prose piece 2 from POEMS 1927 by William Carlos Williams

Tags

1927, 7*, air, April, aspiration, bed, birds, breathing, cemetry, cherries, Christian Science, city, death, elderberry, grandmother, house, kiss, laughing, love, memory, sea, smell, speech, Spring, summer, talking, William Carlos Williams, wine

2

When I think how my grandmother flirted with me I often wonder why I have not been attracted by women of her type.   SHE was a devil if ever there was one.   When she’d move into a neighborhood she’d go out and clean it up, tonguewise.   She’d lay ’em out, male and female – and then sit back in peace to her mysterious memories and awkward aspirations toward heaven and the hold she’d have still on the world and its accessories.   She buried the keg of elderberry wine under the side of the house, and the stuff she’d eat, not to waste it, would make you shudder.   This was especially after she’d gone nearly blind and had taken up Christian Science so that you couldn’t trust her.   Boy, them was the days.   And the rags she used to wipe the dishes on when she’d have the family up to a meal in her shack on the shore over the Fourth.   Baby, I can still see Pop wiping his knife on the edge of the tablecloth – or something, before he’d use it.   But talk was her best weapon, she could lay you an argument like a steel fence and you might try to get through it for a day or a week or till doomsday and there she’d be still back of it laughing at you.   The only fault she confessed to was a lack of self-assertion.   She was right too.   She liked no society, no gadding – except on some wild pretext, such as a fascination with the bicycle at sixty.   She fell flat with the handle in one eye, but she did it, bloomers and all.   Yet she–   The city stifled her, she could not wait for the spring.   School or no school (they suffered for it later) out she would yank the two grandkids and off she’s track it for the shore, April to snowfall there she’d make her stand.   Nobody could budge her, not even old man Nolan who had his wife eating out of his hand, big and burly as she was.   He never got the best of Emily.   That was it, she had it.   She wanted to be out, away, alone, in the air, by the sea, breathing it in.   She’d lie in the water’s edge every summer’s day till she was eighty.   Sometimes she’d be so weak, all alone there, she couldn’t get up with her wet rags dragging on her.   She’d turn blue with the effort to lift herself on her hands and knees, laughing self consciously the while but doing it, doing it–   She’d envy the birds the cherries they’d eat, or she’d sit and watch them playing and go get crumbs to throw them, or half scrape a fish the boys would be too lazy to clean, disgusted with its smallness–   Lord what a bed she’d sleep in!   I would carry you away with what it had in it.   When she’d come to kiss you, you’d want to but you’d go easy and there’d be a good smell out of her scalp and up her neck–   She liked me, I’d stand up and fight her by the day trying to get her to have clean dish rags or whatever it would be – some moral issue.   All she wanted was to be alone and to have her quiet way.   She had it.   And love.   She wanted that, hot food into the grave, you couldn’t get her without it.   Took my father up to the cemetery the night before he married and made him promise her things over the grave of his dead sister.   God pardon her for it.

 

from Poems, 1927
a most vibrant biographical sketch of a person; I know her so well just from this; I wish biographical sketches of famous people were like this – sinewy fibres of life that tell no story, but reveal all that you need to know; and straight-forward language that doesn’t beguile but nonetheless jabs out into the universe

 

 

^{————w}(O)rmholes_________________________________|—–

air & William Carlos Williams wormhole: YOUNG SYCAMORE by William Carlos Williams
birds wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
breathing wormhole: it’s / not what you do or what you say / if it ain’t got that swing
city wormhole: THE GREAT FIGURE by William Carlos Williams
death wormhole: on facing the Have
house wormhole: The Diligence at Louveciennes, 1870
love wormhole: and … // … sound
sea wormhole: Hastings: neither all or nothing
smell wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
speech wormhole: between
Spring wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
talking wormhole: ‘a blacknight fitted perfectly …’

 

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humm

Tags

'scape, 2014, 4*, Amsterdam, breeze, direction, docks, memory, monolith, night, ripple, river, sound, south, west, windows

                with constant humm
                the fumes drift south

                west over the docks and
                the red lights suggest

                monoliths bigger than
                memory but there are

                no waves on the river
                just the constant

                direction of ripple

 

in October 2014 we went to Amsterdam for a short break; we stayed both in and on a botel

