• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
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    • F–K, wha’ th’
    • L-P 33 1/3 rpm
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  • me
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mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: marble

the silent night of the Batman

24 Sunday Dec 2017

Posted by m lewis redford in poems

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2011, 7*, alley, attention, Batman, belief, black, blue, buildings, Christmas, city, east, fear, glass, green, guilt, ink, light, marble, marzipan, night, people, planes, purple, river, rooftops, rose, shops, silence, sky, skyline, smile, south, stars, streetlamp, thought, vista, windows, writing

                the silent night of the Batman

                even while they carried their
                gift-wrapped parcels and looked
                to each other with smiles of belief

                the shop signs hummed dark
                against the marbled frontage
                while above, quiet floors of

                clear-dark windows looked east
                looked south in the ink-black sky
                enough to write a novel in a

                single sitting, enough to hold
                a fleet of stars above the skyline
                stacking slowly; when the sky

                is ink-green the rooftop
                gathers ink-blue attention
                and leaps without step or

                swing through the glass and
                ledges of city vista, the lingering
                thought to shadow the guilt,

                the alley to streetlamp the
                fear, and over the river the rose
                cast high and wide to the stars until

                marzipan fingers reach across the
                ink-purple sky and marshmallow lights
                go out

 

 

 

————w(O)rmholes________________________________|—–

attention wormhole: looking back over the tack / and jibe of my life I / notice there is / a fetch // after all … / but certainly not / where I had planned / or where I thought / I’d been
Batman: cape and cowl
black wormhole: Cocktails in 1951
blue wormhole: out
buildings & people wormhole: London refugee march – 120915
Christmas & stars wormhole: the silent night of the Batman
city wormhole: city streets
glass wormhole: Mark & Jon at the coffee shop IV: right angles
green & sky & smile wormhole: looking ahead
light wormhole: Plumstead – Woolwich – Plumstead 220211
night & writing wormhole: and // do your ears burn red?
purple wormhole: pine // gladioli // [&] wisteria
river wormhole: glide
rooftops wormhole: low afternoon
shops wormhole: in the Java ‘n’ Jazz
silence wormhole: is this it // all the time
skyline wormhole: clear as vista
thought & windows wormhole: for / the first time

 

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all the sandstone / reflections in the / marble-blue troughs

30 Saturday Sep 2017

Posted by m lewis redford in poems

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2014, 5*, beach, blue, childhood, children, family, love, marble, memory, reflection, sandstone, sitting, time, water

                all the sandstone
                reflections in the
                marble-blue troughs

                when I was young
                I would fall in love
                with the children

                of families near to
                which we sat for
                hours on the beach

 

 

 

————w(O)rmholes________________________________|—–

beach wormhole: twilight / and parasols down / within minutes
blue wormhole: forgotten anything
childhood wormhole: lost and city ground
family wormhole: to rescue something
love wormhole: too greedy
reflection wormhole: dream I // dream II
sitting wormhole: concordance
time wormhole: slightly / uphill
water wormhole: volcanic rock;

 

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currency of generations

19 Thursday May 2016

Posted by m lewis redford in poems

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2012, buttons, childhood, clothes, colour, cupboard, echo, Eglinton Hill, family, generation, history, identity, lifetimes, living room, marble, marshmallow, morning, Mum, muse, pastel, sound, speech, stairs, taste, tin, transparent

 

 

 

                                currency of generations

                                ‘fetch the tin of buttons’
                                a quest to the cupboard
                                by the stairwell just outside
                                the room we dressed in
                                and spent all morning
                                because it was warm
                                ‘the one with the fruits’
                                different sorts of fruit
                                pastel-coloured and
                                marshmallowy on a tin
                                ‘they’re petit-fours’
                                something to understand
                                later (the taste had been sugary
                                and pasty and although
                                it looked like fruit it stuck
                                in my throat) now has
                                buttons which are cool
                                and swirly when I run
                                my finger through them
                                and marbled-enough
                                to see history and boiled-
                                sweet transparent-enough
                                to see worlds themed in
                                colour and echo from the clothes
                                of real people from family aunts
                                and uncles in the past who
                                I never knew or can’t remember
                                the lineage from which I came
                                contained under tin-bent lid

