and … // … sound

Tags

2019, 8*, allegory, Arya Lalitavistara, Buddha, conceit, hierarchy, hope, horizon, humanity, identity, ignorance, kleshas, lies, love, music, parents, renunciation, role, royalty, society, sound, teaching, time

                                and …

                … there, where humans
                have found themselves
                in ever-corporate cluster

                evolving mass of breadth
                and hope in horizon; see,
                they conceive their self

                in immaculate conception:
                pyramidically instilled
                and royal to behold;

                it is their that I will
                be, allegorical to there
                conceit, I shall higher their boat

                to get to the other
                shore, I will honour their
                parents, I will love

                their fulsome lies, but
                the time will come
                that I shall cede the role

                and break their fragile Is
                when the boxes with
                broken strings nonetheless …

                                … sound

 

inspired both from, and within, the ‘Arya Lalita Vistara Nama Mahayana Sutra‘, which is the life-story of the Buddha, the title of which is beautiful: ‘Arya‘ meaning ‘higher, exalted’ as in connected to reality; ‘Lalita‘ meaning ‘play, game, role’, that everything is not just as it seems … an allegory, although coupled with ‘Arya’ it is an allegory that doesn’t merely ‘point to’ a deeper/higher meaning, it comes from and dwells within that meaning … playfully, poetically, suggestively, also suggesting how the scripture is to be read; ‘Vistara‘ meaning any and all of ‘breadth, dimension, elaboration, enlargement, expansion, extension, spread, width’ – the ‘exponetialising’ means of coupling the ‘Arya’ with the ‘Lalita’ parts; ‘Nama‘, meaning ‘named, called’; ‘Mahayana‘ the spiritual way and means of exponentialising; ‘Sutra‘ a ‘discourse’ or ‘means’ given by the Buddha, yes this is an autobiography, but so much more if read with eyes wide open; there are several allusions to musical instruments that ‘sound’ (and sometimes ‘speak’) when not played, or when broken; ‘their’ and ‘there’ in the 4th stanza poem are sic and are meant to be questioning both identity and place in samsara

 

 

^{————w}(O)rmholes_________________________________|—–

Buddha wormhole: with all love released
horizon wormhole: The Diligence at Louveciennes, 1870
identity & society wormhole: Fishermen at Sea, 1796
love wormhole: sun setting over a lake, 1840
music wormhole: on facing the Have
sound wormhole: YOUNG SYCAMORE by William Carlos Williams
teaching wormhole: between
time wormhole: ‘there, …’

 

Advertisements

on facing the Have

Tags

2018, 7*, being, block, blue, bone, cause and effect, change, choice, clothes, clouds, Darwin, death, depth, discipline, doing, dream, drifting, economics, emerald, extermination, faces, government, green, grey, hats, Have, head, hills, hinge, humanity, identity, iron, kiss, life, loss, making, mud, music, neck, peacock, photography, power, quotidian, river, roof, settlement, shadow, Shrewsbury, slow, society, statue, stone, streets, tectonic plates, time, trees, violence, walls, war, watching, water, woman, World War, writing

                bone to stone drifting
                catastrophic slow

                lee to face-ward drifting
                shadow to quotidian

                suggesting life
                only when settled

                under branch of roof;
                noticeable change

                comes at the price
                of sheild and pike:

                death-mask disciplined
                to the painted face

                open to the very depth
                of loss, later settled

                to economies of
                plea, barter and

                proliferation of fact
                artisaned superfluous

                to being – faces fixed
                in leer the rest of

                born days, where
                animals are skinned

                under abnegated face,
                where stone walls

                turn green, staining
                clothing and where the

                emerald poise of head
                and neck watches

                the peck of open flay, all
                “exterminated by

                 slow acting and still
                 existing causes …”

