• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: poetry

11/1 by William Carlos Williams

13 Thursday Jun 2019

Posted by m lewis redford in poems

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'scape, 1928, 8*, being, billboard, blue, faces, giant, lamp, moon, night, poetry, red, running, sky, speech, stars, weeds, William Carlos Williams, writing

poetry should strive for nothing else, this vividness alone, per se, for itself. The realization of this has its own internal fire that is “like” nothing. Therefore the bastardy of the smile. That thing, the vividness which is poetry by itself, makes the poem. There is no need to explain or compare. Make it and it is a poem. This is modern, not the saga. There are no sagas–only trees now, animals, engines: There’s that.

11/1     I won’t have to powder my nose tonight `cause Billie’s gonna take me home in his car–

                The moon, the dried weeds
                and the Pleiades–

                Seven feet tall
                the dark, dried weedstalks
                make a part of the night
                a red lace
                on the blue milky sky

                Write–
                by a small lamp

                the Pleiades are almost
                nameless
                and the moon is tilted
                and halfgone

                And in runningpants and
                with ecstatic, aesthetic faces
                on the illumined
                signboard are leaping
                over printed hurdles and
                “¼ of their energy comes from bread”

                two
                gigantic highschool boys
                ten feet tall

 

the billboard credo of William Carlos Williams from The Descent of Winter, 1928 by William Carlos Williams, luminary to my early wonder

 

 

————w(O)rmholes________________________________|—–

being & night wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
blue wormhole: in turgid reflection
faces & red & stars wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
moon wormhole: Impression of Winter: Carriage on a Country Road, 1872
poetry & writing wormhole: writening
sky wormhole: Great Bridge, Rouen, 1896
speech wormhole: Pont Neuf, Paris, 1902
William Carlos Williams wormhole: 10/30 by William Carlos Williams

 

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writening

08 Saturday Jun 2019

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2018, 4*, blogging, discovery, doing, happening, identity, legacy, metaphor, page, poetry, publishing, thinking, writing

                writening

                I like to find what I think
                in kinaesthetic metaphor
                and surprise myself;

                nothing more, not trying
                to be the best, or visionary
                or even to write poetry –

                it just happens; I have
                taken to sharing it – nice
                of you – but, also,

                attached to how it is received –
                not nice, a little ugly;
                I should just do it naturally –

                wash ‘n’ go, shake ‘n’ vac –
                just discover, let it fall
                and spill all over the page,

                not to write the Body
                of Work to blithely leave
                to posterity …

 

the penultimate of my 2018 pieces of work … and they’ve not been coming thick and fast during 2019 either … well’s drying up!

 

 

————w(O)rmholes________________________________|—–

doing wormhole: Renunciation
identity wormhole : The Boats of Vallisneria by Michael J. Redford – Sky
poetry wormhole: SPRING AND ALL XXII by William Carlos Williams
publishing wormhole: scintillating to mind’s content
thinking & writing wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams

 

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SPRING AND ALL XXII by William Carlos Williams

06 Sunday Jan 2019

Posted by m lewis redford in poems

≈ 3 Comments

Tags

1923, 6*, art, being, categories, chickens, education, existence, form, imagination, interdependent origination, knowledge, life, nature, poetry, quote, rain, reality, red, water, wheelbarrow, white, William Carlos Williams

                so much depends
                upon

                a red wheel
                barrow

                glazed with rain
                water

                beside the white
                chickens

 

from Spring and All, 1923; “wait, is that it, one of his most famous and quoted poems, and that’s it?”; well, no … this poem was actually nested within a whole weave of contemplations and exclamations to the contrary (quoted liberally, tatteredly and patch-workly – sorry, Bill): “the fixed categories into which life is divided … exist – … not as dead dissections … but in a different condition when energised by the imagination … but at present [early 1920s, America, and hence the upcoming androcentrist reference, I do apologise] knowledge is placed before a man as if it were a stair at the top of which a DEGREE is obtained which is superlative … the inundation of the intelligence by masses of complicated fact is not knowledge … it is on imagination on which reality rides … it is a cleavage through everything by a force that does not exist in the mass and therefore can never be discovered by its anatomisation … it is for this reason that I have always placed art first … art is the pure effect of the force upon which science depends for its reality – Poetry … poetry has to do with the crystallisation of the imagination – the perfection of new forms as additions to nature …”