 

 

0.62

 

————w(O)rmholes________________________________|—–

childhood & Eglinton Hill & morning wormhole: between thoughts
echo & stairs wormhole: no one – poewieview #24
family & lifetimes & sound & speech wormhole: being in love – poewieview #26
history wormhole: B le tch l ey P ark
identity wormhole: too late:
living room wormhole: fine
Mum wormhole: finding my own true nature – Plumstead, Woolwich, 190915
muse wormhole: and that’s where I are

 

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B le tch l ey P ark

28 Thursday Apr 2016

Posted by m lewis redford in poems

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1960s, 1980s, 2016, 20th century, Bletchley Park, blink, cable, change, children, chimney, colour, communication, culture, data, Edwardian, elbow, ethic, Europe, eyes, grain, Have, history, hotel, ink, knowledge, legacy, living, Luton, marble, meaning, metal, militarism, mind, night, pattern, poem, point, politics, possibility, power, railtrack, rhythm, smell, smile, society, sound, story, subversion, table, the British Empire, thought, time, timetable, typewriter, veins, windows, wood, World War, writing

 

 

 

                                B  le  tch l  ey      P   ark

                                Edwardian fingers pointed
                                from military sleeve the way
                                in and the way through

                                while some knew that a W
                                will never return a W and
                                we will henceforth return

                                to a following possibility of
                                change, the veins in marble
                                cladding and the grain in

                                parquetry floor were no
                                longer décor of legacy but
                                cover for subversion – smiling

                                minds up in front of chimney
                                stacks – no, now, platted
                                and inflexible cable linked

                                lozenges of releasing code
                                (no-longer-just-location)
                                in patterns of levered ratchet

                                across European divide; no more
                                the flurry scratch of ink across
                                blotted paper with fortitude

                                and Empire wile, now the
                                erstwhile sturdy tables were
                                anchored by elbow and fallen

                                eye gazed at shifting pattern,
                                now the heat of metal and
                                ribbon made the ink fume

                                like acid; now was the time
                                of proletariat genius as tape
                                connected the diagonals and

                                metal frame softened and
                                bent in constant hold;
                                now the colour was splashed

                                and the ethic was learned
                                and the story is told to the
                                schoolchildren who – blink

 

visit, 260416, pages of scribbled notes; the poem sifted and shifted until a pattern formed and simultaneously dispersed, across time; in the hotel room in Luton right next to the rail-line which slingshot-ricochet’d passing trainsnotstopping in the window one side, out the window the other, all night and all of the day, in timetable but not necessarily rhythm

 

 

————w(O)rmholes________________________________|—–

20th century wormhole: impressionism
change wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
chimney wormhole: hinged – From Hell ch. V
communication wormhole: Nostalgia for Samsara – poewieview #16
eyes & Have & history & hotel & time wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
knowledge wormhole: 1963
living wormhole: need
meaning wormhole: quite … / … yet – poewieview #12
mind wormhole: becoming
night & society wormhole: no one – poewieview #24
power wormhole: top table
politics wormhole: dear clown’s face
smell wormhole: when writing // stay
smile & thought wormhole: while walking
sound wormhole: 1965
table wormhole: 1964
windows wormhole: mauve
wood wormhole: quick inventory after coffee
writing wormhole: words tumble like / boulders – poewieview #25

 

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opening

11 Friday Mar 2016

Posted by m lewis redford in poems

≈ 2 Comments

Tags

'scape, 2013, allowing, architecture, art, bay window, being, finding, found, grey, high, Italianate, marble, open, opening, piano, searching, Sevenoaks, shape, sky, sound, Spring, stucco, suburbia, Victorian houses, windows

