at Kreukenhof

Tags

2019, 5*, air, Amsterdam, breeze, clouds, compassion, curtains, fashion, fire, flowers, gravity, growth, Kreukenhof, letting go, photograph, retirement, river, role, samsara, sky, sound, traffic

                gravity, and river air hold the curtains
                down, breezes and distant traffic make them
                adjust against the sill stiffly, audibly

                but then, my people, I am learning
                not to resent your burning like fire
                when you play your endless roles like fashion

                and I am learning to let clouds fill the sky
                as you take every single photo
                of every single flower at Kreukenhof

 

Kreukenhof is a display garden near Amsterdam sited amid surrounding fields and fields of cultivated tulips, grown in strips of colour across a whole field; when we visited this year, we stayed on the Botel, a converted ship docked on the river Amstel in the IJ bay

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
breeze wormhole: threshold to behold
clouds wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
compassion wormhole: light of all interaction
curtains wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
letting go wormhole: mandala offering
retirement & sky wormhole: ‘don’t look at it …’
river wormhole: boiled spangle with soft centre
samsara wormhole: the Bodhisattva set out / for the Seat of Awakening
sound wormhole: the blessings of the Buddhas

 

Advertisement

BLUEFLAGS by William Carlos Williams

Tags

1921, 6*, air, blossom, blue, cars, children, distance, flowers, grapes, green, gutter, light, marsh, mist, petals, reeds, smell, strawberries, streets, sun, voices, water, William Carlos Williams, willow

                                BLUEFLAGS

                I stopped the car
                to let the children down
                where the streets end
                in the sun
                at the marsh edge
                and the reeds begin
                and there are small houses
                facing the reeds
                and the blue mist
                in the distance
                with grapevine trellises
                with grape clusters
                small as strawberries
                on the vines
                and ditches
                running springwater
                that continue the gutters
                with willows over them.
                The reeds begin
                like water at a shore
                their pointed petals waving
                dark green and light.
                But blueflags are blossoming
                in the reeds
                which the children pluck
                chattering in the reeds
                high over their heads
                which they part
                with bare arms to appear
                with fists of flowers
                till in the air
                there comes the smell
                of calamus
                from wet, gummy stalks.

 

from Sour Grapes, 1921
WCW was good enough to let us into his local so much that we found his family there too; he espoused the search for poetry within your own fingernails, within your local yards and backstreets, within your private moments in front of your own mirror, within the loaned experience which can only be borrowed when you’ve brought up children and shown them the world in which you brought them to their own existence … rather than charging off for it rummaging about Europe’s kulture: he was an icognito prince, old WCW

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: THURSDAY by William Carlos Williams
blossom wormhole: SPRING & LINES by William Carlos Williams
blue wormhole: coterminalism – there is nothing happens by itself, / 070118
cars wormhole: ash leaves
green & William Carlos Williams wormhole: SPRING & LINES by William Carlos Williams
light wormhole: A Solitude by Denise Levertov
mist wormhole: that
smell wormhole: Lapping Reflections [Deep Within Waters] – old George
streets wormhole: we held cold hands
sun wormhole: only
voices & water wormhole: What You Are by Roger McGough

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

how to teach

Tags

2018, 4*, Academy, accountability, betrayal, career, classroom, corridors, flowers, game, ideas, infrastructure, management, OFSTED, politics, Principal, requirement, resentment, school, special measures, teaching, teaching craft, thinking

                I suppose it’s not actually your fault
                that I brought to the point of fruition

                those things which you were required
                to require to keep your sorry arse out of

                special measures and you didn’t have the
                first or second idea what to do with them

                because you had long since moved on to
                eleventh and twelfth ideas playing

                some stupid game about infrastructure
                and accountability and completely forgot

                how to teach

 

about and dedicated to the former Principal of the former school (oh, sorry, Academy … what was I thinking) where I spent the whole 29 years of my former career which had calcified even as it flowered it’s most beautiful petals and eventually snapped under so much pretty weight and fell silent and unnoticed to the ground (and a good job too, it would have been a light, colourful mess in the corridor or the classroom); all of which I am required to not name if I’m to keep the paltry amount of money given for me to just shut up at long last; even after years of escape it seems I still bear a grudge – I really must find a honey pot for it somewhere …

 

 

^{————w}(O)rmholes_________________________________|—–

career wormhole: I am not yet ready
game wormhole: [once a] dilemminal [always a dilemminal]
management & teaching wormhole: new blue porsche
politics wormhole: looking / ridiculous
school wormhole: green and / luminant / to behold
teaching craft wormhole: Structure & d y n a m i c
thinking wormhole: Khandro Tsering Chodron

