What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

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moment

Tags

2012, 7*, compassion, detachment, life, love, mind, moment, realisation, relief, settling, sitting, talking to myself, time, true nature

       I become better and better at sitting
       the more I realise I cannot settle
       even for a moment

       and when I realise just how much I cannot settle
       even for a moment,
       how the whole of my life is wound round

       and weaved through all of my time
       all of the time that I cannot settle
       even for a moment,

       what a relief –
       all this building all of this plotting all of these clever ripostes –
       I can detach from them all

       just for a moment

                 –o–

       may I dwell in this my true and only nature
       and may no one no one
       be missed out

 

 

 

^{————w}(O)rmholes_________________________________|—–

compassion wormhole: reaching branch
life & time wormhole: cut while you’re ahead/cut while you’re a thread – poewieview #35
love wormhole: 35 years ago …
mind wormhole: The Boats of Vallisneria by Michael J. Redford – On Doing Nothing
realisation wormhole: fresh destiny
settling wormhole: and smile / like a bud
sitting wormhole: The Boats of Vallisneria by Michael J Redford – A Sign of the Times
talking to myself wormhole: let it all go

 

Lapping Reflections [Deep Within Waters] – moment

Tags

2016, 8*, above, air, below, black, breathing, breeze, brown, bull, calf, cause and effect, curtains, dream, earth, east, echo, elm, emptiness, energy, evening, eyes, field, green, grey, head, horizon, Jupiter, leaves, logic, Michael J Redford, moment, momentum, moon, morning, mother, night, nightjar, noise, owl, pattern, purple, questions, quiet, rebirth, roads, shadow, silence, silver, sound, space, stars, thought, time, twilight, ultimate reality, valley, walking, whispers, white

                moment

                when the day is done and the green is brown
                and shadow is the deeper purple, and when
                the earth gives up its warmth to the stars, I
                walked one evening, direction of Jupiter to the
                darkening east, while the nightjar echoed empty fields

                I stood where smaller noises become: dusk
                to night, the tethered bull, the calf’s raised head,
                the creaking elms, whispers above, stems below,
                depths of space; silence; was it Selene within
                the lap of dusk or the white barn owl, that

                blackened or, then, silver-plated, the night
                with a quietude that freed me from the tired eyes
                of day to reverie while the planet turned; morning –
                it is half past five when I start the milking,
                I arrive beforehand with the spaciousness of valley

                where breezes end and leaves are still and
                no longer conscious of breath and vale; a thought
                is born, from one come two, coruscating within
                seconds, each one nearer to the vertex of
                ultimate truth; the stars in their patterns

                out of time; questions asked and answered at
                accelerating rate, brutal logic ceding to the
                preceding cause – reversal of effect; but the pace
                is too much, I flounder and sink as I lose
                momentum; but I have brushed the grey curtain

                aside and my cup runneth over as the Left hand
                lifts the veil on the eastern horizon we are reborn
                with the stripling day; no energy lost, just changed;
                the air is scented green along the unused road,
                within a mother’s arms again

 

read the collected work as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – A Precious Moment

 

 

^{————w}(O)rmholes_________________________________|—–

air & black & evening & time & white wormhole: the figure “46” / in frosted glass
breathing & sound wormhole: “Darling” – poewieview #28
breeze & brown & curtains & field & green & grey & horizon & leaves & moon & mother & night & purple & quiet & silence & silver & space & stars & thought wormhole: The Boats of Vallisneria by Michael J. Redford – A Precious Moment
dream wormhole: bavardage
echo wormhole: constant hummm
emptiness wormhole: more than effigy
eyes & shadow wormhole: a crack of lightning / in the dark of night
morning wormhole: one day / in 1956
roads wormhole: tired
twilight wormhole: a crack of lightning / in the dark of night
walking wormhole: with endless love

 

