• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: self-grasping

taking birth

30 Saturday Apr 2022

Posted by m lewis redford in poems

≈ 9 Comments

Tags

2022, 7*, being, birth, Bodhichitta, Bodhisattvacharyavatara, clouds, compassion, identity, ignorance, jewel, knowledge, landscape, lifetimes, light, lightning, lost, mind, mirror, mist, mother sentient beings, opening, perspective, self-cherishing, self-grasping, shadow, Shantideva, sky, sun, young

                taking birth

        there is
        the mind which cracks within the belly
        of darkest clouds

        throws relief to the landscape
        and populace of the
        whole of sky

        if I could but turn
        just 90˚ from my thin and lonely
        trajectory

        and open
        so much more to just this tempered niche
        of knowledge

        that I could both mirror and shadow
        every fluorescence even before and awhile
        it contrasted

        I’d be young
        that I have long lost and mist
        while evolving this sclerotic eye

        and then
        there’d be sun,
        all my endless malapropriations burnished

        and faceted to a tiny étincelant Indra-jewel
        glinting all direction
        within every perspective respective

…responsive over reactive; effulgent over productive;
avenue’d over viewed; abundant over possessed; dispelled over horded;
homeopathic over pathologic; being over mirror; caught over fallen;
the hand that scratches the foot; not-finished-yet over finished
…

 

 

————w(O)rmholes________________________________|—–

being & identity & mirror wormhole: mirror
clouds wormhole: Journey
compassion wormhole: ‘the practice…’
lifetimes wormhole: in deed
light & shadow wormhole: silence
lightning wormhole: ‘she shook the sweets …’
mind wormhole: travel // when I die
mist wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
Shantideva wormhole: where it has taken birth / may it not decrease …
sky & sun wormhole: ‘in my car I pass…’

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travel // when I die

02 Saturday Nov 2019

Posted by m lewis redford in poems

≈ Leave a comment

Tags

2019, 7*, accountability, afterlife, afternoon, architecture, bardo, being, black, brick, brown, buildings, capitalism, century, clouds, crane, data, death, decades, dedication, depth, doing, echo, fields, floating, green, ground, Have, height, horizontal, identity, industry, interdependent origination, iteration, length, lintel, London, magenta, mind, notice, orange, passing, perspective, pillars, presence, purple, rain, rainbow, red, reference, ripple, rooftops, russian vine, samsara, sandstone, sapphire, self-cherishing, self-grasping, silence, sill, sky, sound, speech, Thames, thought, tide, time, train, travelling, trees, Uckfield-London line, utility, walls, white, world, writing

                                                                                travel

                                                                                noticing
                                                                at all is a product of
                                                                shifted perspective
                                                                related to behold;

                                                                when I’ve nothing to write
                                                                I’ve lost any perspective,
                                                                cornered by both these walls
                                                                I’ve walked along

                when I die
                this mind will no longer whorl about this pinchèd self
                in a world of diminished return and profusion of iteration

                                                                cranes atop
                                                                pulling them further up and up
                                                                from the ground on which they
                                                                balance on receding point;

                                                                communities of them
                                                                each taller than the last and the next
                                                                all along the wharfs
                                                                of endless account

                it will be expansive
                high and up in industrial and sandstone sky
                it will fathom all the deep of brown kelp in shifting purple

                                                                kilometres long
                                                                courses of brick
                                                                grimed black and utility-studded
                                                                updown onoff foothold and wire

                                                                ripple along nicely
                                                                across right-angled centuries
                                                                and occasional shot bolts
                                                                of deepest russian vine

                with no sound
                save diminishing echoes of a pleading late self
                having nothing left to refer to and nothing left to here, and

                                                                believe it or not
                                                                a rainbow exponential
                                                                to the white arch of Wembley
                                                                we’ll chase for miles

                                                                orange shimmering to
                                                                magenta through staccato tides
                                                                out and over flat roofs
                                                                on and into the fields

                all data wiped –
                suds off my hands from my shoulders –
                and did I back enough up for some grander vector to reach?

