Lapping Reflections [Deep Within Waters] – sooner; / and later

Tags

7*, bridge, clouds, eyes, grass, grey, ground, leaves, light, mist, music, passing, rain, roads, silver, sound, starlings, sun, time, trees, water, writing

                sooner;

                occasional sun broke through
                splashed watery light on the road

                on the bridge gazing on the waters
                the flow      caught the eye upwards

                while the music scented of                 mist through the trees

                (grey light and silver hung
                 without movement in

                 folds) until
                raindrops drummed upon our capes;

                and later – jotting

                in the note-book – each blade of grass
                suspending a drop

                (pearls waiting on the
                 clothes-line for the starling’s quickfeet),

                then, when
                my sleeve touched a leaf

                and three drops merged and rolled down
                into the soil down

                through the years, there where
                clouds draw scent from the land, there,

                when a spark of light jabbed
                into my eye

                bright as solid substance cupped
                within a lupin leaf

 

read the collected work of ‘Lapping Reflections [Deep Within Waters]‘ as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – Rain

 

 

^{————w}(O)_{rmholes________________________________|—–}

bridge & leaves & mist & rain & roads & silver & writing wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
clouds & eyes & grey & passing & sound & sun & time wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
light wormhole: light of all interaction
music wormhole: c’mon – keep up
trees wormhole: Candaka
water wormhole: boiled spangle with soft centre

 

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The Boats of Vallisneria by Michael J. Redford – Rain

Tags

ash, beauty, bridge, clouds, consciousness, cottage, dawn, eyes, garden, gazing, gold, grass, grey, hedge, hill, land, leaves, light, memory, Michael J Redford, mist, morning, passing, petunia, quiet, radio, rain, reflection, river, roads, silence, silver, sky, skyline, smell, sound, speech, starlings, stillness, stone, summer, sun, sycamore, the Boats of Vallisneria, trees, valley, village, water, weather, willow, writing

Rain

“The morning will be overcast with frequent showers. They will be heavy at times in the south east but brighter weather will follow later from the west …”

Thus spake the oracle from the radio early one summer morning casting his own black cloud over the hearts of many.   I was a keen cyclist in my teens and at many a weekend my schoolmate and I would grease up our cycles and head for the open road.   Shoreham was our target this particular day but the voice of doom did not quell our enthusiasm.   The weather was kind to us on the way down with the sun occasionally breaking through the gloom above to splash a little watery light on the road ahead and we arrived on the outskirts of the village at around nine o’clock. Passing Samuel Palmer’s old cottage we came upon the bridge and dismounted.   After a strenuous exercise, it is a delight to lean upon a bridge and gaze upon the waters emerging from beneath one’s feet.   The flow catches the eye and lifts it slowly into the distance and the senses relax to the accompaniment of its music.   There weren’t many gnats and midges at that time of day, but those that were about were flying very low indeed.   Certainly there was rain about and it wasn’t very far off either for we could just detect the faint scent of it even above the mass of water at our feet.   Not wishing to miss any of its quiet charm, we walked our bicycles through the village, and as the sky grew heavy above us, my thoughts turned to my companion’s pet tortoise Horace who had been extremely active earlier that morning, this being a sure sign of approaching rain.   We turned down the hill past the Crown Hotel, on past the water mill which was then a tea house (I believe it is now a private dwelling) and out onto the banks of the Darenth.

A damp mist had filtered through the trees on the hill opposite and the grey light had transmuted the upturned leaves of ash and sycamore into flecks of silver that hung without movement in the stillness of the impending downpour.   An old weeping willow, pollarded of its crowning glory, leaned out from the bank across the water and as I peered into its dark reflection a crayfish, startled by the leviathan that reared above it, scuttled beneath the smooth stones. As I gazed, the picture was suddenly distorted.   A raindrop had followed immediately by another and yet another and soon I was no longer able to fathom the depths.   We donned our capes, drew up our knees and huddled against the tree like two diminutive bell tents.   Cozy in our little dry islands, the raindrops drummed upon our capes in anger and hissed at us from the river turning it into a boiling cauldron.   The mist that had settled among the trees on the hill opposite had drifted on making way for a great veil of rain that spanned the skyline in graceful folds – a grey but beautiful replica of the Aurora Borealis.

As the curtain drifted slowly by, the day grew appreciably lighter and the deluge eased to a steady drizzle.   Soon after, the clouds broke a little, and a shaft of pure gold struck the hills, becoming wider at its base as it raced swiftly down the valley.   Then the rain ceased as quickly as it had begun and silence, the ethereal beauty of which is always magnified when the rains are over, tumbled into the valley.   We sat in silence beside the bubbling waters and for several minutes we watched its breathless pursuit of the shaft of gold.

It is within such a quietude that I sit now jotting down these notes.   This morning was a grey but clean smelling morning upon which the hedgerow leaves quivered.   It had been raining all night but had stopped just as dawn broke, leaving behind a miscellany of drips and drops, musical and echoing.   Each blade of grass had its tip bent by a raindrop and the clothes line was a string of pearls waiting to be spilled upon the lawn by the quick grasp of a starling’s feet.   By mid-morning the low cloud had dispersed and great mountains of summer cumulus were heaped about the sky.   It was my intention this morning to tackle one or two gardening chores that had been neglected but due to a tiny and insignificant happening, these have yet to be done.   As I passed the petunia bed, I bent to pick up an old seed packet that had appeared and my sleeve touched a petunia leaf.   Upon this leaf there were three rain drops, and as the leaf was set in motion, the three tiny drops rushed towards one another and merged into one large globule that trembled precariously in the centre of the leaf before rolling off the edge and disappearing into the soil.   This tiny happening caused my mind to leap back across the years to remember once more a particular drop of water out of all the millions that must have fallen that day at Shoreham; a single drop of water that has long since been returned to Poseidon from whence it came. We were walking back through the village when we paused awhile beside a cottage garden to discuss our plans.   The clouds were now few and the sun was strong in the cleansed sky drawing out the sweet scent of purity from the land.   Suddenly, a spark of light leapt from the ground and pierced my eye.   So bright was it that it might well have been of solid substance, for it so dazzled the eye that it quite took the breath from me.   I stooped to discover the origin of this manifestation and there, within the cupped hands of a lupin leaf was a tiny trembling rain drop.   It was a perfect globe clearer than crystal; a gem that would have done justice to the diadem of the most illustrious of monarchs.

So it is that my gardening chores for today have once more been neglected.   A rain drop fell from a leaf and in that single drop a flood of memories, memories I felt I had to record, for – they had been pushed so far below the plane of consciousness, that I was afraid they would never have come to the fore again.

 

read the collected work as it is published: here

 

 

^{————w}(O)_{rmholes________________________________|—–}

beauty & dawn & rain & silence wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
bridge wormhole: Great Bridge, Rouen, 1896
clouds & passing wormhole: slight sneer
eyes wormhole: mandala offering
garden wormhole: A Corner of the Garden at the Hermitage, 1877
gold & grey & leaves & sun & trees wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
hedge wormhole: it’s / not what you do or what you say / if it ain’t got that swing
light & river wormhole: the Bodhisattva set out / for the Seat of Awakening
mist & morning & sound wormhole: 10/30 by William Carlos Williams
quiet wormhole: quietly in my quiet house
radio wormhole: within
reflection wormhole: in turgid reflection
roads & silver wormhole: Hastings: neither all or nothing
sky & speech & writing wormhole: 11/1 by William Carlos Williams
skyline wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
smell wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
stillness wormhole: Lapping Reflections [Deep Within Waters] – pigs
stone wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
water wormhole: Valentine’s Day 2019

 

The Boats of Vallisneria by Michael J. Redford – Sky

Tags

1967, afternoon, air, beauty, being, birdsong, black, breathing, camera, candle, church, clouds, colour, comet, consciousness, corridor, countryside, dance, dawn, depth, earth, elm, emotion, evening, eyes, fields, fire, gaze, gold, grey, heat, hills, horizon, identity, jade, leaves, life, light, mauve, Michael J Redford, mind, night, orbit, painting, photography, planet, rain, red, silence, silhouette, sky, space, spire, stars, storm, sun, sunset, the Boats of Vallisneria, thunder, trees, turquoise, valley, west

Sky

One evening about two years ago, there was, in my part of the country, one of the most magnificent sunsets that I have ever been privileged to witness.   Being a keen photographer (although not a very good one, for other peoples’ photographs always seem better than mine), I took my camera into the fields to capture the scene in colour.   It all began when the grey broken clouds, the ‘left overs’ of a stormy day, drifted slowly across the horizon, taking with them the tumult of the heavens.   It had been a somewhat dismal day with an atmosphere that clung like a warm damp blanket, enveloping all with an oppressive heat that made even the unconscious act of breathing an effort.   The day thus sulked its way through the hours, stifling the energy of life and suffocating the songs of birds until at long last, at about three o’clock in the afternoon, the sky, no longer able to contain its pent up emotions, savaged the countryside with a violent storm.   In fact three storms had tumbled into the valley that afternoon that gave rise to a continuous end-of-the-world -like thunder that reverberated about us for an hour and a half.   Fearful though the storms were, the rain felt good, the soil quenched its thirst and the air became cool, and when the storm had flung its final volley of anger contemptuously at us, I saw that the wilted leaves had renewed vigour and had turned their faces once more to the sky.   Suddenly, the late evening sun broke loose and shone low across the fields, igniting the treetops with a blaze of old gold and adorning the scene with the tint of an old master’s painting. Screwing tripod to camera, I raised it to my eye and squinted through the view-finder.   For some moments I indulged in a danse macabre around the field with the tripodial skeleton stiff within my embrace, searching for the most artistic composition to enter the field of view.   By now the sun was an enormous dull-red hemisphere reclining upon the distant hills, infusing the undersides of the remaining clouds above with a heavy mauve the deepened perceptively as I gazed.   The solar chord became shorter and shorter until finally the perimeter of the disc was extinguished suddenly by the horizon as one snuffs out the flame of a candle.   Then, in a most abrupt and startling manner, the populace of the heavens turned to fire.   The clouds appeared to radiate from a point somewhere below the horizon in the vicinity of the sun and spread out above and behind me, plumbing the very depths of space itself.   It was as if Earth had entered the tail of a super comet that had passed close by on its elliptical orbit about the sun.   Hurriedly I set the tripod firmly on the ground and framed the sunset between the jet-black silhouettes of two sentinel elms.

After taking the photograph, I packed the equipment in its case, stood up and looked once more through the elms.   My gaze passed by the silent trees, through the sunset and beyond into space, leaving the great orb of this planet at a tangent.   The moment developed into one of those rare intervals in time when an overwhelming consciousness of the beauty about one descends and becalms the mind.   Although my gaze flew past the elms at incomprehensible speed, I was aware of their crisp outlines against the sky, and as it passed on through the sky into the depths of space, I could see the fire shrinking before me like the glow of a lantern disappearing down a long, dark corridor.   My eyes were now being lifted by a power exterior to my own being.   Up, up they went until I was craning my neck and gazing out into the zenith of space.   I had always been conscious of the great depths of space about me, but could not help regarding the heavens as anything but a dome viewed from a central point, the stars being spattered over the surface of this invisible hemisphere, all equidistant from me.   But on this particular occasion, I became aware of the three dimensionality of space, each planet, star and nebula standing out in such relief from each other, that I felt I could lift my hand and pluck them from their ethereal settings.   Immediately above my right shoulder the crooked W of Cassiopeia pierced the depths with startling clarity and midway between this and the great square of Pegasus, there glowed faintly the spiral nebula of Andromeda, so far flung into the void as to make the magnificent gold and blue binary system of Gamma Andromeda appear but ten steps distant.

Becoming dizzy from the depths above me I turned and cast my eyes down to the eastern horizon.   The Pleiades had just shown itself above the distant trees and was discernible only by averted vision, but its presence was sufficient to tell me that within the hour Aldebaran, the red eye of Taurus, would begin its journey above the horizon to dissolve overhead in the light of tomorrow’s dawn.   But even before Antares had touched the distant church spire in the darkening west, the night air became chill and with a shudder I headed for home.

Some days later when I had the film processed, I discovered much to my dismay, that I had become so involved with the scene before me that I had forgotten to remove the dust-cap from the lens, consequently I have no visual proof to offer my friends of the glory I have witnessed.   Often I am accused of exaggeration when describing a scene that has made an impression on me, yet I experience difficulty in finding adjectives of sufficient depth, colour or subtlety to use in such instances.   How can one convey to others the emotions that rise to greet the song of a nightingale, or to what depths the heart yearns to fly with the swift and embrace all three dimensions.   How can one possibly convey through the medium of the written or spoken word the sight of an evening sky washed with the faint mauve streaks that herald a sunset, or describe the background tint of the sky that is somewhere between a shade of jade and turquoise?

My attempts at describing this beautiful sunset to a friend met with very little response.   Emotion is a very personal thing and that which gives rise to emotion in one, may leave another completely cold.   Even so, I was completely taken aback when my friend said, “what sunset?”

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon & grey & rain & red & sky wormhole: Pont Neuf, Paris, 1902
air & silence & trees wormhole: 10/30 by William Carlos Williams
beauty wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
being & black wormhole: in deed
breathing wormhole: there will be ovations
church & silhouette wormhole: Vue de Pontoise, 1873
clouds wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
dawn & storm wormhole: birth in the world
evening & life wormhole: threshold to behold
eyes wormhole: mandala offering
gold wormhole: Entry to the Village of Voisins, Yvelines, 1872
hills wormhole: Puerto del Carmen
horizon & sunset wormhole: in turgid reflection
identity wormhole: quietly in my quiet house
leaves wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
light & sun wormhole: Cours La Reine, Rouen, 1890
mauve wormhole: travelling / back
mind wormhole: so, how long is, a piece of string?
night wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
space wormhole: the reach turned to love
stars wormhole: TREES by William Carlos Williams
valley wormhole: coterminalism – there is nothing happens by itself, / 070118

 

Pont Neuf, Paris, 1902

Tags

1902, 2018, 6*, afternoon, autumn, branches, bridge, grey, Paris, rain, red, river, sky, speech, statue, steps, umbrella, woman

                the afternoon autumn skies
                had red taint in their greys

                from sodden divested branches
                grown warped and wet

                before the river – turn away,
                don’t look at me like this – but

                the iron rider on horse had
                none of it atop graceful steps,

                ‘pah’ said the old woman
                as she shook out her umbrella

 

de l’avantaged de Pont Neuf, Paris, 1892 by Camille Pissarro

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon wormhole: La Route, Effet d’Hiver, 1872
autumn & grey wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
branches wormhole: Puerto del Carmen
bridge wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
Paris wormhole: looking / ridiculous
rain wormhole: 10/22 by William Carlos Williams
red wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
river & sky wormhole: Cours La Reine, Rouen, 1890
speech & woman wormhole: A Corner of the Garden at the Hermitage, 1877

 

10/22 by William Carlos Williams

Tags

'scape, 1928, 7*, barrel, bayberry, birch, dog, field, grass, green, leaves, orange, rain, red, water, white, William Carlos Williams, yarrow, yellow

                that brilliant field
                of rainwet orange
                blanketed

                by the red grass
                and oilgreen bayberry

                the last yarrow
                on the gutter
                white by the sandy
                rainwater

                and a white birch
                with yellow leaves
                and few
                and loosely hung

                and a young dog
                jumped out
                of the old barrel

 

out and not wet from The Descent of Winter, 1928

 

 

^{————w}(O)rmholes_________________________________|—–

birch wormhole: Hastings: neither all or nothing
dog wormhole: London refugee march – 120915
field wormhole: ‘… plane is upright …’
green & water wormhole: Puerto del Carmen
leaves wormhole: travelling / back
orange & red & white & William Carlos Williams wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
rain wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
yellow wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees

 

Rain, Steam and Speed – the / Great Western Railway, 1844

Tags

1844, 2019, 6*, bridge, conception, direction, ideas, industrialisation, orange, others, passing, power, progress, rain, rural to urban migration, settlement, society, speed, steam, train, Turner, walking

                Rain, Steam and Speed – the
                Great Western Railway, 1844

                scattered above and about,
                ambulatory had always been

                protrusion of line and extrapolation
                far from the madding crowd

                but ‘twas only when fancy
                burnt coal and surmise

                in proceeding kettle that
                bridges and orange were conceived

 

emerging out from Rain, Steam and Speed – the Great Western Railway by William Turner, 1844

 

 

^{————w}(O)rmholes_________________________________|—–

bridge wormhole: Le Pont Royal, 1909
orange wormhole: La Route, Effet d’Hiver, 1872
others & walking wormhole: waiting to be heard
passing & society wormhole: Staffa Fingal’s Cave, 1832
power wormhole: on facing the Have
rain wormhole: SPRING AND ALL XXII by William Carlos Williams
train wormhole: Batman: Oddysey

 

SPRING AND ALL XXII by William Carlos Williams

Tags

1923, 6*, art, being, categories, chickens, education, existence, form, imagination, interdependent origination, knowledge, life, nature, poetry, quote, rain, reality, red, water, wheelbarrow, white, William Carlos Williams

                so much depends
                upon

                a red wheel
                barrow

                glazed with rain
                water

                beside the white
                chickens

 

from Spring and All, 1923; “wait, is that it, one of his most famous and quoted poems, and that’s it?”; well, no … this poem was actually nested within a whole weave of contemplations and exclamations to the contrary (quoted liberally, tatteredly and patch-workly – sorry, Bill): “the fixed categories into which life is divided … exist – … not as dead dissections … but in a different condition when energised by the imagination … but at present [early 1920s, America, and hence the upcoming androcentrist reference, I do apologise] knowledge is placed before a man as if it were a stair at the top of which a DEGREE is obtained which is superlative … the inundation of the intelligence by masses of complicated fact is not knowledge … it is on imagination on which reality rides … it is a cleavage through everything by a force that does not exist in the mass and therefore can never be discovered by its anatomisation … it is for this reason that I have always placed art first … art is the pure effect of the force upon which science depends for its reality – Poetry … poetry has to do with the crystallisation of the imagination – the perfection of new forms as additions to nature …”

 

taken from Ali Shapiro at http://blog.pshares.org/index.php/poetic-analytics/: I hope she doesn’t mind – those venn circles, they were so cold and so sweet

 

^{————w}(O)rmholes_________________________________|—–

being & life wormhole: on facing the Have
education wormhole: The Boats of Vallisneria by Michael J. Redford – On Doing Nothing
knowledge wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
poetry wormhole: oh, alright then
rain wormhole: THE GREAT FIGURE by William Carlos Williams
reality wormhole: coagulating
red wormhole: SPRING AND ALL I by William Carlos Williams
water wormhole: sun setting over a lake, 1840
white wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
William Carlos Williams wormhole: SPRING AND ALL XI by William Carlos Williams

 

THE GREAT FIGURE by William Carlos Williams

Tags

1921, 4*, city, firetruck, gold, gong, light, night, passing, rain, red, rumbling, siren, sound, wheel, William Carlos Williams

                                THE GREAT FIGURE

                Among the rain
                and lights
                I saw the figure 5
                in gold
                on a red
                firetruck
                moving
                tense
                unheeded
                to gong clangs
                siren howls
                and wheels rumbling
                through the dark city.