 

 

^{————w}(O)rmholes_________________________________|—–

breeze wormhole: at table 21 in the garden centre thinking to / replicate Hughes’ exercise for Plath about / the Yew Tree
night & windows wormhole: good going into / that gentle night
river wormhole: low afternoon
sound wormhole: Infantino KO

 

all the sandstone / reflections in the / marble-blue troughs

Tags

2014, 5*, beach, blue, childhood, children, family, love, marble, memory, reflection, sandstone, sitting, time, water

                all the sandstone
                reflections in the
                marble-blue troughs

                when I was young
                I would fall in love
                with the children

                of families near to
                which we sat for
                hours on the beach

 

 

 

^{————w}(O)rmholes_________________________________|—–

beach wormhole: twilight / and parasols down / within minutes
blue wormhole: forgotten anything
childhood wormhole: lost and city ground
family wormhole: to rescue something
love wormhole: too greedy
reflection wormhole: dream I // dream II
sitting wormhole: concordance
time wormhole: slightly / uphill
water wormhole: volcanic rock;

 

and I lose sight of her into memory

Tags

2013, 5*, air, girl, hair, hazel, hill, journey, memory, muse, passing, phone, sight, step, talking, walking

                                the girl
                walks ahead down the hill
                each step gaited and strapped
                                left then right
                hazelnut hair lapping and sweeping –
                                she journeys
                far further than each advance against
                                              the air

                                as I pass
                she is talking into a phone
                                and I lose sight of her into memory

 

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: the quiet whale
girl wormhole: stone
hair wormhole: garden
muse wormhole: neither nude nor / descending a staircase
passing wormhole: free
talking wormhole: mother and daughter
walking wormhole: every step I take

 

south horizon

Tags

1959, 1967, 1979, 1993, 1999, 2011, 2012, 7*, abandonment, anger, Bowie, childhood, Dad, discovery, divorce, drum, evening, experience, horizon, light, London, Margaret Thatcher, memory, Mum, Nan, pain, parents, perspective, purple, rhythm, river, saxophone, shift, Shooters Hill, south, texture, Thames, travelling, words, world

                south horizon

                out on the river
                the purple is shifting

                but in the evening-bulb light
                the world-shaping words

                of grown ups
                is shifting uncontrollably

                but,          no; it’s OK          look
                there is rhythm, there is

                a saxophone, a hi-hat – shflpt –
                in the crack there

                where words sift
                where worlds shift

 

I submitted this to an online magazine; they didn’t want it; I’ll publish it here again with the copy that supported it:

about the poem: on my eighth birthday (in 1967) my Dad arrived home late from work; my parents had one of their last arguments; my Dad left home that night; I couldn’t remember much of what happened that night – what was said, how much I heard, how much I understood – but I realised that worlds could change quite quickly that night; years later, in 1993, David Bowie recorded ‘south horizon’ on his ‘Buddha of Suburbia’ album, but I didn’t really get to know the piece until 2011; hearing it etched that experience back into my memory – bevelled it up, almost – but it also supplied textures and chord changes to the memory that allowed me a perspective that held me from being just angry or hurt; (‘the river’ is the river Thames; we lived on Shooters Hill in SE London from where we could hear and breathe the river)

author bio: Mark Redford was born in 1959 and grew up in South East London until he bolted to university (like a bat out of hell) in 1979, hot from Margaret Thatcher’s election victory; London was never the same every time he returned back; his mother, who had brought him up with her mother (his Grandmother), died in 1999; since then he has travelled back to London frequently to find the previous 40 years, but only seems to find them when he writes down what he saw; you can see what he sees (possibly better than he can) at: https://mlewisredford.wordpress.com/; if you bump into him there, give him some directions would you?