                … time begins
                to tick – well it had to

                start somewhere – and
                with time cometh writing

                and with writing the
                topography fades from

                hill-wide face to
                pock-mark street and settlement

                all fitted ingeniously
                with raised wall over arch,

                high to unresolved descant
                always left in minor;

                the woman bends
                to the laundry before

                the rush of water
                released from the mill:

                power is only explicit
                when blocked and

                channelled, tree to
                gable with date

                and signature, silk
                to valence with

                drape of repose and spreading peacock dream;
                so, is there choice

                of governance: cut
                through from neck to child;

                you stay unnatural-still
                your image will be caught,

                you turn, and your
                head will disappear,

                you climb the wall
                and stand still, you

                stay in the mud yard
                and stand still, … only

                hats stay constant, cast-
                iron flanges reach

                from cast-circular
                hinges, woven to corset,

                slave to youth; the
                memorial stone,

                painfully-carved,
                reflects the blue

                of grey cloud, under
                posts of wire

                the death-etched
                face stoops to kiss

                the face of
                wholly mud

 

291218 – spent the afternoon at the Shrewsbury Museum and Art Gallery to tread time from immemorial to the First World War; the quote is from “Thinking Path” by Shirley Chubb (2004), an exhibition that explores the life and legacy of Charles Darwin, an artwork and series of installations inspired by Darwin’s daily ritual of walking the same path at Down House; “Shadow Stories”, an animated short film by Samantha Moore is not directly referenced but weaves about the whole perambulation; references include the Roman conquest, medieval, Civil War, and industrial exhibits, up to the Open Art Exhibition commemorating the 100th anniversary of the First World War

 

 

^{————w}(O)rmholes_________________________________|—–

being & clouds & doing & identity & power wormhole: The Passage of the St. Gothard, 1804
blue & woman wormhole: SPRING AND ALL XI by William Carlos Williams
change & streets wormhole: to let be
death wormhole: What You Are by Roger McGough
dream wormhole: THURSDAY by William Carlos Williams
economics & society & walls & war wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
faces wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
green & shadow & trees & writing wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
grey & time wormhole: La Route de Louveciennes, 1870
Have wormhole: SPRING AND ALL VI by William Carlos Williams
life wormhole: ‘… and yet I think I am so modest: …’
music wormhole: JANUARY by William Carlos Williams
river wormhole: quiet river
roof wormhole: breakfast
stone wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
water wormhole: SPRING AND ALL I by William Carlos Williams

 

The Boats of Vallisneria by Michael J. Redford – With Pigs

Tags

1967, apples, birdsong, cabbage, carrot, character, ears, eating, eyes, face, feet, field, fight, food, garden, humanity, living, Michael J Redford, morning, mud, piglets, pigs, pink, potato, pregnancy, presence, smell, smile, snoring, speech, speed, the Boats of Vallisneria, time

With Pigs

“Trouble is, you can smell ‘em a mile off.”   This was said not by a townsman as one would expect, but by a countryman.   He was referring to pigs and his observation was indicative of the general opinion and stigma that has surrounded the pig from time immemorial.   “The pig,” said Mrs Grundy, “is a disgusting creature of filthy habits who lives in a dark, odoriferous hovel and wallows in mud.   It is a creature whose appetite can never be satiated and is like a dustbin on four legs that will receive almost anything into its ever-open mouth and will, without a flicker of conscience, steal the last morsel of food from its neighbour.”   There is in fact a remarkable similarity between the pig and many humans.   Perhaps these are strong words, but then the smell of a pig kept in such conditions is even stronger and whose fault is it but that of its keeper.   The pig is essentially a clean animal.   True, it loves to make a mud wallow in the corner of a field on a hot day when the gnats are biting, but one can hardly call this dirty, especially when some females of the human family pay to have it plastered all over their faces and the males of the species come home covered from head to foot after playing games all afternoon in it.   Given plenty of clean straw, a sow will make a comfortable nest for herself and her offspring and will rarely foul her bed with droppings.   She reserves the brightest corner of the sty for this and even the young piglets instinctively use this special corner without any training whatsoever.   Because of this, it has been known for young pigs to be effectively house-trained.   A pig enjoys his food, he takes no pains to disguise the fact, and is usually most grateful for any special tit-bit that comes his way, refusing the offering only when he is ill.   Generally speaking, a hungry pig is a healthy pig.

