• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: farm

The Boats of Vallisneria by Michael J. Redford – The Valley

22 Monday Jul 2019

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

beauty, bedroom, black, blue, bracken, brass, breakfast, brother, brown, clouds, colliery, cows, curtains, evacuation, eyes, faces, farm, fields, freedom, friends, grass, green, grey, hedge, hills, horizon, horses, house, identity, kitchen, London, loneliness, love, Michael J Redford, morning, mother, mountains, passing, ponies, rock, roof, rooks, running, sadness, sheep, sky, sleep, smell, sound, steam, stone, sun, the Boats of Vallisneria, time, travelling, valley, village, Wales, walls, waves, wind, windows, winter, World War, yellow

The Valley

My first memory of Wales is an aural one.   My brother and I were evacuated during the war and arrived late at night in Trelewis, a little mining village by the Rhonda Valley.   It was too dark to see anything of our surroundings, not that we cared much anyway for the winter’s journey had made us far too tired.

It was the sound of rocks that woke me early the following morning.   Having always lived in London, I had rarely heard their raucous tones, certainly not in such great numbers.   I could see from a narrow strip of sky between the curtains that the clouds of the previous day had been swept away.   At first I was undecided as to whether the colour of the sky was grey or a pale, misty blue, but as the minutes ticked by, it became evident that the heavens were clear.   I glanced across at my brother in the next bed.   He was still and fast asleep.   Without moving my head I took in the details of the room that had come to light.   There was a small wooden cross on the wall opposite and behind the door a small cupboard where, presumably, we were to keep our clothes and the few toys we had bought with us.   Beneath the window was a long wooden chest draped with a green satin runner, the secrets of which we were to discover later.   Apart from the two beds in which my brother and I were sleeping, there were no other items of furniture in the room.

I glanced at the bed beside me once more and again at the curtained window.   How desperate I was to see what lay beyond.   Should I wake my brother or should I let him sleep?   The minutes ticked slowly by.   Then slowly he turned over towards me.   His eyes were open – he too had been looking at the window.   Alan and I had always been very close as brothers, often both doing the same thing simultaneously, each seeming to know what the other is about to do.   Our eyes met for a brief second and without a word being spoken, we slid from our beds and crossed to the window.   Had an observer been looking at the rear of 9 Richards Terrace at seven o’clock that crisp winter’s morn, he would have seen the curtains slowly part and two small faces peer out with large apprehensive eyes.

We were almost on a level with the hills opposite.   In this part of the country the Welsh mountains do not present a dramatic outline to the sky; here, they are soft and rolling, rather like the South Downs on a much larger scale.   The hills were quite bare, void of trees, fields and hedgerows, and only one house stood there, square and lonely.   A paddock surrounded by a dry stone wall contained three ponies that tossed their heads in the early morning sun.   One wall of the paddock continued down into the valley to disappear behind a black, tower-like structure topped by two of the most enormous wheels I had ever seen.   From these, thick black cables ran down into a blackened building at the rear.   Everything was black.   The ground, over which ran a network of miniature railway lines and trucks was black; all buildings, shacks and huts dotted about were black; blackness was heaped everywhere.

Now we were conscious of other noises.   The distant rattle of shunting trucks and a continuous hissing sound of escaping steam.   Then the faint clip-clop of horses’ hooves became noticeable from the High Street below, and there appeared for a brief second between the houses a yellow float laden with clanking milk churns pulled by a big brown horse.   The bare hills, the colliery, the grey slate roofs of the village below and the screech of the rooks above, stirred within us a mixture of emotions, emotions that encompassed apprehension, expectation, excitement, loneliness, sadness; and even today, whenever I hear rooks calling on a winter’s morn, whenever I hear the rattle of the shunter’s yard or the sound of newly-shod hooves upon a hard road, I am back once more in Trelewis.   But no longer does loneliness feature in the memory now for I have many dear friends there.   No more apprehension or sadness, for the Welsh hills have afforded me much happiness and security, and beauty can now be seen in that which at one time appeared ugly.   Now, the memory is warm with affection for those sincere people and there is a longing to be among those stony, fern-covered hills once more.

As we descended the stairs later that morning for breakfast, the smell of polish was evident.   Everything shone.   The lino on the stairs had a shine so deep that I grasped the bannister tightly for support for fear that I should slip, and the brass fender in the living room glowed with the intensity of the sun.   The aroma of breakfast sizzling on the big black hob was wafted through the kitchen door together with the aroma of a hitherto unknown delicacy called a Welsh Cake.

The people in that remote little mining village threw open their doors and welcomed us into their houses.   Such was their nature that we, who could justly be called ‘foreigners’, became in a very short time, part of them and their community.   How many London mothers, I wonder, have cause to be grateful for the care and love lavished on their offspring by strangers in a far-off country.