                                the art to finding
                                is not in the searching
                                but in the allowing

                                or opening to what
                                is to be found as spring
                                sounds like bay windows,

                                stucco, and Italianate
                                overhang of a late
                                Victorian villa under

                                high-marble grey sky in
                                suburban Sevenoaks from
                                which the faint idle

                                tinklings of a piano
                                shape through a let-open
                                window

 

 

 

————w(O)rmholes________________________________|—–

allowing wormhole: my life / of others
architecture wormhole: crease and score of silver-morning sky
being wormhole: becoming
grey wormhole: where the goblins leered – poewieview #14
open wormhole: Grizedale College
piano wormhole: ‘the hour before dinner – / the empire of dusk’ – poewieview #6
searching wormhole: thick thick fog
sky & windows wormhole: stacked
sound wormhole: the sounds of 1969 // [would have] seemed that way – poewieview #13
Spring wormhole: 50 mph
Victorian houses wormhole: gotcha

 

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the silent night of the Batman

24 Thursday Dec 2015

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

'scape, 1970, 2011, alley, attention, Batman, belief, black, blue, buildings, city, cornice, dark, east, fear, glass, green, guilt, ink, leap, light, marble, marzipan, night, purple, river, rooftops, rose, shadow, shopping, shops, silence, sky, skyline, smile, sound, south, stars, stone, streetlight, thought, vista, windows, writing, years

 

 

 

                     the silent night of the Batman

                     even while they carried their
                     gift-wrapped parcels and looked
                     to each other with smiles of belief

                     the shop signs hummed dark
                     against the marbled frontage
                     while above the quiet floors

                     of stone-framed window looked east
                     looked south all the same in ink-black sky
                     enough to write a novel in a single sitting

                     enough to hold a fleet of stars
                     above the skyline stacking slowly;
                     when the sky turns ink-green the rooftop

                     gathers ink-blue attention and leaps
                     without step or swing through the
                     glass and cornice of city vista and

                     lingering thought to shadow the guilt
                     to alley the share to streetlamp the fear
                     and river the rose cast high and wide to the stars

                     until marzipan fingers reach across the
                     ink-purple sky and marshmallow lights
                     go out

 

cf. “The Silent Night of the Batman” by Mike Friedrich, Neal Adams and Dick Giordano, published in Batman #219, February 1970

 

silent night of the batman

 

————w(O)rmholes________________________________|—–

attention wormhole: left alone
Batman wormhole: we play / the game
black & blue & green & sky wormhole: clouds
buildings & shops wormhole: Christmas lights / around the lamp post
city & light & windows & years wormhole: 1967
glass wormhole: dream 260815
night wormhole: Hotel Room, 1931
purple & rooftops wormhole: purple and mauve
river wormhole: row boat
shadow wormhole: com- / mute
silence wormhole: de Boeddha // of light
skyline & stone wormhole: sit
sound wormhole: plop!
streetlight wormhole: portrait: / two pigeons
thought wormhole: Automat, 1927 – held
writing wormhole: when writing // stay

 

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com- / mute

16 Monday Nov 2015

Posted by m lewis redford in poems

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Tags

'scape, 2013, blue, books, bridge, buildings, clouds, coffee, communication, crane, East Croydon, Euston, eyes, horizon, houses, light, London, London Bridge, marble, movement, music, others, passing, people, piano, rainbow, reading, shadow, sky, sleep, sound, sun, train, travelling, trees, Uckfield-London line, windows, winter, woman

 

 

 

