SPRING AND ALL XI by William Carlos Williams

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1923, 7*, balcony, blue, boy, car, driving, face, girl, house, laughing, law, leg, looking, man, mind, no-mind, passing, roads, smile, travelling, watch, William Carlos Williams, woman

                XI

                In passing with my mind
                on nothing in the world

                but the right of way
                I enjoy on the road by

                virtue of the law–
                I saw

                an elderly man who
                smiled and looked away

                to the north past a house–
                a woman in blue

                who was laughing and
                leaning forward to look up

                into the man’s half
                averted face

                and a boy of eight who was
                looking at the middle of

                the man’s belly
                at a watchchain–

                The supreme importance
                of this nameless spectacle

                sped me by them
                without a word–

                Why bother where I went?
                for I went spinning on the

                four wheels of my car
                along the wet road until

                I saw a girl with one leg
                over the rail of a balcony

 

from Spring and All, 1923; “In passing with my mind …”, the perfect beginning, middle and end of a poem; I read this when I was younger, possibly a bit impatient that I wanted something more to happen to call it a happening and also a little annoyed at the snagged details in passing thinking them too particular to so little that was happening … but I liked it; and this liking slipped in between my pomposity and fussiness and worked its way out over following decades through poems exploring this same sense of passing not being the start of something and its almost immediate dissolution, but its almost-not-being-there being its universal reality: vivid, important and sufficient unto itself – “the supreme importance / of this nameless spectacle”; it wasn’t until later I read more of the text in which WCW embedded these poems, raised beds, nonetheless, with earth so finely nourished and turned over that you could sink your fist into it up to your elbow: “When in the condition of imaginative suspense only will the writing have reality … Not to attempt, at that time, to set values on the word being used, according to presupposed measures, but to write down that which happens at that time / To perfect the ability to record at the moment when the consciousness is enlarged by the sympathies and the unity of understanding which the imagination gives, to practise skill in recording the force moving, then to know it, in the largeness of its proportions …”

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: SPRING AND ALL I by William Carlos Williams
girl wormhole: ash leaves
house wormhole: presence
looking & travelling wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
mind wormhole: glamour of saṃsāra
passing & roads wormhole: La Route de Louveciennes, 1870
smile wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
William Carlos Williams wormhole: SPRING AND ALL VI by William Carlos Williams
woman wormhole: green and / luminant / to behold

 

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twilight / and parasols down / within minutes

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2014, 4*, beach, book, Carol, Gran Canaria, hands, head, horizon, knees, leg, lime, parasols, portrait, red, skin, strawberry, twilight, yogurt

                              twilight
                and parasols down
                   within minutes

                Carol lays on the lime mat
                head to the horizon one hand

                scurfing the other holding
                the book open leg out

                straight one knee up perfectly
                skin-red like fraise yogurt

 

 

 

^{————w}(O)rmholes_________________________________|—–

beach wormhole: the evening
Carol wormhole: I turn to wake up
hands wormhole: woman / has worked in the gym / got a build
horizon wormhole: Infantino / district of Gotham
lime wormhole: 1968
red wormhole: walk from Castleton to Hope
twilight wormhole: writing: // in turn

 

and that’s where I are

Tags

2016, Aleister Crowley, alley, appearance, birch, black, Bowie, breakdown, breeze, brick, building, car park, career, Carol, cars, cats, child, church, clothes, coffee shop, creativity, decision, Diane di Prima, disappearance, down, Eastbourne, emptiness, fear, form, grey, Heart Sutra, horizontal, humanity, identity, left, leg, looking, mother, muse, others, passing, pavement, plane, posture, quantum, rebellion, right, right angle, roads, school, searching, seeing, silence, silver, sitting, sound, spire, stain, stopped, streets, talking to myself, teaching, trees, up, vertical, waiting, walking, walls, William Carlos Williams, wind, writers, writing

            inner coffee shop

            so, is writing pointless,
            just rebellion from root
            just the muscling of me
            to spite the hard fear that

            I’ll turn to stone if I look
            into her face … `spite the
            knowledge that others are
            far more brave than me?

