• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: fence

the moon, the moon

23 Sunday Sep 2018

Posted by m lewis redford in poems, poeviews

≈ 3 Comments

Tags

1969, 2018, 5*, Batman, buildings, doing, evening, fence, growth, moon, night, running, searching, windows

                from ground level, then
                when buildings rise the night

                and evening windows
                hold all tired endeavour

                the only thing to do is run
                keeping pace with the

                chain-link fence in search of
                the moon, the moon

 

Detective Comics #391, September 1969; Frank Robbins, Bob Brown – anyone lived in a pretty how town

 

 

————w(O)rmholes________________________________|—–

Batman & moon wormhole: stuck
buildings wormhole: What You Are by Roger McGough
doing wormhole: scintillating to mind’s content
evening wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
night wormhole: despite that
searching wormhole: lost the search
windows wormhole: Victorian pipework

 

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sometimes

08 Sunday Jul 2018

Posted by m lewis redford in poems, poeviews

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1966, 2017, 7*, action, armchair, Batman, between, building, city, cowl, fence, gap, immanence, mind, moon, outline, pavement, perspective, shadow, sky, skyline, space, streetlight, thought, true nature, turning

                sometimes even the
                broadest flow of thought –

                fan-pivoted about cowled
                head, turning tightly – cannot

                breech the tightening gap
                where casts the shadow,

                sometimes the mind
                must suspend in space

                and enfold
                its natural shape

                      he vaults
                the fence straight down the center
                      of the city
                and the outline of the moon
                      becomes
                the outline of the downtown skyline

                      between

                the streetlamp on the pavement
                and the moon above the sky

                      stood

                the building like a giant armhair –
                immanent perpsective

 

Detective Comics #354, August 1966; cover: Carmine Infantino; “No Exit For Batman!”, writer: John Broome, artist: Sheldon Moldoff: tight-corner thinking and evasion – the redaction to zero, then out, again, the other side

 

 

————w(O)rmholes________________________________|—–

Batman & thought wormhole: thought
city wormhole: sufficiently away
mind wormhole: so / do I keep on writing now I’ve retired, or … / Rumplestiltskin
moon & sky wormhole: SUMMER SONG by William Carlos Williams
shadow wormhole: cool / tiled flooring
skyline wormhole: 1964
space wormhole: glancing up from the text / searching for ground …
streetlight wormhole: where did the silence go

 

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PASTORAL by William Carlos Williams

30 Saturday Jun 2018

Posted by m lewis redford in poems

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1917, 6*, age, blue, breathing, colour, compromise, fence, furniture, green, growing, houses, identity, looking, love, measure, poverty, progress, rooftops, society, streets, time, walking, weather, William Carlos Williams, yard

                                PASTORAL

                When I was younger
                it was plain to me
                I must make something of myself.
                Older now
                I walk back streets
                admiring the houses
                of the very poor:
                roof out of line with sides
                the yeards cluttered
                with old chicken wire, ashes,
                furniture gone wrong;
                the fences and outhouses
                built of barrel-staves
                and parts of boxes, all,
                if I am fortunate,
                smeared a bluish green
                that properly weathered
                pleases me best
                of all colors.

                            No one
                will believe this
                of vast import to the nation.

 

from Al Que Quiere!, 1917

and he’s right, of course: the ‘import’ of the nation can only progress when it doesn’t have to concern itself with the right and wrong of wealth distribution – but you can’t have progress without competition, otherwise we all just stay where we are; but honouring competition as inviolable is honouring that which is our basest common denominator, surely inequality is less than we could achieve – to try to rise above the process of evolution, the survival of the fittest, is, rather, to surrender to hubris and daydream which doesn’t put bread on the table; but – however; eventually – man up … but to look, and take in, with love and, without scheme, all behind the, dappling cacophany, with which we, mark our height, where we can breathe, without implication, or compromise, free as a glance, single as an ethic, and twice as, selfless

 

 