 

Bridgnorth

Tags

2017, 5*, blue, Bridgnorth, castle, change, flowers, ice cream, pink, red, time, yellow

                      Bridgnorth

                      at almost a quarter past
                the castle gate got ruined and
                      leant

                      stepped up
                the outer face with soundbites of yellowflowers
                      red pink

                      through time
                so what sauce do I want on my rum ‘n’ raisin, blue
                      bubblegum

 

a beautiful town in the NW Midlands; higher and lower; you get to walk up hundreds of iron-worn steps, and at the top you can watch the grease-soaked teeth and cables of the funicular make the journey of life instead

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: olive trees
change & time wormhole: amniotic avenue
pink wormhole: skeins of candy pink and lilac
red wormhole: where did the silence go
yellow wormhole: Sheffield Park Gardens

 

cinnamon / milkshake

Tags

2014, 4*, Amsterdam, cactus, cinnamon, cream, feet, flowers, love, milkshake, orange, others, passing, terrace, walking, watching

                cinnamon
                milkshake

                barely coloured
                and creamy as the
                depth of orange

                straw on the
                terrace before the
                flower stalls with

                bulbs and cacti
                watching the
                hundred different

                ways that feet
                place and lift

 

 

 

^{————w}(O)rmholes_________________________________|—–

evening wormhole: the evening
love wormhole: immeasurable love
orange wormhole: pink and orange
others & walking wormhole: is there anything to write?
passing wormhole: Cocktails in 1951

 

lost and city ground

Tags

2013, 4*, childhood, city, Eglinton Hill, flowers, garden, ground, Plumstead, smell, speech, weeds

                lost and city ground

                ah, the weeds and wildflowers
                overgrown and gummy
                in the ground smells just a little

                acrid before ‘come in from
                the garden, dear, you’ll get
                all dirty; it’s dinner soon’

 

written in response to one of my favourite bloggers who … hasn’t for more than three years now: https://dimsumhearts.wordpress.com/2011/02/26/be-an-architect/

 

 

^{————w}(O)rmholes_________________________________|—–

childhood & Eglinton Hill wormhole: to rescue something
city wormhole: 1968
garden wormhole: within
Plumstead wormhole: that comicbookshop … // … in dreams
smell wormhole: the // orange rose
speech wormhole: Salisbury Cathedral // suspended in everything

 

ah … // oh … // meanwhile … // … // tha ya ta …

Tags

2016, 8*, being, breathing, child, clothes, colour, comics, despair, Dorian Gray, emperor, exclamation, exposed, flowers, Granada, hope, identity, inspiration, light, love, mantra, model, phrase, portrait, Prajnaparamita, rain, rainbow, realisation, retirement, secret, seeing, self, self-containment, self-image, speech, step, thread, tragedy, vanity, wandering, words, world

 

 
le mot just
the piquant phrase
                                         the simple model rising magnificent
                                         from cavalcades
                                         of stoic tumbling

                                         threads through like
                                         weave which clothes me
                                         presentable to the world …

                                         but no one sees the
                                         emperor’s clothes of
                                         such fine thread it cannot
                                         be seen, no wise child
                                         to point and exclaim
                                         the hang and drape
                                         to put an end to all step –
                                         “look, mummy, that man
                                           is not an emperor!”

 

 
less than naked
I am seen right through
                                         adrift of discourse
                                         I step with stubborn countenance,
                                         all the better to
                                         stare myself into existence,

 

 
awkward and
hidden away in some attic
                                         lest I lose [what I haven’t
                                         got] self-contained in trembling
                                         vanity, secretive in hope
                                         of things to come, desparate
                                         in tragedy that my grimy
                                         portrait might be seen …

 

 
wander, wander
around the flowers, smell
                                         their colour, breathe their
                                         light and let the light rain
                                         fall in shards of rainbow,
                                         cleansing with love –

 

 

 
                      om     ga – te     ga – te
                                      pa – ra – ga – te
                                                      pa – ra – sam – ga – te
                                                                      bo – dhi     so – ha

 

retirement #3 when in Granada … visit the Alhambra, and visit the Generalife gardens … [if you have booked up to three months ahead]; on the walk up to the palaces are trees and shrubs which are plenty-watered by sprinklers, in the morning sun the sprays will often catch a rainbow at their edge; the bordered captions in the poem are comic-conjunctives, there is a beginning, middle and end being told here, folks; the mantra: thaya tha om gate gate paragate parasamgate bodhi soha, is the mantra of Prajnaparamita, the Perfection of Wisdom; it can be somewhat semantically translated as “it’s like this: [everything is] gone, gone, completely gone, completely and perfectly gone with no loss, enlightened [dispersed, dispelled] all-right!”; but what’s ‘gone’: “the slings and arrows of outrageous romance” … of one’s self and the whole world positioned awkward to placate its mewling little story, as stolen by Joni Mitchell, who was talking too much at the time, from ‘Willy the Shake’;