The Boats of Vallisneria by Michael J. Redford – A Precious Moment

Tags

1967, 3*, air, answers, beauty, being, bells, black, breath, breeze, brown, bull, cause and effect, childhood, clarity, clouds, cows, curtains, dancing, dawn, dew, doing, dusk, earth, east, Einstein, elm, energy, evening, field, freedom, grass, green, grey, heat, hedge, hills, horizon, identity, Jupiter, leaves, life, light, logic, meadow, mind, moment, months, moon, morning, mother, mouse, nature, night, nightjar, noise, openness, order, owl, questions, quiet, rabbit, rebirth, scarlet, September, silence, silhouette, silver, sky, slow, space, stars, summer, the Boats of Vallisneria, thought, time, truth, ultimate reality, uncle, universe, valley, velvet, white, wind, wings, woodland, words

A Precious Moment

As after the heat of a summer’s day the face glows in the mildness of evening, so the face of the countryside glows in the mildness of early autumn.   The summer months have infused the merest suggestion of brown in the deepening green of the foliage and the face of the earth gives up its warmth to the stars above to see them dance.   It was into this calm that I walked one late September’s eve.   The evening star cast her unblinking eye across the heavenly dome to Jupiter in the darkening east and the nightjar echoed its song above the empty fields.   I stood at the end of the stack-yard and returned the disinterested gaze of a cow in the field beyond.

It is during these slow hours when the pace of the day has declined, that the smaller noises of the land become apparent.   The bull, who was tethered a full two hundred yards away in the next field could be heard to rattle his chain and blow down his nose at a particularly juicy clump of grass he has found.   Behind me in the ‘maternity’ box, a freshly calved heifer mooed huskily yet very softly as its offspring raised its head suddenly at a strange sound.   Perhaps it was the sound of ancient timbers creaking under the weight of centuries, or that of the leaves above whispering to the bowed stems in the hay meadow below.   Or maybe it was the very silence that enshrouded these small sounds that attracted its attention, for silence is so startling in its rarity and its beauty.   Dusk gave way to night and I became aware of the immense depths of space, the dizzy height of the mackerel sky, and although it was the clouds that moved, it seemed they were stationary against the clear black silhouettes of the elms and that it was the motion of the gibbous moon behind the clouds that alternately blackened and silver-plated the night.   Even at the tender and romantic age of sixteen I was aware of this quietude, and in one enlightened moment jotted down these few words on an old envelope:

         Soft, soft, the bell that tolls the evensong
         Across full summer’s empty fields serene.
         And slowly draws the scarlet cloak, the hem’s
         Black velvet, diamond specked, communes me with
         The white barn owl, who with his noiseless wings
         Doth glide and swoop upon the luckless mouse.
         Selene set within the lap of dusk
         Transmutes the living green to silver plate,
         Enshrouds my world with immobility.
         And with a quietude that frees the mind
         Of bondage from the peering eyes of day,
         I fain become the earth, the sky, the all.

But it wasn’t until my late teens that I realised there are two times during the twenty four hour cycle when such a quietude exists. One is just before the dusk and the other just before dawn.   Although both seem to be divisions between day and night, the prelude to dawn seems to me to be the more startling and more satisfying to experience.   In the evening the mind is released into a reverie bound by personal conscious thought, but during the morning pause one experiences a freedom and profundity of thought that is rarely to be found in any other part of time.

It is barely half past five in the morning when I start milking, but often I arrive at the cowshed half an hour before in order to experience this precious moment.   Although at this hour the ‘Stone that puts the stars to flight’ has yet to be flung, I can sense the great spaciousness of the valley before me.   Again the trees move softly and the long grass in the hay meadow sifts the breath of night, and I wait.   I wait for that incorporeal beauty that is the union of soul and nature.   It begins where the breezes end and the rustling leaves are stilled.   A serene stillness envelopes the woods and meadows and even I am not conscious of breathing.   I am drawn into the quietude and become part of it; become part of the very earth on which I stand; part of the universe through which I move.   I have become part of each blade of grass in the valley before me, part of every hill.   I feel myself part of the earth, feel its very movement through space.   Unfortunately mere words can no longer be the conveyance of the emotions involved (and I use the word ‘emotions’ for want of a better noun) for they become so expansive and so personal.   No longer can mere words impress the reader’s soul with such profundity of emotion that this experience releases within me.   Each must go his own way, search alone and experience it first hand and with an open mind.

