• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
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    • U-Z together forever
  • me
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mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: floating

travel // when I die

02 Saturday Nov 2019

Posted by m lewis redford in poems

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Tags

2019, 7*, accountability, afterlife, afternoon, architecture, bardo, being, black, brick, brown, buildings, capitalism, century, clouds, crane, data, death, decades, dedication, depth, doing, echo, fields, floating, green, ground, Have, height, horizontal, identity, industry, interdependent origination, iteration, length, lintel, London, magenta, mind, notice, orange, passing, perspective, pillars, presence, purple, rain, rainbow, red, reference, ripple, rooftops, russian vine, samsara, sandstone, sapphire, self-cherishing, self-grasping, silence, sill, sky, sound, speech, Thames, thought, tide, time, train, travelling, trees, Uckfield-London line, utility, walls, white, world, writing

                                                                                travel

                                                                                noticing
                                                                at all is a product of
                                                                shifted perspective
                                                                related to behold;

                                                                when I’ve nothing to write
                                                                I’ve lost any perspective,
                                                                cornered by both these walls
                                                                I’ve walked along

                when I die
                this mind will no longer whorl about this pinchèd self
                in a world of diminished return and profusion of iteration

                                                                cranes atop
                                                                pulling them further up and up
                                                                from the ground on which they
                                                                balance on receding point;

                                                                communities of them
                                                                each taller than the last and the next
                                                                all along the wharfs
                                                                of endless account

                it will be expansive
                high and up in industrial and sandstone sky
                it will fathom all the deep of brown kelp in shifting purple

                                                                kilometres long
                                                                courses of brick
                                                                grimed black and utility-studded
                                                                updown onoff foothold and wire

                                                                ripple along nicely
                                                                across right-angled centuries
                                                                and occasional shot bolts
                                                                of deepest russian vine

                with no sound
                save diminishing echoes of a pleading late self
                having nothing left to refer to and nothing left to here, and

                                                                believe it or not
                                                                a rainbow exponential
                                                                to the white arch of Wembley
                                                                we’ll chase for miles

                                                                orange shimmering to
                                                                magenta through staccato tides
                                                                out and over flat roofs
                                                                on and into the fields

                all data wiped –
                suds off my hands from my shoulders –
                and did I back enough up for some grander vector to reach?

                                                                where trees grow from ground
                                                                shaping over decades
                                                                green-flamed cupolas
                                                                clamped to the sky

                                                                and from perspective passing
                                                                of open field
                                                                turn – creak –
                                                                the whole world

                I may well
                have built pillars of cleverness and thought:
                plinthed, fluted, capitaled and giddyingly architraved …

                                                                and there
                                                                Lancashire red brick
                                                                with high and whitey
                                                                sills stale and lintel

                                                                before washed-out
                                                                sapphire-afternoon of steely sky
                                                                and horizontal fingers of
                                                                scud-rain

                … but they’d just
                floated there upright in space ‘neither use nor ornament’
                straining on the string in my baby-fat hands, I’ve

                                never really
                                made stuff happen
                                and didn’t have to try

                                more than let more and more
                                of stuff happening anyway
                                happen through me

 

train trip; East Sussex to London to Lancaster to Ulverston, Cumbria; where we lived for three years and started a family; stay at Swarthmore Hall; visited Conishead Priory where we lived for 18 months after marriage and graduation; notes and observations on the journey, sense of bridging 32 years of lifetime(s); notes > (maybe) two poems, but two which could nevertheless not be separate, although distinct, like train tracks; three years retired, still processing if I achieved anything in this capitalist and samsaric world …; London centuries old, still processing …; architecture as the stage-scenary of endeavour; the ‘here’ in the 9th stanza is definitely (sic); this is, positive

 

 

————w(O)rmholes________________________________|—–

afternoon & sky wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
architecture & thought wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
being wormhole: 11/1 by William Carlos Williams
black & sky wormhole: Lapping Reflections [Deep Within Waters] – valley
brown & green & walls wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
buildings & crane & rain & red & speech wormhole: riders of the night
capitalism wormhole: `whappn’d!
clouds wormhole: at Kreukenhof
death & identity wormhole: psssssh
doing wormhole: writening
echo & mind & passing & sound & time wormhole: – creak —
Have wormhole: on facing the Have
London wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
orange wormhole: ‘don’t look at it …’
purple wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
rooftops wormhole: Great Bridge, Rouen, 1896
samsara & trees wormhole: breakfast
silence wormhole: window
Thames wormhole: London, 1809
train & travelling wormhole: beneath
Uckfield-London line wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
white wormhole: 10/22 by William Carlos Williams
world wormhole: none and all
writing wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later

 

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Batgirl –

18 Thursday Jan 2018

Posted by m lewis redford in poems

≈ 3 Comments

Tags

1967, 2018, 7*, air, Batgirl, Batman, Batmobile, cape, co-ordinate, comics, cowl, floating, flow, glasses, grass, green, hair, Infantino, leaves, looking, power, running, silhouette, site, sound, thinking, walls