 

 

^{————w}(O)rmholes_________________________________|—–

abandonment wormhole: monument to vainglory
Bowie wormhole: new-found love – poewieview #36
childhood & Thames wormhole: that comicbookshop … // … in dreams
Dad & divorce & texture wormhole: beepbeep
evening wormhole: alighted
horozon wormhole: 1966
light wormhole: so pleased to see you again
London wormhole: 1967
Mum wormhole: 1967
Nan wormhole: work
purple & river wormhole: the silent night of the Batman
travelling wormhole: traffic lights and broad avenue
words wormhole: breathing out
world wormhole: Lapping Reflections [Deep Within Waters] – agricultural show

 

so pleased to see you again

Tags

2017, 8*, Bodhichitta, Bodhisattvacharyavatara, compassion, desire, doing, echo, eyes, faces, gravity, lifetimes, light, love, memory, mother sentient beings, others, seeing, Shantideva, sky, space, speech, true nature, vanity, will

                oh, my loves, who look at me
                with eyes that dull-echo from

                lifetimes back “don’t I love you,
                don’t you owe me?” but cannot

                remember; yes, yes you do, yes
                I do, with so much real interest;

                I will love, I will do, what needs
                to be done, and short-circuit all

                this vanity and indifference;
                enough of peripatetic desire and

                unsustainable will, I owe your
                dear sweet faces (so much to

                account, so much to invest) a
                truer nature to acknowledge,

                a current in to which to plug,
                a circuit around which to light –

                exponential to the bursting sky –
                space-walking gloriously around

                the gravity of our own true natures,
                so pleased to see you again

 

Bodhisattvacharyavatara I, 17-19

 

 

^{————w}(O)rmholes_________________________________|—–

Bodhichitta wormhole: inbreath
compassion wormhole: transmuted
doing wormhole: everwhile
echo wormhole: open window
eyes & lifetimes & sky wormhole: that comicbookshop … // … in dreams
faces wormhole: Sylvia
light & love wormhole: writing: // in turn
others wormhole: ‘field of corn …’
seeing wormhole: ah … // oh … // meanwhile … // … // tha ya ta …
space wormhole: within
speech wormhole: Lapping Reflections [Deep Within Waters] – intemperance

 

Lapping Reflections [Deep Within Waters] – … as the new town marches in

Tags

2016, 8*, abundance, ageing, autumn, birthday, blackberries, branches, brown, change, childhood, climbing, clouds, cows, earth, elm, field, gate, ghosts, gold, grey, hedge, ivy, lark, leaves, legs, life, listening, memory, mist, path, red, rook, rose-hips, running, seagull, shadow, signpost, silence, singing, sky, skyline, society, trees, wind, yellow

            there are great mountains of cumulus
            towered above, shadows course over
            grey-yellow stubble, gulls hackle rooks
            in leaning elms while red and black-

            berries hang in the hedgerow … run,
            run downhill, stretch my legs in boundless
            stride, stream through the air from boy
            to man, flood the plain with open memory;

            or maybe: scale a furtive upward glance,
            through boughs of avenue, a third
            dimension, to survey, to just survey all
            the song of all to sing ‘laaaaaark’; but

            I’ll just rest here, now, sit beside the gate
            sit under the signpost, and listen … foliage
            turned dark and almost brown, the earth
            awaits the golden plough while dancing

            rose-hips watch skeins of Friesians
            work meticulous across the skyline and
            … everything will change, piped rippled
            through bygone years – there will be ghosts

            in the ditches, there will be paths adrift
            of leaf, the ivy will reach up from the post
            which points only to the wind now leaving
            autumn mists to drift like webs into the

            corners of paddocks; and there is a strange
            silence in the sky … as the new town marches in

 

read the collected work as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J Redford – A Sign of the Times

 

 

^{————w}(O)rmholes_________________________________|—–

autumn & branches & brown & change & childhood & clouds & field & grey & hedge & leaves & life & mist & path & red & seagull & silence & sky & skyline & trees & wind & yellow wormhole: The Boats of Vallisneria by Michael J Redford – A Sign of the Times
birthday wormhole: birthday poem
ghosts wormhole: just saying, is all IV: // lost
gold wormhole: Lapping Reflections [Deep Within Waters] – autumn
listening wormhole: through the pane – poewieview #34
shadow wormhole: the purple mist between
society wormhole: poessay III: jijimuge

 

