• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: industry

‘in my car I pass…’

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Posted by m lewis redford in poems

≈ 4 Comments

Tags

2021, 6*, afternoon, billboard, Birmingham, cars, digital, gaze, grey, industry, motorway, passing, sky, smoke, steel, streetlight, sun, sunset, thinking, time, travelling, velcro, William Turner

          in my car I pass
          vehicles and lamps
          under adjoining grey skies

          after neon billboards
          hook my gaze like
          passing velcro

          I lower the blind
          to the afternoon sun
          (although it stays just left),

          no matter, there was
          a single rising twist
          of industry which

          would never conjoin
          with the steely sunset
          as Turner might have it

driving up through Birmingham on the M6 to see my daughter…

————w(O)rmholes________________________________|—–

afternoon & travelling wormhole: meanwhile
cars wormhole: riders of the night
grey & smoke wormhole: ‘‘she shook the sweets…’
motorway wormhole: prelude: // travel
passing & sky & sun wormhole: under the blue and blue sky
streetlight wormhole: ‘not sure …’
sunset wormhole: http://boiled spangle with soft centre
thinking wormhole: a far grander / Sangha
time wormhole: Journey

 

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travel // when I die

02 Saturday Nov 2019

Posted by m lewis redford in poems

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Tags

2019, 7*, accountability, afterlife, afternoon, architecture, bardo, being, black, brick, brown, buildings, capitalism, century, clouds, crane, data, death, decades, dedication, depth, doing, echo, fields, floating, green, ground, Have, height, horizontal, identity, industry, interdependent origination, iteration, length, lintel, London, magenta, mind, notice, orange, passing, perspective, pillars, presence, purple, rain, rainbow, red, reference, ripple, rooftops, russian vine, samsara, sandstone, sapphire, self-cherishing, self-grasping, silence, sill, sky, sound, speech, Thames, thought, tide, time, train, travelling, trees, Uckfield-London line, utility, walls, white, world, writing

                                                                                travel

                                                                                noticing
                                                                at all is a product of
                                                                shifted perspective
                                                                related to behold;

                                                                when I’ve nothing to write
                                                                I’ve lost any perspective,
                                                                cornered by both these walls
                                                                I’ve walked along

                when I die
                this mind will no longer whorl about this pinchèd self
                in a world of diminished return and profusion of iteration

                                                                cranes atop
                                                                pulling them further up and up
                                                                from the ground on which they
                                                                balance on receding point;

                                                                communities of them
                                                                each taller than the last and the next
                                                                all along the wharfs
                                                                of endless account

                it will be expansive
                high and up in industrial and sandstone sky
                it will fathom all the deep of brown kelp in shifting purple

                                                                kilometres long
                                                                courses of brick
                                                                grimed black and utility-studded
                                                                updown onoff foothold and wire

                                                                ripple along nicely
                                                                across right-angled centuries
                                                                and occasional shot bolts
                                                                of deepest russian vine

                with no sound
                save diminishing echoes of a pleading late self
                having nothing left to refer to and nothing left to here, and

                                                                believe it or not
                                                                a rainbow exponential
                                                                to the white arch of Wembley
                                                                we’ll chase for miles

                                                                orange shimmering to
                                                                magenta through staccato tides
                                                                out and over flat roofs
                                                                on and into the fields

                all data wiped –
                suds off my hands from my shoulders –
                and did I back enough up for some grander vector to reach?

                                                                where trees grow from ground
                                                                shaping over decades
                                                                green-flamed cupolas
                                                                clamped to the sky

                                                                and from perspective passing
                                                                of open field
                                                                turn – creak –
                                                                the whole world

                I may well
                have built pillars of cleverness and thought:
                plinthed, fluted, capitaled and giddyingly architraved …

                                                                and there
                                                                Lancashire red brick
                                                                with high and whitey
                                                                sills stale and lintel

                                                                before washed-out
                                                                sapphire-afternoon of steely sky
                                                                and horizontal fingers of
                                                                scud-rain

                … but they’d just
                floated there upright in space ‘neither use nor ornament’
                straining on the string in my baby-fat hands, I’ve

