poessay XI – piquant love

Tags

2019, 6*, arch, cause and conditionality, compromise, crane, doing, identity, intuition, knowledge, letting go, life, love, not knowing, obscuration, opportunity, others, poessay, scandal, self, shadow, sitting, thought, writing

poessay XI –

                lookitallathisabouttheplace –
                both the obscuration and the opportunity difficult
                either to see or to take:

                                I don’t know what to do –
                                inject into causality
                                project over condition (whatever

                                I’m sure that’s not the way to do) –
                                I can only know what I intuit
                                usually de-spite “I don’t know

                                but will step in line
                                if you let me join the gang”
                                best served unnoticeable

                                but not really
                                me no matter how deep the cover;
                                so back to the hunch –

                                crane reaching from the crumbling arch –
                                written up on giddy foolscap
                                (given half the chance, or notice)

                                but this is not me either
                                just a more clever ‘I don’t know’;
                                than all the others who don’t know at all

                                or know by some rote too lazy
                                or compromised to know (what I
                                might know) or those who

                                say they know holding me deficient
                                that I don’t behave as they know
                                (compromised to behold), or then

                                there are those who seem to know
                                despite the prevalence and norm all about
                                from whom I absorb

                                through my very xylem
                                and then heavy-shadow them all about
                                but they don’t know either

                                just more mystically or glamorously so
                                until the scandal;
                                so don’t try to know at all

                                because any of this knowing
                                is just a whorl somewhere
                                within cascading causality

                                making sure my specious self;
                                just let the self go
                this knower, this knower so much better and deeper than anyone else who does not even know what is to be known,                

                                let it all go
                                and sit with the not-knowing,
                                watching all the fluidity with

                                                                                                piquant love

 

 

 

^{————w}(O)rmholes_________________________________|—–

compromise wormhole: looking for the right exit
crane & doing & identity & thought & writing wormhole: travel // when I die
knowledge wormhole: Dulwich College, London, 1871
letting go wormhole: at Kreukenhof
life wormhole: psssssh
love wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
others wormhole: quietly in my quiet house
shadow wormhole: breakfast
sitting wormhole: – creak —

 

quietly in my quiet house

Tags

2019, 6*, anger, Anita Ekberg, fountain, house, identity, La Dolce Vita, others, quiet, sitting, society

                look at this one sitting to one side
                smouldering

                why does it sit there seething about
                it it it, while others

                get on doing stuff making
                a world-wide society of life

                with all of its crowns and repeated
                acts of shame

                look at their talent, their love,
                their art, their smile

                look at it, indulge in it; in fact,
                step into the pool and hold up your hair

                under the fountain for all to share
                glue-like to the society in which I sit

                quietly in my quiet house

 

drenched from under Bodhisattvacharyavatara VI, 76-77: [76] If someone is attuned enough to spiritual things to find delight and joy in recognising the appearance of excellent qualities and worth in another and praising them as a good person, and if this makes them happy and draws people close together, why then, oh (sulky) mind, don’t you join in with the recognition as well; why are you not rejoicing too and taking the same delight too? [77] (But isn’t feeling joy and delight an attachment, and therefore bad?) But this pleasure, this delight cultivated through praise of another’s virtue, is an entirely virtuous activity, a spring, a fountain, of joy, which is not prohibited, but, even, a precept, taught by those of Ultimate Quality and Worth, an excellent way to bring people together of which one should take full advantage.

 

 

^{————w}(O)rmholes_________________________________|—–

house wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
identity & society wormhole: Renunciation
others wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
quiet wormhole: A Corner of the Garden at the Hermitage, 1877
sitting wormhole: Sujātā

 

The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams

Tags

1928, 6*, arms, Atlantic City, beauty, being, black, blue, candle, cheek, city, colour, communication, daisies, dress, ears, eyes, fingers, glass, green, grey, hair, hands, hips, knuckles, lips, looking, matches, mirror, mouth, movement, open, orange, others, portrait, poverty, red, reflection, ring, ruby, sea, seagull, silence, skin, sound, speech, temptation, thinking, walking, waves, white, William Carlos Williams, windows, woman, wrists, writing

                            1. THE WAITRESS

                No wit (and none needed) but
    the silence of her ways, grey eyes in
    a depth of black lashes–
    The eyes look and the look falls.