 

taken from Ali Shapiro at http://blog.pshares.org/index.php/poetic-analytics/: I hope she doesn’t mind – those venn circles, they were so cold and so sweet

 

————w(O)rmholes________________________________|—–

being & life wormhole: on facing the Have
education wormhole: The Boats of Vallisneria by Michael J. Redford – On Doing Nothing
knowledge wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
poetry wormhole: oh, alright then
rain wormhole: THE GREAT FIGURE by William Carlos Williams
reality wormhole: coagulating
red wormhole: SPRING AND ALL I by William Carlos Williams
water wormhole: sun setting over a lake, 1840
white wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
William Carlos Williams wormhole: SPRING AND ALL XI by William Carlos Williams

 

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oh, alright then

29 Tuesday May 2018

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2017, 6*, beech, church, lifetimes, Nottingham, offices, passing, poetry, quiet, sandstone, sitting, talking to myself, time, traffic, trunk, windows, writing

                oh, alright then

                                sitting in a church ground
                                before a beech tree sometime coppiced

                                pushing up the ancient sandstone
                                so much quieter before

                                the ill-fitting windows
                                of terraced offices where nothing

                                happens
                                save the mark of passed lives

                                the twisted trunk
                                and the exhaust of cobbled engines

                                over speed-humps, to claim
                                that I don’t seem to be writing many poems these days                

 

 

 

————w(O)rmholes________________________________|—–

church wormhole: {Ellen Terry’s house}
lifetimes wormhole: the balance necessary between
passing wormhole: amniotic avenue
poetry wormhole: The Boats of Vallisneria by Michael J Redford – Working
quiet wormhole: quiet river
sitting wormhole: skeins of candy pink and lilac
talking to myself wormhole: so where have I got:
time & windows wormhole: all the low clouds keeping pace / through the train window, / always arriving, whether fast or / slow, but never actually moving
writing wormhole: Lapping Reflections [Deep Within Waters] – reaping

 

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The Boats of Vallisneria by Michael J Redford – Working

07 Wednesday Feb 2018

Posted by m lewis redford in announcements

≈ 2 Comments

Tags

1967, chimney, clouds, corn, cows, dusk, eggs, elm, farming, fence, fields, flood, food distribution, future, gale, gaze, green, grey, harvest, hay, hills, identity, leaf, letter, machines, meadow, meat production, Michael J Redford, milk, morning, oats, poetry, rain, sheep, silence, summer, sun, the Boats of Vallisneria, thought, time, tractors, trees, valley, weather, wheat, wind, windows, work, writing

Chapter 4

Working

A Letter of Two Parts

Dear Pat and John

I thought it high time I dropped another letter from the country into the post.   Looking back over the past summer months seems more like looking back over a bleak and stormy winter.   The weather has of course played havoc with the haymaking and harvesting.   I hear that at one time, medium quality hay was fetching nearly £20 per ton, and taking into account the wide-spread flooding that has occurred, it seems there’ll not be enough oat straw to feed in place of it.   With this drastic shortage of hay and straw, the outlook is black indeed.

Even as I write, the rain is beating alarmingly against the window panes, borne upon a gale that roars like an express up the valley, each gust falling over the next in its haste to wreak havoc on the exposed hills.   As I gaze through the window pane distorted with rivulets and splashes, I perceive a hazy image of grey hills shouldering leaden clouds, and every few minutes the wind rattles the frame and comes sighing down the chimney.   The whole house shudders a little and a log in the hearth slips, sending up a shower of sparks to meet the confusion above.   The fields are in a sorry state.   Most of the corn has been lodged as if trampled by some strident giant, fences have been breached by falling trees and many sheep throughout the country have been drowned in the spreading waters.