The Boats of Vallisneria by Michael J Redford – A Sign of the Times

Tags

1967, 3*, air, autumn, blackberries, blackbird, branches, brown, change, chestnut tree, childhood, climbing, clouds, cottage, countryside, cows, echo, elm, Essex, field, grass, green, grey, hawthorne, hedge, hill, ivy, lark, leaves, life, memory, Michael J Redford, mist, oak, path, red, RF Hilder, rook, running, seagull, signpost, silence, singing, sitting, sky, skyline, snake, summer, sycamore, the Boats of Vallisneria, time, tits, trees, vista, walking, wind, woodland, work, yellow

A Sign of the Times

Things are changing around us all the time and when one lives with and through these changes it can be very difficult to tell when they occur.   Changes are more evident and in many cases more startling when one returns to a scene of bygone years, and this has never been made more clear to me than now as I sit beside a signpost in an Essex lane.   It is a contrast so shocking that it has left me quite numb, and it is difficult to understand how not only the facial character, but also the spiritual character of the countryside can be altered beyond recognition.

Some five years ago, I holidayed with friends who lived in south east Essex.   One morning I crossed the meadow at the rear of the cottage and entered Ten Acres which sloped gently to the woods below.   The full heat of the summer had abated to the mildness of early autumn and great mountains of cumulous, creamy topped, towered above me, their shadows coursing silently over the yellow-grey stubble.   Two glistening sea gulls above the oaks did verbal battle with a colony of rooks quarrelling in the elms and, far above, it seemed a thousand larks were singing.   Blackberries, some bright red others over-ripe and heavy with juice, shaded themselves in the hedgerow, and beside a weathered bale of straw, forgotten perhaps or left too wet for carting, a grass snake basked in the sun.

Gazing down the green slope, there came within me a sudden desire to run, to stretch my legs in great leaping strides, to see the hedgerows flash by in a blur and to feel the mild air stream about me.   I wanted to race the wind that went tumbling down the hill to the woods below.   Twenty years earlier the desire would have been satiated without further thought, but time passes and the unconscious brakes of inhibition condemn these simple pleasures to the memory’s store.   For one brief second I was a young boy again about to satisfy a desire, but then all too soon, I was a man again, and grown men are not expected to behave in such a manner.   To see a child walking along the road in an orderly fashion one moment and then break into a mad gallop the next is an occurrence accepted without question, but many an eyebrow would be raised if I were to do such a thing now.   Such are the many simple pleasures we must perforce leave aside as we grow up.   There are of course many other pleasures which take their place, but even so the illogical, spontaneous desires of childhood every so often burst within the heart and flood the mind with memories.

I had reached the wood and was a boy once more.   Gazing above, I felt a sudden desire to reach up and haul myself into the green branches.   One can climb a tree a hundred times and go up and come down a hundred different ways.   I think perhaps it is the additional dimension which gives tree climbing that extra fascination, for if one explores an area of ground, one has but two dimensions to contend with, but up here in a green swaying arbour, one has a third.   In the fullness of summer, high up in the sycamores and the chestnuts, there are green caverns to explore, and the diverging paths that disappear into the foliage above lure one on to the very top where, in green shrouded secrecy, one can survey the surrounding terrain.

To me, and no doubt to a large number of other adults, these things still hold a fascination and most of us are able to fulfil these old desires in one way or another.   It may be by toying with model railways or messing about in boats; it may be by dressing for the local amateur dramatics or taking part in a sport.   On the other hand, it may be by casting a furtive glance over the shoulder and climbing a tree.

After walking for an hour or so, I came upon a signpost beside an open gate and, finally bowing to the truth that I am no longer a boy, I sat beside the gate to rest my weary legs.   The foliage of the countryside had turned a very dark green, almost brown in fact, heralding an early autumn.   The grass between the drills of faded stubble would not grow much higher now.   It had been an early year altogether and quite a large number of farmers had managed a second cut of hay.   Now the harvest was done and the good earth awaited the plough and the frost.   Hawthorn berries were an abundant red across the headland and a distant skein of Friesians grazed their way slowly across the skyline above.   A tit leapt across my view and into a thicket close by and made the shiny red rose-hips dance.   All around was the gentle yet positive movement of life.   It was something to be not only seen, but felt.   Little did I realise then how all this was to be changed.