                Batgirl –

                peering over her glasses
                through the fourth wall

                all of a sudden there was
                long grass in silhouette

                over which to run
                and there were foregrounds

                of leaf behind which
                to proceed and she thought,

                I could keep my looks
                under cowl and let

                the quiet and angry hair
                take siting and co-ordinates,

                let the cape field the
                flow of air while

                Batmobiles rev loudly
                and float adrift the green

                and current stalks –
                aimless to behold

 

 

 

————w(O)rmholes________________________________|—–

air & sound wormhole: when the rain has settled / the dust
Batman wormhole: the silent night of the Batman
flow wormhole: concordance
glasses wormhole: city streets
green wormhole: without any buffet at all
hair wormhole: looking ahead
Infantino wormhole: Infantino KO
leaves wormhole: leaves
looking wormhole: snapshots about Totnes
power wormhole: London refugee march – 120915
silhouette wormhole: river
thinking wormhole: sweet chestnut
walls wormhole: is this it // all the time

 

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Lapping Reflections [Deep Within Waters] – introdepthion

11 Saturday Jun 2016

Posted by m lewis redford in poems

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Tags

2016, contact, currents, dark, diagram, floating, growth, identity, kiss, knowledge, life, light, London, movement, opening, pattern, perspective, petals, roots, soil, stanza, surface, swimming, the Boats of Vallisneria, uncle, vallisneria, waiting, war, water, waves, work, writing

 

 

 

                                introdepthion

                                filigree roots dissimulate the soil
                                at the bottom of shallow waters
                                (like a diagram – no contact, with
                                 sheath of border); a stalk will grow

                                through water, sure twists towards
                                the light; on the surface petals will
                                open wide without shame and wait
                                for the floret to rise from the bract

                                then release just three boats for to
                                float the potent cargo where the
                                movement of water will hazard the
                                inexorable kiss; but there is no

                                morphology or physiology of
                                vallisneria, only certain quest from
                                darkness to light, and the surface-
                                knowledge retrieved back; I am

                                a Londoner born through war to
                                work the land to look for pattern in
                                life to make, trusting it is there to
                                swim through, but lost in currents

                                to and `fro with only adventitious
                                and god-like perspective when I
                                contemplate in four-line stanza …
                                sometimes

 

read the collected work as it is published: here
this is an appliquiary to : The Boats of Vallisneria by Michael J. Redford – Introduction

 

 

————w(O)rmholes________________________________|—–

1967 & life & uncle & work wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
identity & knowledge & light & London & water & writing wormhole: The Boats of Vallisneria by Michael J. Redford – Introduction
waiting wormhole: and that’s where I are
war wormhole: the coming of ‘The Boats of Vallisneria’ by Michael J. Redford
waves wormhole: Quiver of / Tiffany – poewieview #20

 

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like ink – poewieview #23

13 Wednesday Apr 2016

Posted by m lewis redford in poems, poeviews

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Tags

1970, 2016, being, Bowie, brain, branches, city, dark, earth, edge, emergence, floating, ink, light, orange, passing, Plumstead, red, Shrewsbury Park, sky, streetlight, thinking, trees, turning, writing

                                passing by the edge of the park under
                                occasional orange lamp, the dark trees
                                turn unable to contain the floating
                                brain of revolving redness in the branches

                                ah, but the city lights, spread about like
                                dust reassure that there is darken sky
                                without passion that moves free and sudden
                                over only orb and lonely branch like ink

 

oh, God, I should be dead: She Shook Me Cold, 1970; pack a pack-horse up and step-up here, on Black Country Rock, 1970

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

being wormhole: rhymed
Bowie wormhole: miss / ad / venture – poewieview #22
branches wormhole: train journey // like a branch
city wormhole: Quiver of / Tiffany – poewieview #20
emergence & orange & Plumstead & streetlight & writing wormhole: up on the hill
light wormhole: 1964
passing wormhole: tabla
red wormhole: the start of adolescence
sky & trees wormhole: Jon
thinking wormhole: tong len / the inauguration of another – timely – butter fly effect / taking and giving

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • ‘the practice …’
  • under the blue and blue sky
  • sweet chestnut
  • ‘she shook the sweets …’
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • meanwhile
  • a far grander / Sangha
  • Bodhisattvacharyavatara: Chapter VII, Joyous Effort – verse 8; reflectionary
  • Bodhisattvacharyavatara: Chapter VII, Joyous Effort – verse 7; reflectionary
  • Bodhisattvacharyavatara: Chapter VII, Joyous Effort – verse 6; reflectionary & verses 3-6 embroidery

Uncanny Tops

  • Moebius strip
  • me
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'I can write ...'
  • meanwhile
  • like butterflies on / buddleia
  • covert being
  • 'hello old friend ...'
  • start where you are I
  • others

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