 

 

^{————w}(O)rmholes_________________________________|—–

being wormhole: pocket
breathing wormhole: within
child & light wormhole: this aching // and spacious dichotomy
comics wormhole: chartless …
identity wormhole: not / the Catcher
love wormhole: love and precision
rain wormhole: monument to vainglory
realisation wormhole: passing below
seeing wormhole: con / sum / mate
speech wormhole: Lapping Reflections [Deep Within Waters] – snow
words wormhole: just saying, is all VI: // accountable / for my own outbreath / …
world wormhole: the skyline

 

what life went on

Tags

1960s, 1997, 2012, 5*, abandonment, aloof, anger, children, Dad, dream, Eglinton Hill, family, flowers, forgiveness, garden, grief, kitchen, life, living room, pride, speech, table, walls, yellow

 

 

 

                                I arrive at the garden wall of Eglinton Hill*,
                                painted yellow, not quite finished; my kids

                                come out to see me, what has been done
                                while I was at work (what life went on

                                while Dad was away, what had been done),
                                straight into the front living room* – it is a

                                dappled kitchen now, 1960s small-flowered
                                and yellow-weave table cloth; I wander around

                                the rooms with the kids, how they have
                                changed; I rise out of sleep with the grief,

                                I still feel the hurt, I cannot forgive, I have
                                high expectations: proud angry and aloof

 

* childhood home; I was in the front living room where I heard my parents argue for the first and last time

 

 

^{————w}(O)rmholes_________________________________|—–

abandonment wormhole: 1967
children wormhole: ashramas
Dad wormhole: spit / spot
dream wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – moment
Eglinton Hill wormhole: the figure “46” / in frosted glass
family & living room wormhole: currency of generations
garden & kitchen & speech wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – from arm to nature, doing nothing
life wormhole: carpet worn / to the backing – poewieview #30
table wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – the soft canticle of the gourds:
walls wormhole: trellis / and wisteria – poewieview #29
yellow wormhole: the / bright yellow / world

 

The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts

Tags

1967, Africa, afternoon, air, Apollo, autumn, awakening, beans, bees, beginning, birth, blue, book, bracken, bronze, caterpillar, child, colour, cottage, crickets, dark, death, digging, earth, emerald, end, eyes, face, field, flowers, forest, garden, generation, gold, gorse, grass, hazel, hedgehog, hill, hive, honeysuckle, horse, house martin, ivy, January, journey, joy, lambs, land, lawn, leaves, life, March, memory, migration, mind, moorhen, moorland, morning, mother, nemesia, Norway, oak, plough, poetry, purple, reading, redwing, sadness, seasons, seeds, silence, sitting, sky, skyline, sleep, smell, sound, spiders, starlings, sunlight, the Boats of Vallisneria, thistles, thought, time, transition, trees, uncle, valley, web, wheat, winter, woodlark, work

 

Chapter 1

The Wandering Mind

Autumn Thoughts

I sat in the garden one autumn afternoon reading an old poet.   The sky was unblemished, clear and pure as the face of a child and starlings were deep in conversation close by.   I had mown the lawn that morning just before lunch and turned over the plot where the peas had been cleared.   After this exertion and a good meal, I felt no pang of conscience as I turned my back upon the many other chores that cried for attention and took my book into the garden and relaxed in the warm soporific scent of honeysuckle and freshly cut grass.   After an indeterminable period my thoughts were lifted from the page upon my knee and I drifted across the valley to the hill opposite.   There the grade was steep, too steep for tractor or any other mechanical tool.   A horse therefore was leaning from a plough, moving slowly, almost imperceptively towards the skyline.   The cottage in which I then lived was very old and the hills opposite even older; no doubt at one time they were covered with forest, but many men must have witnessed that same scene before me, many men and many generations.   To them it was a common sight, but to me it was a rare and beautiful sight that spanned the centuries. The scene was timeless.

I felt my head nod forward quite suddenly and I came awake.   The book fell onto the grass and the starlings flew off more in indignation than fright.   In the silence that followed, there filtered through the warmth of the valley the faint jingle of the traces, and as the plough turned upon the headland, a spark of sunlight leapt from the polished harness; it was an impish child of Apollo that danced upon the horse’s back one moment, then without warning, leapt the great expanse of the valley and entered my eye within the same split second.   I realised then that here was a beginning; here, before the old year was done, was another just starting.   Here the earth was being opened up to let in winter’s icy fingers so that she might the better prepare the seed bed for next year’s crop.   Then as the mind’s awareness expanded, I felt that this was not the only beginning taking place, there were many more throughout the changing land.