————w(O)rmholes________________________________|—–

blue wormhole: transferring
breathing wormhole: the turtle and the yoke
compromise wormhole: and ‘naerrgh’ a mention of a seagull’s call
green & identity & time & walking wormhole: fifty-eight // and silent prayers
looking wormhole: perspective
love wormhole: all // are // none
rooftops wormhole: glancing up from the text / searching for ground …
society & streets wormhole: both modern and en-slaved / to life
William Carlos Williams wormhole: and that’s where I are

 

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transferring

26 Tuesday Jun 2018

Posted by m lewis redford in poems, poeviews

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1990, 2017, 7*, air, apricot, blue, branches, commentary, connection, corridors, distance, fall, falling, fence, flow, here, humour, iconography, land, microphone, muddy, neon, night, openness, phone, shirt, sky, sound, spark, teeth, telephone lines, thawing, traffic lights, transference, trees, Twin Peaks, voices, water, waterfall, wind, wood

                here

                are the transferring phones
                dialling over waterfalls
                voices in the curly wire

                giving soundtrack and
                commentary through
                all manner of splayed connection

                in the trees, through
                empty corridors – the transformer
                must be off, or something:

                muddy waters to apricot air
                sparks grade, twist and edge teeth
                into lumber … oh, checkshirts;

                the post fence sinks to land
                and distance, there is air
                in a wide-open microphone

                there is neon under a
                dirt blue sky, through all the branches
                a cascading iconography

                of posthumour – fall flow thaw;
                at night the wind
                moves the swinging lights

 

mostly a palimpsest of season 1 from 1990 of Twin Peaks

 

 

————w(O)rmholes________________________________|—–

air wormhole: with all love released
apricot wormhole: 1964
blue wormhole: fifty-eight // and silent prayers
branches wormhole: ash leaves
flow wormhole: Batgirl –
night wormhole: Lapping Reflections [Deep Within Waters] – reaping
openness wormhole: clear as vista
sky wormhole: glancing up from the text / searching for ground …
sound wormhole: sreet
traffic lights wormhole: traffic lights and broad avenue
trees & wood wormhole: … the underleaves show
voices wormhole: the turtle and the yoke
water wormhole: sharpened apex
wind wormhole: lost the search

 

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The Boats of Vallisneria by Michael J Redford – Working

07 Wednesday Feb 2018

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

1967, chimney, clouds, corn, cows, dusk, eggs, elm, farming, fence, fields, flood, food distribution, future, gale, gaze, green, grey, harvest, hay, hills, identity, leaf, letter, machines, meadow, meat production, Michael J Redford, milk, morning, oats, poetry, rain, sheep, silence, summer, sun, the Boats of Vallisneria, thought, time, tractors, trees, valley, weather, wheat, wind, windows, work, writing

Chapter 4

Working

A Letter of Two Parts

Dear Pat and John

I thought it high time I dropped another letter from the country into the post.   Looking back over the past summer months seems more like looking back over a bleak and stormy winter.   The weather has of course played havoc with the haymaking and harvesting.   I hear that at one time, medium quality hay was fetching nearly £20 per ton, and taking into account the wide-spread flooding that has occurred, it seems there’ll not be enough oat straw to feed in place of it.   With this drastic shortage of hay and straw, the outlook is black indeed.

Even as I write, the rain is beating alarmingly against the window panes, borne upon a gale that roars like an express up the valley, each gust falling over the next in its haste to wreak havoc on the exposed hills.   As I gaze through the window pane distorted with rivulets and splashes, I perceive a hazy image of grey hills shouldering leaden clouds, and every few minutes the wind rattles the frame and comes sighing down the chimney.   The whole house shudders a little and a log in the hearth slips, sending up a shower of sparks to meet the confusion above.   The fields are in a sorry state.   Most of the corn has been lodged as if trampled by some strident giant, fences have been breached by falling trees and many sheep throughout the country have been drowned in the spreading waters.

There was a period two weeks ago when the tempest eased a little and allowed a little watery sun into our eyes, but this lasted for only seven days, after which the rain set in again and eased up only occasionally for an odd day here and there.   We have managed to stack about half the oats, but the remainder will probably have to be written off.   The wheat would have encountered a similar fate had it not been for the three hired combines.