There was a period two weeks ago when the tempest eased a little and allowed a little watery sun into our eyes, but this lasted for only seven days, after which the rain set in again and eased up only occasionally for an odd day here and there.   We have managed to stack about half the oats, but the remainder will probably have to be written off.   The wheat would have encountered a similar fate had it not been for the three hired combines.

Now here once again are the winds and the rains.   A dead leaf, too sodden to absorb any more water is whipped across the window and trembles for a brief second on the sill before joining the hosts that cling to the chicken coop wire.   Incidentally, I’d better put this letter to one side for a moment in order to collect the eggs before the half light fades completely.

                                * * * * * * * *

Dear Pat and John,

I’ve had to restart this letter.   Owing to this sudden bright spell we’ve been working like mad trying to catch up on the backlog of harvesting and general repairs.   I started this letter well over two weeks ago but I’m afraid I’ve not had time to finish it until now.   It is remarkable how the view has changed outside my window.   The country scene these past few days has been one of violent human and mechanical activity.

Implements of all shapes, sizes and colours have erupted from their unusual passiveness and are droning, roaring and rattling over the soil.   A combine harvester, like a metal monster from a Wells novel, trundles ponderously across the field, digesting the grain and vomiting the residue in its wake.   Tractors career madly through the lanes, heave with throbbing effort towering loads of sheaves and haul balers which follow on, nodding idiotically like inane sheep.   Men race fervently against time commanding machines, pitching sheaves, building stacks, their pitchforks leaping and flashing under the sun.   Farmers and farm workers alike are conscious of the urgency of the hour, but no clock watching for them, they are eager to see the culmination of a years’ hard work.   To these men, their work is not merely a means of earning a living, it is something far more than this, something far more personal and important to them as individuals.   These men work not so much for their employers but with them, and it is through this combined effort that the tempestuous vagaries of the past year have been overcome.

If a machine breaks down, there is a curse and several pairs of hands are immediately locating the trouble.   They may not be expert mechanics but farm workers are masters of improvisation and no machine is standing idle for long.   It is this knack of ‘making do’ that is the seed of many weird and wonderful machines that have appeared on the agricultural scene, and it would indeed be difficult to find any industry which has produced in such a short period of time a greater range of impossible machines to tackle such improbable tasks.   No doubt to the layman it would appear that with all these modern innovations, the life of the farm worker today is almost as idyllic as the sentimentalised conception of the pseudo-bucolic poets of the seventeenth century:-

                “O happy life, if that their good
                The husbandman but understood.
                Who all the day themselves do please …”

Whenever a new acquaintance asks the nature of my work they are, on being told, shocked into silent disbelief.   Apparently I neither look like a farm labourer nor do I sound like one (how does such a person look and sound), and henceforth I am re-introduced either as a farmer or, by those who are more sensitive towards the truth, as being ‘in farming’, thereby implying that I own vast acres and hunt every Tuesday and Saturday.   A wistful ‘back to the land’ look then enters the eye.   “I’ve always wanted to work on a farm” they sigh.   No doubt there have been insuperable obstacles in ambition’s path for many people, but surely not all, and I have yet to meet the person who doesn’t bemoan his lot in town and gaze longingly at the green hills.   And just as a point of interest, I have yet to meet the person who doesn’t have an uncle somewhere who owns a farm.

Their conception of farming today seems even more idyllic than that of their fathers’.   Machines, they say, have taken the hard work out of farming, all we have to do is sit on a tractor all day and press buttons.   Perhaps they would like to spend a day stacking bales of hay under a sizzling hot roof of a Dutch barn, or perhaps after a sixteen hour day during harvest, [perhaps] they would like to sit up all night with a cow who is having a difficult time calving and work another sixteen hours the following day, and the day after that.   Unless a farmer specialises in a line for which a particular machine or implement has been designed, then it is not economical to purchase that machine.   For example, a man with just one house cow would find it uneconomical to install a completely automatic milking unit, but even where this is justified, as in the case of larger herds, the farmer or herdsman still has to rise at five o’clock on a bitterly cold winter’s morning seven days a week.   The advent of the machine has not necessarily lessened the amount of hard work to be done, it has merely allowed us to do more work in a given amount of time.   In fact, it is because of the machine that the herdsman’s lot today is becoming an increasingly intolerable one.

