• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: parents

and … // … sound

20 Wednesday Feb 2019

Posted by m lewis redford in poems, reflectionary

≈ Leave a comment

Tags

2019, 8*, allegory, Arya Lalitavistara, Buddha, conceit, hierarchy, hope, horizon, humanity, identity, ignorance, kleshas, lies, love, music, parents, renunciation, role, royalty, society, sound, teaching, time

                                and …

                … there, where humans
                have found themselves
                in ever-corporate cluster

                evolving mass of breadth
                and hope in horizon; see,
                they conceive their self

                in immaculate conception:
                pyramidically instilled
                and royal to behold;

                it is their that I will
                be, allegorical to there
                conceit, I shall higher their boat

                to get to the other
                shore, I will honour their
                parents, I will love

                their fulsome lies, but
                the time will come
                that I shall cede the role

                and break their fragile Is
                when the boxes with
                broken strings nonetheless …

                                … sound

 

inspired both from, and within, the ‘Arya Lalita Vistara Nama Mahayana Sutra‘, which is the life-story of the Buddha, the title of which is beautiful: ‘Arya‘ meaning ‘higher, exalted’ as in connected to reality; ‘Lalita‘ meaning ‘play, game, role’, that everything is not just as it seems … an allegory, although coupled with ‘Arya’ it is an allegory that doesn’t merely ‘point to’ a deeper/higher meaning, it comes from and dwells within that meaning … playfully, poetically, suggestively, also suggesting how the scripture is to be read; ‘Vistara‘ meaning any and all of ‘breadth, dimension, elaboration, enlargement, expansion, extension, spread, width’ – the ‘exponetialising’ means of coupling the ‘Arya’ with the ‘Lalita’ parts; ‘Nama‘, meaning ‘named, called’; ‘Mahayana‘ the spiritual way and means of exponentialising; ‘Sutra‘ a ‘discourse’ or ‘means’ given by the Buddha, yes this is an autobiography, but so much more if read with eyes wide open; there are several allusions to musical instruments that ‘sound’ (and sometimes ‘speak’) when not played, or when broken; ‘their’ and ‘there’ in the 4th stanza poem are sic and are meant to be questioning both identity and place in samsara

 

 

————w(O)rmholes________________________________|—–

Buddha wormhole: with all love released
horizon wormhole: The Diligence at Louveciennes, 1870
identity & society wormhole: Fishermen at Sea, 1796
love wormhole: sun setting over a lake, 1840
music wormhole: on facing the Have
sound wormhole: YOUNG SYCAMORE by William Carlos Williams
teaching wormhole: between
time wormhole: ‘there, …’

 

Advertisement

Rate this:

The Boats of Vallisneria by Michael J. Redford – With Cows

17 Friday Aug 2018

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

1967, blue, brother, brown, cows, eyes, faces, food, hedge, herd, imagination, intelligence, Kent, meadow, Michael J Redford, milk, parents, reading, running, skill, sound, the Boats of Vallisneria

With Cows

Cows can be frustrating to say the least.   If you are in a hurry, they are not; if you want to turn left, they will turn right; if you want them to come to you, they will walk slowly but surely from you (except, of course, when there is food in the offing).   You can shout until you are blue in the face and, unless it is milking time, the only resultant effect will be an all pitying gaze from two enormous brown and blue eyes set in the most imperturbable face that nature has created.

My first introduction to the bovine species took place when I was about seven years old.   My parents, brother and I were on a picnic in Kent and on that particular day I was a fearless explorer penetrating the depths of the African jungle.   This had stemmed from the fact that I had just finished reading a book called the Gorilla Hunters which had sparked my imagination into a riot of fantasy.   Slipping unobserved into the undergrowth, I crawled upon all fours until I came upon a high, mossy bank surmounted by a thick, prickly hedge.   Hearing an unfamiliar chomping sound coming from the other side, I wriggled into the hedge and poked my head through into a small meadow.   I turned and gazed upwards and at the same instant, a cow who was hiding behind the hedge and who I swear was no less than fifty feet tall, turned and gazed down at me.   Then, unable to contain herself any longer, the cow blew violently down her nose at me, turned on her heels, and shot across the field like a bullet kicking the air behind her as she went.   I cannot recall ever seeing a cow move with quite so much speed.   Neither, I suspect, would an observer have ever seen a small boy move with such speed.   I rejoined the family scratched, breathless and as pale as a ghost, and shamelessly told the face-saving lie that I had been chased by a bull.