The countryside behind the village differed from the great hills on the other side of the valley.   Here, there were dairy farms.   Hedgerows bound in small fields and cows grazed to the accompaniment of pure crystal streams that tumbled from the mountains further up the valley.   It is in these surroundings I feel sure, that I first became aware of the beauty around me.   I became conscious of a physical and mental freedom that could not exist in London.   Here, one could be alone, one could run and jump and roll in the grass without fear of reprisal, and high upon Wineberry Mountain on the other side of the valley, one could race the winds for miles before a fence or even a dry stone wall would be encountered.   Here on the heights, one can shout with full voice, yet it will be lost upon the wind.   Only a stray sheep will turn its head and the bracken will dip and ripple to the horizon like waves upon the sea.   Up here the ceaseless wind is the ethereal reincarnation of Dionysus, urging one to drink from him and become drunk with freedom.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

beauty & clouds & grey & hedge & passing & smell & valley wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
bedroom wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
black & horizon wormhole: slight sneer
blue & faces wormhole: 11/1 by William Carlos Williams
brown wormhole: The Diligence at Louveciennes, 1870
curtains wormhole: ‘… plane is upright …’
eyes & love wormhole: light of all interaction
green wormhole: 10/22 by William Carlos Williams
hills wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
house wormhole: quietly in my quiet house
identity & wind wormhole: c’mon – keep up
kitchen wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
London wormhole: {reading right to left}
morning & sky wormhole: then
mother wormhole: in deed
roof & windows wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
sleep & time wormhole: looking for the right exit
sound wormhole: window
stone & sun wormhole: boiled spangle with soft centre
travelling wormhole: travelling / back
walls wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
waves wormhole: Valentine’s Day 2019
yellow wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams

 

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The Boats of Vallisneria by Michael J. Redford – The Agricultural Show

14 Saturday Jan 2017

Posted by m lewis redford in announcements

≈ 1 Comment

Tags

1967, August, children, farm, field, hats, June, life, Michael J Redford, people, portrait, the Boats of Vallisneria, walking, weather

The Agricultural Show

Walking for pleasure is one thing, walking because you have to is another, but in between the two comes walking round an agricultural show.   This of course, is purely self-imposed and must surely be classed as walking for pleasure, for the majority who attend do so without thought of executing any business.   Yet the final effect at the end of the day is the same as if one had been ordered on a route march across the Sinai Desert.   With swollen feet and aching backs the hosts disperse towards evening and flop lifelessly into their cars, their faces and neck still sizzling from the heat of the day.   Of course some shows are ill-fated with regard to the weather while others have not known a wet day for perhaps a quarter of a century, but on the whole, the shows fare well, the majority being held between the months of June and August.   This however is rather an unfortunate time to hold a show for it is normally a hectic time of the farm, what with mowing, baling and stacking hay.   It is even more unfortunate if a tractor laden with a couple of tons of hay (and it usually is at times like this) breaks down in the middle of a field, for an urgent call to the local agricultural engineers will receive the reply – “I’m sorry sir, but all the mechanics are at the show.”

Although each being in this world is an individual, the milling mass at an agricultural show can be divided into four main groups and if the truth were known there is to me, as much delight in studying the people as in studying the latest advances in agricultural technology.   (Taking this one stage further, I wonder how often it is I who have been the object of study).

I do not however include in these groups competitors for the equestrian events, for they and their retinues are a species apart and one could devote a sizeable volume to them alone.   Neither do I include the wide-eyed children who dart here, there and everywhere, sucking ice creams and soggy hot dogs, climbing onto tractors and falling into milk churns.   The first of the groups is the ‘immaculate’ group.   It is the bowler-deer-stalker hatted group that walks with militant step and serious face and prods at little pieces of paper with its shooting sticks.   The majority of this group have dangling from their lapels little cardboard discs with ‘Official’, ‘Judge’ or ‘Member’ stamped upon it in gold, and includes the ‘upper crust’, the gentleman farmer and the estate owner.   They wear either a bow tie or a club tie or maybe an old boy’s school tie.

The next group is that of the working farmer.   Here the hats have turned into soft, tweedy trilbies or pork pies.   There is a slight roundness of shoulder and the stride is long and loping.   The gait appears clumsy, yet after years of striding ploughed fields and climbing stacks, most farmers are as sure footed as mountain goats.   A young fourteen year old friend of mine is a supreme example of this.   He can skim across a freshly ploughed field like a hare and still keep pace with someone running on the flat.   Pipes and old walking sticks are the armaments of this group and are used to challenge, prod and probe new machinery or inspect the rows of tethered beasts waiting to enter the show ring.   This group is generally of a suspicious nature, non-committal and not easily swayed by the remarkable time, money and labour saving claims of the mountainous pile of literature thrust eagerly into its hands.   At the entrance to the trade stand beams the host.   He laughs very easily and his handshake is somewhat violent.   “Hello there, wonderful to see you again old boy, come in and have a drink.”   They disappear into the dim world of heaving canvass and creaking ropes.