Now here once again are the winds and the rains.   A dead leaf, too sodden to absorb any more water is whipped across the window and trembles for a brief second on the sill before joining the hosts that cling to the chicken coop wire.   Incidentally, I’d better put this letter to one side for a moment in order to collect the eggs before the half light fades completely.

                                * * * * * * * *

Dear Pat and John,

I’ve had to restart this letter.   Owing to this sudden bright spell we’ve been working like mad trying to catch up on the backlog of harvesting and general repairs.   I started this letter well over two weeks ago but I’m afraid I’ve not had time to finish it until now.   It is remarkable how the view has changed outside my window.   The country scene these past few days has been one of violent human and mechanical activity.

Implements of all shapes, sizes and colours have erupted from their unusual passiveness and are droning, roaring and rattling over the soil.   A combine harvester, like a metal monster from a Wells novel, trundles ponderously across the field, digesting the grain and vomiting the residue in its wake.   Tractors career madly through the lanes, heave with throbbing effort towering loads of sheaves and haul balers which follow on, nodding idiotically like inane sheep.   Men race fervently against time commanding machines, pitching sheaves, building stacks, their pitchforks leaping and flashing under the sun.   Farmers and farm workers alike are conscious of the urgency of the hour, but no clock watching for them, they are eager to see the culmination of a years’ hard work.   To these men, their work is not merely a means of earning a living, it is something far more than this, something far more personal and important to them as individuals.   These men work not so much for their employers but with them, and it is through this combined effort that the tempestuous vagaries of the past year have been overcome.

If a machine breaks down, there is a curse and several pairs of hands are immediately locating the trouble.   They may not be expert mechanics but farm workers are masters of improvisation and no machine is standing idle for long.   It is this knack of ‘making do’ that is the seed of many weird and wonderful machines that have appeared on the agricultural scene, and it would indeed be difficult to find any industry which has produced in such a short period of time a greater range of impossible machines to tackle such improbable tasks.   No doubt to the layman it would appear that with all these modern innovations, the life of the farm worker today is almost as idyllic as the sentimentalised conception of the pseudo-bucolic poets of the seventeenth century:-

                “O happy life, if that their good
                The husbandman but understood.
                Who all the day themselves do please …”

Whenever a new acquaintance asks the nature of my work they are, on being told, shocked into silent disbelief.   Apparently I neither look like a farm labourer nor do I sound like one (how does such a person look and sound), and henceforth I am re-introduced either as a farmer or, by those who are more sensitive towards the truth, as being ‘in farming’, thereby implying that I own vast acres and hunt every Tuesday and Saturday.   A wistful ‘back to the land’ look then enters the eye.   “I’ve always wanted to work on a farm” they sigh.   No doubt there have been insuperable obstacles in ambition’s path for many people, but surely not all, and I have yet to meet the person who doesn’t bemoan his lot in town and gaze longingly at the green hills.   And just as a point of interest, I have yet to meet the person who doesn’t have an uncle somewhere who owns a farm.

Their conception of farming today seems even more idyllic than that of their fathers’.   Machines, they say, have taken the hard work out of farming, all we have to do is sit on a tractor all day and press buttons.   Perhaps they would like to spend a day stacking bales of hay under a sizzling hot roof of a Dutch barn, or perhaps after a sixteen hour day during harvest, [perhaps] they would like to sit up all night with a cow who is having a difficult time calving and work another sixteen hours the following day, and the day after that.   Unless a farmer specialises in a line for which a particular machine or implement has been designed, then it is not economical to purchase that machine.   For example, a man with just one house cow would find it uneconomical to install a completely automatic milking unit, but even where this is justified, as in the case of larger herds, the farmer or herdsman still has to rise at five o’clock on a bitterly cold winter’s morning seven days a week.   The advent of the machine has not necessarily lessened the amount of hard work to be done, it has merely allowed us to do more work in a given amount of time.   In fact, it is because of the machine that the herdsman’s lot today is becoming an increasingly intolerable one.