Now five years have passed and I am once more beside the signpost, but this year the summer has been short.   Already the trees are bare and possess that clipped appearance of a Hilder autumnal study.   The tall grasses in the leafless hedgerows bend stiffly beneath the chilly winds which have been noticeable this past month.   Gone is the suppleness in their sway, gone is the living green from their stems.   Soon a wintry gale will snap and blow them into the ditches to join the ghosts of previous years.   The lanes are filled with dead leaves, but no longer do they echo with the laughter of children as they wade knee deep through them, for nobody comes this way now.   The gate hangs askew on its rusty hinges and needs to be lifted and torn from the coarse grasses which grasp the bottom rail.   Such action however, is not necessary, for although the signpost once read ‘Public Footpath’, no one walks this way now.   The letters are illegible and covered with green lichen, and around its rotting base a small ivy begins to reach for the sky.   The footpath which ran diagonally across the field is no longer to be seen, not that this matters either, for the tiny lane bears no traveller save that of the drifting mists of autumn.

(R.F. Hilder (1905 – 1993), an English marine and landscape artist and book illustrator).

I gazed at the signpost and thought of the sweat that went into the making of it.   Strong backs bent to dig the hole, strong arms lifted the stout wooden post.   A craftsman’s eye morticed in the sign that is as square today as it ever was.   The painted letters have peeled and left but a ghost on the woodwork.   It doesn’t matter anyway, for no one passes this way now.   But it used to lead somewhere.   For someone the sign pointed to journey’s end; once cows scratched their necks upon it and children used it as a target for throwing pebbles.   But now it merely points to the wind.   There is a strange silence in the sky.   No rooks, gulls or larks can I hear; no animals rustling in the hedgerows.   Never have I witnessed such an empty land, a land so void of life and feeling.   Although the wind is cold upon my neck, I cannot hear it in the trees and the dead leaves, sodden from the wandering mists, make no sound as they fling themselves at my boots.   The ditches have filled with rotted vegetation and the water has spread.   Marsh grasses and wild flock have appeared for a brief spell of life.   And brief it will be, for six months from now, the new town will be born.

                Once I worked among green hills
                And as I worked I sang, oh yes
                I sang mid the trees, in echoing woods
                And o’er the dewy fields.

                I sang with the rising lark, whose voice
                Cascaded from above,
                I sang always a joyous song
                Of those things that I love.

                My orchestra came from the wind,
                From trickling brooks and rustling leaves,
                From earth below and all about,
                E’en heaven’s lofty eaves.

                But now my green hills lay beneath
                A glaring concrete face
                And where once sang the blackbird’s heart,
                Ten thousand people pace.

                So now accompaniment have I none,
                Nor reason for to sing.
                My heart they buried ‘neath the stone
                When marched the new town in.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

air & branches & seagull wormhole: Lapping Reflections [Deep Within Waters] – gull circling out at sea
autumn & hedge & leaves & trees & wind wormhole: The Boats of Vallisneria by Michael J Redford – Simon Upon The Downs
blackbird & childhood wormhole: Lapping Reflections [Deep Within Waters] – from arm to nature, doing nothing
brown & grey & path & red & silence & yellow wormhole: hello, luvvey, do you want a cup of tea?
change wormhole: reaching branch
clouds & sitting wormhole: and smile / like a bud
echo wormhole: fresh destiny
field wormhole: Lapping Reflections [Deep Within Waters] – I suddenly / remembered
green & sky wormhole: through the pane – poewieview #34
life & mist & time wormhole: AT-tennnnnnnn – waitfrit waitfrit – SHUN!
oak wormhole: Lapping Reflections [Deep Within Waters] – the soft canticle of the gourds:
skyline wormhole: Lapping Reflections [Deep Within Waters] – autumn
walking wormhole: trying to focus / on walking
work wormhole: travel

 