                                com-
                                mute

                      low cloud
                      covering the sun in blue sky
                      keeping pace with the train over
                      commuterland people waiting

                      to start their day in houses
                      casting variously rhomboid
                      from the sun as the clouds drift I
                      close my eyes from the sun

                      intense flick through membrane
                      colouring the whole spectrum some
                      tie-dyed and contrasted
                      through bare trees

                      at East Croydon tower-blocks
                      distance-high stand
                      still on various unknown horizons flanked
                      with light and shadow

                      the train fills some stand
                      still and yawn by the door all look
                      down unless asleep
                      one sits next to me reading a book for women

                      leading people at London Bridge
                      I lose the thread amid marble frontage
                      and high filigree window and cranes
                      at Euston a court of coffee

                      and circular chords
                      suggesting upward spirals
                      at the bridge and occasional
                      piano plinks            possibly

 

 

 

————w(O)rmholes________________________________|—–

blue wormhole: hungry for a thread or two
books & music wormhole: sit
bridge wormhole: Le Pont des Arts, 1907
buildings & passing & sky & sun wormhole: 2 pm
clouds & trees wormhole: all along the blue sky
coffee wormhole: ‘filtered coffee …’
communication & shadow wormhole: Western Motel, 1957
crane wormhole: … back to the outbreath
eyes wormhole: mauve / night
horizon wormhole: sooner or later
houses wormhole: Sunday afternoon
light & London & sound & windowswormhole: south horizon
others wormhole: [s]
people wormhole: New York Movie, 1939
piano wormhole: bass and piano
reading wormhole: like butterflies on / buddleia
sleep wormhole: Morning in a City, 1944
train wormhole: the continental stride of trains
travelling wormhole: training the mind
Uckfield-London line wormhole: Eridge – Cowden
winter wormhole: ‘in the midst of winter …’

 

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my life / of others

11 Thursday Jun 2015

Posted by m lewis redford in poems

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2012, Allen Ginsberg, allowing, America, awkward, being, bittersweet, breathing, community, decades, desert, doing, echo, eyes, family, fog, giving, gravity, horizon, identity, inclusion, ink, life, lifetimes, listening, loneliness, love, management, marble, mauve, meaning, others, planet, pointlessness, purpose, radiation, relationship, secret, silence, sitting, society, talking to myself, time, twilight

 

y’know; sometimes you’ve just got to have a rambling, indulgent, pig-headed, why-is-no-one-listening-to-me, pathetic, awkward (don’t forget the ‘awkward’), poor-me whiiine to realise just how rambling, indulgent, pig-headed, why-is-no-one-listening-to-me-ie, pathetic, and awkward you can be; sigh – but there’s still some poetry in it, so I’ll share the self-pity about (caution: this is quite a high-pitched whiiine; it is strongly urged that you wear ear-protection – or at least stick your fingers in your ear reciting la-la-la – if you undertake to read this; you have been warned)

 

 

                my life
                                of others

                                how long has this been going on
                how long this has been going on

demands in their eyes pull me to them like a planet
                pull on me to contain them
                                pull deep in me through the latest casual orbit

                                I give because I can
                learnt silently over decades
                                              I have lived to allow ever wider
                                in order to include
                                              to neutralise my gravity in order to listen
                and let them breathe enough
                                              to find their own solution –
decades of leaning a hundred awkward ways
                                              to be with others
                                decades of privately finding ways
                to re-collect my own gravity –
                                                              shiny marbles with petrified ink –
                                              and decades having to let them go
                                                              one by one
                                              tearfully
                                eventually

                                              all under the great broad horizon
                                lost before the hills on the great broad horizon
                the beautiful-twilight mauve desert
                                              and the radiation presence of another close planet they
                cannot do the same for me
                                                              they will not do the same for me:

                                the squalls and foreclosures,
                                              they are of my own making
                an audience extends only so far as to conclude that it is all my own awkwardness – all I have to do is fit –
                                              before I have even finished explaining
                usually I don’t bother to finish
                                or even start
                                              the solution is ready-made
                                                              (with a few ‘hmm’s to make it look kindly)
                or just kept to themself
                                echoing loudly behind their eyes

                                              like sharing secrets with the fog
                                                              I find myself alone
                each one of them was the last person I could turn to in the world
                                but they all uncannily agree with each other
                                              they are the Company Man

