Landscape, Pontoise, 1875

Tags

1875, 2018, 6*, clouds, fields, garden, growth, horizon, houses, life, lifetimes, passing, Pissarro, Pontoise, progress, sitting, standing, trees

                Landscape, Pontoise, 1875

                they sit and stand bent
                in the fields,

                in the gardens, while trees grow
                past the stories of

                house and only
                passing clouds behind the low

                horizon show
                the rapid progress of growth

 

about three storeys at right-angles into the Landscape, Pontoise, 1875, by Camille Pissarro … and oh, I’ve not been able to find a copy of the painting to paste here:

 

 

^{————w}(O)rmholes_________________________________|—–

being & passing & sky wormhole: Hastings: neither all or nothing
clouds & horizon wormhole: horizon
garden wormhole: {reading right to left}
life & trees wormhole: Vue de Pontoise, 1873
lifetimes wormhole: waiting to be heard
passing wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
sitting wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych

 

Hastings: neither all or nothing

Tags

2018, 7*, being, birch, blue, buildings, church, doing, flats, furniture, grey, Hastings, height, houses, net curtains, passing, pavement, reaching, reason, roads, sea, silver, sky, steeple, steets, time, Victorian houses, walking, windows, wondering, writing

                                                                Hastings: neither all or nothing

                I walked steep down
                                through Victorian house fronts
                                                down the whole height of the
                                                                church steeple

                and stood at the grey sea
                                wondering if there was good reason
                                                to write of it, after all;
                                                                the houses

                were now flats with nets knotted in the
                                windows and abandoned furniture
                                                on the street, but look,
                                                                that corner building

                built to the shape of bifurcating roads, oh
                                and the silver birch at the edge
                                                of the pavement reaching
                                                                up into the blue

                cleared sky and although I needn’t write it,
                                I do; and the roots of this small
                                                tree have bulged the paviours
                                                                unnoticeably over the years

 

 

 

^{————w}(O)rmholes_________________________________|—–

being & doing wormhole: it’s / not what you do or what you say / if it ain’t got that swing
birch wormhole: over-pink cagoule
blue wormhole: {reading right to left}
buildings & silver wormhole: London, 1809
church wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
grey & sky wormhole: Impression of Winter: Carriage on a Country Road, 1872
net curtains wormhole: keep the light off
passing wormhole: passing
roads wormhole: SPRING AND ALL XI by William Carlos Williams
sea wormhole: Fishermen at Sea, 1796
streets & writing wormhole: on facing the Have
time wormhole: somehow
Victorian houses wormhole: Victorian pipework
walking wormhole: blister on me thumb
windows wormhole: Dulwich College, London, 1871

 

PASTORAL by William Carlos Williams

Tags

1917, 6*, age, blue, breathing, colour, compromise, fence, furniture, green, growing, houses, identity, looking, love, measure, poverty, progress, rooftops, society, streets, time, walking, weather, William Carlos Williams, yard

                                PASTORAL

                When I was younger
                it was plain to me
                I must make something of myself.
                Older now
                I walk back streets
                admiring the houses
                of the very poor:
                roof out of line with sides
                the yeards cluttered
                with old chicken wire, ashes,
                furniture gone wrong;
                the fences and outhouses
                built of barrel-staves
                and parts of boxes, all,
                if I am fortunate,
                smeared a bluish green
                that properly weathered
                pleases me best
                of all colors.

                            No one
                will believe this
                of vast import to the nation.

 

from Al Que Quiere!, 1917

and he’s right, of course: the ‘import’ of the nation can only progress when it doesn’t have to concern itself with the right and wrong of wealth distribution – but you can’t have progress without competition, otherwise we all just stay where we are; but honouring competition as inviolable is honouring that which is our basest common denominator, surely inequality is less than we could achieve – to try to rise above the process of evolution, the survival of the fittest, is, rather, to surrender to hubris and daydream which doesn’t put bread on the table; but – however; eventually – man up … but to look, and take in, with love and, without scheme, all behind the, dappling cacophany, with which we, mark our height, where we can breathe, without implication, or compromise, free as a glance, single as an ethic, and twice as, selfless

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: transferring
breathing wormhole: the turtle and the yoke
compromise wormhole: and ‘naerrgh’ a mention of a seagull’s call
green & identity & time & walking wormhole: fifty-eight // and silent prayers
looking wormhole: perspective
love wormhole: all // are // none
rooftops wormhole: glancing up from the text / searching for ground …
society & streets wormhole: both modern and en-slaved / to life
William Carlos Williams wormhole: and that’s where I are