The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts

Tags

1967, Africa, afternoon, air, Apollo, autumn, awakening, beans, bees, beginning, birth, blue, book, bracken, bronze, caterpillar, child, colour, cottage, crickets, dark, death, digging, earth, emerald, end, eyes, face, field, flowers, forest, garden, generation, gold, gorse, grass, hazel, hedgehog, hill, hive, honeysuckle, horse, house martin, ivy, January, journey, joy, lambs, land, lawn, leaves, life, March, memory, migration, mind, moorhen, moorland, morning, mother, nemesia, Norway, oak, plough, poetry, purple, reading, redwing, sadness, seasons, seeds, silence, sitting, sky, skyline, sleep, smell, sound, spiders, starlings, sunlight, the Boats of Vallisneria, thistles, thought, time, transition, trees, uncle, valley, web, wheat, winter, woodlark, work

 

Chapter 1

The Wandering Mind

Autumn Thoughts

I sat in the garden one autumn afternoon reading an old poet.   The sky was unblemished, clear and pure as the face of a child and starlings were deep in conversation close by.   I had mown the lawn that morning just before lunch and turned over the plot where the peas had been cleared.   After this exertion and a good meal, I felt no pang of conscience as I turned my back upon the many other chores that cried for attention and took my book into the garden and relaxed in the warm soporific scent of honeysuckle and freshly cut grass.   After an indeterminable period my thoughts were lifted from the page upon my knee and I drifted across the valley to the hill opposite.   There the grade was steep, too steep for tractor or any other mechanical tool.   A horse therefore was leaning from a plough, moving slowly, almost imperceptively towards the skyline.   The cottage in which I then lived was very old and the hills opposite even older; no doubt at one time they were covered with forest, but many men must have witnessed that same scene before me, many men and many generations.   To them it was a common sight, but to me it was a rare and beautiful sight that spanned the centuries. The scene was timeless.

I felt my head nod forward quite suddenly and I came awake.   The book fell onto the grass and the starlings flew off more in indignation than fright.   In the silence that followed, there filtered through the warmth of the valley the faint jingle of the traces, and as the plough turned upon the headland, a spark of sunlight leapt from the polished harness; it was an impish child of Apollo that danced upon the horse’s back one moment, then without warning, leapt the great expanse of the valley and entered my eye within the same split second.   I realised then that here was a beginning; here, before the old year was done, was another just starting.   Here the earth was being opened up to let in winter’s icy fingers so that she might the better prepare the seed bed for next year’s crop.   Then as the mind’s awareness expanded, I felt that this was not the only beginning taking place, there were many more throughout the changing land.

Visitors were arriving, flowers were blooming, animals were being born.   All about me, as I sat half asleep in the quietude, a great movement of life was in progress, and I thought of another great movement of life that had occurred the previous autumn.   It was an invasion of our fields by the linyphiids or gossamer spiders.   We were drilling wheat at the time and as I crouched low on the footboard of the drill to clear a coulter that had clogged up, I beheld a silken counterpane of gossamer stretched between the faint ridges of the harrowed earth.   The effect, if the eye was held low enough, was that of a thin layer of water shimmering in the early morning sun sending off sparks of individual colour selected at random from all parts of the spectrum.   So taken was I with this scene that all thoughts of clearing the coulters left me as we rattled and jogged across the field, and when harvesting the same field this year, there, as a reminder of that small moment, was a strip bare of swaying gold a hundred yards long and twenty inches wide.

I retrieved the book and placed it on the seat beside me.   The starlings had returned and were even noisier than before and the bees were hurrying to and fro among the nemesia in the hope of collecting and storing that little extra for the months ahead.   Soon they will end their toil; soon they would maim and expel the unfortunate drones and retire to the centre of the hive with the queen in their midst.   The day was magnificent, more like mid-summer than autumn, small wonder indeed that the careless cricket continued to ‘sing’ unaware of the imminent peril of winter.   Many small lives will be lost in the approaching days of darkness yet, through it all, just enough will be saved.   Beneath the apparent calm of autumn is a restlessness; and urgency sweeps through the fields and woodlands as the wiser creatures prepare for flight or lay in stores for sustenance through the long twilight of winter yet to come.

Autumn is a season of transition, a season of intense activity; of flowers flowering and flowers dying, of drilling wheat and cutting beans.   Autumn is a time of birth and death; a time of awakening and a time of going to sleep.   It is a time for the young and a time for the old, a time of both joy and sadness.