A thought is born and from that thought comes two more.   The two are made four and the four made eight, a self-multiplying chain reaction of thoughts has been set in motion that flows with great haste through the mind; in fact a torrent of thoughts in one brief second, and yet each one is startlingly clear and leads the mind one step nearer the truth.   The heavenly dome is vast above the valley and the stars, thrown into their mythological patterns by the great cosmic hand, impress their presence on the mind with unusual brilliance and time is no more.   Now the mental hosts are converging, and step by step I am racing towards that vertex which is the ultimate truth.   The questions are being answered at an ever increasing rate, the startling, brutal logic disclosing the result of a preceding reaction which itself, reveals a cause.   So through to the highest plane the mind soars upon an ever accelerating reversal of the law of causation. But the pace is too much.   The mind flags and begins to flounder.   At this juncture the mind can be likened to a water skier who, while the pace is kept up skims along the surface in the sun, but immediately he slows down he begins to sink, until at length he finds himself floundering with no forward movement.   Now the mind has become weak and cannot comprehend the unfathomable thought.   But I have brushed the grey curtain; I have seen a light faint though it may be and both my physical and spiritual selves have been revitalised and my cup runneth over.

For most of our lives we are lost beings out of tune with life around us.   Only during such precious moments as these do we fit into the great harmonious chord; all things round and above have their special place in it, from the fat brown rabbit throbbing in the cornfields to the fleecy pieces of golden cloud that sail upon the pale green skies of dusk.   Worries, anxieties, tensions, all are reduced to their proper size in relation to life, and as the imperceptible ‘Left hand of dawn’ lifts the veil on the eastern horizon, we are cleansed and reborn with the stripling day.

It is only during such periods that nature can be reduced to anything approaching order, and that there is an order I am in no doubt.   Einstein’s inquiring mind was working on the universal equation when the workings of that very same equation stilled his physical being; perhaps now he has solved it, we in this life never shall.   The perpetual motion of nature is the perfect machine and we are part of that machine.   It is complete within itself, recreating its own new parts from the debris of the old.   No energy is wasted or lost, just charged in form.   Nature permits us a marginal tolerance within which we may make one or two adjustments to suit our needs and requirements, but beyond this we dare not go for we merely create more problems than we solve.

         So does she pass, the gentle night,
         Slow seeps the dawn upon the scene.
         Dew sparkling in the first light of
         The new day shows where she has been.
         The eyes of day now open on
         The dewy sward and gossamer
         Bows low beneath its pearly load,
         And hedgerows faintly scent the air
         With green along the unused road.
         And I am born once more and see
         The day as I once first beheld –
         A child within his mother’s arms,
         Another, within its mother’s arms.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

air & field & morning wormhole: Lapping Reflections [Deep Within Waters] – autumn
beauty wormhole: the policies came to nothing
being wormhole: The Boats of Vallisneria by Michael J. Redford – Introduction
black & wind wormhole: The Boats of Vallisneria by Michael J. Redford – A Bowl of Gourds
breath wormhole: inbreath
breeze wormhole: and that’s where I are
brown wormhole: Michael Redford: triptych
childhood wormhole: 1964
clouds wormhole: reaching branch
evening & silhouette wormhole: tired
green & space & uncle wormhole: Lapping Reflections [Deep Within Waters] – the soft canticle of the gourds:
grey & horizon wormhole: being in love – poewieview #26
hedge & hills & life & light wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
identity wormhole: with endless love
leaves & mother wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
moon wormhole: don’t look / at her eyes – poewieview #18
night & silence & sky wormhole: a crack of lightning / in the dark of night
openness wormhole: ‘on second thought …’ – poewieview #27
quiet wormhole: Jericho
silver wormhole: Jon
thought & time wormhole: inbreath
white wormhole: mauve
words wormhole: bloogying