                                                                where trees grow from ground
                                                                shaping over decades
                                                                green-flamed cupolas
                                                                clamped to the sky

                                                                and from perspective passing
                                                                of open field
                                                                turn – creak –
                                                                the whole world

                I may well
                have built pillars of cleverness and thought:
                plinthed, fluted, capitaled and giddyingly architraved …

                                                                and there
                                                                Lancashire red brick
                                                                with high and whitey
                                                                sills stale and lintel

                                                                before washed-out
                                                                sapphire-afternoon of steely sky
                                                                and horizontal fingers of
                                                                scud-rain

                … but they’d just
                floated there upright in space ‘neither use nor ornament’
                straining on the string in my baby-fat hands, I’ve

                                never really
                                made stuff happen
                                and didn’t have to try

                                more than let more and more
                                of stuff happening anyway
                                happen through me

 

train trip; East Sussex to London to Lancaster to Ulverston, Cumbria; where we lived for three years and started a family; stay at Swarthmore Hall; visited Conishead Priory where we lived for 18 months after marriage and graduation; notes and observations on the journey, sense of bridging 32 years of lifetime(s); notes > (maybe) two poems, but two which could nevertheless not be separate, although distinct, like train tracks; three years retired, still processing if I achieved anything in this capitalist and samsaric world …; London centuries old, still processing …; architecture as the stage-scenary of endeavour; the ‘here’ in the 9th stanza is definitely (sic); this is, positive

 

 

————w(O)rmholes________________________________|—–

afternoon & sky wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
architecture & thought wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
being wormhole: 11/1 by William Carlos Williams
black & sky wormhole: Lapping Reflections [Deep Within Waters] – valley
brown & green & walls wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
buildings & crane & rain & red & speech wormhole: riders of the night
capitalism wormhole: `whappn’d!
clouds wormhole: at Kreukenhof
death & identity wormhole: psssssh
doing wormhole: writening
echo & mind & passing & sound & time wormhole: – creak —
Have wormhole: on facing the Have
London wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
orange wormhole: ‘don’t look at it …’
purple wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
rooftops wormhole: Great Bridge, Rouen, 1896
samsara & trees wormhole: breakfast
silence wormhole: window
Thames wormhole: London, 1809
train & travelling wormhole: beneath
Uckfield-London line wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
white wormhole: 10/22 by William Carlos Williams
world wormhole: none and all
writing wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later

 

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eyes like petals

07 Saturday Sep 2019

Posted by m lewis redford in poems

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Tags

2019, 6*, anger, Arya Lalitavistara, attachment, Bodhi Tree, Buddha, compassion, earth, eyes, government, hate, identity, life, lotus, lust, Mara, orbit, power, self-grasping, sitting, stillness, suffering

                the variety of grotesquery
                with which beings grasp their self

                the various grips of power
                through summits of council

                and various arrays of stake and brandishment
                appear as the armies of Mara,

                the thirty two ways of seducing
                that would fill life to the full

                over both his shoulders
                while sat under the Tree as endlessly still

                as the orbiting earth;
                the Bodhisattva turned his head,

                clean as no motivation at all
                to exposure and scattered diaspora,

                but looked on them all
                with eyes like petals

 

 

 

————w(O)rmholes________________________________|—–

Buddha wormhole: Candaka
compassion wormhole: at Kreukenhof
eyes wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
identity & life wormhole: none and all
power wormhole: the Bodhisattva set out / for the Seat of Awakening
sitting wormhole: quietly in my quiet house

 

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so, how long is, a piece of string?

27 Wednesday Mar 2019

Posted by m lewis redford in poems, reflectionary

≈ 5 Comments

Tags

2018, 8*, anger, being, Bodhisattvacharyavatara, cause and effect, change, conditioned existence, doing, echo, enemy, event, existence, ghosts, identity, interaction, karma, knot, mind, others, practice, pre-existence, samsara, self-grasping, speech, talking to myself, tangle, thought, uncaused, untangling, web

                so, how long is a piece of string?

                always somehow, and ever somewhere,
                in a thousand different ways and
                a thousand different times, I set myself up,

                I set my self up
                to be the clever one, to be right in the end, and inevitably,
                like a thousand different echoes,

                someone comes and stands
                right in my way, or kneels in a ball behind me while someone else
                shoves me backwards

                so that I fall like a prat, and then someone else points
                and says ‘ha; ha’ in a thousand different ways; where
                do they all come from,

                do they just shimmer out of nowhere
                like ghosts just to frustrate me –whooo!–
                do they come out of nature,

                naturally unjust, naturally evil; are they just there
                existing from their own side, like a sharp bend in a long stretch of road
                {oh, come on,

                 no, they’d have to pre-exist in order to
                 come into existence, which would involve
                 a change in something which cannot change

                 because it is pre-existent, and therefore
                 causeless, so that it would have to stop being what it is
                 in order to be what it isn’t,

                 you know that, don’t you}; no, everything
                is conditioned, yes, and nothing stands
                independent by itself, so everything

