• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: shadow

silence

28 Saturday Mar 2020

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2019, 5*, being, blue, child, clothes, doing, emptiness, light, mother, others, perseverance, Quakers, shadow, shape, silence, sitting, sun, thinking, walls, windows, woman

                                silence

                there –
                in the round

                some threw fluting gapes
                three to engulf the fourth

                some were cleaved peacefully
                head from leading shoulder

                some wore a chemise, others a shalwar,
                others a collar, one a hand-towel draped quickly over the shoulder be back in a minute

                one projected flanks like enveloping wings
                unaware as she nodded

                her neighbour bathed in the same return, the other sat
                comfortably on nothing at all

                the man held the frame
                with perseverance to allow the shape

                the woman privately understood
                most of what everyone thought, only the

                child contained in the mothers’ arm
                watched the walls dance phantasmagoric

                and only the windows let in
                the blue blue sun

 

Quakers sit in light to worship

 

 

————w(O)rmholes________________________________|—–

being & sitting wormhole: ‘and is there homage …’
blue & windows wormhole: ‘from the cathedral window two stories / high …’
child wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
doing & light & thinking wormhole: Four Noble Truths
emptiness wormhole: none and all
mother wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
others & shadow wormhole: poessay XI – piquant love
silence wormhole: travel // when I die
sun wormhole: Lapping Reflections [Deep Within Waters] – valley
walls wormhole: looking hard enough
woman wormhole: Pont Neuf, Paris, 1902

 

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poessay XI – piquant love

06 Wednesday Nov 2019

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2019, 6*, arch, cause and conditionality, compromise, crane, doing, identity, intuition, knowledge, letting go, life, love, not knowing, obscuration, opportunity, others, poessay, scandal, self, shadow, sitting, thought, writing

poessay XI –

                lookitallathisabouttheplace –
                both the obscuration and the opportunity difficult
                either to see or to take:

                                I don’t know what to do –
                                inject into causality
                                project over condition (whatever

                                I’m sure that’s not the way to do) –
                                I can only know what I intuit
                                usually de-spite “I don’t know

                                but will step in line
                                if you let me join the gang”
                                best served unnoticeable

                                but not really
                                me no matter how deep the cover;
                                so back to the hunch –

                                crane reaching from the crumbling arch –
                                written up on giddy foolscap
                                (given half the chance, or notice)

                                but this is not me either
                                just a more clever ‘I don’t know’
                                than all the others who don’t know at all

                                or know by some rote too lazy
                                or compromised to know (what I
                                might know) or those who

                                say they know holding me deficient
                                that I don’t behave as they know
                                (compromised to behold), or then

                                there are those who seem to know
                                despite the prevalence and norm all about
                                from whom I absorb

                                through my very xylem
                                and then heavy-shadow them all about
                                but they don’t know either

                                just more mystically or glamorously so
                                until the scandal;
                                so don’t try to know at all

                                because any of this knowing
                                is just a whorl somewhere
                                within cascading causality

                                making sure my specious self;
                                just let the self go
                this knower, this knower so much better and deeper than anyone else who does not even know what is to be known,                

                                let it all go
                                and sit with the not-knowing,
                                watching all the fluidity with

                                                                                                piquant love

 

 

 

————w(O)rmholes________________________________|—–

compromise wormhole: looking for the right exit
crane & doing & identity & thought & writing wormhole: travel // when I die
knowledge wormhole: Dulwich College, London, 1871
letting go wormhole: at Kreukenhof
life wormhole: psssssh
love wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
others wormhole: quietly in my quiet house
shadow wormhole: breakfast
sitting wormhole: – creak —

 

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breakfast

10 Tuesday Sep 2019

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2019, 7*, blindness, blogging, branches, breakfast, breathing, canopy, coffee, dark, echo, energy, eyes, flash, gooseberry, ground, growth, jam, leaves, life, light, living, monkey, path, reaching, reading, samsara, seeing, shadow, sound, sunlight, toast, trees, walking, way, wind, woodland

                breakfast

                these shadows on a long walk
                through the woodland with only occasional sun

                all there, underneath the undergrowth
                cannot see the ground, the stems that grow from it

                branches reach, leaves envelope everywhere
                from nowhere; weave

                and grow round and entwine each other;
                if I lift the leaves to see my way forward –

                searching for light, searching for life
                to grow, to continue – and if I break the smaller branches to

                make way
                I will scratch my arms, sap will sting my skin, my

                eyes, I cannot see, I cannot see;
                and I won’t see; some trees

                are quicker and older (than me)
                they hold the path and reach wide,

                and creepers make them fat
                and vines hang like curtains of water;

                the canopy above, maximised
                to greatest energy, sent back down through rough wires;

                only when the wind leans
                or a monkey leaps, is there a flash of light, gone by the

                time I’ve looked back down to the path
                blinded, to see where I am

                there must be so much light somewhere
                out there, if only I weren’t stumbling around and bleeding