This is the time of thistle-down upon the air and goose-grass burrs upon the stockings; when the gorse and broom crackle and pop beneath a March-blue sky and scatter their tiny seeds among the dry stems of the sapless grass.   Now the moors are stained a deeper purple, bracken becomes bronzed and the tree tops dipped in old gold.   In the derries the young caterpillar of the Purple Emperor wraps itself in dead oak leaves and sleeps until the great awakening.   When gossamer fills the air and hazel nuts turn brown the young swallows start on that amazing flight to the shores of Africa, a journey undertaken by their parents a year before who, curiously enough, do not show their offspring the way, but follow on some days later.   How many thousand autumns have witnessed this exodus?   Yet to what blocks of logic and fact can we in all our wisdom attribute this common thing.   The redwing and fieldfare arrive from Norway urging on the lingering house martin.   The woodlark sings, the ivy flowers and the honeysuckle blooms again.   And as the somnolent hedgehog rolls himself in his blanket of leaves, the last brood of moorhen is hatched.   Something sleeps, something awakes; something dies, something is born.

There is no real beginning or end to the year.   Even on the first of January the lambs are growing; leaves are forming within the bud and the young wheat carpets the bare fields with emerald.   But for those whose minds cannot accept the existence of that which has no beginning and no end, then let the division between the years be drawn through autumn, for the onset of winter is really the beginning of the year, not the end.   The young year is born into a cold and sometimes frightening world just as the infant child is released from the warm security of the mother’s womb, and like the child, the infant year begins its life before it is born.   It begins in the womb of autumn.   It is here then (if anywhere) that one thing ends and another begins.   It is here In Sese Vertiture Annus.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

1967 & garden & life & mind & thought & uncle wormhole: The Boats of Vallisneria by Michael J. Redford – Introduction
afternoon wormhole: “walking …”
air & sound & time wormhole: constant hummm
autumn & gold & sky & smell & trees & work wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
blue & reading wormhole: between thoughts
child & sleep wormhole: 1968
death & eyes wormhole: too late:
field & skyline wormhole: impressionism
leaves wormhole: work
morning wormhole: the coming of ‘The Boats of Vallisneria’ by Michael J. Redford
mother wormhole: and that’s where I are
oak wormhole: dog bark
poetry wormhole: after all?
purple wormhole: 1967
silence wormhole: the missing chord // the now-silent seagull
sitting wormhole: zero
winter wormhole: 1963

 

The Boats of Vallisneria by Michael J. Redford – Contents

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'scape, 1967, autumn, breathing, candle, contents, cottage, cows, gold, gourds, home, introduction, journey, lawn, letter, memory, mind, moment, non-doing, people, piano, pigs, rain, safety, sky, smell, snow, the Boats of Vallisneria, time, trees, uncle, valley, walking, work

The Boats of Vallisneria

by Michael J. Redford

 

—~~~\___ “O” ___/~~~—

 

Contents

Introduction

The Wandering Mind
Autumn Thoughts
A Bowl of Gourds
A Precious Moment
On Doing Nothing

People
Olly
Simon upon the Downs
Safe Home

Walking
A Sign of the Times
Snow
Follow your Nose
The Agricultural Show

Working
A letter of Two Parts
Making Hay
With Cows
With Pigs

Out of Doors
Trees
Sky
Rain
The Valley

Around the Country Cottage
An Old Piano
Candlelight
The English Lawn

Memories
Going Back
Distant Journeys
The Breath of Memory
The Golden Hour

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

1967 & uncle wormhole: the coming of ‘The Boats of Vallisneria’ by Michael J. Redford
autumn wormhole: dog bark
breathing wormhole: too late:
gold wormhole: bookmark
mind wormhole: B le tch l ey P ark
people wormhole: impressionism
piano & smell wormhole: Michael Redford: triptych
rain wormhole: between thoughts
sky wormhole: constant hummm
snow wormhole: stacked
time wormhole: Hurst Green
trees wormhole: Le Pont Royal, 1909
valley wormhole: Desolation Angels
walking wormhole: nothing to say
work wormhole: dry rot