                I have ever done or said or thought
                has been conditioned already, ok, but also,
                everything I have ever done or said

                or thought has also set up a
                whole web of further conditions
                which have had, or are nail-tapping waiting to have,

                an impact on other events
                and people; and yes, that’s ‘me’ in the corner …:
                the endless twists and turns I have made,

                and still making with every move and word and thought,
                which bind me in, tightly or loosely,
                to everything with which I interact –

                completely and utterly tangled:
                I hope I acted cleanly and carefully,
                but I’m afraid I didn’t – I’m … going to have to face my

                whole knot – a universally big ball,
                so much bigger than l’il ole me
                that it doesn’t seem to have much to do with me, but it does,
                it, all, does;

                and I’d better stop pulling and tugging away at it
                to get my own way and
                start untangling, and start untangling …

…I had a tangle of garden-wire to sort today; it had been wound round a dispenser but some of it had crossed over, become entangled, yanked, and a whole middle section had come away; then it had been worked on, to untangle it, but impatiently, and without thought, and so whole rolls of it had become furled over and through themselves, some bits were knotted, some bits were hanging out in great loops; being garden-wire, it kinked where it had been bent which also caught other strands as they came close to them in their tangle; and it had been cut for a quick solution, and so I had more than two ends that I could make any sense of; it took time untangling it, it took willing to give up on some progress I had already made on seeing that I’d started too far in, or too peripherally; it meant keeping hold of the thread I was starting with and turning the whole tangle around it, rather than working through the tangle, knowing that I was making problems for myself further down the line but I couldn’t worry about that yet; it meant having to abandon my initial thread sometimes to concentrate on further-on loops before I could return to it released; it meant I had to think ahead a bit to loosen the tangle in all the ways that it would, even if it meant unravelling the newly-wound initial thread I’d already sorted, a little; I had to take a rest every once in a while because I was concentrating too tightly …

                no, these enemies they’ve
                been ‘here’ all along, right in the
                back of my head, long forgotten,

                but from the time I crossed them
                in a thousand different ways
                and a thousand different times,

                they’ve been waiting, relentlessly,
                for a body and a circumstance to come together
                to respond:

                “there you go, mate, I owed you that”
                and inexorably I’d been setting myself up with just the right conditions
                to receive it

 

Bodhisattvacharyavatara chapter VI, verse 47: Impelled by my actions – [drawn out by circumstance, incited by the heat of the moment, prompted by hearsay, provoked by trigger, instigated by design, mobilised by obligation, shoved by control, summoned by role] – those who cross or hurt me, those who do me wrong just appear, right in my way and do what they have to do. And because of their actions, they will end up fallen and consigned to the infernal realms … surely, isn’t it actually me who have destroyed and damned them, haven’t I just been the mirror to magnify back to them their harm?

and, yes, that is a reference to the REM song, losing … something

 

 

————w(O)rmholes________________________________|—–

being & mind wormhole: …zzh-vvttP*–… … …
change wormhole: on facing the Have
doing & speech wormhole: ‘ouch’
echo wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
ghosts wormhole: what wounds have you got?
identity & others wormhole: there will be ovations
practice wormhole: ‘there, …’
samsara wormhole: glamour of saṃsāra
talking to myself wormhole: SPRING AND ALL VI by William Carlos Williams
thought wormhole: horizon

 

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there will be ovations

24 Sunday Mar 2019

Posted by m lewis redford in poems, reflectionary

≈ Leave a comment

Tags

2018, 7*, acting, audience, betrayal, blood, Bodhisattvacharyavatara, breathing, brother, children, circumstance, concentration, doors, emptiness, enemy, expectation, identity, life, light, machinations, music, naked, others, realisation, role, self-grasping, self-image, silence, sky, society, sound, stage, theatre, thinking, traffic

                ah, there’s the theatre and
                inside, the stage is set,
                the audience settled, the
                lights down, thank the fates,

                I almost didn’t make it –
                the traffic at this time of day! –
                the other is here, good,
                warming up, waving that

                stick all about, making whoosh
                noises, being all athletic and
                disciplined, I’d better get ready,
                torn robe on, oh, the blood

                smear it on, quick, and
                the hanging limb, OK,
                concentrate, breathe – be
                the character – I need

                to give the performance
                they are expecting – the
                circumstance, the machinations,
                the betrayal … no, not enough,

                what if it happened to my
                children
, what if it were my
                brother
with the stick, oh yes,
                it’s come to this, use the silence

                of the realisation, use the
                music – slamming doors
                in the sky! – no, this is more
                than my story, this is the

                history of my nation, quick,
                I’m ready now, I’m naked,
                I’m gutted and impaled, now
                for the finishing blow – how

                glorious this will be, I have
                so much invested in this,
                there will be ovations and
                encores, so worthwhile,

