What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

just saying, is all VIII: keeping up toxic appearences

Tags

2013, 5*, appearance, breath, career, communication, decades, dialectic, lungs, managerialism, neglect, no voice, offering, plastic, professionalism, rights, teaching, toxic

                                                                                 just saying, is all VIII:

                                              and after all
                                              I had something to offer
                                              to the very fibre and vessel of teaching

                                              that was ‘hoff’-
                                              ishly and consistently denied the right to enter
                                              that holy dialectic, it was

                                              sincere and
                                              credible and beneath
                                              neglect, while keeping up toxic appearences

                                              of communication,
                                              thriving in a sealed plastic bag …
                                              … in which I have taken breath for decades

                                              my lungs
                                              now shot through, unable to
                                              speak but still reliant on a borderline-

                psychotic professionalism wasting me to the bone

 

 

 

^{————w}(O)rmholes_________________________________|—–

breath wormhole: stone
career & managerialism wormhole: just saying, is all VII: // `spolitical
communication wormhole: reprieve
professionalism & teaching wormhole: wakeoutofadream

 

Michael Redford: triptych

Tags

1935, 1970, 2007, 2009, 2012, afterlife, armchair, being, black, brown, carpet, chair, cigar, doing, doors, evening, fire, floorboards, garden, green, horizon, life, living, living room, night, piano, plants, plastic, Ramsden Heath, realisation, sitting, sitting room, smell, sound, table, talking, trees, uncle, windows, wine, wood

 

 

 

                                           Michael Redford
                                           1935-2007

                                           later on
                           he strolled in the garden
                           breathing the night and the plants
                           smoking a fine cigar

                           then he paused
                           and looked back at the armchair
                           where he had been sitting –
                                           Pphffffff

 

—~~M~~—

 

                                              sitting room

                                              plastic-marbled
                                              chest-height handle

                                              smell of sofa-linen
                                              and wood-fire evenings

                                              with company
                                              and dark green wines

                                              cool black boards and
                                              the white patterned carpet

                                              with almost-meeting
                                              crenellated walls

                                              brow-height mantelpiece
                                              on jungle green

                                              and the piano in the
                                              corner with duff bass keys –

                                              plant-shaking

 

—~~M~~—

 

                                                                      1970

                                                                      to my uncle
                                                                      shifting on
                                                                      hardplastic
                                                                      seat of dining
                                                                      chair – crack –

                                                                      elbow uncomfortable
                                                                      on table-edge
                                                                      carving – creak –
                                                                      to execute a
                                                                      perfect tree

                                                                      on the horizon
                                                                      with just two strokes
                                                                      one brown
                                                                      one green
                                                                      I knew then

                                                                      to put down
                                                                      my compass plans
                                                                      for every detail
                                                                      but only just now
                                                                      doing it

 

looking for what to publish today, I found my uncle unassumingly proffering the lesson in life that he always gave, even nine years after he died: that you don’t look for life, you notice it; some teachers teach by being rather than saying, so that you don’t realise you are being taught until you know; wherever he is now, I hope he knows what he gave me/us … in fact I dedicate the clean-ity of all I notice to return the gift to my uncle wherever his lives have led him now

 

 

^{————w}(O)rmholes_________________________________|—–

being & doing wormhole: need
black wormhole: the start of adolescence
brown wormhole: London Hearts – poewieview #4
carpet wormhole: ‘the hour before dinner – / the empire of dusk’ – poewieview #6
doors & garden wormhole: impressionism
evening wormhole: well,
green & talking wormhole: bavardage
horizon & life wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
living & night & smell & sound & table & windows & wood wormhole: B le tch l ey P ark
living room wormhole: Woolwich Central – making life better II
piano wormhole: tabla
Ramsden Heath & uncle wormhole: … still waving!
realisation wormhole: dream career // groggy
sitting wormhole: the writing’s on the wall
sitting room wormhole: purple and mauve
trees wormhole: words tumble like / boulders – poewieview #25

 

Plumstead – Woolwich 121114

Tags

1970s, 2014, 8*, anxiety, architecture, art deco, ash tree, bay window, bench, Beresford Square, blue, breathing, brown, buddleia, buildings, Canary Wharf, cars, change, clothes, clouds, communication, compassion, Dallin Road, demolition, dream, Eglinton Hill, empire, Europe, eyes, feet, fence, Genesta Road, ghosts, glass, glasses, grass, growth, handshake, head, house, identity, iron, keys, language, leaves, library, light, living, London, looking, love, music, passing, pavement, people, petrol, piano, pigeons, plane, plastic, Plumstead, purple, rain, rainbow, roads, rooftops, school, schoolgirl, shadow, Shard, singing, sky, smile, sound, speech, step, streetlight, streets, sun, swifts, talking, tarmac, Thames, time, travelling, trees, tv, vow, walking, walls, windows, Woolwich, yellow

 

{Every year and a while I travel 40 miles up to Woolwich, where I grew up, to check that the journey I make started off in the write direction (HA!); while wandering I write, leaning on peoples’ front walls and making a coffee last in a cafe (and every once in a while I treat myself to an afternoon bench); I haven’t been up there for awhile, certainly since the echoing tragedy of Lee Rigby’s death on 22nd May last year; I wrote snatches of life as usual and came home; I realised that the snatches patch-worked together and worked them into a whole landscape which they had ever were in the first place; I know it’s a long piece but please pursue it for the sake of Woolwich; I realise now that my previous visits’ writings need some rendering due-ly …}

 

 