Visitors were arriving, flowers were blooming, animals were being born.   All about me, as I sat half asleep in the quietude, a great movement of life was in progress, and I thought of another great movement of life that had occurred the previous autumn.   It was an invasion of our fields by the linyphiids or gossamer spiders.   We were drilling wheat at the time and as I crouched low on the footboard of the drill to clear a coulter that had clogged up, I beheld a silken counterpane of gossamer stretched between the faint ridges of the harrowed earth.   The effect, if the eye was held low enough, was that of a thin layer of water shimmering in the early morning sun sending off sparks of individual colour selected at random from all parts of the spectrum.   So taken was I with this scene that all thoughts of clearing the coulters left me as we rattled and jogged across the field, and when harvesting the same field this year, there, as a reminder of that small moment, was a strip bare of swaying gold a hundred yards long and twenty inches wide.

I retrieved the book and placed it on the seat beside me.   The starlings had returned and were even noisier than before and the bees were hurrying to and fro among the nemesia in the hope of collecting and storing that little extra for the months ahead.   Soon they will end their toil; soon they would maim and expel the unfortunate drones and retire to the centre of the hive with the queen in their midst.   The day was magnificent, more like mid-summer than autumn, small wonder indeed that the careless cricket continued to ‘sing’ unaware of the imminent peril of winter.   Many small lives will be lost in the approaching days of darkness yet, through it all, just enough will be saved.   Beneath the apparent calm of autumn is a restlessness; and urgency sweeps through the fields and woodlands as the wiser creatures prepare for flight or lay in stores for sustenance through the long twilight of winter yet to come.

Autumn is a season of transition, a season of intense activity; of flowers flowering and flowers dying, of drilling wheat and cutting beans.   Autumn is a time of birth and death; a time of awakening and a time of going to sleep.   It is a time for the young and a time for the old, a time of both joy and sadness.

This is the time of thistle-down upon the air and goose-grass burrs upon the stockings; when the gorse and broom crackle and pop beneath a March-blue sky and scatter their tiny seeds among the dry stems of the sapless grass.   Now the moors are stained a deeper purple, bracken becomes bronzed and the tree tops dipped in old gold.   In the derries the young caterpillar of the Purple Emperor wraps itself in dead oak leaves and sleeps until the great awakening.   When gossamer fills the air and hazel nuts turn brown the young swallows start on that amazing flight to the shores of Africa, a journey undertaken by their parents a year before who, curiously enough, do not show their offspring the way, but follow on some days later.   How many thousand autumns have witnessed this exodus?   Yet to what blocks of logic and fact can we in all our wisdom attribute this common thing.   The redwing and fieldfare arrive from Norway urging on the lingering house martin.   The woodlark sings, the ivy flowers and the honeysuckle blooms again.   And as the somnolent hedgehog rolls himself in his blanket of leaves, the last brood of moorhen is hatched.   Something sleeps, something awakes; something dies, something is born.

There is no real beginning or end to the year.   Even on the first of January the lambs are growing; leaves are forming within the bud and the young wheat carpets the bare fields with emerald.   But for those whose minds cannot accept the existence of that which has no beginning and no end, then let the division between the years be drawn through autumn, for the onset of winter is really the beginning of the year, not the end.   The young year is born into a cold and sometimes frightening world just as the infant child is released from the warm security of the mother’s womb, and like the child, the infant year begins its life before it is born.   It begins in the womb of autumn.   It is here then (if anywhere) that one thing ends and another begins.   It is here In Sese Vertiture Annus.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

1967 & garden & life & mind & thought & uncle wormhole: The Boats of Vallisneria by Michael J. Redford – Introduction
afternoon wormhole: “walking …”
air & sound & time wormhole: constant hummm
autumn & gold & sky & smell & trees & work wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
blue & reading wormhole: between thoughts
child & sleep wormhole: 1968
death & eyes wormhole: too late:
field & skyline wormhole: impressionism
leaves wormhole: work
morning wormhole: the coming of ‘The Boats of Vallisneria’ by Michael J. Redford
mother wormhole: and that’s where I are
oak wormhole: dog bark
poetry wormhole: after all?
purple wormhole: 1967
silence wormhole: the missing chord // the now-silent seagull
sitting wormhole: zero
winter wormhole: 1963