An old friend of mine once milked twenty five cows night and morning with two machines.   He know his cows and his cows knew him.   Although he did not rush things, he was efficient.   He would stand aside as the cows came into the shed and cast his eye over each one, and as he milked, he ran his hand over their coats and looked at their droppings.   Old Charlie could tell immediately if one of the animals was off colour.   Then his employer retired and a young, progressive farmer moved in.   Fortunately he ask Charlie to stay on as cowman.   Now, Charlie milks sixty cows night and morning with four machines in a well-parlour.   On being asked how he liked the new system, the old cowman sighed.

“Well I dunno.   We gets the milk, that’s fer sure, but ‘tis like working in a factory.   There’s pipes, tubes, valves, taps an’ switches everywhere.   The animals go through the parlour like a dose o’ salts – you’ve ‘ardly got time to wash their bags.   All you can see of ‘em is one side, their guts might be ‘anging out the other fer all I know.”   His addendum, I think, summed up his real grievance.

                “Trouble is – I ‘ent got enough time to get to know me animals.”

What could once be classified as a pleasurable occupation was now, through the advent of the machine, become a tiresome chore, and as mechanisation infiltrates more and more, so true herdsmanship is disappearing.   The reticent paragon of tolerance, that slow, amiable patient being that was once the cowmen, is now being pushed aside to make way for the impatient, ulcer-ridden milker of high speed conveyer-type milk production of today, so much so in fact, that on some larger farms, milkers are already working a shift system to break the seven day a week monotony.

I can foresee in the not so distant future, a herd of a thousand or more cows, zero grazed, moving almost continuously through a system of yards and parlours twice every twenty four hours.   In the parlours, shift work will be in progress with round the clock milking.   The milk will be pumped through to the distribution.   The organisation will manufacture its own concentrates, will employ its own veterinary surgeon, accountant and secretary and will have a resident Ministry Inspector equipped with his own laboratory.   And of course the whole concern will be owned by the big industrialists of the day.   This is not such an improbability as may at first appear for this has already happened to a great degree to some of our poultry farms.   There are now vast empires where eggs are fed into one end of a building and emerge twelve weeks later at the other as pre-packed chickens with their giblets frozen into little polythene bags inside them.   Then there is the abomination of the sweat box and battery systems of meat production.   Agricultural evolution has reached a point where farming, as we know it, is slowly but surely plunging into self-annihilation and dragging down with it the responsibility of moral thought into a morass of turpitude.   We are entering an age of hydroponic systems where an agricultural technocracy permits controlled environment and mass production of living creatures to an extent unparalleled in human history.   It is as if we have forgotten that we are dealing with life itself and not inanimate lumps of putty waiting to be moulded into any shape by the current market.   Yet if the farmers of today do not keep abreast of [the] latest scientific developments, they would find it almost impossible to feed themselves let alone provide food for others.   Even so, despite the fact that agricultural efficiency and production have increased beyond the wildest dreams of great pioneers such as John Lawes and Sir Humphry Davy, people are still dying in their thousands for want of food.   Despite the fact that there is enough food produced throughout the world in any one year to supply mankind with the essentials of life for the next twenty, the bloated belly of the beggar is still a common sight in the greater part of the world.   It is not, therefore, research into agricultural production methods which is urgently needed, but research into the distribution of those products.   It is in this sphere that the great fields of ignorance lay.

But let me rein back awhile for I have digressed too far.   This letter to you was intended to be a portrait of the countryside as I have seen it during the last two months, so now let me gaze upon the pastoral scene beyond my window.   The cows have finished grazing and are lying in the meadow cudding methodically.   The sun falls upon their backs like a warm blanket and a faint breeze fans their faces.