Pigs are a happy and friendly people.   They are never too preoccupied (except when feeding – and that goes for many humans as well) to pass the time of day, and will chatter away for as long as you care to stay.   All they ask in return for the honour of their presence is a scratch behind the ear or a rub on the belly.   Unlike most people I have pigs at the bottom of my garden – not fairies, and I invariably spend a couple of hours therein each day.   After pottering around for some minutes there steals over me a strong feeling of a presence close at hand watching me with a purposeful eye destined to catch my attention.   I turn and find myself gazing into the friendly face of old Split Ear, a black and white Essex sow who has lived at the piggery now for some six or seven years.   Her name, though not very romantic, is appropriate, for her left ear had been rent asunder in her younger days from a fight with a barbed wire fence, and as the ears of this particular breed droop forward and cover the eyes, Split Ear would gaze quizzically at me through the hole in her ear, head cocked slightly to one side.   In early days when I first made her acquaintance, this feeling of being watched was a little disturbing.   She would stand stock still eyeing me in that cock-eyed manner of hers, noting with precision every move I made.   I mistook her friendly gaze of interest for one of criticism and became so annoyed with her that, early one March morning, I hurled a cabbage stalk at her which bounced off her snout and landed at her feet.   She sniffed at it, turned it over and, as she gazed up at me, I perceived that a delighted smile had spread across her face.   From that moment on we became close friends, and we would pass away many a pleasant moment in each other’s company.   I came to know and respect her many habits and fads and she in turn would confide in me her most intimate secrets.   One fine spring morning she told me that she was twelve weeks gone and had only another three to go.   We counted the days together and as she grew bigger and bigger and the great day approached, she developed a strong desire for sour apples.   I would offer a selection of tasty morsels such as a cabbage leaf, a potato, a carrot and an apple.   Each time she would eat the apple first and only when she realised that no more apples were forthcoming, would she set about devouring the remaining items.   Eventually the great day arrived and she disappeared into the maternity ward.   A week later, when he confinement was over, she proudly paraded her young ones before me for my inspection.   There were fourteen in all and a very even bunch they were too.   Normally a litter contains one or two piglets that are smaller and weaker than the rest, the runts, or cads as they are sometimes called, but old Split Ear’s troupe was so evenly matched, it was impossible to tell them apart.

All young animals have an innocence and a charm about them, but young piglets, to my mind, are the most endearing of all.   Their character can be likened to those of mischievous little schoolboys, full of fun and pranks and as happy as the day is long.   Often I would creep up on them unobserved to watch their antics, particularly on those days that invariably crop up from time to time when nothing goes right, and I am soon elevated from the doldrums by their uninhibited gaiety, it is a therapy that never fails.   Approach them silently, enjoy their antics awhile, then step from your hiding place. Instantly they freeze into diminutive statues, poised on the very tips of their dainty toes and, with not a quiver of muscle between them, they peer wickedly at you from the corners of their eyes.   Then suddenly, one of them will utter a staccato bark which is the signal for the tumult to continue.   These little creatures are so keen to be off that despite violent activity from their legs, they make no forward progress for several seconds and in spite of their efforts, remain in the same spot kicking up clouds of dust behind them.   Eventually their feet find a grip and they shoot off in all directions with the speed of bullets.   Owing to the momentum of these little pink projectiles, collisions are common and these frequently lead to fights in which all and sundry take part.   Noisy though it is, the melee rarely produces a serious casualty – a few scratched ears, grazed bellies and nipped tails perhaps, but seldom anything more serious and the cause of dissention is soon forgotten.   The only other occasion on which a difference of opinion is likely to occur is that of the feed time scrum down.   The normal pattern of events here is that one piglet is gradually squeezed off the end of the line until he finds himself out in the cold and teat-less.   With unabated fury, he then hurls himself upon his fellow diners which immediately causes someone else to be pushed off the other end.   This sets up a cycle of events that flags only when the energy begins to fail and the bellies begin to fill, and soon nothing is heard but the song of a bird and the satisfied snoring of pigs.