    There is no way, no way. So close
    one may feel the warmth of the cheek and yet there is
    no way.

    The benefits of poverty are a roughened skin
    of the hands, the broken
    knuckles, the stained wrists.

                Serious. Not as the others.
    All the rest are liars, all but you.
                                        Wait on us.
    Wait on us, the hair held back practically
    by a net, close behind the ears, at the sides of
    the head. But the eyes–
                            but the mouth, lightly (quickly)
    touched with rouge.

    The black dress makes the hair dark, strangely
    enough, and the white dress makes it light.
    There is a mole under the jaw, low under
    thr right ear–

                And what arms!

                                        The glassruby ring
    on the fourth finger of the left hand.

                                        –and the movements
under the scant dress as the weight of the tray
    makes the hips shift forward slightly in lifting
    and beginning to walk–

    The Nominating Committee presents the following
    resolutions, etc. etc. etc. All those
    in favor signify by saying, Aye. Contrariminded,
    No.
      Carried.
                And aye, and aye, and aye!

    And the way the bell-hop runs downstairs:
          ta tuck a
                ta tuck a
                      ta tuck a
                            ta tuck a
                                  ta tuck a
    and the gulls in the open window screaming over the slow
    break of the cold waves–

                O unlit candle with the soft white
    plume, Sunbeam Finest Safety Matches all together in
    a little box–

                And the reflections of both in
    the mirror and the reflection of the hand, writing
    writing–
                Speak to me of her!-

                –and nobody else and nothing else
    in the whole city, not an electric sign of shifting
    colors, fourfoot daisies and acanthus fronds going from
    red to orange, green to blue–forty feet across–

                                        Wait on us, wait
    on us with your momentary beauty to be enjoyed by
    none of us. Neither by you, certainly,
                                                nor by me.

 

with love from Poems, 1928

 

 

^{————w}(O)rmholes_________________________________|—–

beauty & speech wormhole: ‘… and yet I think I am so modest: …’
being wormhole: so, how long is, a piece of string?
black wormhole: Impression of Winter: Carriage on a Country Road, 1872
blue & grey & writing wormhole: Hastings: neither all or nothing
city & William Carlos Williams wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
communication wormhole: agreed termination without prejudice
eyes wormhole: between
glass & red wormhole: travelling / back
green & woman wormhole: on facing the Have
hair wormhole: SPRING & LINES by William Carlos Williams
hands wormhole: THE LONELY STREET by William Carlos Williams
looking wormhole: waiting to be heard
mirror wormhole: What You Are by Roger McGough
mouth wormhole: glamour of saṃsāra
open wormhole: animus rises – powieview #37
orange & others & walking wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
reflection wormhole: I
sea & seagull & waves wormhole: Staffa Fingal’s Cave, 1832
silence & sound wormhole: Vue de Pontoise, 1873
thinking wormhole: there will be ovations
white wormhole: alabaster balustrade
windows wormhole: birth in the world

 

Rain, Steam and Speed – the / Great Western Railway, 1844

Tags

1844, 2019, 6*, bridge, conception, direction, ideas, industrialisation, orange, others, passing, power, progress, rain, rural to urban migration, settlement, society, speed, steam, train, Turner, walking

                Rain, Steam and Speed – the
                Great Western Railway, 1844

                scattered above and about,
                ambulatory had always been

                protrusion of line and extrapolation
                far from the madding crowd

                but ‘twas only when fancy
                burnt coal and surmise

                in proceeding kettle that
                bridges and orange were conceived

 

emerging out from Rain, Steam and Speed – the Great Western Railway by William Turner, 1844

 

 

^{————w}(O)rmholes_________________________________|—–

bridge wormhole: Le Pont Royal, 1909
orange wormhole: La Route, Effet d’Hiver, 1872
others & walking wormhole: waiting to be heard
passing & society wormhole: Staffa Fingal’s Cave, 1832
power wormhole: on facing the Have
rain wormhole: SPRING AND ALL XXII by William Carlos Williams
train wormhole: Batman: Oddysey