The group that is always well represented at the shows is that of the farm worker.   He arrives in his best suit, polished boots and cap, his face can be likened to a bake potato and his smile is broader and more frequent than those of the other groups.   Unaccustomed to this mode of dress, it is not long before the tie is removed and the shirt front unbuttoned.   Soon the jacket comes off and is stuffed into the shopping bag containing the day’s ‘wittals’.   Some even go so far as to remove the cap, though why they should have the desire to do so on this particular day is beyond me, for judging from the pure white band on the upper part of their foreheads, the cap is never removed from one year’s end to the other.   He is disgusted at prices in the beer tent, but tolerates this as being one of the prices to be paid for a rare day’s outing with the family.   Old acquaintances are renewed more in this group than in the others, for farm workers move around more than farmers.   Friendly insults are bandied about and a sly drink is attempted before the womenfolk can find them and drag them off to the Women’s Institute tent.

The final group belongs to those whose only connection with country life is an occasional weekend outing in the car.   It consists of those who have farmed only in their dreams or whose children have a strong leaning in that direction.   Although their attire is variable, this group can normally be segregated by their complexions.   Even those who have communed with the elements for a fortnight whilst on holiday do not achieve the deeply ingrained weathering of the farm worker’s face.   It is a purely superficial mask through which the white lines of the brow, furrowed from the unaccustomed glare of the sun, can be detected.   Apart from this there is no strong characteristic linking these people together as a group for they all come from different walks of life.   Perhaps they walk a little faster than most and do not linger long in any one place, but no matter how disconnected this group is within itself, it can claim one thing in common with the rest and that is, a keen interest in farming or some aspect of country life.

On passing through the gates of a country or agricultural show, I invariably make for the little kiosk which sells the catalogues and on the map therein, I religiously trace out a route between the various avenues.   This route is designed to take me round to every trade stand, exhibition and demonstration in the shortest distance, retracing my steps as little as possible.   Having completed this task, an outstanding display a little way up the centre avenue catches my eye, so, thrusting the catalogue into my pocket, I decide to see what it’s all about.   My curiosity satisfied, I am attracted to a large group of people huddled around a mysterious object on display a little further down the line.   By the time I have made the front row, all thoughts of adhering to the route so meticulously worked out, have left me.   This happens every time I attend an agricultural show and I invariably end up by walking ten times as far as is necessary.   But so what?   Most of our lives have too great a proportion of it already ordered for us; there is far too much routine.   What matters it if we do cover the same ground twice?   One can always discover some fresh point of interest that had been passed by first time round.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

field wormhole: Lapping Reflections [Deep Within Waters] – intemperance
life wormhole: everwhile
people wormhole: embodying
walking wormhole: faintly apricot air?

 

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The Boats of Vallisneria by Michael J. Redford – Introduction

08 Wednesday Jun 2016

Posted by m lewis redford in announcements

≈ 3 Comments

Tags

1967, being, consciousness, countryside, dark, experience, farm, flower, garden, identity, kiss, knowledge, life, light, living, London, mind, now, pattern, petals, plants, pond, the Boats of Vallisneria, thought, uncle, unconscious, vallisneria, water, writing

 

INTRODUCTION

The Boats of Vallisneria.   Not the fishing fleet of some remote principality or the landing forces of an invading alien.   Vallisneria is an aquatic plant, the roots of which grow in the soil at the bottom of shallow waters.   The pistillate flower is found at the top of a long stalk which grows up through the water towards the light of day.   Upon reaching the surface, the petals unfold in sheer abandonment to expose the stigmas that await the procreative advances of its male counterpart which is the staminate floret that grows below the surface in a large bract.   When ripe, it emerges and floats to the top where three small petals unfold and curl back to produce the three tiny boats that keep the stamens afloat where, through the movement of the water, the stamens gently kiss the stigmas of the awaiting flower in that final act of consummation.

But this small volume does not concern itself with the morphology or physiology of vallisneria or that of any other flower, in fact there is no direct connection between the title of this book and its contents.   Suffice it to say that the mind is a pond, but a pond of such depth that the sediment of our experiences lays in the bottom in utter darkness.   Every so often a thought is born and speeds hastily from the soil in which it grows to the light of consciousness.   After a brief spell of blossoming the flower returns to the depths taking with it a little food that is the knowledge of the eternal ‘now’.