My opinions regarding the intelligence of cows has pendulated with the acquisition of experience.   When I first worked with cows I noticed how, on entering the shed at milking time, they all went to their own particular stands, and had an animal for any reason entered the wrong stand, she was very soon ousted by the rightful occupier.   This, I assumed, denoted intelligence.   However, I was very soon to discover that cows are animals of habit and habits are no criteria of intelligence.   Eventually I came to the conclusion that, because of its indolence and obstinacy, the cow was a complete and utter dim-wit.   But once again, experiences of the past year have led me to the final conclusion that cows have a very good measure of intelligence.   I milk for a local farmer one day a week to give his herdsman a much needed break from the seven day a week routine.   He owns a large farm with two herds of cows, a herd of Jerseys and a herd of Friesians.   Milking is carried out in a modern tandem parlour with automatic feeding and ‘all mod cons’.   When the animals enter the parlour they are fed by pulling a lever which releases just the right amount of food from a hopper into a manger.   When the lever is pulled down, two pounds of food are released and when pushed back up, another two pounds.   After a surprisingly short period of time, the cows become aware of the connection that existed between the action of the lever and the delivery of food.   By contorting their bodies in a manner quite out of character with their natural movements, the cows discovered that they were able to reach the lever and very soon began pushing it down and returning it to the upright position to obtain an extra double helping of food.   Indeed, one of the Friesian cows developed the knack of tossing the lever violently up and down in order to obtain an almost continuous supply of food.   When her manger was almost full, she would struggle back to her normal position and attack the gargantuan meal before her.

However, with cattle cake costing over thirty five pounds per ton, this state of affairs had to be dealt with.   We eventually overcame their antics by tying a piece of cord to the stanchion and looping the other end over the lever, so that in order to feed the cows, we would merely remove the loop, pull the lever and replace the loop.   This system worked beautifully – for a while.   It wasn’t long before the animals overcame this obstacle by pulling the loop from the lever themselves, despite the fact that this is a somewhat delicate operation for their great, cumbersome muzzles to perform.   An interesting point that came to light during this period was that the Friesian cows were the worst offenders, whereas, out of a herd of twenty five Jerseys, only four managed to reach this standard of reasoning and acquired the knack of working the lever.

Yet despite their apparent superior intelligence, I have in my experience, found fewer ‘character’ cows among the Friesians.   By ‘character’ cows I mean the bovine equivalent of the human being who is ‘a bit of a lad’ or rather ‘quite a girl’, the one who stands out in a crowd.   One such a cow was Magatha, who was just about the ugliest little creature that I have ever seen.   She was sway-backed, had a fawny-coloured coat with grey patches all over it and had a face too concave even for a Jersey.   One ear had a lump torn from it and her ridiculous little head was beset by two crooked horns.   Despite her lack of charm and elegance, for she waddled along in a most ungainly manner, she was the most endearing and affectionate cow I have ever met.   At milking time she would always be last out of the field and last out of the shed and during the short walk between the two, she would creep up behind me and push her ugly little head under my arm and we would troop up the lane behind the herd like a couple of young lovers.   On one occasion (I think it must have been a ‘morning after the night before’, for I wasn’t in a very benevolent mood), I failed to reciprocate her affections and instead gave her a hefty whack on the rump to speed her on her way.   She countered this breach of etiquette by doing a half-passage and forcing me nearer and nearer to the side of the road.   I realised too late what she was up to when I landed full length in the ditch running with effluent from the much heap.   However, like all good lovers we made up and until the end of my stay at that particular farm, we could be seen every morning and every evening strolling arm in arm together along the lane.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

blue & brown wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
eyes wormhole: thought
faces wormhole: ‘oh my girls and muse …’
hedge wormhole: travelling // arrival
reading wormhole: … the underleaves show
sound wormhole: moon- // washed

 

Rate this:

south horizon

10 Friday Feb 2017

Posted by m lewis redford in poems

≈ 2 Comments

Tags

1959, 1967, 1979, 1993, 1999, 2011, 2012, 7*, abandonment, anger, Bowie, childhood, Dad, discovery, divorce, drum, evening, experience, horizon, light, London, Margaret Thatcher, memory, Mum, Nan, pain, parents, perspective, purple, rhythm, river, saxophone, shift, Shooters Hill, south, texture, Thames, travelling, words, world

                south horizon

                out on the river
                the purple is shifting

                but in the evening-bulb light
                the world-shaping words

                of grown ups
                is shifting uncontrollably

                but,          no; it’s OK          look
                there is rhythm, there is

                a saxophone, a hi-hat – shflpt –
                in the crack there

                where words sift
                where worlds shift

 