                                I have done my bit for the family
                                I have done my bit for the team
                                I have done my bit for the community
                                                              all by not being there
                                              all by not getting in the way
                I cried when I was acknowledged once
                                                                                 it never happened again

                                I suppose
                                it’s just
                                              they need to keep from shattering in a thousand pieces
                they need to hold the whole damn thing together
so I give because I can
                                because it is right
                                                              but cannot expect return
                                                              they cannot give
                                                              what they expect
                                                              in return
                                for sure things are done things may be organised
                                                              (sometimes even when I want them)
                                              but for some greater good
                                                              for some greater career
                                                              for some greater legacy
                                                                                 not mine
                                              certainly not mine (‘America I have given you all
                                                              and now I am nothing’)

                                              when I work it is all about them
                when I stop it is all about how they performed
                                all that I do and don’t do
                                              is how it sits as support or burden
                                                              to them
                                conclusion: it is only them who do the work
                                              the thinking the organising
                                                              I seem to do nothing
                                                              really
                and do it annoyingly and awkwardly and thinkingly – roll of eyes – I
                                have to be managed to be of any competence
                                              (that’s meant affectionately) I
                                              am just the recipient of their
                                                              good work
                                                              (what do they call them these days – ‘clients’)
                                              my value
                                              my contribution
                                              what I am
                                                              are the price I pay to receive

                so I don’t say anything much – what’s the point?
                                I’ll put a few things out
                                              tentatively
                                (where I might be patronised at best – if I’m lucky,
                                                                                 if the planets are lined up right)
                                                              told it’s cute
                                              or individual
                                or much too clever to understand
                or it’s not what was needed
                                              or sorry, Mark, did you say something
                                                              and the audience will move deftly on
                                to what it wanted to talk about anyway
                or what it wanted to be doing
                                              all along

                                I mostly keep it to myself
                                                              here
                                              in the place I claim
                                              each day – time to myself bittersweet
                                                              (at siege from service and compliance)
                to ‘indulge’ myself ‘stay up too late’ ‘contemplate my navel’
                                                              otherwise I get ‘grumpy’
                                              I talk to
                                              myself
                                                              I am not the Company Man
                                                                                 no one
                                                                                 to share
                                                                                 me with
                no one beyond the managed obliged corporate return
                                              oh yes I return to myself
                                                              find my own meaningpurposeaudiencelove
                                              safe in the fifty year relationship
                                which is good for only one

                                decades whittled away
                                              here and there
                                                              chips and shavings on the floor
                                leaving a petrified face
                eyes wide mouth open
                                              bas-relief out from being

 

 

 

————w(O)rmholes________________________________|—–

Allen Ginsberg & giving wormhole: tag cloud poem VIII – growth
allowing & loneliness wormhole: letters to Mum VI – Years / after you have gone. Still.
being & breathing & sitting wormhole: the art of sit and follow
doing & identity wormhole: my beauty
echo wormhole: library: start where you are IV // all the distance I have travelled!
eyes & time wormhole: ambling around / the garden centre
family wormhole: sometimes
fog homework: tag cloud poem VII – form new freedom:
horizon wormhole: To my Mum
life & love wormhole: I love with all the history and lack of perfections at our command
lifetimes & others & pointlessness & society wormhole: Totnes
listening wormhole: before // writing?
management wormhole: poessay VIII: / educational behaviourism
mauve wormhole: ‘green post …’
meaning & talking to myself wormhole: the stance of Buscema // qualitatively
twilight wormhole: the four whores of the apocalypse

 