                      Plumstead – Woolwich 121114

                      all fractured now, slightly misshapen, still
                      holding together, the grubby art deco window that
                      coloured the stairwells bracing two rooms
                      maybe three now, don’t know why they used coloured

                      glass, the bay windows still looking up the street looking
                      down, occasional five-finger buddleias like Empire
                      plaques on the wall above top floor windows
                      scud clouds above the coping

                      then flights of step up and up and straddling and down
                      the storeys of irregular variegated plastic cladding
                      upwards upwards for to breathe free and live while people
                      pass on the wet street with small steps and quiet slippers

                      I had a dream once something anxious and dreadful
                      followed me going into and out of Polytechnic Street
                      from Wellington along by the stacked flanks of seventies
                      double-glaze all screened and blinded from the street

                      cannot see in cannot see out, people walk awkward
                      on the tiles flexing metatarsals under the slight over
                      hang of the library from the colding rain while, look,
                      a rainbow arches hidden down the side-street turning

                      the bricks and glazing purple, no one looks up
                      arranging bank loans, arranging brunch, after noon
                      the sun divides streets in half, the buildings too
                      dark to see the shop fronts too dazzled to walk into

                      the sun favours ambitious plants between torn-down
                      building and upright support, plays along the side
                      of preserved plots – flanged shadow from pipework and
                      signage across circular windows – eye to the sky – under

                      hand-brow, too bright even for tinted glasses;
                      so many of my people generations poor in the sun
                      from Empires and Union under the Royal Arsenal
                      Gatehouse; each passing step collapsed and proud knot

                      in kneed of any support, thank you: their shadows reach me
                      down the Square’s access channel long before their pain
                      walks by: I don’t know any of you now with your plastic ID
                      badges with your back-pat handshakes and bent-heads

                      sincere-talk, grouped and scattered by the public toilets
                      your drunk over-emphases your ways like pigeons – where are
                      all the pigeons? – and your beautiful language aged as
                      public benches; dark clothes to wear, light clothes to buy

                      and you don’t know me – lost son haunting the streets – but
                      I love you all constant as the windows proud above roofline
                      between turrets looking onto the Square; I long ago made
                      my vow to you at a time when borders seemed important
                      I know, I know I am slow but I return again and again to see you
                      and you break my heart each time I learn to smile again

                      out towards Plumstead on the lower road (I cannot find
                      the tree I found before through all my travelling) new trees
                      and tapered posts with lights for the road and lights for the
                      pavement and posts just waiting, reaching into the blue blue sky

                      you have been done up many times, Genesta*, so
                      I only notice now what hasn’t changed, for the first time:
                      unassuming tapered pillars between the windows and bays
                      of my youth that reflect the blue sky now (yellow leaves

                      highlight the paving and tarmac wet like petrol) only noticed
                      when a swift skeeks across one pane, not the other;
                      up Dallin Road, she’s got through another day
                      she’s survived the juddering divided walls of ‘have to’

                      the way things are these days, with music in hand
                      she makes rewarded way along the steely street where
                      the sun has slipped below the higher roofline, singing her
                      do-do-do’s to the endless chorus ‘why do we do it;

                      how do we do it?’, and looking for her house keys
                      under metal clouds; the long grass grows rosettes around
                      yellow leaves, brown leaves, by the leaning iron fence the
                      steep tarmac cracks and the shorter grass takes over; past the

                      bronze age tumulus it’s clear, London’s grown up a lot
                      since I watched Francis Chichester sail up the river
                      from the window up on Eglinton Hill – something he did –
                      now there are Shards and Wharfs and stacking planes

                      and significant lights denoting all manner of whey and access but
                      still my nose is running and I need to have a wee; I suppose
                      I need to get home now the light is fading slow and fast
                      at 52 – the ash has only lost its upper leaves by the roof

                      at 48 there is afternoon tv after electric piano practise is done
                      at 44 – the estate agent climbs awkward into her clean soft-top with
                      high clip heels; at 36 – a lantern shines arched in the porch while
                      sirens circle the borough and there’s nothing left here now outside 46

 

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: Batman#175
bench wormhole: the bench / on the fourth sister from / Birling Gap before the / wind-brushed scrub and gorse / and the grey-blue sky / smoothed through the / fishtank-blue horizon to / grey-green sea
blue & leaves & sun wormhole: Jean Miller kissed Salinger
breathing wormhole: born again
brown wormhole: on sitting / in front of / a hedge
buddleia wormhole: (Little by Little)
buildings & travelling wormhole: I could step / more open
cars & roads wormhole: the long road
change & time wormhole: Dr Strange II – … things are the same again
clouds wormhole: the utter beauty of giving when receiving
communication wormhole: Maidstone
compassion & feet & love & speech & talking wormhole: there are patient listeners
dream wormhole: we’re born // to die
Eglinton Hill & Woolwich & yellow wormhole: letters to Mum V – carrying on in duty and love
eyes & looking & shadow wormhole: a maturity
Genesta Road & rooftops wormhole: corroboration
ghosts wormhole: only the Batman realises that he is dead
glass & light & streetlight wormhole: oh-pen
glasses wormhole: first a mishap then clear vision
house wormhole: day off
identity wormhole: that
living wormhole: scattered
London wormhole: letters to Mum I – a walk / and talk
music wormhole: no exit
passing & sound & walking & windows wormhole: Matildenplatz / & Luisen
people & rain & sky wormhole: Luisenplatz
piano wormhole: … walking down the street
pigeons wormhole: tune up // baton taptaptap
purple wormhole: consturnation …? // consternation
school wormhole: tag cloud poem VI – anyone’s eyes
smile wormhole: irretrievable / breakdown / of marriage
streets & trees wormhole: Dr Strange I – the trashcan tilted the better to see now the street
Thames wormhole: letters to mum II – family // like a grate
tv wormhole: multifarious: the Dark Knight Returns (1986)
walls wormhole: stuck free to move within