It was nine o’clock last night that the last load was brought home.   Engines were switched off one by one across the fields and, as the evening star faded, Pegasus shimmered the in the warmth of dusk and gazed upon the southern elms.   As the last sheaf was laid upon the stack, the year ended, our year, that is.   George stood, hands on hips.   Harry leaned upon his pitchfork.   Alf and Arthur sat upon the trailer and Jim stood with one foot upon the wheel hub.   In silence they gazed at the stack, each man with his own thoughts, each man reaping his own spiritual harvest.

 

read the collected work as it is published: here

 

————w(O)rmholes________________________________|—–

chimney wormhole: the missing chord // the now-silent seagull
clouds & identity & time & wind wormhole: travelling // arrival
green wormhole: green and / luminant / to behold
grey wormhole: for / the first time
hills & valley wormhole: volcanic rock
morning wormhole: forgotten anything
poetry wormhole: Pilot 125 … // … being excursion in the interludes
rain wormhole: when the rain has settled / the dust
silence wormhole: without any buffet at all
sun wormhole: is this it // all the time
thought & writing wormhole: Christmas 2015
trees wormhole: Plumstead – Woolwich – Plumstead 220211
windows wormhole: river
work wormhole: I am not yet ready

 

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Pilot 125 … // … being excursion in the interludes

21 Tuesday Nov 2017

Posted by m lewis redford in poems

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2015, 6*, adjustment, apricot, closed, coffee, contact, dancing, David Lynch, death, Donna, eyes, face, feeling, fir, girder, happiness, home, life, looking, poetry, relationship, release, shift, story, Twin Peaks, woman, work

Animation: Korey Daunhauer

                Pilot 125 …

                circular saws twist
                and sink to their jagged work

                tattered thighs stagger
                between girders – eyes closed over constant face

                … there was
                a death but the Douglass Firs shifted

                behind counters and
                coffee and Donna just felt … happy

                as all sorts of turns
                adjusted; death is the release of looking

                that is held too long –
                always the Douglass Firs need to shift – looking

                too far ahead
                is the death of contact and relationship –

                the fan revolves
                in the empty stairwell; looking back into the lens

                for existence is everlasting
                and beautiful death; sweat on the plough is

                far bigger than cabin
                and home where only the women have poetry

                plumes rise
                like cold apricot flesh

                cascades spread
                in chapters while everyone learns to dance the Moose Horn

                … being excursion in the interludes

 

… of intial episodes of the first season of Twin Peaks: this reading will require experience of being seen

 

 

————w(O)rmholes________________________________|—–

apricot wormhole: faintly apricot air?
coffee & death wormhole: Plumstead – Woolwich – Plumstead 220211
dancing wormhole: The Boats of Vallisneria by Michael J. Redford – A Precious Moment
eyes wormhole: immeasurable love
fir wormhole: fine droplets / across the glass
life wormhole: amid
looking wormhole: Bexhill 140215
poetry wormhole: over-pink cagoule
woman wormhole: the evening
work wormhole: breathing through hypnagogia

 

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over-pink cagoule

27 Thursday Jul 2017

Posted by m lewis redford in poems

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2013, 4*, birch, face, looking, mouth, pink, poetry, portrait, writing

                out of
the wet over-pink cagoule

                and the birch-patterned coat
                                under the tired face peering

                                back down at every chair leg
                                              with downturned-mouth concentration is there

                                                any poetry to be extracted here
                                                              or am I just looking at the wrong things

                                                                                      at the wrong time?

 

 

 

————w(O)rmholes________________________________|—–

birch wormhole: Jon
looking wormhole: in the / Citadel / Park / a leaf / new / ly fell
mouth wormhole: to allow / passage
pink wormhole: municipal garden
poetry wormhole: … swap round
writing wormhole: facing the crime section

 

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… swap round

07 Monday Nov 2016

Posted by m lewis redford in poems

≈ 1 Comment

Tags

'scape, 2014, 6*, being, cafe, calm, garden centre, looking, perspective, poetry, rain, sound, windows, writing, yellow

                sat facing into the
                garden centre café
too engineered to make some poetic observation
                                away from where I sit