 

and ‘naerrgh’ a mention of a seagull’s call

Tags

19th century, 2016, 20th century, 8*, access, air conditioning, alley, architecture, back, balcony, bay window, being, black, blindness, blue, burgundy, carlights, chimney stacks, clouds, compromise, contemplation, cross-section, distance, down, Eastbourne, eyes, facade, Ford Cortina, foreground, front, Have, height, hierarchy, history, hope, hotel, houses, inside, life, living, outside, passing, pier, pipes, privacy, prologue, promenade, sea, seagull, seeing, sky, society, sound, streetlight, sun, time, tree, up, Victorian houses, walking, walls, waves, white, windows

                and naerrgh a mention of a seagull’s call

                prologue

                the fetch of uneventful league to
                mingle with pier piles nonchalant;

                the borderline lightbulbs strung for
                decades between promenade lamp

                and stack of height and white façade
                of black-wrought balcony for where to stay

                setting

                frontage shows the way-to-look-
                ing blind to what is seen amid

                all the detail of hierarchy, eye
                turned to what it hopes, while

                rear windows, set central in
                the shapèd drop, look inward

                to find the fit to be; in time
                the rear extension of amenity

                cut fresh cross-sections of life
                turned 90° deep with windows

                unadorned; but then
                were added storey, creating alley

                to hidden access whenever
                contemplating the corners

                that encourage right angle
                where you can serve your

                down and truncating down-
                pipe blind to abutted wall

                perambulation

                                but, I’m in luck

                eye caught by extractor flaps
                in the foreground venting downwards

                venting upwards, sun neatly off
                the downpipes to the right

                on the left long-painted white pipes
                rusting, and between, a leafing tree

                undecided which way to lean
                the background, the monolith back

                of the seafront hotel, conditioning
                air; later, passing the backs of

                houses-become-their-own-entrance,
                seagulls perched at rest

                on the chimneys, I caught
                the tail of a reg-D Cortina with

                burgundy-deep fins and round
                tripartite lights, smaller

                than I remember

                epilogue

                oh, yes and a Persian-blue
                chimney stack with off-white pots

                under sky-blue sky
                and wisps of cloud

 

 

 

^{————w}(O)rmholes_________________________________|—–

20th century wormhole: looking ahead
architecture wormhole: London refugee march – 120915
being wormhole: green and / luminant / to behold
black & blue & Have & living & passing & society & walking wormhole: Sheffield Park Gardens
burgundy wormhole: pine // gladioli // [&] wisteria
clouds wormhole: The Boats of Vallisneria by Michael J Redford – Working
compromise wormhole: after all
Eastbourne wormhole: city streets
eyes & life & seeing & time wormhole: 1964
history wormhole: looking / ridiculous
hotel wormhole: and // do your ears burn red?
promenade & sea wormhole: Bexhill 140215
seagull wormhole: do I
sky & white wormhole: travelling // arrival
sound & sun & windows wormhole: Lapping Reflections [Deep Within Waters] – reaping
streetlight wormhole: ‘charcoal grey-slate sky …’
Victorian houses wormhole: red / lacquer / door
walls wormhole: certainly a Captain, / but not America
waves wormhole: place

 

Plumstead – Woolwich – Plumstead 220211

Tags

2011, 2014, 2017, 6*, architecture, birds, birdsong, blackbird, blue, branches, breathing, brick, bus, cars, change, child, childhood, church, coat, coffee, coffee shop, crane, crows, death, echo, Eglinton Hill, evening, football, friends, green, handshake, Have, hill, houses, lifetimes, light, looking, mother, Mum, newsagent, no effort, notice, passing, pigeons, Plumstead, Plumstead common, quiet, roads, smiling, sound, step, streets, Thames, thought, time, trees, voices, walking, white, windows, Woolwich