 

from Sour Grapes, 1921
how could this not be included; how could I not include the painting by Charles Demuth; how emblematic is this of taking the notice of all that is in the universe that we are born to …

 

 

^{————w}(O)rmholes_________________________________|—–

city wormhole: raised brow
gold wormhole: fifty-eight // and silent prayers
light wormhole: despite that
night wormhole: ‘a blacknight fitted perfectly …’
passing & red wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
rain wormhole: ‘… plane is upright …’
sound wormhole: Lapping Reflections [Deep Within Waters] – pigs
William Carlos Williams wormhole: THE LONELY STREET by William Carlos Williams

 

‘… plane is upright …’

Tags

1965, 2018, 7*, being, brick, buildings, carlights, circular poem, city, curtains, Dr Strange, existence, eyes, field, floor, guidance, hats, life, lightning, looking, moebius, moon, neighbourhood, passing, perspective, plane, rain, resolution, shadow, sign, speech, Stan Lee, steel, step, Steve Ditko, Strange Tales, streets, sun, throat, time, turning, vertical, walking, walls, way, windows

 

 

 

 

 

                                                                            when field of all temporal …
                                                              than just a façade but                           …
                                                                                                                                   …
                                      of steel and brick more                                                        … plane is upright
                                    the hatch and cross                                                                          and turned to perspective

                      windows, for a second                                                                                              and route is looped
               through endless endless                                                                                                      through the eye of

       neighbourhood boroughs                                                                                                               its own step, there will be
                 will be revealed as                                                                                                                     curtains of reign

   lightning where canyons                                                                                                                        through which to stride
             will always turn to                                                                                                                          oblivious, but the loss under-                                                                        

        but the reach of eye                                                                                                                             brim will seize the rear
 only to the next puddle;                                                                                                                            palate and numb the speech

       passing carlights look                                                                                                                          as eyes turn to look behind
 the walls and floors when                                                                                                                        themselves, save the

             enough to disregard                                                                                                                  moon will always guide
     leaving flit and twistreach                                                                                                               through dusty streets

          falls like inevitable treacle                                                                                                      far better than the beady sun
                 underbrim gathers then                                                                                               with all its signage and

                              as the ride across the                                                                                paraphanelia, no it is by
                              that resolve will be seized                                                                slanting blind shadows

 

Strange Tales #132-133, May-June 1965, Stan Lee; Steve Ditko: it is my contention that Dr Strange is strange because he doesn’t appear in his own event, he slips in and out at right angles to plane existence thence to vanquish solipsistic threat – story of my life

 

 

^{————w}(O)rmholes_________________________________|—–

being & life & rain & walking wormhole: coterminalism – there is nothing happens by itself, / 070118
buildings & moon wormhole: the moon, the moon
circular poem wormhole: amid
city & sun & walls wormhole: space for probing thought
curtains wormhole: What You Are by Roger McGough
Dr Strange wormhole: ‘when travelling astrally …’
eyes & looking wormhole: ‘a blacknight fitted perfectly …’
field & speech & time wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
lightning wormhole: Lapping Reflections [Deep Within Waters] – from arm to nature, doing nothing
wormhole
passing wormhole: Victorian pipework
shadow & streets & windows wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams

 

coterminalism – there is nothing happens by itself, / 070118

Tags

2018, 7*, being, blackberry, blue, Bodhisattvacharyavatara, bougainvillea, bread, breakfast, clouds, cooking, creation, hills, holiday, jam, Lanzarote, life, lunch, olive, rain, roundabout, sand, sky, study, table, valley, vegetables, villas, walking, wind

                coterminalism – there is nothing happens by itself,
                070118

                when blackberry jam is on the bread for breakfast
                there will be bougainvillea on the roundabout by lunch

                when the walk uphill is steep enough and windy
                the rainfall advances, but stays in the valley

                so that when walking through villas between showers
                there are always sand-blue clouds under deepening olive sky

                when you cook or prepare the vegetables right
                the paella is right the oval dish long

                when creation and study and life happen around the same table, there is                      
                being

 

Bodhisattvacharyavatara VI, 31 – everything is governed by other factors and nothing governs itself; anything which seems to stand out from this as independent is illusory [and usually desparate in some sort of way]

 

 

^{————w}(O)rmholes_________________________________|—–

being & sky wormhole: THURSDAY by William Carlos Williams
blue & life & walking wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
clouds & holiday wormhole: we held cold hands
hills wormhole: that
olive wormhole: mauve
rain & valley wormhole: Lapping Reflections [Deep Within Waters] – reaping
study wormhole: glancing up from the text / searching for ground …
table wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
wind wormhole: JANUARY by William Carlos Williams