 

waiting to be heard

Tags

2019, 6*, air, compassion, contempt, east, feet, hope, indifference, Lanzarote, lifetimes, logo, looking, others, passing, promenade, story, toes, walking, west

                we look at each other –
                along the promenade east or west –

                within packaging-design, with
                burnt-core contempt, or we don’t notice

                with open air-indifference; but
                we have exposed feet, we lift and swing

                and place and stay, transferring,
                in a thousand different ways, with

                unsettling hope where
                the thousand different toes tell a

                thousand different stories in a
                thousand different ways, all just

                waiting to be heard

 

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: birth in the world
compassion wormhole: skeins of candy pink and lilac
feet wormhole: pediment to behold
lifetimes & looking wormhole: I
others wormhole: so, how long is, a piece of string?
passing wormhole: Vue de Pontoise, 1873
promenade wormhole: amniotic avenue
walking wormhole: Hastings: neither all or nothing

 

so, how long is, a piece of string?

Tags

2018, 8*, anger, being, Bodhisattvacharyavatara, cause and effect, change, conditioned existence, doing, echo, enemy, event, existence, ghosts, identity, interaction, karma, knot, mind, others, practice, pre-existence, samsara, self-grasping, speech, talking to myself, tangle, thought, uncaused, untangling, web

                so, how long is a piece of string?

                always somehow, and ever somewhere,
                in a thousand different ways and
                a thousand different times, I set myself up,

                I set my self up
                to be the clever one, to be right in the end, and inevitably,
                like a thousand different echoes,

                someone comes and stands
                right in my way, or kneels in a ball behind me while someone else
                shoves me backwards

                so that I fall like a prat, and then someone else points
                and says ‘ha; ha’ in a thousand different ways; where
                do they all come from,

                do they just shimmer out of nowhere
                like ghosts just to frustrate me –whooo!–
                do they come out of nature,

                naturally unjust, naturally evil; are they just there
                existing from their own side, like a sharp bend in a long stretch of road
                {oh, come on,

                 no, they’d have to pre-exist in order to
                 come into existence, which would involve
                 a change in something which cannot change

                 because it is pre-existent, and therefore
                 causeless, so that it would have to stop being what it is
                 in order to be what it isn’t,

                 you know that, don’t you}; no, everything
                is conditioned, yes, and nothing stands
                independent by itself, so everything

                I have ever done or said or thought
                has been conditioned already, ok, but also,
                everything I have ever done or said

                or thought has also set up a
                whole web of further conditions
                which have had, or are nail-tapping waiting to have,

                an impact on other events
                and people; and yes, that’s ‘me’ in the corner …:
                the endless twists and turns I have made,

                and still making with every move and word and thought,
                which bind me in, tightly or loosely,
                to everything with which I interact –

                completely and utterly tangled:
                I hope I acted cleanly and carefully,
                but I’m afraid I didn’t – I’m … going to have to face my

                whole knot – a universally big ball,
                so much bigger than l’il ole me
                that it doesn’t seem to have much to do with me, but it does,
                it, all, does;

                and I’d better stop pulling and tugging away at it
                to get my own way and
                start untangling, and start untangling …

…I had a tangle of garden-wire to sort today; it had been wound round a dispenser but some of it had crossed over, become entangled, yanked, and a whole middle section had come away; then it had been worked on, to untangle it, but impatiently, and without thought, and so whole rolls of it had become furled over and through themselves, some bits were knotted, some bits were hanging out in great loops; being garden-wire, it kinked where it had been bent which also caught other strands as they came close to them in their tangle; and it had been cut for a quick solution, and so I had more than two ends that I could make any sense of; it took time untangling it, it took willing to give up on some progress I had already made on seeing that I’d started too far in, or too peripherally; it meant keeping hold of the thread I was starting with and turning the whole tangle around it, rather than working through the tangle, knowing that I was making problems for myself further down the line but I couldn’t worry about that yet; it meant having to abandon my initial thread sometimes to concentrate on further-on loops before I could return to it released; it meant I had to think ahead a bit to loosen the tangle in all the ways that it would, even if it meant unravelling the newly-wound initial thread I’d already sorted, a little; I had to take a rest every once in a while because I was concentrating too tightly …

                no, these enemies they’ve
                been ‘here’ all along, right in the
                back of my head, long forgotten,

                but from the time I crossed them
                in a thousand different ways
                and a thousand different times,

                they’ve been waiting, relentlessly,
                for a body and a circumstance to come together
                to respond:

                “there you go, mate, I owed you that”
                and inexorably I’d been setting myself up with just the right conditions
                to receive it

 

Bodhisattvacharyavatara chapter VI, verse 47: Impelled by my actions – [drawn out by circumstance, incited by the heat of the moment, prompted by hearsay, provoked by trigger, instigated by design, mobilised by obligation, shoved by control, summoned by role] – those who cross or hurt me, those who do me wrong just appear, right in my way and do what they have to do. And because of their actions, they will end up fallen and consigned to the infernal realms … surely, isn’t it actually me who have destroyed and damned them, haven’t I just been the mirror to magnify back to them their harm?

and, yes, that is a reference to the REM song, losing … something

 

 

^{————w}(O)rmholes_________________________________|—–

being & mind wormhole: …zzh-vvttP*–… … …
change wormhole: on facing the Have
doing & speech wormhole: ‘ouch’
echo wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
ghosts wormhole: what wounds have you got?
identity & others wormhole: there will be ovations
practice wormhole: ‘there, …’
samsara wormhole: glamour of saṃsāra
talking to myself wormhole: SPRING AND ALL VI by William Carlos Williams
thought wormhole: horizon

 

there will be ovations

Tags

2018, 7*, acting, audience, betrayal, blood, Bodhisattvacharyavatara, breathing, brother, children, circumstance, concentration, doors, emptiness, enemy, expectation, identity, life, light, machinations, music, naked, others, realisation, role, self-grasping, self-image, silence, sky, society, sound, stage, theatre, thinking, traffic

                ah, there’s the theatre and
                inside, the stage is set,
                the audience settled, the
                lights down, thank the fates,

                I almost didn’t make it –
                the traffic at this time of day! –
                the other is here, good,
                warming up, waving that

                stick all about, making whoosh
                noises, being all athletic and
                disciplined, I’d better get ready,
                torn robe on, oh, the blood

                smear it on, quick, and
                the hanging limb, OK,
                concentrate, breathe – be
                the character – I need

                to give the performance
                they are expecting – the
                circumstance, the machinations,
                the betrayal … no, not enough,

                what if it happened to my
                children, what if it were my
                brother with the stick, oh yes,
                it’s come to this, use the silence

                of the realisation, use the
                music – slamming doors
                in the sky! – no, this is more
                than my story, this is the

                history of my nation, quick,
                I’m ready now, I’m naked,
                I’m gutted and impaled, now
                for the finishing blow – how

                glorious this will be, I have
                so much invested in this,
                there will be ovations and
                encores, so worthwhile,

                I hope he has practised
                well – knows where the
                padding is; wait, is that
                a blade, tied to, the end

 

from Bodhisattvacharyavatara, Chapter VI – verse 43-44: [43] Here is a brandished weapon, and here is my body ready and presented, both of them the causes of my eventual suffering. My attacker has laid hold of his stick (tena śastraṃ), and I both wear and brandish my body. With what should I get angry? [44] It is I who have obtained and hold on to this boil, this pressured blister of a human body – sack of suffering – which cannot even bear to be touched and, moreover, it is I who am blind-sided through my own attachment to it, so that when the pain comes and the ‘boil’ bursts, with whom should I get angry?

 

 

^{————w}(O)rmholes_________________________________|—–

20th century wormhole: tram
breathing & society wormhole: the reach turned to love
doors wormhole: pursued
emptiness & life & others wormhole: the mantra of Maitreya
identity wormhole: I
light wormhole: travelling / back
music wormhole: and … // … sound
realisation wormhole: passing
silence wormhole: birth in the world
sky wormhole: horizon
sound wormhole: …zzh-vvttP*–… … …
thinking wormhole: ‘ouch’

 

the mantra of Maitreya

Tags

2018, 8*, acceptance, anger, attachment, Bodhisattvacharyavatara, delusion, emptiness, falling, fire, flower, ground, life, love, Maitreya, mantra, openness, others, peace, sentient beings, suffering

                                                                the mantra of Maitreya

                                oh my loves,

                wriggling on the very thorns you couldn’t live without
                struck by the match over the gasoline you just poured
                falling like a stone through the emptiness you cannot evade

                you wave your arms at me
                you entice me in your dancing embrace
                you collide with me completely oblivious

                let me place the flower in the barrel of the gun
                let me accept-wide your disfigurement, your awkwardness
                let me be the ground, flat as the palm of a hand