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1959 –– MANHATTAN –– 2012

15 Thursday Jan 2015

Posted by m lewis redford in poems

≈ 14 Comments

Tags

10*, 1959, 1960s, 2012, 2015, 99/1, abandonment, air, airport, America, anxiety, apricot, art deco, avenue, beauty, bedroom, birdsong, blossom, blue, books, branches, breathing, buildings, business, Carol, Central Park, charcoal, childhood, choice, clothes, clouds, coffee, coffee shop, compromise, crane, Dad, divorce, dog, dream, Eglinton Hill, evening, eyebrow, eyes, falling, fashion, floodlights, Ford Anglia, freedom, furniture, ghosts, glamour, Glasgow, green, grey, haiku, hair, Have, history, horizon, hotel, identity, life, lifetimes, light, lilac, living, London, looking, love, magazine, Manhattan, marble, Mini, mist, money, morning, Mum, music, New York, obligation, pastel, people, phone, pink, plane, posture, radar, reaching, reading, roads, sadness, sidewalk, sitting, sky, smile, society, sound, space, sparrows, speech, spotlights, Steely Dan, streetlight, sun, sunlight, talking, taxi, terrace, texting, time, traffic, traffic lights, train, travelling, trees, uniform, waiting, walking, walls, walnut, white, wind, windows, work, years, yellow

                                          1959 –– MANHATTAN –– 2012

                                straight out from school to Heathrow on the M25
                                a network of lonely roads going nowhere, then;
                                waiting, studying coffee highlights in the green
                                lobby with blue spotlights and pillared space for

                                phones to pace up and down and talk it still is,
                                loudly; at the next hotel we wait with more spot-
                                lights in our eyes no matter where we sit; furniture
                                deco-curved and just off right-angle, held together,

                                material to wood, for decades with check-
                                pattern and slight stain; there is a locked-in-
                                ness in our world on all sides which only our
                                future eyes – that never look directly – betray

                                in their gaze; early flight tomorrow; in the
                                morning-effect light shifting, the mist hanging
                                around the base of the sky, land spread with
                                low buildings always on the horizon, flat and

                                matt, before the sun flanks their edges into 3D,
                                radar-spinning, floodlights turn off, arms of
                                cranes hold their reach, and … the control
                                tower; 3567 miles and I didn’t bring enough

                                books (you can never bring enough books);
                                I travelled for lifetimes to arrive in New York,
                                still the same person: roads scraped and pock-
                                marked, trees still reach and lean in front of the

                                sky, people still live city life breathing in and
                                out the power of my money, lights still go on
                                in the evening and in between traffic shoals
                                the sparrows bicker in the trees; in room 506

                                over Central Park, already I am familiar with
                                the lore of the branch, the places-to-go apricot
                                street lights, the white path lights, the traffic
                                lights and the ‘cheeps’ bounced off building wall

                                between the lmmmdmda-lmmmdmda – laersssh
                                through the rain-dusty windows, under grey-sky
                                steel-clouds and the slowly shifting charcoal; but
                                then there is always the next day, the ever-waiting

                                gulp-open and blue-chip sorry of impressionistic
                                sidewalk, the walnut marble frontages walking
                                south up into downtown in cold air between
                                buildings and didn’t bring enough clothes (I never

                                know what clothes to bring) – by Radio City ‘with a
                                transistor and a large sum of money to spend’;
                                everything created for living beyond subsistence
                                everything produced at cost through labour

                                everything earned through labour if you can get it
                                everything obtained at price and compromise
                                everything experienced at cost through trademark
                                everything Had, but no one left to have it …

                                everything that is uneasy in the modern day
                                was manufactured behind the half-closed blinds
                                of America – home of the Potential and Slave –
                                and yet … it is so sad-beautiful: the space sculpted

                                by façades of apartment blocks giant arm-widths
                                apart, communities of single window – italicised
                                nib–scratches – stepped upwards and backwards
                                the Avenues of Uprise reaching higher and

                                lower again and again and again; America has
                                so much condensed history since it braved the
                                conceit and responsibility, of choice: cleansed
                                by ethnically assimilating, pledged by conforming

                                allegiance; Someone had to make a stand against
                                all this equivocation and by God Almighty We
                                Made   that   Stand; `made continental infrastructure
                                out of it, far bigger far more reaching even than