                                never really
                                made stuff happen
                                and didn’t have to try

                                more than let more and more
                                of stuff happening anyway
                                happen through me

 

train trip; East Sussex to London to Lancaster to Ulverston, Cumbria; where we lived for three years and started a family; stay at Swarthmore Hall; visited Conishead Priory where we lived for 18 months after marriage and graduation; notes and observations on the journey, sense of bridging 32 years of lifetime(s); notes > (maybe) two poems, but two which could nevertheless not be separate, although distinct, like train tracks; three years retired, still processing if I achieved anything in this capitalist and samsaric world …; London centuries old, still processing …; architecture as the stage-scenary of endeavour; the ‘here’ in the 9th stanza is definitely (sic); this is, positive

 

 

————w(O)rmholes________________________________|—–

afternoon & sky wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
architecture & thought wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
being wormhole: 11/1 by William Carlos Williams
black & sky wormhole: Lapping Reflections [Deep Within Waters] – valley
brown & green & walls wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
buildings & crane & rain & red & speech wormhole: riders of the night
capitalism wormhole: `whappn’d!
clouds wormhole: at Kreukenhof
death & identity wormhole: psssssh
doing wormhole: writening
echo & mind & passing & sound & time wormhole: – creak —
Have wormhole: on facing the Have
London wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
orange wormhole: ‘don’t look at it …’
purple wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
rooftops wormhole: Great Bridge, Rouen, 1896
samsara & trees wormhole: breakfast
silence wormhole: window
Thames wormhole: London, 1809
train & travelling wormhole: beneath
Uckfield-London line wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
white wormhole: 10/22 by William Carlos Williams
world wormhole: none and all
writing wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later

 

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Great Bridge, Rouen, 1896

11 Tuesday Jun 2019

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

'scape, 1896, 2018, 5*, bridge, buildings, desire, industry, lives, Pissarro, river, rooftops, Rouen, sky, smoke, storey, streets

                                   Great Bridge,          Rouen, 1896

                                                   to span       the river

                                   is to ride the banks            with quarter and delve inland

with vascular street and hood-eyed blocks         of storey looking down

            under receding ateliers of desire          under oblivious

                                                      plumes      of sky

 

spanning the reach of the Great Bridge, Rouen, 1896 by Camille Pissarro, the eternal dialectic between nature and industry

 

 

————w(O)rmholes________________________________|—–

bridge wormhole: Pont Neuf, Paris, 1902
buildings wormhole: Puerto del Carmen
river wormhole: Sujātā
rooftops wormhole: Vue de Pontoise, 1873
sky wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
smoke wormhole: La Route, Effet d’Hiver, 1872
streets wormhole: {reading right to left}

 

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in turgid reflection

19 Sunday May 2019

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1838, 2019, blood, blue, claim, ghosts, government, grandeur, happening, horizon, industry, pillars, politics, power, reflection, retrospect, river, rust, sky, sound, sunset, Turner

                the clank and graunch of distant industry
                and government brushed pillared and ghostly

                across the known horizon, blue and sullied
                through un-attributable disclaiment;

                nothing has happened until it has stopped
                and only then is there fiery grandeur of

                retrospect; you can hold the power
                the higher you mast and defy all

                settled relation, but the sun will always set
                with rust in the sky like dried blood and

                in turgid reflection

 


woven within and despite The Fighting ‘Teméraire’ tugged to her last berth to be broken up, 1838 by William Turner

 

 

————w(O)rmholes________________________________|—–

blue wormhole: threshold to behold
ghosts wormhole: so, how long is, a piece of string?
horizon wormhole: Puerto del Carmen
politics wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
power wormhole: the old man;
reflection wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
river wormhole: on facing the Have
sky wormhole: A Corner of the Garden at the Hermitage, 1877
sound wormhole: abandoned sound mirrors

 

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La Route de Louveciennes, 1870

