeze wormhole: and that’s where I are
brown wormhole: Michael Redford: triptych
childhood wormhole: 1964
clouds wormhole: reaching branch
evening & silhouette wormhole: tired
green & space & uncle wormhole: Lapping Reflections [Deep Within Waters] – the soft canticle of the gourds:
grey & horizon wormhole: being in love – poewieview #26
hedge & hills & life & light wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
identity wormhole: with endless love
leaves & mother wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
moon wormhole: don’t look / at her eyes – poewieview #18
night & silence & sky wormhole: a crack of lightning / in the dark of night
openness wormhole: ‘on second thought …’ – poewieview #27
quiet wormhole: Jericho
silver wormhole: Jon
thought & time wormhole: inbreath
white wormhole: mauve
words wormhole: bloogying

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
  • 'I can write ...'
  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

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I write because I read. I read because I write.

Buddhism in Daily Life

Buddhist meditation applied to our everyday lives...

Laughter Over Tears

Where books, movies, anger, confusion and musing live together in sin.

Sunra Rainz

Poetry. Art. Photography. Musings.

A girl seeking joy and serenity

Silver Birch Press

Poetry & Prose...from Prompts

whimsy~mimsy

a few words spewing from my soul...

naïve haircuts

The daily addict

The daily life of an addict in recovery

The Sixpence at Her Feet

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