Likening them once more to schoolchildren, it is surprising how quickly they grow up, how quickly the irrepressible energy of youth is funnelled into mature and profound thoughts that mould the character.   And pigs do think – of this I am convinced.   One has merely to accept them and to treat them as equals to discover their thoughtful looks, their smiles of delight and to understand their many moods which are so very much like our own.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

eyes & morning & time wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
feet wormhole: THURSDAY by William Carlos Williams
field wormhole: THE DESOLATE FIELD by William Carlos Williams
garden wormhole: Sheffield Park Gardens
living wormhole: only
pink wormhole: we held cold hands
smell wormhole: BLUEFLAGS by William Carlos Williams
smile wormhole: A Solitude by Denise Levertov
speech wormhole: despite that

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

1964

Tags

1964, 2016, 8*, afternoon, apricot, breeze, childhood, circle, city, comics, culture, docks, eyes, faces, groundlessness, growth, horses, humanity, Journey Into Mystery, life, mouth, Saturday, seeing, skyline, story, Thor, time, vision

                1964

                I found that
                there were circles
                in life turning

                wide and oiled
                around invisible axes above
                darkening city-lines

                the faces of ages
                at the circumference, caverns
                in their mouth

                and vision
                in their eyes that is lost
                in their own story

                which I cannot
                fathom; Saturday afternoons
                fashion

                an apricot balm
                that wingèd horses
                can scarce be seen

                and humankind
                is blinded in its
                multiplying culture:

                the tied piles
                at the docks are creaking
                the eyes, turn,

                down;
                in all the starry cosmos of time
                there is no floor

 

Journey Into Mystery #104, May 1964; Stan Lee, Jack Kirby; I submitted this to a local poetry competition – not even an honorary mention

 

 

^{————w}(O)rmholes_________________________________|—–

1964 wormhole: 1964
afternoon wormhole: low afternoon
apricot wormhole: Pilot 125 … // … being excursion in the interludes
breeze wormhole: sweet chestnut
childhood wormhole: Plumstead – Woolwich – Plumstead 220211
city wormhole: the silent night of the Batman
comics wormhole: Batgirl –
eyes & faces & mouth wormhole: I am not yet ready
groundlessness wormhole: travelling // arrival
life & seeing wormhole: Sheffield Park Gardens
Saturday wormhole: in the Java ‘n’ Jazz
skyline wormhole: two profiles
Thor wormhole: pen and ruler
time wormhole: certainly a Captain, / but not America

 

Sheffield Park Gardens

Tags

2016, 9*, air, black, blue, bluebells, branches, Buddha, Carol, children, contemplation, copper beech, creation, daffodil, dandelions, discovery, duck, eyebrow, face, family, fields, flag, future, garden, gem, girls, glance, green, hair, Have, humanity, India, kalpa, lake, land, life, limbs, living, mauve, May, name, passing, petals, plants, pollen, primrose, promise, rhododendron, seeing, serendipity, settlement, shade, Sheffield Park Gardens, sitting, society, stone-chat, talking to myself, transluscency, tribe, voices, walking, water, yellow

                Sheffield Park Gardens

                we walked
                upright
                across wide fields

                in scattered groups,
                family and tribe,
                private longing

                under shaded
                brim for a land
                of silk and money

                8th May 2016, with

                only childrens’ voices
                we walked into
                the garden

                dispersing to
                our hides to make our own
                discoveries

                by happenstance
                and peripheral glance
                held cold and fresh

                before name:
                that stone-chat
                that makes the

                copper beech
                transluscent;
                the cool stretch of branch

                yet to bud
                before the haze
                of dusty pollen;

                what to make
                of the solitary dandelion –
                butter yellow life –

                amid
                fain clusters of primrose; and
                there in the shade,

                mauve-bells and
                daffodil stalks make in-
                visible a steely blue;

                bluebells
                like raised eyebrows, relaxèd
                to see a future;

adult voices pass, now, talking ways of life; young girls practise handstands and routines in the fields;                

                let’s sit by the lake awhile:
                where a duck’s
                head

                sits
                just out the shade of exotic plants
                (let’s say, from India)

                the water lapping
                anywhere (let’s say, oh,
                 two thousand

                 five hundred
                 years ago), tucked
                immaculate

                black
                letting nothing out
                but the feint

                of blue
                or green that will form a gem
                in kalpas

                of contemplation;
                across the water a willow rests
                like a flag

                (girl’s hair
                 recovers from each upswing from each
                 hand-stand);

                turning home
                Carol stooped
                to smell the rhododendron flower

                “oh, …”

                pushed her face
                into the petals with lust
                was it

                because I’d
                said the branches
                were an orgy of slippy limbs

                or was it just me
                making things up
                as we walked along?