An old friend of mine once milked twenty five cows night and morning with two machines.   He know his cows and his cows knew him.   Although he did not rush things, he was efficient.   He would stand aside as the cows came into the shed and cast his eye over each one, and as he milked, he ran his hand over their coats and looked at their droppings.   Old Charlie could tell immediately if one of the animals was off colour.   Then his employer retired and a young, progressive farmer moved in.   Fortunately he ask Charlie to stay on as cowman.   Now, Charlie milks sixty cows night and morning with four machines in a well-parlour.   On being asked how he liked the new system, the old cowman sighed.

“Well I dunno.   We gets the milk, that’s fer sure, but ‘tis like working in a factory.   There’s pipes, tubes, valves, taps an’ switches everywhere.   The animals go through the parlour like a dose o’ salts – you’ve ‘ardly got time to wash their bags.   All you can see of ‘em is one side, their guts might be ‘anging out the other fer all I know.”   His addendum, I think, summed up his real grievance.

                “Trouble is – I ‘ent got enough time to get to know me animals.”

What could once be classified as a pleasurable occupation was now, through the advent of the machine, become a tiresome chore, and as mechanisation infiltrates more and more, so true herdsmanship is disappearing.   The reticent paragon of tolerance, that slow, amiable patient being that was once the cowmen, is now being pushed aside to make way for the impatient, ulcer-ridden milker of high speed conveyer-type milk production of today, so much so in fact, that on some larger farms, milkers are already working a shift system to break the seven day a week monotony.

I can foresee in the not so distant future, a herd of a thousand or more cows, zero grazed, moving almost continuously through a system of yards and parlours twice every twenty four hours.   In the parlours, shift work will be in progress with round the clock milking.   The milk will be pumped through to the distribution.   The organisation will manufacture its own concentrates, will employ its own veterinary surgeon, accountant and secretary and will have a resident Ministry Inspector equipped with his own laboratory.   And of course the whole concern will be owned by the big industrialists of the day.   This is not such an improbability as may at first appear for this has already happened to a great degree to some of our poultry farms.   There are now vast empires where eggs are fed into one end of a building and emerge twelve weeks later at the other as pre-packed chickens with their giblets frozen into little polythene bags inside them.   Then there is the abomination of the sweat box and battery systems of meat production.   Agricultural evolution has reached a point where farming, as we know it, is slowly but surely plunging into self-annihilation and dragging down with it the responsibility of moral thought into a morass of turpitude.   We are entering an age of hydroponic systems where an agricultural technocracy permits controlled environment and mass production of living creatures to an extent unparalleled in human history.   It is as if we have forgotten that we are dealing with life itself and not inanimate lumps of putty waiting to be moulded into any shape by the current market.   Yet if the farmers of today do not keep abreast of [the] latest scientific developments, they would find it almost impossible to feed themselves let alone provide food for others.   Even so, despite the fact that agricultural efficiency and production have increased beyond the wildest dreams of great pioneers such as John Lawes and Sir Humphry Davy, people are still dying in their thousands for want of food.   Despite the fact that there is enough food produced throughout the world in any one year to supply mankind with the essentials of life for the next twenty, the bloated belly of the beggar is still a common sight in the greater part of the world.   It is not, therefore, research into agricultural production methods which is urgently needed, but research into the distribution of those products.   It is in this sphere that the great fields of ignorance lay.

But let me rein back awhile for I have digressed too far.   This letter to you was intended to be a portrait of the countryside as I have seen it during the last two months, so now let me gaze upon the pastoral scene beyond my window.   The cows have finished grazing and are lying in the meadow cudding methodically.   The sun falls upon their backs like a warm blanket and a faint breeze fans their faces.

It was nine o’clock last night that the last load was brought home.   Engines were switched off one by one across the fields and, as the evening star faded, Pegasus shimmered the in the warmth of dusk and gazed upon the southern elms.   As the last sheaf was laid upon the stack, the year ended, our year, that is.   George stood, hands on hips.   Harry leaned upon his pitchfork.   Alf and Arthur sat upon the trailer and Jim stood with one foot upon the wheel hub.   In silence they gazed at the stack, each man with his own thoughts, each man reaping his own spiritual harvest.