I am a farm labourer, not because I was born to it (for I am a Londoner by birth) but because I desired from an early age a completion of my being that I knew I could not attain in the artifices of town life.   But soon I fear I shall be leaving the farming life, not through desire or choice, but through the evolvement of that particular pattern that is laid down for each and every one of us, the unalterable pattern that we must all follow no matter how limitless our own personal bounds of freedom.   I shall however, still be living in the countryside and will retain the sense of fulfilment this way of life has afforded me until the end of my days, no matter where I go or what I do in the years to come.

It was while gazing vacantly at a pool one evening two years ago that I first beheld the boats of vallisneria and thought of them as random thoughts released from the depths of the mind for brief spells in the light of consciousness, and it was then that I decided to capture these thoughts and to the best of my ability place them on paper.   This small book then, is a collection of thoughts, a collection of the reflections of a farm labourer who has reaped more than corn from his own particular way of life.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

1967 & mind & uncle wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
being & identity wormhole: zero
garden & life & London & writing wormhole: the coming of ‘The Boats of Vallisneria’ by Michael J. Redford
knowledge wormhole: B le tch l ey P ark
light wormhole: like ink – poewieview #23
living wormhole: balancing // with a whole lot of deft
thought wormhole: between thoughts
water wormhole: aghh – we’ve been infected / it’s spreading through the system / we’re losing our files … / it’s taken out the processor … / I, I can’t open with this program anymore … / it’s scanning me – / I’ve got to buy a Virus Protection Program / from it …

 

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the coming of ‘The Boats of Vallisneria’ by Michael J. Redford

05 Sunday Jun 2016

Posted by m lewis redford in announcements

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Tags

1960s, 1967, 1970s, 2007, 2016, Billericay, birdsong, childhood, colour, cottage, education, Essex, evening, farm, garden, grandfather, green, image, John, Kenya, life, London, love, morning, Ramsden Heath, South Africa, uncle, war, windows, writing

 

 

 

I have come into possession of a piece of work that my Uncle Mick did during the 1960s.   He was in his thirties when he wrote the ‘Boats of Vallisneria’ having survived a childhood of war and evacuation, having completed what education was available then, having completed a period of military service in Kenya and South Africa and returned to London, to move to Billericay in Essex, to begin his life proper.   His father (my grandfather) died early in the 60s and he spent the rest of his life living with and looking after his mother living in the tied cottage to the farm he worked.

He completed this work because he wanted to explore the shape and pattern of [his] life.   He completed it even while the changes in farming brought his work there to a close.   [He went on to become a gardener and eventually set up his own business framing pictures].   He submitted the manuscript to Dent & Sons for publication, but they declined.

He let me have a look at the script when I was in my late teens and visiting and whinnying on about wanting to be a writer.   This was in the later 1970s.   I was way too green and cursive to read it with great discernment or generosity and commented that it was OK but quite amateurish (a youthful candour with which I hurt many a person close to me when I was young and arrogant – I’m sorry, everyone).

The dear man died in 2007, and I had long since forgotten his work (although I remember being honoured that he had shown me his work – it confirmed to me that being a writer was a noble thing to be).   I had a visit recently from my brother who brought a whole case of artefacts from my uncle, one of which was the original manuscript.

… I think I’d like to publish it on my blog.   Share the work with the world that he was not so able to do during his own time.   In his honour.   In memoriam.   To preserve and celebrate the green-paint-on-sturdy-wood life of Ramsden Heath during the 1960s and 1970s.   To celebrate the linen-atmosphere of small-pane cottage window looking out on the garden in all facet.   To listen in on the darken-colours of morning and evening and bird-call in Essex countryside, every one different and newly-miraculous found.

While typing it up I felt I could tap the kernel of what he was exploring and cut in to his images and experiences within – and sometimes behind – his writing.   I would also like to explore his writing through my own.   And publish them alongside each other like a healthy pair of framed pictures above the mantelpiece.   To celebrate my love for him.   And make the contact with him that I was too gauche to make while he was alive.   (How much I appreciate people the most, once I have lost life with them).

His work will come first … soon

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

1967 wormhole: 1967
childhood & morning wormhole: currency of generations
education wormhole: aghh – we’ve been infected / it’s spreading through the system / we’re losing our files … / it’s taken out the processor … / I, I can’t open with this program anymore … / it’s scanning me – / I’ve got to buy a Virus Protection Program / from it …
evening wormhole: constant hummm
garden wormhole: diligence
green & life & love wormhole: being in love – poewieview #26
London wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
Ramsden Heath & uncle wormhole: Michael Redford: triptych
war wormhole: just saying, is all V: // … systematic and consistent disempowerment
windows wormhole: between thoughts
writing wormhole: balancing // with a whole lot of deft

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
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  • 'in my car I pass...'
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