 

The Boats of Vallisneria by Michael J. Redford – Contents

Tags

'scape, 1967, autumn, breathing, candle, contents, cottage, cows, gold, gourds, home, introduction, journey, lawn, letter, memory, mind, moment, non-doing, people, piano, pigs, rain, safety, sky, smell, snow, the Boats of Vallisneria, time, trees, uncle, valley, walking, work

The Boats of Vallisneria

by Michael J. Redford

 

—~~~\___ “O” ___/~~~—

 

Contents

Introduction

The Wandering Mind
Autumn Thoughts
A Bowl of Gourds
A Precious Moment
On Doing Nothing

People
Olly
Simon upon the Downs
Safe Home

Walking
A Sign of the Times
Snow
Follow your Nose
The Agricultural Show

Working
A letter of Two Parts
Making Hay
With Cows
With Pigs

Out of Doors
Trees
Sky
Rain
The Valley

Around the Country Cottage
An Old Piano
Candlelight
The English Lawn

Memories
Going Back
Distant Journeys
The Breath of Memory
The Golden Hour

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

1967 & uncle wormhole: the coming of ‘The Boats of Vallisneria’ by Michael J. Redford
autumn wormhole: dog bark
breathing wormhole: too late:
gold wormhole: bookmark
mind wormhole: B le tch l ey P ark
people wormhole: impressionism
piano & smell wormhole: Michael Redford: triptych
rain wormhole: between thoughts
sky wormhole: constant hummm
snow wormhole: stacked
time wormhole: Hurst Green
trees wormhole: Le Pont Royal, 1909
valley wormhole: Desolation Angels
walking wormhole: nothing to say
work wormhole: dry rot

 

Doctor Strange I – the trashcan tilted the better to see now the street

Tags

2012, avoidance, change, comics, conventional reality, Dr Strange, Edward Hopper, ellipsis, encounter, eyes, Gene Colan, hands, humanity, life, living, moment, quotidian, reality, seeing, skyline, step, Steve Englehart, streets, time, trees, walking

 

 

 

                                                              I

                                the always-aslant encounter
                                                              of humans and street
                                              making their lives
                                                              in the grounds they see
                                making their lives in the grounds they are given
                                                                                 constant encounter
                                              as variable as the daily

                                                                                 for those who see
                                elliptical to the happenstance –
                                                              the skyline to the treeline
                                                                                 the glide to the cobble
                                              the palm to the point
                                                              the both-step-aside to avoid each other’s path
                                                              and collide –
                                                                                 Hopper saw it
                and Colan saw it and Strange had already
                                                              stepped into it
                                                                                 stepped through it stepped out again

                                              moment

                                                                                 but now
                                his pupils are that much more round
                                              the trashcan tilted the better to see now the street
                                                                                 the face in the orb implied
                                that everything had changed and that
                                                              things
                would never be the same again

 

I am psyched that the first trailer for the Doctor Strange film has just been released; I think this is going to see me lose my 56 year old jaded-cool; I am more excited about this than I was for the Batman movies, even though Batman is my character (oh, sorry, didn’t you know?), (in fact, I envisage Batman, ideally, as more akin to Doctor Strange, the character should be more mystical than he is generally presented); I am glad to see the trailer dealing with kaleidoscope-reality, this has a lot to go for it from the start; Tilda Swinton as the Ancient One is a genuinely creative piece of casting but I hope she is not as ‘explainey’ and active as this trailer suggests (or even as dynamic as she was Gabriel in ‘Constantine’, a female sage should have more devastating effect but with less of the door-slamming); (and talking of door-slamming: I was disappointed that the trailer starts of with the ubiquitous iron door slam portending dire catastrophe for gawp-eyed Humanity, I was hoping Doctor Strange, at least, would approach tale-telling differently, but I suppose superhero movies have hit their formula now, no one’s going to play with it with that much money going in … mind you, Stark’s humour, and the first Avenger’s humour were interesting innovations, I might hope for something innovative in Strange, not humour, so much, as power through deft and understatement, rather than grunt); the round loft-window gave me The Smile at the end; Cumberbatch has a Good Walk as he broaches realities, he has the right eyes to see-through fingers for the part as well; I once hoped that David Lynch might write and direct Doctor Strange … that would have been interestingly different and so right … it was not well-received (have a look in the comments section of https://longboxgraveyard.com/2012/11/28/76-superhero-greenlight-doctor-strange/) … actually, dab’n’abbit, here is my tender, but I’ll settle with what this film seems to promise:

Dr Strange operates in worlds which are ‘mystical’ in the sense that they function within natural laws and forces which are alternate to our own – they are worlds which we just don’t get and it would be better for us that we didn’t know about them so we can continue functioning ourselves.   And yet Stephen Strange is of and from this world – he is all too human but has mastered the Mystic Arts.   He therefore lives between the two worlds – the physical/political and the occult worlds – or rather he lives amid, at the same time.   He is ‘strange’ because he bridges these two worlds, and this is the central pull of the character for me.   In comics the ‘occult’ world was depicted fantastically (the floating-island footsteps of Ditko, the swirls of Colan) because it was a visual medium meant for younger audiences (growing up); but the occult world doesn’t so much ‘look’ strange (like a childishly re-arranged physical world), in fact it isn’t even a different world it is the same world ‘seen’ (and ‘heard’ and ‘felt’ and acted in) differently.   What was equally attractive about Dr Strange (and under-used in the comics) was the depiction of the character in ordinary, recognisable surroundings but knowing he was actually operating in a world out of the space-time continuum.   I would conceive that Strange’s ‘battles’ took place while he was strolling through a park, while walking on the street, in the blink of an Eye (herm).   I once heard David Lynch talk about how he achieves perspectives in his work by ‘filming through the eye of a duck’ meaning that he doesn’t just film ‘lineally’ he films simultaneously/alternately – he shoots a scene/whole films which physically depict one narrative but which affectively show an alternate landscape in which they play out.   What better ‘mise-en-scene’ist than David Lynch to depict the life of a character who has ‘mastered’ the arts of living bridged across two worlds-in-one?   No need of CGI, no need of costumes, not even much need of action!   I know, I know, not the ingredients for your standard superhero blockbuster money-maker.   But they have been done and will continue to be done under their own momentum.   Dr Strange has always been a peripheral character because he is so … strange.   Perhaps this would be time to make a different take on the comics-to-film translation formula …

Anyhoo, I wrote a series of poems tracking Doctor Strange through a key set of issues written by Steve Englehart and drawn by Gene Colan; (Dr Strange #6-13 (Feb 1975-April 1976)); these issues are some of the best comics I have ever read; they were also seminal in shaping me to become the significantly un-noticeable writer I have become to this day; I posted them in 2012 and then re-posted them again in 2014 because I thought the film was immanent – it wasn’t; but, dammitall, I like these babies so I’m going to post them again, spread out until November 4th …

 

 

^{————w}(O)rmholes_________________________________|—–

change wormhole: top table
comics wormhole: Poewieviews
Dr Strange & Gene Colan wormhole: Dr Strange VII – the madness of Mordo
Edward Hopper wormhole: New York, New Haven and Hartford, 1931
eyes wormhole: b / r / e / a / t / h / i / n / g
hands wormhole: really
life & reality & streets & time & walking wormhole: 1964
living wormhole: dash
seeing wormhole: rhymed
skyline wormhole: miss / ad / venture – poewieview #22
trees wormhole: like ink – poewieview #23

 

posture

Tags

2013, 7*, appearance, being, Buddha, distraction, doing, emptiness, growth, hands, meditation, moment, posture, sitting, statue, time

 

 

