• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
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    • William Carlos Williams
  • poemics
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  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: possibility

London, 1809

07 Monday Jan 2019

Posted by m lewis redford in poems, poeviews

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1809, 2019, 7*, breathing, buildings, century, clouds, columns, fields, gas, geomancy, gold, horizon, London, monolith, possibility, silver, sky, sphinx, steel, Thames, time, unicorn, west, William Turner

                there are monoliths built
                of unknowable antiquity

                scattered arcanely about
                the basin horizon,

                pillars of ribs help them
                breathe once a century,

                fields between have yet
                to be built; the Thames

                seethes gaseous silver
                while to the west a

                tarnished silver sphinx
                unicorn, hideous possibility,

                sits solitary as if a pack
                before the proscenium sky

                of gilded cloud steel and
                titan to all of time

 

London from Greenwich Park exhibited 1809 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/N00483

London, William Turner, 1809

 

 

————w(O)rmholes________________________________|—–

breathing wormhole: blister on me thumb
buildings wormhole: ‘streetsigns …’
clouds & time wormhole: on facing the Have
gold wormhole: THE GREAT FIGURE by William Carlos Williams
horizon & London wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
silver wormhole: that
sky wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
Thames wormhole: Plumstead – Woolwich – Plumstead 220211

 

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sun setting over a lake, 1840

02 Wednesday Jan 2019

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1840, 2018, 6*, clothes, emptiness, groundlessness, hills, lake, love, no-boundary, now, possibility, shore, space, speech, standing, sunset, timelessness, water, William Turner

                                                quick
                let us stand close as our wadded
                       clothing

                                               will allow,
                the watery expanse will dissimulate all
                       possibility

                                                of shore
                at the precise moment that the sun
                       perches

                                               lastly
                over hills before the wider gulf
                       of ever

 

Sun Setting over a Lake, William Turner, 1840

 

 

————w(O)rmholes________________________________|—–

emptiness & space wormhole: The Passage of the St. Gothard, 1804
groundlessness wormhole: with all love released
love wormhole: only
speech wormhole: SPRING AND ALL VI by William Carlos Williams
sunset wormhole: we held cold hands
water wormhole: on facing the Have

 

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1968

15 Wednesday Mar 2017

Posted by m lewis redford in poems, poeviews

≈ 1 Comment

Tags

1960s, 1968, 2014, 5*, air, avenue, blue, breeze, buildings, Burt Bacharach, bus, city, Dionne Warwick, direction, lemon, life, lime, mauve, mist, morning, openness, possibility, roads, sky, white, years

                      1968

                      the rear of the bus
           moved out of the scene – whitened blue

                      the wide open spring air
           reached between buildings – to grimy lime

                      and avenues rolled down
           in every direction – through flash lemon

                      bolts of mist and haze
           across each intersection – and ankle mauve

                      and slightly too little
           worn – for the morning shift of breezes

 

promises promises – more Dionne Warwick and Burt Bacharach sustaining another burst of breath-takingly open and naïve possibility from the later 60s

 

 

————w(O)rmholes________________________________|—–

1968 & Burt Bacharach & Dionne Warwick & mauve wormhole: 1968 – orange sand and mauve mist
air wormhole: faintly apricot air?
blue & life wormhole: to rescue something
breeze wormhole: the bench
buildings wormhole: Open – All – Ours
bus wormhole: finding my own true nature – Plumstead, Woolwich, 190915
city wormhole: the silent night of the Batman
lemon wormhole: that comicbookshop … // … in dreams
lime wormhole: magnificent salad
mist & sky wormhole: vastly
morning & white wormhole: pine // gladioli // [&] wisteria
openness wormhole: breathing out
roads wormhole: Lapping Reflections [Deep Within Waters] – moment
years wormhole: 1967

 

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cut while you’re ahead/cut while you’re a thread – poewieview #35

13 Tuesday Sep 2016

Posted by m lewis redford in poems, poeviews

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1971, 2016, 6*, becoming, being, Bowie, creation, death, dress, found, hidden, history, identity, life, possibility, quotidian, searching, society, story, thread, time, voices, wardrobe, words, writing

            cut while you’re ahead/cut while you’re a thread

            in all ongoing history, queasy quotidian iteration,
            of all the plaited threads, this particular will always

            splay without of the weave; strangely aligned with
            aquiline possibility ‘leave them alone and they’ll

            come home’ transgressive tales behind them,
            all dressed-up in words with open collars throaty

            upon a time improbable, hidden in plane site,
            hiding in plain sight but easiest found in wardrobes

 

outertextual in The Bewlay Brothers from 1971; there are more from here, but not now …

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

being & identity wormhole: [once a] dilemminal [always a dilemminal]
Bowie & death wormhole: through the pane – poewieview #34
history & voices wormhole: and smile / like a bud
life & society wormhole: Lapping Reflections [Deep Within Waters] – … as the new town marches in
searching wormhole: chartless …
time wormhole: The Boats of Vallisneria by Michael J Redford – A Sign of the Times
words wormhole: poessay III: jijimuge
writing wormhole: AT-tennnnnnnn – waitfrit waitfrit – SHUN!