I submitted this to an online magazine; they didn’t want it; I’ll publish it here again with the copy that supported it:

about the poem: on my eighth birthday (in 1967) my Dad arrived home late from work; my parents had one of their last arguments; my Dad left home that night; I couldn’t remember much of what happened that night – what was said, how much I heard, how much I understood – but I realised that worlds could change quite quickly that night; years later, in 1993, David Bowie recorded ‘south horizon’ on his ‘Buddha of Suburbia’ album, but I didn’t really get to know the piece until 2011; hearing it etched that experience back into my memory – bevelled it up, almost – but it also supplied textures and chord changes to the memory that allowed me a perspective that held me from being just angry or hurt; (‘the river’ is the river Thames; we lived on Shooters Hill in SE London from where we could hear and breathe the river)

author bio: Mark Redford was born in 1959 and grew up in South East London until he bolted to university (like a bat out of hell) in 1979, hot from Margaret Thatcher’s election victory; London was never the same every time he returned back; his mother, who had brought him up with her mother (his Grandmother), died in 1999; since then he has travelled back to London frequently to find the previous 40 years, but only seems to find them when he writes down what he saw; you can see what he sees (possibly better than he can) at: https://mlewisredford.wordpress.com/; if you bump into him there, give him some directions would you?

 

 

————w(O)rmholes________________________________|—–

abandonment wormhole: monument to vainglory
Bowie wormhole: new-found love – poewieview #36
childhood & Thames wormhole: that comicbookshop … // … in dreams
Dad & divorce & texture wormhole: beepbeep
evening wormhole: alighted
horozon wormhole: 1966
light wormhole: so pleased to see you again
London wormhole: 1967
Mum wormhole: 1967
Nan wormhole: work
purple & river wormhole: the silent night of the Batman
travelling wormhole: traffic lights and broad avenue
words wormhole: breathing out
world wormhole: Lapping Reflections [Deep Within Waters] – agricultural show

 

Rate this:

The Boats of Vallisneria by Michael J Redford – Simon Upon The Downs

04 Thursday Aug 2016

Posted by m lewis redford in announcements

≈ Leave a comment

Tags

'scape, 1967, air, autumn, beauty, beech, blue, branches, breeze, brown, butterfly, child, clouds, countryside, cows, echo, eyes, field, finches, friends, green, hedge, hill, horizon, lark, leaf, leaves, life, meadow, Michael J Redford, morning, mouse, October, orange, parents, red, sea, seagull, sky, solitude, South Downs, space, sun, the Boats of Vallisneria, thought, trees, village, walking, white, wind, windows, yellow

While staying with some friends at their South Downs home one autumn, I espied their six year old son Simon making off across the meadow at the foot of the hill.   Having been asked to keep an eye on their offspring while they went into town, I took up my walking stick and opened the back door.   As I stepped into the sun, I recalled those beautiful hours many years ago when I first walked the slippery grass of the Downs alone and first became aware of their warmth and their beauty.   For this reason I remained at a discreet distance and kept well out of sight, not wishing to intrude upon the boy’s apparent solitude.   I relived those distant moments with this young child, wondering if his thoughts were parallel with mine.

It was a mid October morning, one of those rare mornings when each distant leaf and twig is etched with startling clarity against the pure motionless air.   A faint haze of cloud occupied the northern sky, yet immediately above, the heavens were of such a blue that, even as he gazed, young Simon’s eyes ached at the brilliance of it.

The hedgerows were beginning to thin a little so that he could just make out the faded stubble beyond.   Haw berries were in profusion and were difficult to distinguish from the leaves, many of which had turned a deep russet brown.   He climbed to the brow of the hill, crossed to the stile in the far corner of the meadow and paused.   This was the furthest he had ever been by himself.   He knew this meadow fairly well for he could see it from his bedroom window.   This is where the big brown cows file slowly by in the drowsy summer afternoons and where, if you are lucky, you can see the rabbits scurrying about in the hollow down by the thicket.