 

                after a crap meditation
                following inclinations
                all over the place
                I glance at the buddha statues
                all of them ever showing themselves
                fresh from emptiness
                            fresh from emptiness
                                      in
                                                                      ea
                ch
                            pa
                                                   rt
                                                   of
                                      ea
                                                   ch
                            mo
      me
                                                                      nt

                left hand eternally poised
                            in uncompounded being
                                      naturally
                right hand just reaching down
                            to complete the action
                                      as needed

                                                   well

                                      at least I kept my posture

 

 

 

^{————w}(O)rmholes_________________________________|—–

being wormhole: there
Buddha & doing wormhole: the Buddha head in an antique shop
distraction wormhole: first a mishap then clear vision
emptiness wormhole: letter 080514
hands wormhole: plethora: the Dark Knight Strikes Again (2002)
meditation wormhole: may the supreme and precious jewel bodhichitta … // … take birth where it has not yet done so … // … where it has taken birth may it not decrease … // … but may it increase infinitely
posture & sitting wormhole: open window
time wormhole: letters to Mum I – a walk / and talk

 

first a mishap then clear vision

Tags

'scape, 2014, 6*, age, being, career, centrifugal, centripetal, Chogyam Trungpa Rinpoche, circular poem, detail, distraction, doing, elemental, form, glasses, hope, identity, injustice, journey, letting go, life, looking, lost, moment, name, pointlessness, reading, realisation, role, society, tide, time, vague, vulnerable, waves, world, writing

first a mishap then clear vision

                        face it
  let yourself                 there is
 but never                       no point
known it                           no victory
     always                       no justice
  and you’ve                 there never
                          was

                                                        all the effort
                                   again using                           of reading
                        willing to build                                     writing and
                 for the way back                                              accumulation
                 around hopeful                                                   creating hope
                     and looking                                                      of a salvific
                         I am lost                                                       point but it
                        accept that                                                   plateaus ever
                       and I finally                                               as it is made
                             is stumbled                                       and takes in
                                  before a trip                           miles of amble
                                                          and wander

                                                              but

                                              the natural plain of this life’s journey
                                                              is to gaze un
                                attached past the complication and
                                              across the complexity
                                              to see clearly all the detail
                                                              and form in itself
                content to look unfocused and elemental
                                until my age and career
                                required glasses
                                              so that now
                                I react centripetal to the world
                                              that calls my name in shower and wave
                                and I become
                                centrifugal and solidified
                                (vagued and vulnerable) to
                an identity I can never find
                                while the world keeps leaking
                                              and escaping like gas

                                                                                  so

                                                                          (let them all …
                             and no hope of identity                     disperse
                           with no need of hope                              clean into the scene)
 as the energy fans awry and around                                    like a ‘scape until
                                  and slip-slide                                        the next moment
                                                  only                                    which
        and the shift and chirrups of élan                              moves
                                                          just                       both slight and extra
                                            to the roles and tides

 

 

 

^{————w}(O)rmholes_________________________________|—–

being & doing & identity wormhole: ‘I come from the brow …’
career wormhole: what I am about to say is true / what I just said was a lie
Chogyam Trungpa Rinpoche wormhole: 25% scaffolding & rope
circular poem wormhole: may the supreme and precious jewel bodhichitta … // … take birth where it has not yet done so … // … where it has taken birth may it not decrease … // … but may it increase infinitely
distraction wormhole: tag cloud poem V – draft-ness
glasses wormhole: all the while / the flagpole rope / occasionally flaps / the breeze
letting go wormhole: sounds // suddenly / stop
life & society wormhole: they find their life growing together –
looking wormhole: the retriever the daughter and the mother
pointlessness wormhole: letter 080514
reading & realisation & time wormhole: only the Batman realises that he is dead
waves wormhole: gazing at the night / as my eyes passed the jagged hole / my head disappeared
world wormhole: the declensions of constant possibility throughout times
writing wormhole: too cold to sit outside / and write flowers of / individual poems