 

read the collected work as it is published: here

 

————w(O)rmholes________________________________|—–

chimney wormhole: the missing chord // the now-silent seagull
clouds & identity & time & wind wormhole: travelling // arrival
green wormhole: green and / luminant / to behold
grey wormhole: for / the first time
hills & valley wormhole: volcanic rock
morning wormhole: forgotten anything
poetry wormhole: Pilot 125 … // … being excursion in the interludes
rain wormhole: when the rain has settled / the dust
silence wormhole: without any buffet at all
sun wormhole: is this it // all the time
thought & writing wormhole: Christmas 2015
trees wormhole: Plumstead – Woolwich – Plumstead 220211
windows wormhole: river
work wormhole: I am not yet ready

 

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free

24 Monday Jul 2017

Posted by m lewis redford in poems

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2013, 5*, eyes, fence, hedge, identity, living, passing, railings, talking to myself, velvet

                let me continue to pursue
                the uneventful but velvet life

                of running my eyes like a hand
                over railings fence-staves and hedges

                as I pass all manner of things
                free of having to build my own life

 

 

————w(O)rmholes________________________________|—–

eyes wormhole: the goldilocks stance
hedge wormhole: Lapping Reflections [Deep Within Waters] – … as the new town marches in
identity wormhole: inner / hegemony
living wormhole: every step I take
passing wormhole: the quiet whale
talking to myself wormhole: too greedy

 

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Hurst Green

20 Friday May 2016

Posted by m lewis redford in poems

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2013, birdsong, echo, feet, fence, girl, muse, phone, portrait, staring, station, time, Uckfield-London line

 

 

 

                                              Hurst Green

                                the girl
                who walked from her Mini with lithe
                step stood by the concrete fence grown its own lichen
                from decades standing with
                                hot veins
                                on the top
                                of her feet

                while birds pheeped and echoed in the long-
                grown copse behind turned
                                her feet
                                sideways –
                                anxious –

                as she leant on the fence to make the phone
                call and chewed the inside of her mouth staring
                at the platform
                                for minutes
                                afterwards

 

0.46

 

 

————w(O)rmholes________________________________|—–

echo & muse wormhole: currency of generations
feet wormhole: Western Motel, 1957
girl wormhole: Shonagh – poewieview #17
time wormhole: the missing chord // the now-silent seagull
Uckfield-London line wormhole: train journey // like a branch

 

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new garden

26 Saturday Dec 2015

Posted by m lewis redford in poems

≈ 3 Comments

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1971, 2011, black, cat, childhood, eyes, fence, future, garden, Genesta Road, glasses, John, light, Nan, thinking, trees

 

 

 

                                              new garden

                wire fencing held up
                by sticks and weeds
                between gardens
                and gentle light

                from between the trees
                plays full on my Nan’s face who has
                taken off her glasses for awhile
                closed her eyes thinking of the future

                and sideways across
                my brother’s face who
                holds a black kitten intent
                not to let it drop

 

 

 

————w(O)rmholes________________________________|—–

1971 wormhole: 1971
black & light wormhole: the silent night of the Batman
cat wormhole: tag cloud poem IV – C
childhood wormhole: 50 mph
eyes wormhole: Chop Suey, 1929
garden wormhole: all along the blue sky
Genesta Road & Nan wormhole: dream 260815
glasses wormhole: is that so!
thinking wormhole: if left alone
trees wormhole: 1963

 

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Plumstead – Woolwich 121114

15 Saturday Nov 2014

Posted by m lewis redford in poems

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1970s, 2014, 8*, anxiety, architecture, art deco, ash tree, bay window, bench, Beresford Square, blue, breathing, brown, buddleia, buildings, Canary Wharf, cars, change, clothes, clouds, communication, compassion, Dallin Road, demolition, dream, Eglinton Hill, empire, Europe, eyes, feet, fence, Genesta Road, ghosts, glass, glasses, grass, growth, handshake, head, house, identity, iron, keys, language, leaves, library, light, living, London, looking, love, music, passing, pavement, people, petrol, piano, pigeons, plane, plastic, Plumstead, purple, rain, rainbow, roads, rooftops, school, schoolgirl, shadow, Shard, singing, sky, smile, sound, speech, step, streetlight, streets, sun, swifts, talking, tarmac, Thames, time, travelling, trees, tv, vow, walking, walls, windows, Woolwich, yellow