He turned and peered over the stile into a new land, a land of sharp prickly stubble and straw bales stacked in towers across the field like an army marching down upon the red roofed village below.   A cloud of finches rose from the ground, as if the boy’s sweeping gaze was of material substance, touching the birds and startling them from their gleaning.   The land sloped gently away to the village and there levelled out to the broad patchwork weald cradled within the gentle curve of the downs upon which he stood.

Never had the young boy seen such a view, its beauty being enriched by his apparent solitude.   Here, high upon the downs, he was a giant surveying his kingdom and strode the browning fields to the horizon counting them as he went.   He came to love the scene dearly as the years went by, often returning later in life to relax in the spaciousness of it; to release his mind, his very soul, to soar high above, around and within and become part of this spacious beauty.

He clambered over the stile and made his way along the headland.   He liked walking upon stubble because it crackled and popped beneath his feet and trapped air burst forth from the hollow stems.   The day seemed a little warmer now and somewhere high above, a lark sprinkled the field with song.   Then a rustling in the hedgerow close by brought Simon’s gaze to rest upon the tiniest mouse he had ever seen.   It was the little creature’s white waistcoat that gave him away, for his yellow-orange jacket blended so with the coloured leaves about him, yet, even as he looked, the twinkling eyes and quivering nose disappeared.   He dropped to his knees and squinted between the leaves.   One leaf in particular caught his eye.   It was noticeable by the fact that one side of the central rib was of a deep chocolate brown colour while the other side remained green, and on the underside of the brown half each tiny artery and vein was etched clearly in red.   Plucking the leaf, the boy rolled over onto his back and looked up through the overhang of the hedge and on up through the branches of a great beech tree to the sky beyond.

At the zenith the azure had deepened and was of great and wonderful contrast to the coloured leaves about him.   He was conscious of the great depth above him yet lifted his arms to touch it, his fingers tracing the graceful boughs above.   And there, framed within his outstretched arms, within that riot of dazzling colour, he became aware of life, all life, from the very earth upon which he lay to the cosmic depths his fingertips caressed.   He became aware of its vitality, its beauty and its warmth.   And the young boy gazed in awe and wondered.

He loved the countryside and the old cottage where he lived with his kindly parents and he looked forward to the walks and picnics they took together.   But here was a new experience.   For the first time in his young life, Simon was away from home and alone.   The great hill and reared itself between him and the little cottage cutting off all visual contact with things familiar.   Suddenly, it was as if the countryside belonged to him, it became as intimate and close as his own loving parents.   As he gazed above with half closed eyes, the blue sky poured down its warmth upon him; the mild breeze lifted his fair hair and tickled his forehead and the Red Admiral butterfly danced for him and him alone.   This was indeed his land.   He rolled over and hugged the earth close to him, clutching handfuls of dried leaves.   Tomorrow he would discover a new land beyond the shoulder of the downs and perhaps one day he would even reach that distant ring of trees.   But not now, for there was a touch of urgency in the falling leaves and the echo of a gull circling far out above the sea, filtered through the wind to tell him it was time he was on his way.   So, with a twig of deep red leaves for his mother’s vase clasped tightly in his small fist, the boy arose and turned once more to the hill.

How sad thought I, is the cry of a gull, or was it merely the mood I was in that made it appear so, for echoes of the past, no matter how happy, are always tinted with sadness.   Following the young explorer I thought up these few lines:

                Hark to the seagull’s urgent cry
                Which faster leaps than body flies,
                Leaps from the soul, bounds o’er the tree –
                Crowned beasts alone above the sea.
                Then down upon the ewe-cropped sward,
                Through rabbit’s hollow, shaded run,
                Along the white and winding track
                And up once more into the sun.
                And on the salty wind that sighs,
                The fading cry looks o’er the sea
                To see its birthplace glistening white
                And wheeling, circling, ever free.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

air & blue & eyes & green & sky wormhole: weight of high sash windows – poewieview #33
autumn wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – autumn
beauty wormhole: Doctor Strange II – … things are the same again
branches & leaves wormhole: Is There / Life on Mars? – poewieview #32
breeze & clouds & horizon & trees wormhole: carpet worn / to the backing – poewieview #30
brown & space wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – moment
child wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
echo & field & thought wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – from arm to nature, doing nothing
hedge & morning wormhole: The Boats of Vallisneria by Michael J. Redford – Olly
life wormhole: even / a second
orange wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – the soft canticle of the gourds:
red & walking wormhole: my seat // now
sea wormhole: Le Pont des Arts, 1907
seagull wormhole: the missing chord // the now-silent seagull
sun wormhole: trellis / and wisteria – poewieview #29
white wormhole: ‘hope for things to come’
wind wormhole: The Boats of Vallisneria by Michael J. Redford – A Precious Moment
windows wormhole: magnetic field
yellow wormhole: Doctor Strange III – the needs of billions