            St. Saviour & St. Peter

            so what draws me to sit,
            after all, on the roadside
            wall across from the spire
            clear for all to see the

            even bricks buttress, cap
            and flute up so high to
            eleven storeys to, maybe,
            the single point, with run-

            down stain and grimèd
line defining plane and vertical rightened quantum to the neat, surrounding parking and the passing upright
            humans both of public
            dress and private gait

                           360º

            and then the grey cat
            strolled from some-
            where left between
            silent cars to cross the

            road right – stopped –
            t’looka’leaf ‘n’ disappear
            up on wall by tree-sniff
            stop – fence? – no,

            down be-hind th’wall
            out through th’front
            windscreen ‘n’
            downastepps t’street

            to not appear where
            expected; ‘shut’, a mother
            leads a tot from front
            door to car …
                                   … still no appearance

            … … scamper with the
            wind behind as the car
            pulls away; maybe I should
            record this wh’appened all

            around breeze, strolled –
            stopped – by the wall
            back from b’hind m’left
            enters the gateway out

            by th’alleyway (with the
            bold and naked silver birch
            I hadn’t noticed);
                                          upover
            the fence [not attempted

            before] tadaaanother cat
            black treesniff checkleft
            then … left, jumptowall,
            jump to pavementstop;

            over the road frontleg
            onelick s t r o l l s car-
            shielded; black belly-slink
            low across the road; they

            walk away both from
            sight either side of the van;
            one tail up and wiggy
            one tail fluffy with spine

            these things all of great
            importance to spite the hard fact
            of my writing them,
            old Bull Williams would have

            and that’s where I are

 

there are expanses awkward to the landscape in writing sometimes: the technique is there, the shift can be made, but the will and excitement just isn’t; I have been reading Diane di Prima’s “Recollections of My Life as a Woman”, I greatly fed off her childhood but have languoured once she got into the Work; I have been reading about Aleister Crowley’s ‘Do What Thou Wilt’ awkward plane; I have a huge project ongoing writing poewieviews to David Bowie’s oeuvre – I am going to new lands but the luggage is heavy and awkward and requiring decisions which I don’t easily make; oh, and I am off work again, feeling un-plugged in to my own practice of vocation like a forlorn state-of-the-art food mixer; I spent a morning down in Eastbourne chauffeuring my wife around like the successful carer that she is; walking; sitting in a coffee shop; snagged at St. Saviour & St. Peter Church on the corner of Spencer Road and South Street, still pondering the relationship between multifarious form and the emptiness makes it dynamic; but it wasn’t until I sat back in the waiting car and watched the chess moves of two cats in the street that I stumbled across the full quote from the Heart Sutra: “form is emptiness; emptiness is form; emptiness is no other than form, form also is no other than emptiness”; but it wasn’t until I got home and shaped it all up from scribbles to column – with my ageing black AND white cat leaning against my foot – that I wondered if I still hadn’t quite got it yet (as William Carlos Williams, the great great practicer of ‘no poetry but in things’ said); and yet it has been satisfying finding not so …

 

 

^{————w}(O)rmholes_________________________________|—–

birch wormhole: fine droplets / across the glass
black & grey wormhole: hinged – From Hell ch. V
Bowie wormhole: Quiver of / Tiffany – poewieview #20
breakdown & writing wormhole: nothing to write
breeze wormhole: strange / tarnish
buildings & silver & streets wormhole: crease and score of silver-morning sky
carer wormhole: just saying, is all IV: // lost
Carol wormhole: when in Belgium do as the chocolates do
cars wormhole: stacked
cats wormhole: new garden
child wormhole: dream 260815
church wormhole: finding my own true nature – Plumstead, Woolwich, 190915
coffee shop wormhole: ‘from under the awning …’
creativity & school wormhole: through
Eastbourne wormhole: along
emptiness wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
identity wormhole: dear clown’s face
looking & muse & sound wormhole: don’t look / at her eyes – poewieview #18
mother & silence wormhole: early evening
others wormhole: my // shell – poewieview #19
passing & posture wormhole: really
roads wormhole: sixty four sixty five – poewieview #1
searching wormhole: opening
seeing wormhole: where the goblins leered – poewieview #14
sitting & talking to myself wormhole: tong len / the inauguration of another – timely – butter fly effect / taking and giving
teaching wormhole: the MagOO Effect Effect
trees wormhole: Shonagh – poewieview #17
waiting wormhole: Saturday – poewieview #3
walking wormhole: b / r / e / a / t / h / i / n / g
walls wormhole: Nostalgia for Samsara – poewieview #16
[William Carlos] Williams wormhole: and then just stop
wind wormhole: keep the light off