        Plumstead – Woolwich – Plumstead 220211

        the crane holds effortlessly over from behind
        the houses and trees cables thrumming always
        cold and eventually it will all be dismantled;

        the diesel car purred slowly downhill, a pigeon
        dropped down behind it walked around a bit;
        through the leaf-clean branches of the young

        tree the Edwardian cornices and tops along
        Plumstead Common Road, don’t collect thoughts,
        t a s t e them without notice, deep and wet

        with no tice – much less effort – while walking,
        every once in a while the wall steps up a brick
        I search for being clear again … step, while

        walking stop, and breathe the beauty, stop
        and smile a little thought for you; in St. Mary
        Magdalene’s ground the mother has turned

        points to the trees, birds fly off and land, the
        toddler steps and stands among the pigeons
        while the mother brings the abandoned scooter

        but then in New Road holding the handshake
        shaking between exchange the firm friends
        look at each other only occasionally; while he

        he Had a coffee heated sandwich iced bun
        crisps water £8.89, busses passing bulbous
        over the dark green and hanging shade; up

        the hill on the coldstreet stepping downhill
        out the newsagent the bright blue padded
        jacket and the single bounce of a well-inflated

        basketball with simultaneous echo inside; the
        while on a wall opposite his Mum’s flat dead
        almost 12 years now watching a boy with a limp

        and the 53 bus working between parked cars
        and the crossing island with air suspension
        and when it was quiet the dark coat and white

        trainers crossed the road paused and into the
        newsagents but then I didn’t see where she
        went; the constant echo of boys’ voices playing

        football on Plumstead Common off Acacia
        Terrace 1890; and I can’t see 46 Eglinton Hill
        where I’m sat, conifers grow so quick, but

        `doesn’t matter, I can’t see the blackbird singing
        a different collect each time either; crows on the
        chimneys of 40/38; for a minute the blackbird

        stopped no vehicles uphill downhill, lights
        went on across the river and each house had
        the face of lifetimes in their windows;

 

Every year and a while I travel 40 miles up to Woolwich, where I grew up, to check that the journey I make started off in the write direction (HA!); while wandering I write, leaning on peoples’ front walls and making a coffee last in a cafe (and every once in a while I treat myself to an afternoon bench); walking downhill from Plumstead to Woolwich and around and back, in time; those who know Woolwich and Plumstead (all none of you across the world wide, as far as I can tell, although you have got Google maps, if you’re really interested) will [be able to] recognise as they appear: South Circular coming up to Well Hall roundabout, Eglinton Hill [childhood home], Plumstead Common Road, St Mary Magdelene’s Church, Woolwich New Road, [along A206], Waverley Crescent (top of Griffin Road), Plumstead Common (proper), back up Eglinton Hill …

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: pen and ruler
birds wormhole: open window
blackbird & change wormhole: relief
blue wormhole: low afternoon
branches wormhole: between
breathing & coffee shop & evening & sound & time & windows wormhole: amid
bus wormhole: Mark & Jon at the coffee shop III
cars & green & trees wormhole: Cocktails in 1951
child & streets wormhole: red / lacquer / door
childhood wormhole: all the sandstone / reflections in the / marble-blue troughs
church wormhole: ‘someone …’
coffee wormhole: Mark & Jon at the coffee shop I
crane wormhole: Luton // couldn’t make a poem out of it
crows wormhole: the ancient tree
death & light & Mum wormhole: good going into / that gentle night
echo wormhole: circuitry
Eglinton Hill & Plumstead wormhole: lost and city ground
Have & looking wormhole: found
lifetimes wormhole: cape and cowl
mother wormhole: mother and daughter
passing & roads & leaves wormhole: leaves
pigeons wormhole: municipal garden
quiet wormhole: the quiet whale
Thames wormhole: to rescue something
thought wormhole: ‘God, who am I …?’
voices wormhole: I keep / waiting to be discovered and get lost in anticipation
walking wormhole: cinnamon / milkshake
Woolwich wormhole: that comicbookshop … // … in dreams

 

this time

Tags

2*, Charlotte, driving, fields, houses, identity, openness, passing, time, trees

                this                time

                in the back seat
                driven by Dot
                houses through trees
                open fields turning

 

 

 

^{————w}(O)rmholes_________________________________|—–

Charlotte wormhole: love and precision
identity & time wormhole: dream I // dream II
openness wormhole: such such potential
passing wormhole: pass and / fro
trees wormhole: a nice grey woollen picnic blanket

 

open window

Tags

'scape, 2013, 5*, birds, birdsong, blue, echo, houses, open, passing, quiet, sky, snow, sound, streets, sun, time, trees, windows

                open window

                in the quiet street
                sun shone against
                the sides of houses

                and began to melt
                the dust of snow,
                at length,

                soft steps pass –
                foot-scrape and
                trouser-scuff – then

                cough once twice
                in upper voice
                down the houses

                and it was only then
                that the birds called
                in different ways

                in different trees and
                all of which echoed
                down the blue blue sky

 