 

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AT-tennnnnnnn – waitfrit waitfrit – SHUN!

30 Tuesday Aug 2016

Posted by m lewis redford in poems

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1960s, 2013, 6*, abdomen, attention, birth, emergence, evening, eyes, feeling, flower, heathland, history, identity, infrastructure, life, light, lime, looking, meaning, mist, possibility, posture, reading, rebirth, shade, shoulders, sitting, streets, time, womb, writing

                AT-tennnnnnnn – waitfrit waitfrit – SHUN!

                decade of ever-immanent emergence
                but yet womb-like misty with heathland-lime streak

                forefeeling borne and colourful possibility
                then birthed starving and naked into too local streets

                with all their historynfrastructure; born within
                two months of the 1960s, towards the end

                I was flowering, but with a knuckle in the
                stem below the petal receptacle, made me

                always look downwards to the ground: I sit
                for hours hunched over a table writing, I sit

                for evenings correcting a tendency to
                close my eyes, I sit slouched in all manner of

                chair reading and reading; it will take decades
                of shade and whither before I raise

                my face to the startling of light and correct
                my shoulders and abdomen

 

in the immortal words of Chogyam Trungpa Rinpoche: “the path is the goal”

 

 

————w(O)rmholes________________________________|—–

abdomen wormhole: trying to focus / on walking
attention & writing wormhole: magnetic field
emergence wormhole: the / bright yellow / world
evening wormhole: Lapping Reflections [Deep Within Waters] – I suddenly / remembered
eyes & light wormhole: languidly close the portal
history wormhole: The Boats of Vallisneria by Michael J Redford – Safe Home
identity wormhole: travel
life wormhole: 35 years ago …
lime wormhole: weight of high sash windows – poewieview #33
looking & streets & time wormhole: through the pane – poewieview #34
meaning wormhole: tiling
mist wormhole: the purple mist between
posture wormhole: a crack of lightning / in the dark of night
reading wormhole: lonely and free
sitting wormhole: even / a second

 

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B le tch l ey P ark

28 Thursday Apr 2016

Posted by m lewis redford in poems

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1960s, 1980s, 2016, 20th century, Bletchley Park, blink, cable, change, children, chimney, colour, communication, culture, data, Edwardian, elbow, ethic, Europe, eyes, grain, Have, history, hotel, ink, knowledge, legacy, living, Luton, marble, meaning, metal, militarism, mind, night, pattern, poem, point, politics, possibility, power, railtrack, rhythm, smell, smile, society, sound, story, subversion, table, the British Empire, thought, time, timetable, typewriter, veins, windows, wood, World War, writing

 

 

 

                                B  le  tch l  ey      P   ark

                                Edwardian fingers pointed
                                from military sleeve the way
                                in and the way through

                                while some knew that a W
                                will never return a W and
                                we will henceforth return

                                to a following possibility of
                                change, the veins in marble
                                cladding and the grain in

                                parquetry floor were no
                                longer décor of legacy but
                                cover for subversion – smiling

                                minds up in front of chimney
                                stacks – no, now, platted
                                and inflexible cable linked

                                lozenges of releasing code
                                (no-longer-just-location)
                                in patterns of levered ratchet

                                across European divide; no more
                                the flurry scratch of ink across
                                blotted paper with fortitude

                                and Empire wile, now the
                                erstwhile sturdy tables were
                                anchored by elbow and fallen

                                eye gazed at shifting pattern,
                                now the heat of metal and
                                ribbon made the ink fume

                                like acid; now was the time
                                of proletariat genius as tape
                                connected the diagonals and

                                metal frame softened and
                                bent in constant hold;
                                now the colour was splashed

                                and the ethic was learned
                                and the story is told to the
                                schoolchildren who – blink

 

visit, 260416, pages of scribbled notes; the poem sifted and shifted until a pattern formed and simultaneously dispersed, across time; in the hotel room in Luton right next to the rail-line which slingshot-ricochet’d passing trainsnotstopping in the window one side, out the window the other, all night and all of the day, in timetable but not necessarily rhythm

 

 

————w(O)rmholes________________________________|—–

20th century wormhole: impressionism
change wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
chimney wormhole: hinged – From Hell ch. V
communication wormhole: Nostalgia for Samsara – poewieview #16
eyes & Have & history & hotel & time wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
knowledge wormhole: 1963
living wormhole: need
meaning wormhole: quite … / … yet – poewieview #12
mind wormhole: becoming
night & society wormhole: no one – poewieview #24
power wormhole: top table
politics wormhole: dear clown’s face
smell wormhole: when writing // stay
smile & thought wormhole: while walking
sound wormhole: 1965
table wormhole: 1964
windows wormhole: mauve
wood wormhole: quick inventory after coffee
writing wormhole: words tumble like / boulders – poewieview #25

 

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really really

12 Saturday Mar 2016

Posted by m lewis redford in poems

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2013, doubt, expectation, identity, influence, leading, letting go, not knowing, possibility, talking to myself, uncertainty

 

 

 