                                law and democracy … … but there is such
                                width in your sadness – lilac blossom before
                                marble façade; such height in your sadness –
                                giddy out on the balconies looking eight floors more

                                above; such blank in your sadness – when you
                                skip my English joke and call ‘you’re welcome’
                                from the till; such sadness when you ask for
                                change outside Starbucks; even the trees through

                                the hotel window, even the wide sidewalk cleaned
                                for strolling and not curbing, even the smiling
                                doorman in brown suit … all Had; all kept
                                in place by gigantitude, everything kept in place

                                by gigantitude, (when I was young an image
                                of a building so many floors high pinnacling to a
                                turret roof on the pink cover on the blue cover
                                of the insurance policies that my Mum kept;

                                my mother is now dead the policies came to
                                nothing); 99: “for all the freedom and choice to
                                be Had, life is hard when you pay with your work
                                and no time left and no money to choose

                                leaves you tired with no sense of humour”;
                                1: “for all the freedom and choice to be Had
                                life is anxiety where you pay for with your
                                history and obligation, never stopped still-

                                enough to choose, leaves you always with
                                dyed hair; look, only on the fifth floor of the
                                Eldorado, a man at the window canary short-
                                sleeve shirt turns back into the room, traffic light

                                booms out on a long arm swinging slightly taxis
                                u-turn as the sun comes up from behind; women’s
                                magazines, waiting for Mum at the hairdresser’s
                                in the mid-sixties, illustrations, young tree avenues,

                                blossoming handbags, little dogs on leash, promise
                                of love, promise of life, promise of man’s jaw in
                                boardroom where cologne cinches the deal, slight
                                smile signs the papers: maybe later some chinos

                                and open collar on the terrace; there was a calendar
                                brought home from work (“not needed … we work
                                in London”) – buildings of Manhattan, can decorate
                                my room, make my world, all the stepped down

                                walls of windows up which b-e-y-o-n-d myself
                                giddy and beautiful, I cannot look up or down but
                                keep them high on the wall; going out in the
                                evening Daddy ‘have to’ ‘to do with work’ ‘can’t be

                                helped’ white shirt bow-tie, clean-cut neck cologne
                                ‘good for contacts’ ‘if I can, just’ ‘business’; there
                                was a new white Mini, a new white Anglia parked
                                outside on the hill over London, Matchbox models

                                to match for the boys, going into ‘business’ ‘make
                                a go’ Dennis & Dennis, home, evening drinks, meet
                                the family, the boys play Dennis G and Dennis P
                                for years after; ‘… Daddy is leaving, he will not be

                                coming back’; I had thought it was all pastel-blue-
                                and-grey beautiful but the glamour got to him first
                                and now I dream of falling off balconies and ledges,
                                (do I fall up or down); evening: ghouls from the

                                subway gaining and pushing but the top trees-only
                                gently leaning, hybrids swashing yellow down the
                                tarmac in schools while the thunder of a plane
                                descends; morning: eyebrows raise like coving, the

                                reggae lingers      then kicks in; a neat rhombus of
                                sunlight unconcerned across her cheek, a blind rolls
                                down, ‘I’ll just read a chapter’-fixed lashes, the
                                rhombus travelling now across collar bones between

                                her white collars; Carol reads far better than me,
                                she reads history as it happens, she is the ‘captain-
                                speaking’, she knows what time it is      in other
                                countries, she knows there is no airport in Glasgow

                                (she also bullshits when cornered); now I miss all of
                                this, I see only peoples’ posture contrary to their
                                eyes, and little else; I came to Manhattan and saw
                                your avenues of strange displacement your streets

                                of darkness and morning-side; I found I was there
                                a lifetime ago, but you left me and I have moved on
                                now and I shall not be back, there is no need;
                                I shall celebrate your strange beauty from afar;

                                Newark Airport: everybody here / is talking all
                                the time to / someone somewhere else; the control
                                room sits            overhanging on the concrete stem,
                                fingers of cloud float nonchalantly by, with no delays