 

 

^{————w}(O)rmholes_________________________________|—–

birds wormhole: Is There / Life on Mars? – poewieview #32
birdsong wormhole: relief
blue & quiet & sky & sound & windows wormhole: the silent night of the Batman
echo wormhole: this aching // and spacious dichotomy
open wormhole: fine
passing wormhole: to allow / passage
snow wormhole: Lapping Reflections [Deep Within Waters] – snow
streets wormhole: familiasyncopation
sun wormhole: 1964
time wormhole: alighted
trees wormhole: The Boats of Vallisneria by Michael J Redford – Follow Your Nose

 

love and precision

Tags

2015, 5*, Birmingham, blue, Charlotte, daughter, doing, driving, houses, love, precision, red, silhouette, sky, talking to myself, walking

                played with Dot
                hung with Dot; there’s
                a lot to be gained
                from hanging with love

                drove to Birmingham
                walked around dark
                ening redbrick houses
                until we were all silhouettes

                before a Prussian blue sky;
                do the formal stuff
                when you can, absorb
                the rest with love and precision

 

‘Dot’ is my daughter Charlotte; just over a year ago she moved up to Shropshire with her partner; we visit, and sometimes meet in Birmingham for a day

 

 

^{————w}(O)rmholes_________________________________|—–

blue & sky wormhole: industrial estate
Charlotte wormhole: dream 230315
daughter wormhole: returning home handsome
doing wormhole: sleep now
love wormhole: Lapping Reflections [Deep Within Waters] – snow
red wormhole: The Boats of Vallisneria by Michael J Redford – Snow
silhouette wormhole: was there a moon / on the alleyway wall / confused in front of / the city skyline?
talking to myself wormhole: woven-through
walking wormhole: magnificent salad

 

the skyline

Tags

1964, 2016, 7*, apricot, black, buildings, collosal, Dr Strange, fight, houses, light, Mordo, morning, pink, power, silence, sky, skyline, spell, Stan Lee, statement, Steve Ditko, Strange Tales, world

                the deepening spells must wait
                there is sky to conduct
                and arm to girth the world

                upon a pink apricot morning
                the silent tower was pierced
                oblivious to black boltage of strike;

                protagonist beget defence
                and they grew statemental
                and collosal to dolls’ houses

                they stood on silent levels
                inferred from clamoured storey
                until the light broke

                the skyline

 

from Strange Tales #125, October 1964, “Mordo Must Not Catch Me”, by Lee & Ditko

 

 

^{————w}(O)rmholes_________________________________|—–

apricot wormhole: 1959 –– MANHATTAN –– 2012
black & morning & pink & silence wormhole: Lapping Reflections [Deep Within Waters] – snow
buildings wormhole: passersby
Dr Strange wormhole: traffic lights and broad avenue
light wormhole: Prajnaparamita // Maitreya
power wormhole: poessay III: jijimuge
sky wormhole: woven-through
skyline wormhole: did I get old?
world wormhole: beepbeep

 

finding my own true nature – Plumstead, Woolwich, 190915

Tags

2015, advertising, afterlife, alignment, alley, angel, apartment, architecture, ash tree, Ashlar Place, balcony, baptism, bay window, beech, belief, Beresford Square, Bloomfield Road, boundary, brick, brown, building, buildings, bus, cars, change, childhood, church, compassion, crane, daughter, death, decades, Eglinton Hill, family, glass, God, gold, grass, grey, gurdwara, halo, hedge, hill, history, houses, identity, iron, jet plane, John, khanda, Lee Rigby, leylandii, life, lime, living, London, loneliness, looking, love, memory, mother, Mum, Nan, passing, photograph, pipes, Plumstead, rain, red, rooftops, sandstone, shadow, shop, sky, smile, society, sound, stone, streetlight, streets, suitcase, sun, the British Empire, time, traffic, travelling, trees, true nature, walls, wind, Woolwich, Woolwich New Road, writing

            looking for my own true nature – Plumstead, Woolwich, 190915¹

            these times of being cut loose are more usual than comfortable
            the buzz of contact and identity more potential than actual