09 Friday Nov 2018

Posted by m lewis redford in poems, poeviews

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Tags

1870, 2018, 6*, autumn, cart, echo, electric, evening, grey, industry, land, leaves, metal, orange, passing, pink, Pissarro, quiet, roads, sky, sound, sun, table, time, town, trees, wheel, white, wood

                the cart’s wheel will roll
                metal-held and ungiven down
                the hard-pressed road making echo

                only between the sides of its empty
                bed, slatted and turning; some-
                where in the oranging-grey town

                were stables to rest and evenings
                of sounds at the wooden tables;
                most leaves have already fallen,

                industry slowly arisen over the
                wet land, the white sun, quiet
                in the dirt-pink sky, but electric

                between the bare trunks

 


La Route de Louveciennes, 1870; Camille Pissaro

 

 

————w(O)rmholes________________________________|—–

autumn wormhole: presence
echo wormhole: Lapping Reflections [Deep Within Waters] – old George
evening & time & white wormhole: ‘… and yet I think I am so modest: …’
grey wormhole: SPRING & LINES by William Carlos Williams
leaves & roads & trees wormhole: SPRING AND ALL I by William Carlos Williams
orange wormhole: space for probing thought
passing & sun wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
pink & sky wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
quiet wormhole: allowed all gain
sound wormhole: THE GREAT FIGURE by William Carlos Williams
table wormhole: coterminalism – there is nothing happens by itself, / 070118
wood wormhole: transferring

 

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The Boats of Vallisneria by Michael J Redford – Safe Home

18 Thursday Aug 2016

Posted by m lewis redford in announcements

≈ 6 Comments

Tags

cars, celebration, city, community, commuting, countryside, evening, eyes, field, harvest, history, industry, life, Longfellow, Michael J Redford, morning, Nag's Head, pipe, pub, Ramsden Heath, smoke, speech, sun, table, talking, the Boats of Vallisneria, tv, village, walking, wheat, windows, work

Safe Home

“Drift from the land continues.”   Thus was I informed by the ‘Farmer’s Weekly’ one Friday morning as it lay open on the breakfast table.   This drift from the land affects not only agriculture but also the structure of the village community.   Of those who leave the land, many also leave the village their forefathers had inhabited for generations and go to the towns to find employment in industry, and of those who stay, most become commuters and spend most of their lives working in and travelling to and from the city.   It is therefore becoming increasingly difficult to find the Coopers or the Charmans, the Thatchers or the Reeves whose descendants had practised their crafts in the same village for centuries, and I am saddened at the thought of these links, these direct human links with the past slowly withering away.   Of the hosts who patronise my own local pub, there are but five or six who are connected in some way with farming or country life.   The normal topics of conversation (apart from the usual British subjects of cricket and the weather) are now the trials and tribulations of a day at the office, the trouble one has had with the car or the recently installed central heating system and a somewhat heated discussion on ‘That’ programme on telly last night.

The truly rural community is not only dwindling but is also being diluted by the absorption of the townsman in the form of new towns and from the expanding ring of the more prosperous classes as they move out further and further from their place of work as life in the city becomes more and more intolerable.

A small but interesting side effect of this movement of the population can be noted not only in the topic of conversation, but also in the mode of dress.   At one time it was only the more prosperous members of the community who could afford smart suits of fine materials and were able to drive around in ostentatious cars while the remainder had to make do with serge or rough tweed or any hard wearing material which could weather many winters.   Now, prosperity has increased to such a degree that, on a Saturday evening, the car park of the Nag’s Head is full of shining cars none of which I swear is over five years old, while inside silk rubs shoulders with worsted.   What is left of the local gentry now distinguishes itself by arriving at the pub in a battered Land Rover covered in muck and mud and dressing in rough tweeds and cords, and if it were not for his public school accent, he could quite easily be mistaken for a tramp.   You will find him mostly in the public bar playing dominoes or cribbage and drinking pints of bitter while his city cousins monopolise the saloon discussing the affairs of the day over a scotch and dry.   No matter how affluent the society or how adamant is one’s denial of the existence of ‘class’, the differences will always be there to be seen.