                                … swap round

                sit looking out the window (back
to the lapping of hubbub and plastic clunk and sprintle cutlery and – there it is – the trayk of cups and saucer)            
                at the calm
and constant rain falling in a five o’clock direction
                the run-off down the path
                                past the yellow caution plaque

 

posted while listening to ‘Lazarus‘ by David Bowie, on a darkening mid-afternoon November-day with the overhead lights all on; written over two years previously in the Wych Cross cafe on Ashdown Forest not knowing which way to turn

 

 

————w(O)rmholes________________________________|—–

being wormhole: Prajnaparamita // Maitreya
looking wormhole: beepbeep
poetry wormhole: chartless …
rain wormhole: The Boats of Vallisneria by Michael J Redford – Snow
sound & yellow wormhole: woven-through
windows wormhole: be
writing wormhole: Sylvia

 

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chartless …

17 Wednesday Aug 2016

Posted by m lewis redford in poems

≈ 3 Comments

Tags

1967, 2007, 5*, abandonment, business, career, children, comics, cult, Dad, family, groundlessness, isolation, land, life, lifestyle, music, people, poetry, private, relationship, religion, sea, searching, trauma

                                                                chartless …

                                … since 1967
                                no moorings no ports
                                my search for land
                                through comics poetry music religion
                                reclusive

                                … my own Dad
                                moored in music and
                                an ideal partner outside
                                his family his job his own business
                                reclusive

                                … people landlocked
                                from trauma have
                                houses and lifestyle
                                and children and soap and opera
                                all private

                                                … all susceptible to cults
                                and all of life is a
                fluid cult …

 

 

 

————w(O)rmholes________________________________|—–

abandonment & Dad & family wormhole: what life went on
career wormhole: dry rot
comics wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
groundlessness & searching wormhole: hello, luvvey, do you want a cup of tea?
life wormhole: passing skies
music wormhole: words tumble like / boulders – poewieview #25
people wormhole: even / a second
poetry wormhole: Lapping Reflections [Deep Within Waters] – autumn
sea wormhole: The Boats of Vallisneria by Michael J Redford – Simon Upon The Downs

 

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Lapping Reflections [Deep Within Waters] – autumn

14 Tuesday Jun 2016

Posted by m lewis redford in poems

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Tags

2016, Africa, air, autumn, book, colour, digging, earth, emerald, eyes, faces, field, garden, gold, grass, hill, horse, lawn, life, lunch, morning, peas, plough, poetry, reading, sky, skyline, sleep, sound, spiders, starlings, sun, sunlight, the Boats of Vallisneria, trees, uncle, wheat

 

 

 

autumn

                young wheat and emerald, in sese vertitur annus,
                reading an old poet in the garden, the sky is clear as face –

                                I had mown the lawn that morning just before lunch
                                and turned over the plot where the peas had been cleared –

                                                              on the steep hill opposite a horse pulled forward from a plough
                                                              moving slowly towards the skyline, jingle of the traces,

                                the book fell, the starlings flew, suddenly, I came awake
                                as the plough turned the field and spark of sunlight leapt,

                shoulder to mine eye, while the earth lay opened and dark-folded;
                                              (visitors had arrived, in quietude, invasion of linyphiids,

                                                              a thin gossamer between ridges – lapping under the sun –
                                                              bristles of random colour, a hundred yards long

                                                              and twenty inches wide and bare of future gold);
                                among the nemesia the book is retrieved, many lives

                                              will be lost, just enough will be saved, restless; this is
                                              thistle-down upon the air, here are crackle and pop

                                                                                 beneath the sky; the tree tops will be dipped in
                                                                                 old gold, and the swallows will be off for Africa

 

read the collected work as it is published: here
this is an appliquiary to : The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts

 

 

————w(O)rmholes________________________________|—–

air & autumn & eyes & field & garden & gold & morning & poetry & reading & sky & skyline & sleep & sunlight & trees wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
faces wormhole: a theremin note – poewieview #21
life & uncle wormhole: Lapping Reflections [Deep Within Waters] – introdepthion
sound wormhole: Drug Store, 1927
sun wormhole: between thoughts

 

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