                I hope he has practised
                well – knows where the
                padding is; wait, is that
                a blade, tied to, the end

 

from Bodhisattvacharyavatara, Chapter VI – verse 43-44: [43] Here is a brandished weapon, and here is my body ready and presented, both of them the causes of my eventual suffering. My attacker has laid hold of his stick (tena śastraṃ), and I both wear and brandish my body. With what should I get angry? [44] It is I who have obtained and hold on to this boil, this pressured blister of a human body – sack of suffering – which cannot even bear to be touched and, moreover, it is I who am blind-sided through my own attachment to it, so that when the pain comes and the ‘boil’ bursts, with whom should I get angry?

 

 

————w(O)rmholes________________________________|—–

20th century wormhole: tram
breathing & society wormhole: the reach turned to love
doors wormhole: pursued
emptiness & life & others wormhole: the mantra of Maitreya
identity wormhole: I
light wormhole: travelling / back
music wormhole: and … // … sound
realisation wormhole: passing
silence wormhole: birth in the world
sky wormhole: horizon
sound wormhole: …zzh-vvttP*–… … …
thinking wormhole: ‘ouch’

 

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anxiety

03 Tuesday Jul 2018

Posted by m lewis redford in poems

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2017, 6*, anxiety, emptiness, everything, experience, falling, identity, imputation of inherent existence, letting go, life, perception, ripple, secret, seeing, self-grasping

                there is always so much more
                to anything to everything than
                meets the sclerotic I and that

                is always precisely nothing less
                than I can never see despite the
                thousand drops that plop and

                lose their secret identities and
                ripple endlessly throughout
                the turbid panorama in which

                they should really take their
                identity could they ever let go
                what they ever grasped and

                never really grasped amid
                their tumbling and freefall
anxiety

 

 

 

————w(O)rmholes________________________________|—–

anxiety wormhole: the sitting room
emptiness wormhole: glancing up from the text / searching for ground …
identity wormhole: PASTORAL by William Carlos Williams
letting go wormhole: letting them go
life wormhole: so / do I keep on writing now I’ve retired, or … / Rumplestiltskin
seeing wormhole: it’s all about…;

 

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the balance necessary between

01 Tuesday May 2018

Posted by m lewis redford in poems

≈ 3 Comments

Tags

2017, 7*, appearance, balance, being, cause and effect, checking, coagulation, denial, doing, empty, fortune, healing, holding onto, karma, legacy, life, lifetimes, lunge, morning, path, Refuge, relationship, room, self-grasping, shutters, statue, trauma, true nature, urge

in my corner of the room
                I have only just noticed the shutters ajar –
                                wondering if I dare push them further apart –

the dynamics of past lifetimes
                rebirths of exact measure to the traumas
                                round which they coagulate; but then, also, the

healing of relationships
                which tip towards fortune however
                                you make them, the balance necessary between doing

all that holding and checking
                of all those causes and effects which
                                comb-through the tangles of legacy but which

can so-easily become the
                local point of selfish, and being
                                insight through the skein of appearences into

their respective empty
                nature enabling them all to
                                appear in the first place which can so-easily

become a stoney denial
                of causality into one’s own statue
                                stuck in pose; the path through which neither

aggravates nor heals;
                the practice of Refuge in the
                                morning and at the urge to lunge of all

my doings, alongside
                all the other 6-fingered and 4-
                                thumbed sisters of this world

 

this teetered out of a comment made in response to one of Jana H. White’s posts, but I’ve been all the way through her site and can’t find it – she must have taken it down: it would make sense of the ‘corner of the room’ and the ‘6-fingered and 4-thumbed’ references, but, maybe, if you tune out a little, it works nonetheless…

 

 

————w(O)rmholes________________________________|—–

balance wormhole: green and / luminant / to behold
being & doing wormhole: behind / glass walls and wan and hooded eye
life & lifetimes wormhole: amniotic avenue
morning wormhole: The Boats of Vallisneria by Michael J Redford – Working
path wormhole: in the / Citadel / Park / a leaf / new / ly fell

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
  • 'I can write ...'
  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

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tag skyline

'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

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Poetry. Art. Photography. Musings.

A girl seeking joy and serenity

Silver Birch Press

Poetry & Prose...from Prompts

whimsy~mimsy

a few words spewing from my soul...

naïve haircuts

The daily addict

The daily life of an addict in recovery

The Sixpence at Her Feet

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