Nag's Head

One such a tramp visited me yesterday to confirm some arrangements with regard to the harvest festival.   He was a man of my grandfather’s generation who had lived in the village in pre-dilution days.   The common bond of farming had drawn us together when I first visited the Nag’s Head in Ramsden Heath, and ever since we have discussed, gesticulated and argued about farming, I, learning something from his methods and he (I am vain enough to assume) learning something from mine.   So it was that two tramps (and I call myself a tramp simply because I had not yet changed from my working clothes, not because I make claim to being part of the local heritage) sat at an open window one late summer’s eve discussing and reminiscing about the harvest.   The heat of the day had left its mark upon the still air and golden rays slanted through the window picking out the curling smoke from my friend’s pipe before it disappeared into the gloom above.   His eyes ascended with the smoke and his thoughts went with them.

“`Course it’s not the same now – never will be, harvest has lost most of its true meaning.   Today it has become merely another chore that has to be dealt with.”

I thought of the congregation that would attend the little grey church on Sunday.   Ninety percent of them would be townsmen whose only connection with harvest is the bread roll eaten at their game of bridge.   My friend was speaking again.

“Nowadays the only people conscious of harvest home are those who reap it and of those few involved, only a fraction are aware of the full solemnity of the occasion.”

That’s true.   In the days of scythes and flails, even up to the time of the threshing machine, harvest time, that milestone of true country life, was steep in ceremony.   First a ‘Lord’ and ‘Lady’ of the harvest would be elected to lead the reapers into the field.   This was a solemn occasion for the sweat, toil and the blistering work was still ahead of them.   The long days of drudgery passed slowly as acre by acre the long stems fell to the scythe and backs bent continually cutting, gathering, binding and stooking.   Finally, upon the last day and in the center of the last acre stood the last sheaf.   If one man was to reap this final sheaf alone, he would be courting disaster.   The entire company therefore, would gather round and, at a signal form the ‘Lord’ or the ‘Lady’ (depending upon local custom), they would all hurl their hooks at the few remaining stems.   The corn dolly would then be woven to appease the spirits, then the back slapping and the chasing and kissing of the girls would begin.   More merriment would take place that evening when the whole company would assemble at the farmhouse for refreshment in the form of rough (very rough) cider and ale.

When the crop was fit for carrying and the last load had been carted in from the fields led by the ‘Lady’ of the harvest, then would come the harvest supper with its eating, drinking, toasting and singing, and soon after, the gleaning bell would ring out across the still fields.

There is always a stillness in the fields when harvest is over and yesterday was no exception.   There was such a calm in fact, that as the old gentleman opposite me knocked out his pipe on the window sill, our Jersey heifer Molly, who lay half asleep on the other side of the hoppit, turned her brown face lazily in our direction.   Nowadays there is no ceremony.   Like most milestones, harvest has been enveloped in the growth of progress and forgotten.   The old man spoke again.

“Of course harvest was of greater significance in those days, for if harvest was poor, hardship and deprivation would be the farmworker’s constant companion throughout the year, that’s why there was such joy and genuine thanksgiving when the crop was safe home.”

I received a mental picture of a field heavy with ripened wheat, the hard fat grains shimmering in the heat of summer and gold sheathed stems, faint bowed by heavy heads, stood as if they themselves were in prayer.   Then I saw beneath this deeply moving scene, the reality of sweat and toil, of aching backs, parched throats and calloused hands.   And yet the workers could still infuse a gaiety into the drudgery; even at the end of the last long day, they still had energy to laugh and sing and chase the girls across the fields.   Although there is still much hard work to be done at harvest time, the worker’s nagging fear of a crop failure is gone; the direct contact between harvester and Mother Earth has been severed and much of the toil has disappeared – but then so has much of the gaiety.

My old friend stood up and stretched.

“Even if it was a bad harvest,” he said glancing at his watch, (it was two hours past opening time), “there would always be a sheaf put to one side for the festival, partly as thanksgiving for that already received, no matter how little this might be, and partly as a prayer for the future.”

I took down my leather-bound jacket from the back door and thought of Longfellow’s words: ‘Like flames upon the alter shine the sheaves,’ flames that took a year to kindle, a year of energy which, if funnelled into a second, could move a mountain.

Strolling towards the Nag’s Head in the cool, green evening, my face stinging from the noon day sun, I suddenly remembered something.