 

I know, I know, it’s mid February, and the poem was written and set in a May; it’s not seasonally right, but this was the next in line to be printed: them’s the chops …

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: Batgirl –
black & blue & Carol & passing wormhole: travelling // arrival
branches & voices wormhole: Plumstead – Woolwich – Plumstead 220211
Buddha wormhole: om muni muni maha muniye soha
family wormhole: out
garden wormhole: slightly / uphill
green wormhole: The Boats of Vallisneria by Michael J Redford – Working
hair wormhole: two profiles
Have wormhole: Coleton Fishacre
life wormhole: sweet chestnut
living wormhole: ‘still …’
mauve wormhole: snapshots about Totnes
seeing wormhole: glide
sitting wormhole: amid
society wormhole: green and / luminant / to behold
talking to myself wormhole: ‘God, who am I …?’
walking wormhole: loss
water wormhole: without any buffet at all
yellow wormhole: greedy

 

looking / ridiculous

Tags

2015, 6*, accountability, debate, echo, event, future, history, humanity, injustice, Paris, politicians, politics, rhetoric, Syria, terrorism, time, white elephants

                there is always always a whole
                history behind every event

                never more so as we
                step over rubble into the future

                which we build now; and so much
                of politics has become

                so deft at skipping the history
                to gainsay the outcome

                that it has become flat
                blunt and spade-like for holding, nothing

                to account; history is human
                hurt from any injustice and from any experience which persists despite

                the rhetoric (oh, you weren’t
                reaching for the shelves, were you!);

                responding to Paris by
                bombing Syria was on the table there-it-was

                a rhetorical knee-jerk
                blind to any history

                hoping for crowd-approval
                like the echoes of a playground brawl;

                politics should be sharp and uncomfortable,
                include all difference

                include whatever white elephants are in the room;
                spade (sic) politicians who

                will not respond to the white elephant
                who will not respond to the history

                are left with only the puff of rhetoric
                braying like farmyard animals, looking

                ridiculous; air strikes in Syria are ridiculous

 

there were a number of terrorist attacks in Paris during January 2015; there was debate in the UK about launching an attack on Syria as a response; the Labour leader, Jeremy Corbin, was courting views on the response – I wrote a poem

 

 

^{————w}(O)rmholes_________________________________|—–

echo wormhole: Plumstead – Woolwich – Plumstead 220211
history wormhole: ‘God, who am I …?’
Paris wormhole: Le Pont Royal, 1909
politics wormhole: London refugee march – 120915
time wormhole: lack of center

 

pen and ruler

Tags

2015, 23rd century, 5*, architecture, city, dock, earth, gods, humanity, river, Thor, time

                stepped to the earth
                a god stood like a man

                brooded on the docks
                by the pillars while a

                city grew and festered
                about the river in the

                twenty third century
                pen and ruler

 

possibly a poeview of ‘thru these architect’s eyes by David Bowie without my even realising it at the time

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: this aching // and spacious dichotomy
city wormhole: 1964
river wormhole: industrial estate
Thor wormhole: my / superpower
time wormhole: just saying, is all VI: // accountable / for my own outbreath / …

 

Doctor Strange III – the needs of billions

Tags

2012, 5*, black, canyon, Clea, Dormammu, Dr Strange, father, generation, growth, Have, humanity, life, mother, nuclear, power, reaching, society, son, Steely Dan, unstable, veins, walls, words, world, yellow

 

 

 

                                a colossus
strides effortless across canyons and generation
                fed by the needs of billions
                                engorged enough to consume itself nucleic
                                it speaks with flaming head
                                              unstable
                                too much
                                              too much that it will disperse itself even as it reaches,
                the needs of billions
                                              flooded through a world of veins like
                                                                        pumped
                                                                        yellow
                                                                        fat
                                the mother is bound the father is blind
                                              and only all the words of worlds
                                                                        will speak
                                              while Strange and Devotion
                                                                        expand through dimensions
                                grown alarmingly through the stages of their lives
                                              quickly for to get there

                                                                        wanting
                                                                        it      all
                                                                        the son
                                              sits ‘by the blackened wall
                                                                        he does it all, he thinks he’s died        
                                                                                            and gone to heaven’*