 

{Every year and a while I travel 40 miles up to Woolwich, where I grew up, to check that the journey I make started off in the write direction (HA!); while wandering I write, leaning on peoples’ front walls and making a coffee last in a cafe (and every once in a while I treat myself to an afternoon bench); I haven’t been up there for awhile, certainly since the echoing tragedy of Lee Rigby’s death on 22nd May last year; I wrote snatches of life as usual and came home; I realised that the snatches patch-worked together and worked them into a whole landscape which they had ever were in the first place; I know it’s a long piece but please pursue it for the sake of Woolwich; I realise now that my previous visits’ writings need some rendering due-ly …}

 

 

                      Plumstead – Woolwich 121114

                      all fractured now, slightly misshapen, still
                      holding together, the grubby art deco window that
                      coloured the stairwells bracing two rooms
                      maybe three now, don’t know why they used coloured

                      glass, the bay windows still looking up the street looking
                      down, occasional five-finger buddleias like Empire
                      plaques on the wall above top floor windows
                      scud clouds above the coping

                      then flights of step up and up and straddling and down
                      the storeys of irregular variegated plastic cladding
                      upwards upwards for to breathe free and live while people
                      pass on the wet street with small steps and quiet slippers

                      I had a dream once something anxious and dreadful
                      followed me going into and out of Polytechnic Street
                      from Wellington along by the stacked flanks of seventies
                      double-glaze all screened and blinded from the street

                      cannot see in cannot see out, people walk awkward
                      on the tiles flexing metatarsals under the slight over
                      hang of the library from the colding rain while, look,
                      a rainbow arches hidden down the side-street turning

                      the bricks and glazing purple, no one looks up
                      arranging bank loans, arranging brunch, after noon
                      the sun divides streets in half, the buildings too
                      dark to see the shop fronts too dazzled to walk into

                      the sun favours ambitious plants between torn-down
                      building and upright support, plays along the side
                      of preserved plots – flanged shadow from pipework and
                      signage across circular windows – eye to the sky – under

                      hand-brow, too bright even for tinted glasses;
                      so many of my people generations poor in the sun
                      from Empires and Union under the Royal Arsenal
                      Gatehouse; each passing step collapsed and proud knot

                      in kneed of any support, thank you: their shadows reach me
                      down the Square’s access channel long before their pain
                      walks by: I don’t know any of you now with your plastic ID
                      badges with your back-pat handshakes and bent-heads

                      sincere-talk, grouped and scattered by the public toilets
                      your drunk over-emphases your ways like pigeons – where are
                      all the pigeons? – and your beautiful language aged as
                      public benches; dark clothes to wear, light clothes to buy

                      and you don’t know me – lost son haunting the streets – but
                      I love you all constant as the windows proud above roofline
                      between turrets looking onto the Square; I long ago made
                      my vow to you at a time when borders seemed important
                      I know, I know I am slow but I return again and again to see you
                      and you break my heart each time I learn to smile again

                      out towards Plumstead on the lower road (I cannot find
                      the tree I found before through all my travelling) new trees
                      and tapered posts with lights for the road and lights for the
                      pavement and posts just waiting, reaching into the blue blue sky

                      you have been done up many times, Genesta*, so
                      I only notice now what hasn’t changed, for the first time:
                      unassuming tapered pillars between the windows and bays
                      of my youth that reflect the blue sky now (yellow leaves

                      highlight the paving and tarmac wet like petrol) only noticed
                      when a swift skeeks across one pane, not the other;
                      up Dallin Road, she’s got through another day
                      she’s survived the juddering divided walls of ‘have to’

                      the way things are these days, with music in hand
                      she makes rewarded way along the steely street where
                      the sun has slipped below the higher roofline, singing her
                      do-do-do’s to the endless chorus ‘why do we do it;

                      how do we do it?’, and looking for her house keys
                      under metal clouds; the long grass grows rosettes around
                      yellow leaves, brown leaves, by the leaning iron fence the
                      steep tarmac cracks and the shorter grass takes over; past the