            I go up to London to find bits of my true nature somewhere
            deep inside the forty four miles of time that has elapsed,

            past the same street boards advertising new plastic on trend,
            in even more colourful lime but now un-im-bleach-able;

            where grand gable and architrave stand cleanly revealed in all
            of their time from behind trimmed hedge, but window bay and

            fanned lintel remain obscured behind opportune ash (and
            where crickets rasp in raised lawn to ear level off the hill); on

            the hill² a crack in the front wall sinking century-ly downhill
            under sounds of jet somewhere in the sky hidden by dampening

            of leylandii; did I get baptised at All Saints Shooters Hill³,
            or did my brother, when the church was still young, its

            thousand panes held individual by lead, reflecting the
            cubist street, I don’t remember now – fractured memory;

            where sandstone is shaped short in modest Empire-control: in
            niche and ledge and decorative finial, during all the wind of

            cold streets, withstanding the new redbrick of decades; I
            cannot draw the line of brick at the corner of Bloomfield

            Road, true neither to hill nor sky nor shadowed underledge
            to the proud cornice (boundaries to distant-impossible crane)

            or even the sharp roofs clipped to lead-clad valley, let alone the
            ample iron downpipe … but I have learnt to write the architecture

            of odd alignment and cut-through alley; perched now against
            Ashlar Place at just the right angle between sun-wipe and shadow

            (shiny haloes in the indents on the page as I write Gurdwara
             Sahib Ramgarhia Temple⁴ in biro), the architecture of

            eternal Empire highlighted in gold with khandas blowing
            in the wind … still cannot obscure the luxury apartments in

            constant construct: -ING IS BELIEVING;⁵ buses come and
            buses go all along Woolwich New Road before the clapping

            troup of ‘Time for God’ angels and their families stood around,
            full of God’s immanent voices, in and out of sight and chant,

            (I have an old photo: a man crossing the road from Beresford
             Square⁶ with box suitcase in grey [and suggested brown] after

            apparent rain … when the retired newsagent passed by adding
            that he had run that shop opposite for thirty years, how –

            much – it – has – changed); perched, now, on the Metropolitan
            Drinking Fountain & Cattle Trough, oiled and crust stone

            from hide-breath and redundant exhaust; a mother and slinky
            daughter watch the marching bands pass from their third floor

            balcony, height of streetlight, defined before the upright
            sea of tarp covering the next block of the Royal Arsenal

            Riverside in construct (surprise!); ah, Lee Rigby,⁷ under height
            of Elliston House, these cars pass far too quick to get

            to their traffic, those beech trees opposite have grown to
            lean downhill for fifty years and more; I looked at every

            plaque, Mum, found plenty of Jeans and Margarets (and
            even Gladyss) but no Redfords, I can’t think I would have

            missed you sixteen years into other existences … I don’t
            know: I smiled at some of the plaques as I looked for you,

            I shall smile at everyone now that I haven’t found you

 

¹ this peice follows my last visit to London: walking downhill from Plumstead to Woolwich and around and back, driving to Eltham to where my mother (Jean Marguerite Redford 1933-1999, daughter of Gladys Charlotte Conlay 1906-1989) was cremated
² Eglinton Hill, early childhood home
³ All Saints Shooters Hill
⁴ Woolwich Gurdwara
⁵ woolwich new road and buildings
⁶ true nature II
⁷

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: ING IS BELIEVING
brown & love & red wormhole: when in Belgium do as the chocolates do
buildings & life & streets wormhole: gotcha
bus & sun wormhole: Christmas lights / around the lamp post
cars wormhole: portrait: / two pigeons
change & gold & Woolwich wormhole: ING IS BELIEVING
childhood & Nan wormhole: new garden
church wormhole: you can only smell the candles / when they have been snuffed out
compassion wormhole: [s]
crane wormhole: com- / mute
daughter wormhole: the retriever the daughter and the mother
death & writing wormhole: Poewieviews
Eglinton Hill & London wormhole: the breath of London
family wormhole: let’s have some ice creams
glass wormhole: ‘in clear oil air …’
grey & identity & time & trees & walls wormhole: walking through Lewes
hedge wormhole: the continental stride of trains
history & Mum wormhole: sit
lime & sky & stone wormhole: David Bowie – Iris
living wormhole: currency: / assent for statement – / ‘smakin’alivvin’
loneliness wormhole: ‘passing overhead …’
looking wormhole: Office at Night, 1940
mother wormhole: gre[wh]y / has Daddy left us?
passing wormhole: clouds
Plumstead wormhole: dream 260815
rain wormhole: “walking …”
rooftops & smile & streetlight wormhole: the silent night of the Batman
shadow wormhole: Seven A.M, 1948
society wormhole: the Growing Man
sound & wind wormhole: the open window
travelling wormhole: Compartment C, Car 193, 1938