 

* from The Royal Scam, The Royal Scam, 1976, Steely Dan

have you seen the second trailer for the coming Doctor Strange movie – you see: it’s coming, expanding through the dimensions –

 

 

^{————w}(O)rmholes_________________________________|—–

black wormhole: El Palacio, 1946
Dr Strange & Have & power & society & world wormhole: Doctor Strange II – … things are the same again
father & mother wormhole: Elektra
life wormhole: ‘hope for things to come’
walls & yellow wormhole: what life went on
words wormhole: The Boats of Vallisneria by Michael J. Redford – Olly

 

Lapping Reflections [Deep Within Waters] – the soft canticle of the gourds:

Tags

'scape, 1783, 1967, 2016, 8*, balloon, beginning, Bois de Boulnogne, breathing, circle, clouds, colour, creativity, dark, death, distance, earth, end, Eternity, eyes, fate, glass, gourds, green, growth, heart, humanity, identity, letter, life, light, line, machine, Mars, meadow, Milky Way, name, now, numbers, oak, orange, pattern, questioning, shape, silence, solar system, song, space, speech, speed, stars, table, the Boats of Vallisneria, thought, time, toad, uncle, universe, windows, wood, yellow

 

 

 

a bowl of gourds on the dark-wood table
before the window before the paddock to the
piggery, unadorned, and cultivated through
chance and heel, forgotten beside the trellis;

a bowl of colour and varied shape: Bishop’s
Mitre, Red Turk’s Cap; one looks like the
old orange toad who lives behind the
water butt and likes to be called Bebe;

but the Montgolfiere balloon of yellow
and green took me up through slated
cloud in 1783 from the Bois de Boulogne,
so came the silence on the way to the stars

such a time away at ions of eyes per hour,
rivulets in tributary down the inside of the
flask by letter and equation far beyond my
jiggery and pokery, round ticket through

time …   I breathed in back from the mass
so distant that its light would never return,
back in through milky way and system,
faster than any quantum of backward light,

back past giants and Mars, back into
Earth’s sweet atmosphere and the waiting
bowl brimming with the circles and undulate
trajectory of every plot surmised beyond

my paned windows; where meadow fescue
curves like blackened oak and manual
labour, abhorrent of vacuum and straightened
line (those harbingers of discontinuance):

they almost screamed at me, “This is now,
this is NOW;” mind confined by time grades
eternity by linear thought which always
misses the soft canticle of the gourds:

                                                                      “So man, upon his world so great
                                                                      Has always wanted to create
                                                                      Machines which, started once will never
                                                                      Cease but carry on for ever.

                                                                      Yet all the time O foolish man,
                                                                      You’re merely part of that great plan,
                                                                      A tiny part, hast thou not seen
                                                                      This wondrous universe machine?

                                                                      This motion so perpetual
                                                                      Is the universe and all
                                                                      That lies beyond in time and space,
                                                                      E’en down to us, the human race.

                                                                      There’ll be no end, there was no start,
                                                                      There is no shape therefore no heart.
                                                                      And to create it doth aspire
                                                                      To use the debris of its ire.

                                                                      Poor mortal look deep in your heart
                                                                      And realise that you’re just a part
                                                                      Of that which knows no boundaries,
                                                                      Heeds not your trivial quandaries.

                                                                      Servants of the cosmos vow
                                                                      To play your part and take your bow,
                                                                      Or servants you will always be –
                                                                      Until you die, ‘tis then you’re free.”

 

read the collected work as it is published: here
this is an appliquiary to : The Boats of Vallisneria by Michael J. Redford – A Bowl of Gourds

 

 

^{————w}(O)rmholes_________________________________|—–

breathing wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
clouds & creativity & green & life & oak & orange & silence & space & stars & thought & uncle & yellow wormhole: The Boats of Vallisneria by Michael J. Redford – A Bowl of Gourds
death & windows wormhole: the policies came to nothing
eyes wormhole: Lapping Reflections [Deep Within Waters] – autumn
glass wormhole: Drug Store, 1927
identity & light & time wormhole: tired
speech wormhole: constant hummm
wood wormhole: Michael Redford: triptych