 

Rate this:

‘the hour before dinner – / the empire of dusk’ – poewieview #6

05 Friday Feb 2016

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1966, 2016, black, blue, Bowie, carpet, childhood, classroom, echo, Eglinton Hill, football, glass, grey, parents, piano, school, separation, sound, time, twilight, walls, white, windows

                           ‘the hour before dinner –
                            the empire of dusk’*

                           the heights of darkening wall
                           below the quietening classrooms
                           cannot stop the echo return
                           within the plastic football

                           the latched-shut of sash-window
                           sealed with lead-white gloss
                           cannot stop the penetration of
                           blue greys through the glass

                           the castor wheels and pillar-leg
                           of the lacquer-black piano cannot
                           stop the hammered strings
                           break across the carpet;

                           the time to stop will come
                           but not yet, not quite yet

 

* title gathered and arranged (ikebana-style) from the words of Chris O’Leary in his article on ‘There Is a Happy Land‘, 1966

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

black wormhole: new garden
blue & carpet wormhole: David Bowie – Iris
Bowie wormhole: London Park in Greenwich town – poewieview #5
childhood wormhole: spit / spot
echo wormhole: 1963
Eglinton Hill & glass wormhole: finding my own true nature – Plumstead, Woolwich, 190915
grey & school wormhole: bamboo-green boiled sweet / with soft purple filling
piano wormhole: poessay X: soul love – poewieview #2
sound wormhole: ‘went up to London and what did I see; …’ – poewieview #7
time & walls wormhole: London Park in Greenwich town – poewieview #5
twilight wormhole: my life / of others
white wormhole: sixty four sixty five – poewieview #1
windows wormhole: London Hearts – poewieview #4

 

Rate this:

Soir Bleu, 1914

24 Tuesday Nov 2015

Posted by m lewis redford in poems, poeviews

≈ Leave a comment

Tags

1914, 2015, alcohol, blue, cigarette, clown, dark, drinking, Edward Hopper, evening, eyes, flesh, French, hills, lantern, mind, painting, parents, river, silhouette, table, thinking, years

 

 

 

                           Soir Bleu, 1914

                           what does that clown
                           sat at the table with
                           cigarette oblivious
                           to blood-wounded eyes?

                           my goodness, I hadn’t
                           noticed, sat here with
                           only a towel to wear,
                           no wonder I cannot drink

                           I
                           am a Chinese lantern made
                           flesh immaculate borne of the
                           minds of my un-talking parents
                           sat before a clown with empty carafe

                           me, I could paint a picture of this all
                           but the hills are dark behind my mind
                           and roll downstream continuously
                           out of frame

 

 

 

————w(O)rmholes________________________________|—–

blue & eyes wormhole: com- / mute
Edward Hopper & river & years wormhole: Compartment C, Car 193, 1938
evening wormhole: zok! and pow!
hills wormhole: dream 260815
mind wormhole: Evening Wind, 1921
silhouette wormhole: now, the verticals go down as well as they go up
table wormhole: the art of sit and follow
thinking wormhole: let the dreams / become the ghosts they / always were

 

Rate this:

sit

20 Tuesday Oct 2015

Posted by m lewis redford in poems

≈ 4 Comments

Tags

2010, abandonment, ageing, Batman, bedroom, being, biography, birthday, books, border, branches, cape, carpet, cars, Catcher in the Rye, childhood, children, comics, compassion, counting, cowl, crying, Dad, divorce, father, flower, fog, fracture, French, green, guru, history, house, identity, image, leaf, life, living room, lyric, marriage, moonlight, Mum, music, night, numbers, parents, pattern, planets, posture, power, Salinger, self-compassion, sentient beings, settee, shadow, sitting, skyline, speech, stone, sunlight, superhero, Superman, surrealism, talking to myself, teaching, wife, world, writing, yin yang

 

 

 

                           I stared at the pattern of the carpet
                           driving my cars behind the settee
                           while my parents said final things
                           to each other; the twirl of the branches

