• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: right

looking hard enough

28 Saturday Dec 2019

Posted by m lewis redford in poems

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Tags

2019, 6*, Blake, books, earth, leaves, left, life, looking, path, private, right, roots, smell, stone, streets, Totnes, trees, walls

                down to the right are paths
                wrap ‘tween stone and wall and rind up dale

                that smell of leaf over earth
                and rooting writhed and coupling too to earth

                and down to the left,
                down through constant broadcast high through leaves,

                high streets of venue and outlet to cater for
                every private over life, that

                will yield a book on Blake,
                if not looking hard enough, and books

                that you already had if you
                were

 

and … eventually you have to go into town; in the 21st century you can’t escape from the town …

 

 

————w(O)rmholes________________________________|—–

books wormhole: beneath
leaves & path wormhole: breakfast
life wormhole: despite all / depiction
looking wormhole: then
smell & stone wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
streets wormhole: riders of the night
trees wormhole: nowhere / that can be seen
walls wormhole: travel // when I die

 

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I

23 Saturday Mar 2019

Posted by m lewis redford in poems, reflectionary

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2018, 6*, anatta, Bodhisattvacharyavatara, identity, karma, left, lifetimes, looking, reflection, right, self-cherishing, time

                                    I get what I deserve,
                                    I can see it there in the mirror
                                    looking back at me,

                        it seems its left is my right but it is
                        all just the same
                        reflection

            it would be better
            if I hadn’t brandished this ‘I’ about in the past
            making it all right and powerful over others whenever I could,

            simply ending up
            with this pain in my
            own neck …

            it would be better if I
            didn’t have this
I

 

from Bodhisattvacharyavatara chapter VI, verse 42: In previous lives and former times, I myself have subjected just such pain, suffering and torment on other sentient beings, therefore, it is only just and fitting that I, the former perpetrator, who distressed, wronged and harmed all these beings, deserve the return, that I become the attacked, that this becomes my lot.

 

 

————w(O)rmholes________________________________|—–

identity wormhole: the reach turned to love
lifetimes wormhole: oh, alright then
looking wormhole: somehow
reflection wormhole: travelling / back
time wormhole: alabaster balustrade

 

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A Solitude by Denise Levertov

26 Sunday Aug 2018

Posted by m lewis redford in poems

≈ 6 Comments

Tags

1961, 7*, air, anxiety, being, blindness, breeze, children, Denise Levertov, doors, exit, face, hands, image, journey, joy, light, movement, nowhere, passing, people, presence, quiet, right, seeing, shame, smile, solitude, sound, speech, stairs, staring, station, stranger, streets, sunlight, thought, train, water, way, world

                                A Solitude

                A blind man. I can stare at him
                ashamed, shameless. Or does he know it?
                No, he is in a great solitude.

                O, strange joy,
                to gaze my fill at a stranger’s face.
                No, my thirst is greater than before.

                In this world he is speaking
                almost aloud. His lips move.
                Anxiety plays about them. And now joy

                of some sort trembles into a smile.
                A breeze I can’t feel
                crosses that face as if it crossed water.

                The train moves uptown, pulls in and
                pulls out of the local stops. Within its loud
                jarring movement a quiet,

                the quiet of people not speaking,
                some of them eyeing the blind man,
                only a moment though, not thirsty like me,

                and within that quiet his
                different quiet, not quiet at all, a tumult
                of images, but what are his images,

                he is blind? He doesn’t care
                that he looks strange, showing
                his thoughts on his face like designs of light

                flickering on water, for hedoesn’t know
                what look is.
                I see he has never seen.

                And now he rises, he stands at the door ready,
                knowing his station is next. Was he counting?
                No, that was not his need.

                When he gets out I get out.
                ‘Can I help you towards the exit?’
                ‘Oh, alright.’ An indifference.

                But instantly, even as he speaks,
                even as I hear indifference, his hand
                goes out, waiting for me to take it,

                and now we hold hands like children.
                His hand is warm and not sweaty,
                the grip firm, it feels good.

                And when we have passed through the turnstile,
                he going first, his hand at once
                waits for mine again.

                ‘Here are the steps. And here we turn
                to the right. More stairs now.’ We go
                up into sunlight. He feels that,

                the soft air. ‘A nice day,
                isn’t it?’ says the blind man. Solitude
                walks with me, walks

                beside me, he is not with me, he continues
                his thoughts alone. But his hand and mine
                know one another,

                it’s as if my hand were gone forth
                on its own journey. I see him
                across the street, the blind man,

                and now he says he can find his way. He knows
                where he is going, it is nowhere, it is filled
                with presences. He says, I am.

 

how to be in another’s head about being in another’s head: this is a wonderful example of Whalen’s ‘graph of the mind’ – the reach and score of effervent; there is a wonderful clarity and excise about these words such that the encounter is ours as much as just reported; thank you Denise Levertov, as she touches her throat lightly to feel the vibrations as she listens

 

 

————w(O)rmholes________________________________|—–

air wormhole: THE DESOLATE FIELD by William Carlos Williams
anxiety wormhole: anxiety
being & water wormhole: `whappn’d!
breeze & hands wormhole: Lapping Reflections [Deep Within Waters] – old George
doors wormhole: letting them go
light wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
passing wormhole: SPRING STRAINS by William Carlos Williams
people wormhole: tram
quiet wormhole: new blue porsche
seeing wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
smile wormhole: SUMMER SONG by William Carlos Williams
streets wormhole: PASTORAL by William Carlos Williams
thought wormhole: presence
train wormhole: all the low clouds keeping pace / through the train window, / always arriving, whether fast or / slow, but never actually moving
world wormhole: scintillating to mind’s content

 

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SPRING STRAINS by William Carlos Williams

19 Thursday Jul 2018

Posted by m lewis redford in poems

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'scape, 1917, 7*, anchor, angle, birds, blue, branches, buds, concentration, convergence, desire, disappearance, energy, erect, flying, grey, ground, holding, orange, passing, red, right, rock, sky, Spring, sun, tap root, trees, twigs, William Carlos Williams

                                SPRING STRAINS

                In a tissue-thin monotone of blue-grey buds
                crowded erect with desire against
                the sky–
                            tense blue-grey twigs
                slenderly anchoring them down, drawing
                them in–

                            two blue-grey birds chasing
                a third struggle in circles, angles,
                swift convergings to a point that bursts
                instantly!

                            Vibrant bowing limbs
                pull downward, sucking in the sky
                that bulges from behind, plastering itself
                against them in packed rifts, rock blue
                and dirty orange!

                                                                                But–
                (Hold hard, rigid jointed trees!)
                the blinding and red-edged sun-blur–
                creeping energy, concentrated
                counterforce – welds sky, buds, trees,
                rivets them in one puckering hold!
                Sticks through! Pulls the whole
                counter-pulling mass upward, to the right,
                locks even the opaque, not yet defined
                ground in a terrific drag that is
                loosening the very tap-roots!

                On a tissue-thin monotone of blue-grey buds
                two blue-grey birds, chasing a third,
                at full cry! Now they are
                flung outward and up – disappearing suddenly!

 

from Al Que Quiere, 1917

the cacophany of a single moment – all instruments loosening-up, scaling, tensing, waiting for the grand inaugural middle ‘C’ – all held together in a fidgety bag; the shabby audacity of this piece – ‘let’s not just have vignettes, let’s also have local, tectonic landscapes’ – made my young eyes work, I had to read it several times successively to hold together all the strands, and then he lets me off, I finally ‘got’ the three birds disappearing … you don’t hold it all together, you don’t; there’s no need to; William Carlos Williams was a crafty master

 

 

————w(O)rmholes________________________________|—–

birds wormhole: {Ellen Terry’s house}
blue wormhole: SUMMER SONG by William Carlos Williams
branches & sky wormhole: LOVE SONG by William Carlos Williams
grey wormhole: glancing up from the text / searching for ground …
orange wormhole: I
passing wormhole: tram
red wormhole: Bridgnorth
Spring wormhole: city streets
sun & trees & William Carlos Williams wormhole: DANSE RUSSE by William Carlos Williams

 

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mauve

23 Wednesday May 2018

Posted by m lewis redford in poems, poeviews

≈ 3 Comments

Tags

1973, 2017, 6*, birdsong, blue, buildings, clouds, dusk, gold, hills, horizon, left, lime, mauve, mist, olive, right, sidewalk, sky, Steely Dan, streets, sun, syncopation, white

                                mauve
                                {Your Gold Teeth}

                in 1973
                                waste bins jumped up
                                                syncopated
                                                                all down the sidewalk

                down the street apiece
                                the olive and mist
                                                second-floor horizon
                                                                looked left

                                                                before the hills
                                                sun going down
                                in a Prussian sky
                {West of Hollywood}

                                to the right to the left
                                the bird on the single

                                remaining post called
                                the last lime skeak

                                to white curds above
                                the darkening hills

 


 

 

————w(O)rmholes________________________________|—–

blue wormhole: Bridgnorth
buildings wormhole: between
clouds wormhole: all the low clouds keeping pace / through the train window, / always arriving, whether fast or / slow, but never actually moving
gold & sky wormhole: behind / glass walls and wan and hooded eye
hills & mauve wormhole: polystyrene / boulderscape
horizon wormhole: travelling // arrival
lime wormhole: turned backs of saddened victory
mist wormhole: is this it // all the time
olive wormhole: pine // gladioli // [&] wisteria
streets wormhole: coagulating
sun wormhole: The Boats of Vallisneria by Michael J. Redford – Making Hay
white wormhole: sharpened apex

 

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and that’s where I are

26 Saturday Mar 2016

Posted by m lewis redford in poems

≈ 6 Comments

Tags

2016, Aleister Crowley, alley, appearance, birch, black, Bowie, breakdown, breeze, brick, building, car park, career, Carol, cars, cats, child, church, clothes, coffee shop, creativity, decision, Diane di Prima, disappearance, down, Eastbourne, emptiness, fear, form, grey, Heart Sutra, horizontal, humanity, identity, left, leg, looking, mother, muse, others, passing, pavement, plane, posture, quantum, rebellion, right, right angle, roads, school, searching, seeing, silence, silver, sitting, sound, spire, stain, stopped, streets, talking to myself, teaching, trees, up, vertical, waiting, walking, walls, William Carlos Williams, wind, writers, writing

            inner coffee shop

            so, is writing pointless,
            just rebellion from root
            just the muscling of me
            to spite the hard fear that

            I’ll turn to stone if I look
            into her face … `spite the
            knowledge that others are
            far more brave than me?

            St. Saviour & St. Peter

            so what draws me to sit,
            after all, on the roadside
            wall across from the spire
            clear for all to see the

            even bricks buttress, cap
            and flute up so high to
            eleven storeys to, maybe,
            the single point, with run-

            down stain and grimèd
line defining plane and vertical rightened quantum to the neat, surrounding parking and the passing upright
            humans both of public
            dress and private gait

                           360º

            and then the grey cat
            strolled from some-
            where left between
            silent cars to cross the

            road right – stopped –
            t’looka’leaf ‘n’ disappear
            up on wall by tree-sniff
            stop – fence? – no,

            down be-hind th’wall
            out through th’front
            windscreen ‘n’
            downastepps t’street

            to not appear where
            expected; ‘shut’, a mother
            leads a tot from front
            door to car …
                                   … still no appearance

            … … scamper with the
            wind behind as the car
            pulls away; maybe I should
            record this wh’appened all

            around breeze, strolled –
            stopped – by the wall
            back from b’hind m’left
            enters the gateway out

            by th’alleyway (with the
            bold and naked silver birch
            I hadn’t noticed);
                                          upover
            the fence [not attempted

            before] tadaaanother cat
            black treesniff checkleft
            then … left, jumptowall,
            jump to pavementstop;

            over the road frontleg
            onelick s t r o l l s car-
            shielded; black belly-slink
            low across the road; they

            walk away both from
            sight either side of the van;
            one tail up and wiggy
            one tail fluffy with spine

            these things all of great
            importance to spite the hard fact
            of my writing them,
            old Bull Williams would have

            and that’s where I are

 

there are expanses awkward to the landscape in writing sometimes: the technique is there, the shift can be made, but the will and excitement just isn’t; I have been reading Diane di Prima’s “Recollections of My Life as a Woman”, I greatly fed off her childhood but have languoured once she got into the Work; I have been reading about Aleister Crowley’s ‘Do What Thou Wilt’ awkward plane; I have a huge project ongoing writing poewieviews to David Bowie’s oeuvre – I am going to new lands but the luggage is heavy and awkward and requiring decisions which I don’t easily make; oh, and I am off work again, feeling un-plugged in to my own practice of vocation like a forlorn state-of-the-art food mixer; I spent a morning down in Eastbourne chauffeuring my wife around like the successful carer that she is; walking; sitting in a coffee shop; snagged at St. Saviour & St. Peter Church on the corner of Spencer Road and South Street, still pondering the relationship between multifarious form and the emptiness makes it dynamic; but it wasn’t until I sat back in the waiting car and watched the chess moves of two cats in the street that I stumbled across the full quote from the Heart Sutra: “form is emptiness; emptiness is form; emptiness is no other than form, form also is no other than emptiness”; but it wasn’t until I got home and shaped it all up from scribbles to column – with my ageing black AND white cat leaning against my foot – that I wondered if I still hadn’t quite got it yet (as William Carlos Williams, the great great practicer of ‘no poetry but in things’ said); and yet it has been satisfying finding not so …

 

 

————w(O)rmholes________________________________|—–

birch wormhole: fine droplets / across the glass
black & grey wormhole: hinged – From Hell ch. V
Bowie wormhole: Quiver of / Tiffany – poewieview #20
breakdown & writing wormhole: nothing to write
breeze wormhole: strange / tarnish
buildings & silver & streets wormhole: crease and score of silver-morning sky
carer wormhole: just saying, is all IV: // lost
Carol wormhole: when in Belgium do as the chocolates do
cars wormhole: stacked
cats wormhole: new garden
child wormhole: dream 260815
church wormhole: finding my own true nature – Plumstead, Woolwich, 190915
coffee shop wormhole: ‘from under the awning …’
creativity & school wormhole: through
Eastbourne wormhole: along
emptiness wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
identity wormhole: dear clown’s face
looking & muse & sound wormhole: don’t look / at her eyes – poewieview #18
mother & silence wormhole: early evening
others wormhole: my // shell – poewieview #19
passing & posture wormhole: really
roads wormhole: sixty four sixty five – poewieview #1
searching wormhole: opening
seeing wormhole: where the goblins leered – poewieview #14
sitting & talking to myself wormhole: tong len / the inauguration of another – timely – butter fly effect / taking and giving
teaching wormhole: the MagOO Effect Effect
trees wormhole: Shonagh – poewieview #17
waiting wormhole: Saturday – poewieview #3
walking wormhole: b / r / e / a / t / h / i / n / g
walls wormhole: Nostalgia for Samsara – poewieview #16
[William Carlos] Williams wormhole: and then just stop
wind wormhole: keep the light off

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
  • 'I can write ...'
  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

announcements awards embroidery poems poeviews reflectionary teaching

tag skyline

'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

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