                                open
                                open
                                open

                                SOHA

 

Maitreya will be the next being to manifest as a Buddha in this world after the teachings of the current Buddha have been lost; the mantra is actually OM MAITRI MAITRI MAHA MAITRI ARYA MAITRI SOHA; insofar as it can be translated it reads ‘OM love, love, great love, sublime love SOHA’, where ‘OM’ is ‘regarding everything from the most-bottom line’ and ‘SOHA’ is ‘let it be so, as it already is’; the poem flowered quite petally from Bodhisattvacharyavatara, chapter VI, verses 37-38: [37] And like this, when they are so bewildered under the spell and influence of the kleśas, they will even destroy and, finally, take their own treasured life, then, how might it be hoped they would hold themselves back from harming or killing the bodies of others? [38] Even if I have lost, or cannot develop, compassion for these beings intoxicated and driven mad by their kleśas, who are engaged within their own self-destruction – lost in their own perdition, chained within their own fall – and who are, even now, committed to my destruction, then, how could I develop anger towards them? The least I could do would be to restrain from anger.

 

 

^{————w}(O)rmholes_________________________________|—–

acceptance wormhole: DANSE RUSSE by William Carlos Williams
emptiness wormhole: sun setting over a lake, 1840
life wormhole: it’s / not what you do or what you say / if it ain’t got that swing
love wormhole: the reach turned to love
Maitreya wormhole: birth in the world
openness wormhole: transferring
others wormhole: glamour of saṃsāra

 

glamour of saṃsāra

Tags

2018, 7*, anger, blood, Bodhisattvacharyavatara, fighting, glamour, honour, humility, identity, injury, kleshas, mind, mouth, others, patience, samsara, sincerity, step, superhero, within, world

                the self-built hero
                has levelled the world
                to win an honour

                the super hero
                has vanquished anger within
                with no harm to others;

                the super hero
                confronts the enemies
                as they arise in the mind

                step by slow step
                disregarding the struggle involved
                humble, un-beguiling, true;

                after all, when in battle,
                injury will occur – I wipe my bloodied mouth and stagger to my feet,                           
                begone, glamour of saṃsāra

 

Bodhisattvacharyavatara VI, 20 – There are those who take their enemies’ blows upon their chests, (taking them on the chin). It is they who are the victors, the heroes, they who courageously disregard all suffering and pain in vanquishing the enemies such as hatred and so forth. Ordinary warriors are just killers of the dead.

 

 

^{————w}(O)rmholes_________________________________|—–

identity & mind wormhole: ‘… and yet I think I am so modest: …’
mouth wormhole: THE LONELY STREET by William Carlos Williams
others wormhole: allowed all gain
samsara wormhole: all // are // none
superhero wormhole: to arms, then;
world wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych

 

allowed all gain

Tags

2018, 7*, beach, Bodhichitta, Bodhisattvacharyavatara, concentration, currents, distance, fetch, floor, karma, kitchen, light, mother sentient beings, movement, others, prayer, quiet, recitation, sitting, tide, waves

                every time the
                supreme and precious Jewel
                Bodhichitta prayer was
                recited, quiet and

                somewhat quirky,
                on flattened cushions and
                neon-lit in kitchens
                only the

                breaking waves
                and tides were noticed,
                occasionally, on the beaches
                but all the while

                the waves were
                swelling and fetching over
                distance and the currents
                pursued their

                unique and necessary
                paths, while the concentration all about the wide and holding floor supported                
                all movement and
                allowed all gain

 

all 913 verses in ten chapters of the Bodhisattvacharyavatara can be encapsulated in the Bodhichitta prayer: “May the supreme and precious Jewel Bodhichitta take birth where it has not done so, where it has taken birth may it not decrease, but may it increase infinitely”.

 

 

^{————w}(O)rmholes_________________________________|—–

beach & waves wormhole: we held cold hands
kitchen wormhole: and // do your ears burn red?
light wormhole: THE GREAT FIGURE by William Carlos Williams
others wormhole: cinnamon / milkshake
quiet wormhole: raised brow
sitting wormhole: The Boats of Vallisneria by Michael J. Redford – Trees