                                today, two girls study magazines, swap articles,
                                a third texts constantly with fixed smirk; but you,
                                you are so beautiful with hennaed hair braided
                                neatly back because you are in uniform, you are

                                taking a break, ID and equipment around your
                                neck, clear dark skin, grey shirt and St. John’s
                                badge eating a bag     of crisps with eyebrows sharp
                                and eyes so white looking, not talking     looking

 

 

 

————w(O)rmholes________________________________|—–

abandonment & streetlight wormhole: dawn
air wormhole: just
anxiety & Carol & crane & Have & lifetimes & London & love & pink & sky & train & travelling & white & work wormhole: new year’s eve 2014; train up to London to / walk the bridges across the Thames, and / listen to the voices say it is, and was, like, / but get back home before the fireworks / obliterate it all in the emptying twilight
apricot wormhole: only
beauty wormhole: smiling
bedroom wormhole: sunny morning
blossom & branches & waiting wormhole: I could step / more open
blue & grey & mist & trees & walking wormhole: right to be
books wormhole: a light rosé
breathing & life & speech wormhole: living mystery / murder theatre
buildings & identity & society & space & windows wormhole: where the real action // always is
childhood & dream & Eglinton Hill & ghosts & green & looking & morning & time wormhole: tag cloud poem VIII – growth
clouds & light & posture wormhole: Buddha Amitabha
coffee wormhole: poised patiently for / hours
coffee shop wormhole: yet another sprain / of ‘Jingle Bells’ straining / to propagate yet another / tired Christmas spirit – … / ‘sanner clawsis coming t’ taunn – yeah’ in a / coffee shop with condensation / running off the snowflake transfers / and the iphone at the next table / talking how 50 means 900 a month – not worth / the drive (left his scarf behind – / collateral) … about my age
compromise wormhole: Dr Strange V – all the words of all the times of all the worlds speak
Dad & traffic lights & yellow wormhole: ‘“Never,” said the Sandman; / he blinked …’
dog wormhole: silence
evening wormhole: lobby
eyes wormhole: great underbelly to the rooftops
haiku(esque) & hair & Manhattan & people & roads wormhole: Kirby’s landscapes
history wormhole: 20th century / schzoid man
horizon wormhole: Dr Strange I – the trashcan tilted the better to see now the street
hotel wormhole: the Last Day of Morecambe Illuminations
lilac wormhole: Herbert Road diptych
living & sitting & sound & sun wormhole: crumpled / notebooks / at the end of a gentle retreat
money wormhole: The Future of Teaching: performance or capability (‘oh, not ‘teaching’ then?’)
Mum wormhole: letters to Mum V – carrying on in duty and love
music & reading wormhole: sometimes
obligation wormhole: scattered
smile wormhole: the silent night of the Batman
sparrows wormhole: zazen in everyday life
spotlights wormhole: ‘the dining room …’
talking wormhole: – sigh! –
walls wormhole: Plumstead – Woolwich 121114
wind wormhole: Christmas

 

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eldorado

10 Tuesday Apr 2012

Posted by m lewis redford in poems

≈ Leave a comment

Tags

'scape, 2012, 3*, Manhattan, marble, park, sandstone, sun, taxi, towers, traffic lights, windows, yellow

 

 

 

                                eldorado

          marble sandstone three floors
                picked with compass points
          sandstone brick eleven floors
                twelve sections
                tall windows
          setbacks two towers
                another thirteen floors

          fifth floor only
          man at window
          canary short-sleeve shirt
          turns into the room
          traffic light hangs out on
          long arm swinging slightly
          taxis u-turn as the sun comes up
                from behind

 

 

 

————w(O)rmholes________________________________|—–

Manhattan wormhole: Have a Good Day
park & sun & yellow wormhole: weekend
traffic lights wormhole: room 506 / Central Park
windows wormhole: oh

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

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