                           a better life, the curl of a flower;
                           you’d better go, the border; and
                           never step back in this house again,
                           the shadow of the leaf is also a

                           darker green; I had never studied
                           the pattern before – never had to,
                           never could – I can work it out now,
                           see how it repeats; I think something

                           is happening with Mum and Dad
                           on the other side of the settee; but
                           this pattern continues around the
                           whole carpet, around the whole room;

                           only later – in bed – is it announced
                           what I had already known, and only
                           then could I ask why does it have to
                           happen to us and cry; only when it

                           was announced, only when it was
                           expressed; I had already known
                           but I could only count the patterns,
                           I could only drive the cars; and

                           as I cried, I was numb – pattern
                           before settee – I could fracture
                           from the world, just find a pattern;
                           you’re the man of the house now,

                           someone said to me, so I studied
                           the pages of comicbooks – patterns
                           of power, solving under cowl,
                           jumping under cape, between the

                           skyline and the world: I shall
                           throw stones high, until they
                           don’t come down; I shall dig so low
                           that no one could follow, no;

                           I shall count all numbers; I shall
                           collect all numbers; I shall
                           discover all planets; I shall adopt
                           the posture of heroes, no; I shall

                           number the histories; I shall weave
                           the texture of music; I shall taste
                           the shock of lyric; I shall smell
                           the books, no; I shall sunlight

                           the chorus; I shall cry the biography;
                           I shall see the image, and write them
                           into existence, yes; I shall follow
                           the curl and the twist and the twirl

                           under moonlight all the night long;
                           then, I shall play catch in the rye;
                           I shall alors les boulevards; I shall
                           yin the old yang; I shall surreal in

                           the fog; I shall honour my guru
                           I shall marry my wife; I shall father
                           my children; I shall teach in those classes –
                           but forty two years on, he had still

                           just left; and I still didn’t know how
                           to be the man; time to get out from
                           behind the settee, take a seat with
                           all the others, and
                                                  just
                                                  sit there with them all awhile

 

 

 

————w(O)rmholes________________________________|—–

abandonment & divorce wormhole: … back to the outbreath
Batman wormhole: zok! and pow!
bedroom & Dad wormhole: 1959 –– MANHATTAN –– 2012
being & identity & talking to myself & world & writing wormhole: out!
books wormhole: library: start where you are IV // all the distance I have travelled!
branches wormhole: Exceat to Cuckmere Haven
carpet wormhole: Ashdown Forest / 080213 14:47
cars wormhole: after all?
childhood & music wormhole: fantasia
comics wormhole: Detective Comics #345
compassion wormhole: de Boeddha // of light
father wormhole: sight / seeing
fog wormhole: my life / of others
green wormhole: three musicians
history wormhole: Brugges April 2015 – looking lost
house wormhole: House by the Railroad, 1925
life & speech wormhole: “write, let’s break outta here!”
living room wormhole: Woolwich Central – making life better II
Mum wormhole: dream 230315
night wormhole: mauve / night
posture & sitting & superhero wormhole: exactly equal
power wormhole: the continental stride of trains
shadow & teaching wormhole: … anymore
skyline wormhole: The Louvre in a Thunderstorm, 1909
stone wormhole: Evening Wind, 1921
Superman wormhole: escape from Flat Planet

 

Rate this:

… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
  • 'I can write ...'
  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

announcements awards embroidery poems poeviews reflectionary teaching

tag skyline

'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,847 other subscribers

... just browsing

  • 50,198 what th'-s

I wander around after this lot a lot …

m’peeps who notice I exist

these things I liked …

A WordPress.com Website.

SoundEagle 🦅ೋღஜஇ

Where The Eagles Fly . . . . Art Science Poetry Music & Ideas

Classic Rock Review

The home of forgotten music...finding old reviews before they're lost....

A Reading Writer

I write because I read. I read because I write.

Buddhism in Daily Life

Buddhist meditation applied to our everyday lives...

Laughter Over Tears

Where books, movies, anger, confusion and musing live together in sin.

Sunra Rainz

Poetry. Art. Photography. Musings.

A girl seeking joy and serenity

Silver Birch Press

Poetry & Prose...from Prompts

whimsy~mimsy

a few words spewing from my soul...

naïve haircuts

The daily addict

The daily life of an addict in recovery

The Sixpence at Her Feet

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • mlewisredford
    • Join 1,847 other followers
    • Already have a WordPress.com account? Log in now.
    • mlewisredford
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar