boiled spangle with soft centre

Tags

'scape, 1833, 2019, 6*, building, ice cream, people, river, society, stone, sun, sunset, town, Turner, water, wheel

                boiled spangle with soft centre

                they came in tents
                they came on wheels
                down to the water’s edge

                all the turrets and span
                of stone were already
                faded with every ice-cream sun

 

OK … ‘Spangles’ were a boiled sweet, square and dimpled, which suggested a soft centre, but didn’t; their taste was a combination of visual colour and transluscency rather than anything other than sweet; Turner‘s A Town on a River at Sunset, 1833, had the colour of event and the transluscency of time, but also the soft centre of … life-ing

 

 

^{————w}(O)rmholes_________________________________|—–

people wormhole: my uncomfortable life
river & stone wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
sun & water wormhole: then
sunset wormhole: The Boats of Vallisneria by Michael J. Redford – Sky

 

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The Boats of Vallisneria by Michael J. Redford – Rain

Tags

ash, beauty, bridge, clouds, consciousness, cottage, dawn, eyes, garden, gazing, gold, grass, grey, hedge, hill, land, leaves, light, memory, Michael J Redford, mist, morning, passing, petunia, quiet, radio, rain, reflection, river, roads, silence, silver, sky, skyline, smell, sound, speech, starlings, stillness, stone, summer, sun, sycamore, the Boats of Vallisneria, trees, valley, village, water, weather, willow, writing

Rain

“The morning will be overcast with frequent showers. They will be heavy at times in the south east but brighter weather will follow later from the west …”

Thus spake the oracle from the radio early one summer morning casting his own black cloud over the hearts of many.   I was a keen cyclist in my teens and at many a weekend my schoolmate and I would grease up our cycles and head for the open road.   Shoreham was our target this particular day but the voice of doom did not quell our enthusiasm.   The weather was kind to us on the way down with the sun occasionally breaking through the gloom above to splash a little watery light on the road ahead and we arrived on the outskirts of the village at around nine o’clock. Passing Samuel Palmer’s old cottage we came upon the bridge and dismounted.   After a strenuous exercise, it is a delight to lean upon a bridge and gaze upon the waters emerging from beneath one’s feet.   The flow catches the eye and lifts it slowly into the distance and the senses relax to the accompaniment of its music.   There weren’t many gnats and midges at that time of day, but those that were about were flying very low indeed.   Certainly there was rain about and it wasn’t very far off either for we could just detect the faint scent of it even above the mass of water at our feet.   Not wishing to miss any of its quiet charm, we walked our bicycles through the village, and as the sky grew heavy above us, my thoughts turned to my companion’s pet tortoise Horace who had been extremely active earlier that morning, this being a sure sign of approaching rain.   We turned down the hill past the Crown Hotel, on past the water mill which was then a tea house (I believe it is now a private dwelling) and out onto the banks of the Darenth.

A damp mist had filtered through the trees on the hill opposite and the grey light had transmuted the upturned leaves of ash and sycamore into flecks of silver that hung without movement in the stillness of the impending downpour.   An old weeping willow, pollarded of its crowning glory, leaned out from the bank across the water and as I peered into its dark reflection a crayfish, startled by the leviathan that reared above it, scuttled beneath the smooth stones. As I gazed, the picture was suddenly distorted.   A raindrop had followed immediately by another and yet another and soon I was no longer able to fathom the depths.   We donned our capes, drew up our knees and huddled against the tree like two diminutive bell tents.   Cozy in our little dry islands, the raindrops drummed upon our capes in anger and hissed at us from the river turning it into a boiling cauldron.   The mist that had settled among the trees on the hill opposite had drifted on making way for a great veil of rain that spanned the skyline in graceful folds – a grey but beautiful replica of the Aurora Borealis.

As the curtain drifted slowly by, the day grew appreciably lighter and the deluge eased to a steady drizzle.   Soon after, the clouds broke a little, and a shaft of pure gold struck the hills, becoming wider at its base as it raced swiftly down the valley.   Then the rain ceased as quickly as it had begun and silence, the ethereal beauty of which is always magnified when the rains are over, tumbled into the valley.   We sat in silence beside the bubbling waters and for several minutes we watched its breathless pursuit of the shaft of gold.

It is within such a quietude that I sit now jotting down these notes.   This morning was a grey but clean smelling morning upon which the hedgerow leaves quivered.   It had been raining all night but had stopped just as dawn broke, leaving behind a miscellany of drips and drops, musical and echoing.   Each blade of grass had its tip bent by a raindrop and the clothes line was a string of pearls waiting to be spilled upon the lawn by the quick grasp of a starling’s feet.   By mid-morning the low cloud had dispersed and great mountains of summer cumulus were heaped about the sky.   It was my intention this morning to tackle one or two gardening chores that had been neglected but due to a tiny and insignificant happening, these have yet to be done.   As I passed the petunia bed, I bent to pick up an old seed packet that had appeared and my sleeve touched a petunia leaf.   Upon this leaf there were three rain drops, and as the leaf was set in motion, the three tiny drops rushed towards one another and merged into one large globule that trembled precariously in the centre of the leaf before rolling off the edge and disappearing into the soil.   This tiny happening caused my mind to leap back across the years to remember once more a particular drop of water out of all the millions that must have fallen that day at Shoreham; a single drop of water that has long since been returned to Poseidon from whence it came. We were walking back through the village when we paused awhile beside a cottage garden to discuss our plans.   The clouds were now few and the sun was strong in the cleansed sky drawing out the sweet scent of purity from the land.   Suddenly, a spark of light leapt from the ground and pierced my eye.   So bright was it that it might well have been of solid substance, for it so dazzled the eye that it quite took the breath from me.   I stooped to discover the origin of this manifestation and there, within the cupped hands of a lupin leaf was a tiny trembling rain drop.   It was a perfect globe clearer than crystal; a gem that would have done justice to the diadem of the most illustrious of monarchs.

So it is that my gardening chores for today have once more been neglected.   A rain drop fell from a leaf and in that single drop a flood of memories, memories I felt I had to record, for – they had been pushed so far below the plane of consciousness, that I was afraid they would never have come to the fore again.

 

read the collected work as it is published: here

 

 

^{————w}(O)_{rmholes________________________________|—–}

beauty & dawn & rain & silence wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
bridge wormhole: Great Bridge, Rouen, 1896
clouds & passing wormhole: slight sneer
eyes wormhole: mandala offering
garden wormhole: A Corner of the Garden at the Hermitage, 1877
gold & grey & leaves & sun & trees wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
hedge wormhole: it’s / not what you do or what you say / if it ain’t got that swing
light & river wormhole: the Bodhisattva set out / for the Seat of Awakening
mist & morning & sound wormhole: 10/30 by William Carlos Williams
quiet wormhole: quietly in my quiet house
radio wormhole: within
reflection wormhole: in turgid reflection
roads & silver wormhole: Hastings: neither all or nothing
sky & speech & writing wormhole: 11/1 by William Carlos Williams
skyline wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
smell wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
stillness wormhole: Lapping Reflections [Deep Within Waters] – pigs
stone wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
water wormhole: Valentine’s Day 2019

 

the Bodhisattva set out / for the Seat of Awakening

Tags

2019, 7*, Arya Lalitavistara, Bodhisattva, Buddha, calm, dark, demon, earth, echo, elephant, food, ground, happiness, light, lion, lotus, mindfulness, mountain, omniscient, past life, path, plateau, power, river, samsara, spontaneity, stars, step, three poisons, Tree of Awakening, view, walking, wheel

                so he bathed in the Nairañjanā,
                he ate the food, his strength

                returned, and he began the walk
                toward the Great Tree; he walked

                with easy gait, grounded
                as a mountain, each step gained

                and graceful with no fight, dream
                or idea; the placement pad of a lion,

                the calliper-swing of an elephant,
                a stride that touched not the earth

                but left perfect wheels
                upon the ground, a step that echoed

                across the plateau, a step that
                levelled mountain paths, each step

                that lead to happy lands,
                each step sprung from past lotuses

                of love and stable intention,
                that rendered demons powerless

                that calmed all view, that evanesced
                the darkness and stopped the

                endless endless rounds; his
                walk outshone the distant stars,

                his walk becalmed the rulers;
                the walk spontaneous, the walk

                omniscient, the walk mindful
                of every ancient step, with such a gait

                the Bodhisattva set out
                for the Seat of Awakening

 

from the Arya Lalita Vistara Nama Mahayana Sutra – the life story of the Buddha – originally using the words from the translation by the Dharmachakra Translation 84000 Committee which is freely available online here (for which thank you, thank you) and then other words once my gaze had settled into the image; the ‘Nairañjanā’ is the river by which the Buddha practised his austerities, the ‘food’ was that given to him by Sujata

 

 

^{————w}(O)rmholes_________________________________|—–

Buddha wormhole: Sujātā
echo wormhole: so, how long is, a piece of string?
light wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
path wormhole: alabaster balustrade
power wormhole: in turgid reflection
river wormhole: Great Bridge, Rouen, 1896
stars wormhole: 11/1 by William Carlos Williams
walking wormhole: Valentine’s Day 2019

 

Great Bridge, Rouen, 1896

Tags

'scape, 1896, 2018, 5*, bridge, buildings, desire, industry, lives, Pissarro, river, rooftops, Rouen, sky, smoke, storey, streets

                                   Great Bridge,          Rouen, 1896

                                                   to span       the river

                                   is to ride the banks            with quarter and delve inland

with vascular street and hood-eyed blocks         of storey looking down

            under receding ateliers of desire          under oblivious

                                                      plumes      of sky

 

spanning the reach of the Great Bridge, Rouen, 1896 by Camille Pissarro, the eternal dialectic between nature and industry

 

 

^{————w}(O)rmholes_________________________________|—–

bridge wormhole: Pont Neuf, Paris, 1902
buildings wormhole: Puerto del Carmen
river wormhole: Sujātā
rooftops wormhole: Vue de Pontoise, 1873
sky wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
smoke wormhole: La Route, Effet d’Hiver, 1872
streets wormhole: {reading right to left}

 

Sujātā

Tags

2019, 8*, Arya Lalitavistara, asking, branches, Buddha, flow, milk, need, offering, passing, place, rice, river, sitting, Sujata, time, wisdom

                Sujātā

                the Nairañjanā flows,
                it always flows, Sujātā
                knows the flows, she had passed there

                every day, she passed
                the Bodhisattva parched
                as a blackened tree-stump,

                and every day saw only
                the low low reach of
                the tree wide and high

                waiting for the One
                to sit under, axial
                to the universe

                and before it was even
                apparent and the need
                had yet to ask she

                had creamed the
                sweetest milk with
                bursting grains of rice

                and offered it by the
                ever-flowing river, all
                absent of design and

                plot, but ineluctable
                in both place and
                process; so few found so wise

 

from the Arya Lalita Vistara Nama Mahayana Sutra:

                “The village girl Sujātā, who has done much good in the past,
                  Continuously makes offerings, thinking: “May this guide complete his discipline!”                
                  When she hears the request of the gods, she brings milk porridge with honey;
                  She goes to the river and happily sits on the banks of the Nairañjanā.”

 

 

^{————w}(O)rmholes_________________________________|—–

branches & river wormhole: Pont Neuf, Paris, 1902
Buddha wormhole: in deed
flow wormhole: transferring
passing & sitting wormhole: Landscape, Pontoise, 1875
time wormhole: Cours La Reine, Rouen, 1890

 

Pont Neuf, Paris, 1902

Tags

1902, 2018, 6*, afternoon, autumn, branches, bridge, grey, Paris, rain, red, river, sky, speech, statue, steps, umbrella, woman

                the afternoon autumn skies
                had red taint in their greys

                from sodden divested branches
                grown warped and wet

                before the river – turn away,
                don’t look at me like this – but

                the iron rider on horse had
                none of it atop graceful steps,

                ‘pah’ said the old woman
                as she shook out her umbrella

 

de l’avantaged de Pont Neuf, Paris, 1892 by Camille Pissarro

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon wormhole: La Route, Effet d’Hiver, 1872
autumn & grey wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
branches wormhole: Puerto del Carmen
bridge wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
Paris wormhole: looking / ridiculous
rain wormhole: 10/22 by William Carlos Williams
red wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
river & sky wormhole: Cours La Reine, Rouen, 1890
speech & woman wormhole: A Corner of the Garden at the Hermitage, 1877

 

Cours La Reine, Rouen, 1890

Tags

1890, 2018, 6*, light, Pissarro, river, Rouen, shadow, sky, spire, stone, sun, time, trees, wood

                Cours La Reine, Rouen, 1890

                they’ll grip the bank
                and grow for forty years

                while barges hardly move
                the sun will turn to wood,

                but they’ll be gone, the
                shadow they keep cannot hold,

                the light flattens all save
                the scars of the stone spires

 

grown from the banks of Cours La Reine, Rouen, 1890 by Camille Pissarro

 

 

^{————w}(O)rmholes_________________________________|—–

light wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
river & sky wormhole: in turgid reflection
shadow wormhole: alabaster balustrade
stone wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
sun wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
time wormhole: threshold to behold
trees wormhole: A Corner of the Garden at the Hermitage, 1877
wood wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees

 

in turgid reflection

Tags

1838, 2019, blood, blue, claim, ghosts, government, grandeur, happening, horizon, industry, pillars, politics, power, reflection, retrospect, river, rust, sky, sound, sunset, Turner

                the clank and graunch of distant industry
                and government brushed pillared and ghostly

                across the known horizon, blue and sullied
                through un-attributable disclaiment;

                nothing has happened until it has stopped
                and only then is there fiery grandeur of

                retrospect; you can hold the power
                the higher you mast and defy all

                settled relation, but the sun will always set
                with rust in the sky like dried blood and

                in turgid reflection

 

woven within and despite The Fighting ‘Teméraire’ tugged to her last berth to be broken up, 1838 by William Turner

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: threshold to behold
ghosts wormhole: so, how long is, a piece of string?
horizon wormhole: Puerto del Carmen
politics wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
power wormhole: the old man;
reflection wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
river wormhole: on facing the Have
sky wormhole: A Corner of the Garden at the Hermitage, 1877
sound wormhole: abandoned sound mirrors

 

on facing the Have

Tags

2018, 7*, being, block, blue, bone, cause and effect, change, choice, clothes, clouds, Darwin, death, depth, discipline, doing, dream, drifting, economics, emerald, extermination, faces, government, green, grey, hats, Have, head, hills, hinge, humanity, identity, iron, kiss, life, loss, making, mud, music, neck, peacock, photography, power, quotidian, river, roof, settlement, shadow, Shrewsbury, slow, society, statue, stone, streets, tectonic plates, time, trees, violence, walls, war, watching, water, woman, World War, writing

                bone to stone drifting
                catastrophic slow

                lee to face-ward drifting
                shadow to quotidian

                suggesting life
                only when settled

                under branch of roof;
                noticeable change

                comes at the price
                of sheild and pike:

                death-mask disciplined
                to the painted face

                open to the very depth
                of loss, later settled

                to economies of
                plea, barter and

                proliferation of fact
                artisaned superfluous

                to being – faces fixed
                in leer the rest of

                born days, where
                animals are skinned

                under abnegated face,
                where stone walls

                turn green, staining
                clothing and where the

                emerald poise of head
                and neck watches

                the peck of open flay, all
                “exterminated by

                 slow acting and still
                 existing causes …”

                … time begins
                to tick – well it had to

                start somewhere – and
                with time cometh writing

                and with writing the
                topography fades from

                hill-wide face to
                pock-mark street and settlement

                all fitted ingeniously
                with raised wall over arch,

                high to unresolved descant
                always left in minor;

                the woman bends
                to the laundry before

                the rush of water
                released from the mill:

                power is only explicit
                when blocked and

                channelled, tree to
                gable with date

                and signature, silk
                to valence with

                drape of repose and spreading peacock dream;
                so, is there choice

                of governance: cut
                through from neck to child;

                you stay unnatural-still
                your image will be caught,

                you turn, and your
                head will disappear,

                you climb the wall
                and stand still, you

                stay in the mud yard
                and stand still, … only

                hats stay constant, cast-
                iron flanges reach

                from cast-circular
                hinges, woven to corset,

                slave to youth; the
                memorial stone,

                painfully-carved,
                reflects the blue

                of grey cloud, under
                posts of wire

                the death-etched
                face stoops to kiss

                the face of
                wholly mud

 

291218 – spent the afternoon at the Shrewsbury Museum and Art Gallery to tread time from immemorial to the First World War; the quote is from “Thinking Path” by Shirley Chubb (2004), an exhibition that explores the life and legacy of Charles Darwin, an artwork and series of installations inspired by Darwin’s daily ritual of walking the same path at Down House; “Shadow Stories”, an animated short film by Samantha Moore is not directly referenced but weaves about the whole perambulation; references include the Roman conquest, medieval, Civil War, and industrial exhibits, up to the Open Art Exhibition commemorating the 100th anniversary of the First World War

 

 

^{————w}(O)rmholes_________________________________|—–

being & clouds & doing & identity & power wormhole: The Passage of the St. Gothard, 1804
blue & woman wormhole: SPRING AND ALL XI by William Carlos Williams
change & streets wormhole: to let be
death wormhole: What You Are by Roger McGough
dream wormhole: THURSDAY by William Carlos Williams
economics & society & walls & war wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
faces wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
green & shadow & trees & writing wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
grey & time wormhole: La Route de Louveciennes, 1870
Have wormhole: SPRING AND ALL VI by William Carlos Williams
life wormhole: ‘… and yet I think I am so modest: …’
music wormhole: JANUARY by William Carlos Williams
river wormhole: quiet river
roof wormhole: breakfast
stone wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
water wormhole: SPRING AND ALL I by William Carlos Williams

 

quiet river

Tags

2016, 5*, Granada, music, quiet, river, windows

                the dormer window
                of the dilapidated escuela
                de música, a sheet holder,

                perhaps, to turn notation
                to wave, perhaps perched
                above the quiet river

 

part of a sunny melange: Granada & Other Poems

 

 

^{————w}(O)rmholes_________________________________|—–

music wormhole: is there anything to write?
quiet wormhole: is this it // all the time
river wormhole: river
windows wormhole: ‘when travelling astrally …’