                      bronze age tumulus it’s clear, London’s grown up a lot
                      since I watched Francis Chichester sail up the river
                      from the window up on Eglinton Hill – something he did –
                      now there are Shards and Wharfs and stacking planes

                      and significant lights denoting all manner of whey and access but
                      still my nose is running and I need to have a wee; I suppose
                      I need to get home now the light is fading slow and fast
                      at 52 – the ash has only lost its upper leaves by the roof

                      at 48 there is afternoon tv after electric piano practise is done
                      at 44 – the estate agent climbs awkward into her clean soft-top with
                      high clip heels; at 36 – a lantern shines arched in the porch while
                      sirens circle the borough and there’s nothing left here now outside 46

 

 

 

————w(O)rmholes________________________________|—–

architecture wormhole: Batman#175
bench wormhole: the bench / on the fourth sister from / Birling Gap before the / wind-brushed scrub and gorse / and the grey-blue sky / smoothed through the / fishtank-blue horizon to / grey-green sea
blue & leaves & sun wormhole: Jean Miller kissed Salinger
breathing wormhole: born again
brown wormhole: on sitting / in front of / a hedge
buddleia wormhole: (Little by Little)
buildings & travelling wormhole: I could step / more open
cars & roads wormhole: the long road
change & time wormhole: Dr Strange II – … things are the same again
clouds wormhole: the utter beauty of giving when receiving
communication wormhole: Maidstone
compassion & feet & love & speech & talking wormhole: there are patient listeners
dream wormhole: we’re born // to die
Eglinton Hill & Woolwich & yellow wormhole: letters to Mum V – carrying on in duty and love
eyes & looking & shadow wormhole: a maturity
Genesta Road & rooftops wormhole: corroboration
ghosts wormhole: only the Batman realises that he is dead
glass & light & streetlight wormhole: oh-pen
glasses wormhole: first a mishap then clear vision
house wormhole: day off
identity wormhole: that
living wormhole: scattered
London wormhole: letters to Mum I – a walk / and talk
music wormhole: no exit
passing & sound & walking & windows wormhole: Matildenplatz / & Luisen
people & rain & sky wormhole: Luisenplatz
piano wormhole: … walking down the street
pigeons wormhole: tune up // baton taptaptap
purple wormhole: consturnation …? // consternation
school wormhole: tag cloud poem VI – anyone’s eyes
smile wormhole: irretrievable / breakdown / of marriage
streets & trees wormhole: Dr Strange I – the trashcan tilted the better to see now the street
Thames wormhole: letters to mum II – family // like a grate
tv wormhole: multifarious: the Dark Knight Returns (1986)
walls wormhole: stuck free to move within

 

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tag cloud poem VII – form new freedom:

05 Sunday Oct 2014

Posted by m lewis redford in poems

≈ Leave a comment

Tags

2014, 4*, faces, faith, fall, family, fate, fence, field, film, flagpole, floodlights, floorboards, flow, flowers, flying, fog, Folkestone, footsteps, forest, form, freedom, friendship, frustration, funding, furniture, future, life, tag cloud poem, trees

 

 

 

faces of all faith
                           fall like a family

                           the fate of a father in fear
                           feeling the fence around the field

                           the film, finding fir, lingers over treetops
                           the fire takes the flagpole; the floodlights take the floorboards;

                           flow often  flowers when flying through fog
                           while Folkestone listens to footsteps of distant forest

                                                      form new freedom:

                                                                                 friendship out from frustration
                                                                                 funding all the furniture of future life

 

 

 

————w(O)rmholes________________________________|—–

faces wormhole: I could step / more open
family wormhole: Tulips by Sylvia Plath – How Far To Step Before You Raise The Other Foot
father wormhole: Sylvia
film wormhole: the fingers
fir wormhole: the straight line of stones marking the geometry / of death / settle all their own levels over time to make / a new rhythm
flow wormhole: no quota too empty / no fate to fulfil
fog wormhole: 0.42
life wormhole: breathe it all / in
tag cloud poem wormhole: tag cloud poem VI – anyone’s eyes
trees wormhole: sunny morning

 

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