“By the way,” I said, “what exactly was it you came to see me about?”

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

cars wormhole: Life on Mars? – poewieview #31
city wormhole: tired
evening wormhole: Lapping Reflections [Deep Within Waters] – moment
eyes & speech wormhole: coagulating
field & sun wormhole: The Boats of Vallisneria by Michael J Redford – Simon Upon The Downs
history wormhole: ‘hope for things to come’
life wormhole: chartless …
morning & walking wormhole: Lapping Reflections [Deep Within Waters] – gull circling out at sea
Ramsden Heath wormhole: The Boats of Vallisneria by Michael J. Redford – Olly
smoke wormhole: being in love – poewieview #26
table wormhole: what life went on
talking wormhole: my seat // now
tv wormhole: “Darling” – poewieview #28
windows wormhole: the purple mist between
work wormhole: Lapping Reflections [Deep Within Waters] – mmpph’

 

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Birmingham / 030413

04 Thursday Apr 2013

Posted by m lewis redford in poems

≈ 4 Comments

Tags

'scape, 2013, 7*, architecture, awareness, being, Birmingham, blue, compassion, earth, eyes, field, friendship, green, Have, heaven, identity, industry, lemon, life, lifetimes, living, mauve, olive, orange, people, portrait, roads, settling, sleep, society, streets, time, wind

                                                                                 Birmingham
                                                                                          030413

                                          long sleep

            I played with awareness going to sleep
                                                              in sleep
                           a new endeavour
                           new fields to play
                       in new fields to play in everywhere
                       in the very plainness of my life
                       in the very and every ordinariness
                                          of my compromised-‘round
                                                              life
            which I can greet now
                           with lapis highlight
                           with olive horizontal with lemon uprights

                                          ~~O~~

                           met Elizabeth after twenty years
                           hugged her held her face for long seconds
                                          in eye contact … blink
            taken through windy landscapes new architecture
                           flagged stilted overhanging built-in built over
                           experience of everything
                                          packed into one unit
            a lift that choraled ascent to heaven
                           then return to basso profundo
                           and walks under
                                          roads and rail lines and
                           brick raised artful in dustrial legacy
                                          the grip sufficient to turn the world
            passing slowly by acute-angle edges of new-office build
                           high redbrick sides of factory crumbled down
                                          from the top and day-speckled
                                                              with no insides

                                          ~~O~~

                                          looking
                           at all the people crossing
            and talking to themselves or their phones
                           to those who misstep and those called to help
                           to those who play with sex like a possession
            and those who practise dance steps by the kerbside concrete balls
                           to those who wear beauty like a halo
            and those who nose-spit on the ground
                                          like a right
                           to those who wear their years like a jawline
            and those who talk to the
                                          corners they sit in
                                          to those who
                           smile upwards with trademarked timelines
                           and all those who do not walk the streets today
                                          there is nothing
            nothing to gain no ideal to realise in all there is to Have
                           but the acceptance of what we all feign
                           to complete ourselves oblivious
                                          to our true nature

                           olive-green and mauve
                           with orange-strip sandwich filling
                           and lemon highlight décor
                           over darkest deep blue wall

 

 

 

————w(O)rmholes________________________________|—–

awareness wormhole: in a / single / lifetime / sitting
architecture wormhole: Victorian bays / right angles and eaves
being & eyes & settling & streets wormhole: a few reflections on / keeping your cow / in a large meadow / while walking round / the streets of Horsham
blue wormhole: session
compassion wormhole: returning home
earth wormhole: ‘a walk up the path …’
field wormhole: alighting
green wormhole: school uniform
Have & society wormhole: dropped ’till you’ve shopped
identity & living wormhole: ‘I can write …’
lemon wormhole: sat
life wormhole: ‘set the controls / for the heart of the sun’
olive wormhole: thirst? / hunger?
lifetimes & time wormhole: grammar
mauve wormhole: “I / am Spartacus”
orange wormhole: write / by the / night / of the / lamp
people & sleep wormhole: tired – diptych
roads wormhole: the end
wind wormhole: morning

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
  • 'I can write ...'
  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

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