• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: right angle

pediment to behold

14 Monday Jan 2019

Posted by m lewis redford in poems, poeviews

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1968, 2018, 5*, architecture, avenue, Batman, being, feet, Gil Kane, height, line, perspective, right angle, shops, view

                lines recede long
                down both flanks of avenue

                selling hats, jeans
                and deli; but leap deep into

                the perspective cut
                almost 90° to the rite of way

                and flying traces
                of the soles of your feet find

                levels of stepped architecture
                pediment to behold

 

right-angled from Detective Comics #371, “Batgirl’s Costume Cut-Ups” by Gardner Fox and Gil Kane, January 1968

 

 

————w(O)rmholes________________________________|—–

architecture wormhole: Victorian pipework
Batman wormhole: pursued
being wormhole: on facing the Have
feet wormhole: The Passage of the St. Gothard, 1804
shops wormhole: stuck

 

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I don’t need to go out / onto the balcony to see behind me / to know what’s going on

30 Monday Jul 2018

Posted by m lewis redford in announcements

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2018, 7*, apartment, apricot, being, birds, blackberry, blue, cream, damson, facade, fruit jellies, future, grey, holiday, island, January, knowing, Lanzarote, lemon, life, light, morning, palms, planes, right angle, sea, seeing, sky, sunset, table, talking, toddlers, voices, volcanic rock, white, wind

                                     I don’t need to go out
                          onto the balcony to see behind me
                               to know what’s going on

                the sea is a damson-blackberry
                fruit-jelly grey in January
                around a volcanic island; the

                cream of apricot née lemon
                awash the staggered faces of
                apartments fades to berry-

                blue along the white facades
                (until the right-angled sides
                 become wholly indifferent in

                 the morning) while palm trees
                blow into the setting sun and
                planes land in the headwind;

                eventually they are broadleaf-
                white under the damson-blackberry
                fruit-jelly grey sky when the

                balcony light flicks on, voices
                talk of the future around the table
                and toddlers shriek like birds landing

 

 

 

————w(O)rmholes________________________________|—–

apricot & wind wormhole: transferring
being wormhole: cowled
birds & blue & grey & sky wormhole: SPRING STRAINS by William Carlos Williams
holiday wormhole: green and / luminant / to behold
lemon wormhole: … vague / thunder
life & seeing wormhole: anxiety
light & voices wormhole: moon- // washed
morning wormhole: SUMMER SONG by William Carlos Williams
sea wormhole: and ‘naerrgh’ a mention of a seagull’s call
sunset wormhole: Is There / Life on Mars? – poewieview #32
table wormhole: … the underleaves show
talking wormhole: coagulating
white wormhole: presence

 

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weight

22 Saturday Apr 2017

Posted by m lewis redford in poems

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2017, 8*, anatta, April, beauty, breeze, career, circle, clouds, countryside, identity, lesson planning, right angle, seeing, stone, stone circles, teaching, thought, time, view, work, world

                                                              April clouds are stone
                                              foreboding over the countryside
                                                                                   placed in circles across the land
                                                                                              over millennia

 

 

                I had wanted
                to follow thought and view

                at right-angle
                to all the world

                to find it beautiful
                in all its stark

                to lose my weight
                in perfect shifting breeze

                but had to work
                and plan the bend

                and case the sight
                and lost my sight

                (and gained some weight)
                I … had to work

 

retirement #8: when you slip out of a career and look back on what was achieved, there is only a quiet and drifting cloud to contemplate although the experience of working through it was of unworkable stone which you knew all the time shouldn’t be the case, but it was, it was; read the whole sequence as it drifts across the skies: in and out / the Avebury stones / can’t seem to get / a signal …

 

 

————w(O)rmholes________________________________|—–

beauty wormhole: Sylvia
breeze wormhole: 1968
career & identity wormhole: strain
clouds wormhole: the // orange rose
seeing wormhole: Day Out
stone wormhole: reprieve
teaching wormhole: seen but not heard
thought wormhole: handsome
time wormhole: time travel
work wormhole: holiday
world wormhole: reading // unstirred

 

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and that’s where I are

26 Saturday Mar 2016

Posted by m lewis redford in poems

≈ 6 Comments

Tags

2016, Aleister Crowley, alley, appearance, birch, black, Bowie, breakdown, breeze, brick, building, car park, career, Carol, cars, cats, child, church, clothes, coffee shop, creativity, decision, Diane di Prima, disappearance, down, Eastbourne, emptiness, fear, form, grey, Heart Sutra, horizontal, humanity, identity, left, leg, looking, mother, muse, others, passing, pavement, plane, posture, quantum, rebellion, right, right angle, roads, school, searching, seeing, silence, silver, sitting, sound, spire, stain, stopped, streets, talking to myself, teaching, trees, up, vertical, waiting, walking, walls, William Carlos Williams, wind, writers, writing

            inner coffee shop

            so, is writing pointless,
            just rebellion from root
            just the muscling of me
            to spite the hard fear that

            I’ll turn to stone if I look
            into her face … `spite the
            knowledge that others are
            far more brave than me?

            St. Saviour & St. Peter

            so what draws me to sit,
            after all, on the roadside
            wall across from the spire
            clear for all to see the

            even bricks buttress, cap
            and flute up so high to
            eleven storeys to, maybe,
            the single point, with run-

            down stain and grimèd
line defining plane and vertical rightened quantum to the neat, surrounding parking and the passing upright
            humans both of public
            dress and private gait

                           360º

            and then the grey cat
            strolled from some-
            where left between
            silent cars to cross the

            road right – stopped –
            t’looka’leaf ‘n’ disappear
            up on wall by tree-sniff
            stop – fence? – no,

            down be-hind th’wall
            out through th’front
            windscreen ‘n’
            downastepps t’street

            to not appear where
            expected; ‘shut’, a mother
            leads a tot from front
            door to car …
                                   … still no appearance

            … … scamper with the
            wind behind as the car
            pulls away; maybe I should
            record this wh’appened all

            around breeze, strolled –
            stopped – by the wall
            back from b’hind m’left
            enters the gateway out

            by th’alleyway (with the
            bold and naked silver birch
            I hadn’t noticed);
                                          upover
            the fence [not attempted

            before] tadaaanother cat
            black treesniff checkleft
            then … left, jumptowall,
            jump to pavementstop;

            over the road frontleg
            onelick s t r o l l s car-
            shielded; black belly-slink
            low across the road; they

            walk away both from
            sight either side of the van;
            one tail up and wiggy
            one tail fluffy with spine

            these things all of great
            importance to spite the hard fact
            of my writing them,
            old Bull Williams would have

            and that’s where I are

 

there are expanses awkward to the landscape in writing sometimes: the technique is there, the shift can be made, but the will and excitement just isn’t; I have been reading Diane di Prima’s “Recollections of My Life as a Woman”, I greatly fed off her childhood but have languoured once she got into the Work; I have been reading about Aleister Crowley’s ‘Do What Thou Wilt’ awkward plane; I have a huge project ongoing writing poewieviews to David Bowie’s oeuvre – I am going to new lands but the luggage is heavy and awkward and requiring decisions which I don’t easily make; oh, and I am off work again, feeling un-plugged in to my own practice of vocation like a forlorn state-of-the-art food mixer; I spent a morning down in Eastbourne chauffeuring my wife around like the successful carer that she is; walking; sitting in a coffee shop; snagged at St. Saviour & St. Peter Church on the corner of Spencer Road and South Street, still pondering the relationship between multifarious form and the emptiness makes it dynamic; but it wasn’t until I sat back in the waiting car and watched the chess moves of two cats in the street that I stumbled across the full quote from the Heart Sutra: “form is emptiness; emptiness is form; emptiness is no other than form, form also is no other than emptiness”; but it wasn’t until I got home and shaped it all up from scribbles to column – with my ageing black AND white cat leaning against my foot – that I wondered if I still hadn’t quite got it yet (as William Carlos Williams, the great great practicer of ‘no poetry but in things’ said); and yet it has been satisfying finding not so …

 

 

————w(O)rmholes________________________________|—–

birch wormhole: fine droplets / across the glass
black & grey wormhole: hinged – From Hell ch. V
Bowie wormhole: Quiver of / Tiffany – poewieview #20
breakdown & writing wormhole: nothing to write
breeze wormhole: strange / tarnish
buildings & silver & streets wormhole: crease and score of silver-morning sky
carer wormhole: just saying, is all IV: // lost
Carol wormhole: when in Belgium do as the chocolates do
cars wormhole: stacked
cats wormhole: new garden
child wormhole: dream 260815
church wormhole: finding my own true nature – Plumstead, Woolwich, 190915
coffee shop wormhole: ‘from under the awning …’
creativity & school wormhole: through
Eastbourne wormhole: along
emptiness wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
identity wormhole: dear clown’s face
looking & muse & sound wormhole: don’t look / at her eyes – poewieview #18
mother & silence wormhole: early evening
others wormhole: my // shell – poewieview #19
passing & posture wormhole: really
roads wormhole: sixty four sixty five – poewieview #1
searching wormhole: opening
seeing wormhole: where the goblins leered – poewieview #14
sitting & talking to myself wormhole: tong len / the inauguration of another – timely – butter fly effect / taking and giving
teaching wormhole: the MagOO Effect Effect
trees wormhole: Shonagh – poewieview #17
waiting wormhole: Saturday – poewieview #3
walking wormhole: b / r / e / a / t / h / i / n / g
walls wormhole: Nostalgia for Samsara – poewieview #16
[William Carlos] Williams wormhole: and then just stop
wind wormhole: keep the light off

 

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Seven A.M, 1948

10 Sunday Jan 2016

Posted by m lewis redford in poems, poeviews

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'scape, 1948, 2015, clock, depth, doors, Edward Hopper, letting go, light, morning, Nightmare, opening, right angle, shadow, time, trees, years

 

 

 

            Seven A.M, 1948

            too early to open,
            the shadow off the clock
            is too long

            the trees at
            the edges of nightmare
            have yet to release

            the light worries
            the door handle and would
            feign entry already

            but the
            conspiracy is deep, as
            dimension takes a right angle

 

 

 

————w(O)rmholes________________________________|—–

doors wormhole: the open window
Edward Hopper & time & years wormhole: Office at Night, 1940
letting go wormhole: if left alone
light wormhole: ‘in clear oil air …’
morning wormhole: 1967
shaadow wormhole: the silent night of the Batman
trees wormhole: … the discipline of shamatha / the waft of vipashyana

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
  • 'I can write ...'
  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

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tag skyline

'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

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