                           in order to be really really influential expect
                           not to know enough to lead in order to be

                           really really influential expect to dwell deep
                           within uncertainty and doubt in order to

                           be really really influential don’t close down
                           possibility by offering any way forward

 

 

 

————w(O)rmholes________________________________|—–

identity wormhole: becoming
letting go wormhole: thick thick fog
talking to myself wormhole: a little bit of love / and muffle

 

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the sounds of 1969 // [would have] seemed that way – poewieview #13

25 Thursday Feb 2016

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1969, 2016, accountability, appearance, ascent, becoming, being, Bowie, chords, clouds, coalescence, counting, crescendo, dawn, doing, doors, earth, echo, fall, gods, history, horizon, kitchen, looking, loss, lost, love, neighbourhood, people, possibility, rocket, silence, society, sound, stillness, streets, stumbling, suburbia, travelling, trees, up, variation, warp, weft, wish, years

                                   … oh,

                      here it comes again, between
                      the warp and weft of chording;
                      all the engines of thrust, all
                      the snare of history, all propulsion

                      `round various turnings, trails
                      left vaporising; counting … up
                      to crescendo, looking up to tread,
                      to lacunae; to ascend is to lose,

                      to step through that door: fall/
                      ascent mean nothing off-sphere;
                      tumult of horizon sitting in my
                      kitchen, stumbling on my planet,

                      there’s nothing I can do: there
                      are – so – many – more – chords,
                      variants on a minor, travelling to
                      where we are all along, feeling

                      very still … lost where we all are;
                      the sounds of 1969 looked very
                      different today – loved-up, peopled-
                      up, gods upped be-coming – up;

                                          ~O~~~

                      down the slippey ascension of wish,
                      up to the echoing boroughs of cloud-
                      bank, where the damp damp dawn
                      falls silent to urban horizon, higher

                      for to widen the neighbourhood
                      streets and higher to deepen the road-
                      side trees; none of it didn’t, but it
                      [would have] seemed that way

 

filtered through grill of angst: Space Oddity, 1969, Cygnet Committee, 1969, Memory of a Free Festival, 1969

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

being & Bowie & doing wormhole: quite … / … yet – poewieview #12
clouds wormhole: dog bark
dawn wormhole: now, the verticals go down as well as they go up
doors wormhole: Seven A.M, 1948
echo & looking & people wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
history wormhole: London Park in Greenwich town – poewieview #5
horizon wormhole: com- / mute
kitchen wormhole: 1963
love wormhole: Grizedale College
silence wormhole: the open window
society wormhole: bookmark
sound & years wormhole: 1963
stillness wormhole: the windmill
streets wormhole: fine droplets / across the glass
travelling & trees wormhole: Saturday – poewieview #3

 

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Saturday – poewieview #3

22 Friday Jan 2016

Posted by m lewis redford in poems, poeviews

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'scape, 1965, 2016, boundary, Bowie, evening, green, grey, heart, lamp post, light, octave, park, pavement, pointlessness, possibility, red, Saturday, space, station, travelling, waiting, walking

                Saturday

                                green acres with no boundary
                                level with the pavement and
                                octaves of grey lamp posts alongside
                                to walk deepening heart;

                                until the red-wallpaper evening
                                in poor light, when it all seems
                                futile again, waiting to traverse
                                that distance from the cubic planes of the cold station

 

filtered through: That’s Where My Heart Is, 1965; I Want My Baby Back, 1965; Bars of the County Jail, 1965; You’ve Got a Habit of Leaving, 1965; Baby Loves That Way, 1965; I’ll Follow You, 1965; Glad I’ve Got Nobody, 1965; That’s A Promise, 1965; Can’t Help Thinking About Me, 1965

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

Bowie wormhole: poessay X: soul love
evening & green & walking wormhole: sixty four sixty five
grey & red wormhole: finding my own true nature – Plumstead, Woolwich, 190915
light wormhole: Seven A.M, 1948
park wormhole: “King …”
pointlessness wormhole: New York Movie, 1939
Saturday wormhole: hint
space wormhole: gotcha
travelling wormhole: train journey // like a branch
waiting wormhole: bougainvillea

 

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walking through Lewes

17 Sunday Jan 2016

Posted by m lewis redford in poems

≈ 2 Comments

Tags

'scape, 2013, dark, emergence, grey, hills, houses, identity, Lewes, possibility, time, trees, walking, walls

                           walking through Lewes

                           I emerge from darkness
                           between thick stone walls

                           holding hills and houses
                           and overhanging trees

                           grown and replaced
                           for a hundred years

                           ever on a grey day full
                           of possibility and time

 

 

 

————w(O)rmholes________________________________|—–

emergence wormhole: the practice
grey & walking wormhole: “walking …”
hills wormhole: Soir Bleu, 1914
identity & walls wormhole: Office at Night, 1940
Lewes wormhole: 08:55
time wormhole: David Bowie – Iris
trees wormhole: Seven A.M, 1948

 

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← Older posts

… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

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  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
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  • like butterflies on / buddleia
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  • 'hello old friend ...'
  • under the blue and blue sky

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tag skyline

'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

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