                … really; I come downstairs
                and breathe coffee and spiced home – made gooseberry jam on home – made toast                           

                while reading my posts … yes,
                a thousand hacks and sap in the dark

                where I cannot see
                and cannot know where I am

                a thousand ‘choks’ deferred
                the undergrowth too dense to echo

 

Bodhisattvacharyavatara chapter VI, verse 12: How can I attain happiness when the causes for happiness are obtained only through great effort and very rarely, and when the seeds­ of pain and sorrow are so prevalent, relentless and multifarious that they are realised easily and without any effort? And yet it is only from suffering that the thought and longing for escape and liberation from the suffering of conditioned existence will come about … therefore, O my deepest mind, hold yourself strong, patient, steadfast!

 

 

————w(O)rmholes________________________________|—–

branches & breathing wormhole: blue sky high
coffee wormhole: green and / luminant / to behold
echo & path & walking wormhole: the Bodhisattva set out / for the Seat of Awakening
eyes & life wormhole: eyes like petals
leaves & living wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms
light & trees wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
reading wormhole: {reading right to left}
samsara & sound wormhole: at Kreukenhof
seeing wormhole: A Solitude by Denise Levertov
shadow wormhole: alabaster balustrade
wind wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley

 

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Cours La Reine, Rouen, 1890

20 Monday May 2019

Posted by m lewis redford in poems, poeviews

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1890, 2018, 6*, light, Pissarro, river, Rouen, shadow, sky, spire, stone, sun, time, trees, wood

                Cours La Reine, Rouen, 1890

                they’ll grip the bank
                and grow for forty years

                while barges hardly move
                the sun will turn to wood,

                but they’ll be gone, the
                shadow they keep cannot hold,

                the light flattens all save
                the scars of the stone spires

 


grown from the banks of Cours La Reine, Rouen, 1890 by Camille Pissarro

 

 

————w(O)rmholes________________________________|—–

light wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
river & sky wormhole: in turgid reflection
shadow wormhole: alabaster balustrade
stone wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
sun wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
time wormhole: threshold to behold
trees wormhole: A Corner of the Garden at the Hermitage, 1877
wood wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees

 

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alabaster balustrade

04 Monday Mar 2019

Posted by m lewis redford in poems

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2019, 6*, balustrade, going, holiday, Lanzarote, path, pedestal, pediment, perspective, shadow, staying, time, white, yin yang

                alabaster balustrade demarking
                path and apartamentos

                white and shadow curled about
                the bulbing drop,

                shadowed under pediment and
                white along the pedestal

                a hundred times
                in precise perspective either way

                will yin and yang
                within almost noticeable elapse

                so that it will
                no longer matter whether you proceed or stay

 

white & shadow contemplation from the terrace of a February holiday in Lanzarote

 

 

————w(O)rmholes________________________________|—–

holiday wormhole: coterminalism – there is nothing happens by itself, / 070118
path wormhole: Impression of Winter: Carriage on a Country Road, 1872
shadow wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
time wormhole: and … // … sound
white wormhole: intent

 

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St. Erasmus in Bishop Islip’s Chapels, 1796

12 Saturday Jan 2019

Posted by m lewis redford in poems, poeviews

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2019, 6*, cathedral, cold, echo, footsteps, light, passing, shadow, sound, stone, William Turner

                light inhabits the stone
                that contains it,
                colder in deep cloisters,

                warmer as footsteps pass
                the transept, the shadow
                rinsed and broken across fieldwork paving slabs

 

St Erasmus in Bishop Islip’s Chapel, Westminster Abbey exhibited 1796 Joseph Mallord William Turner 1775-1851 The British Museum http://www.tate.org.uk/art/work/TW0378

St. Erasmus in Bishop Islip’s Chapels, 1796 by William Turner

 

 

————w(O)rmholes________________________________|—–

cathedral wormhole: low afternoon
echo wormhole: to let be
light wormhole: allowed all gain
passing wormhole: Dulwich College, London, 1871
shadow wormhole: pursued
sound wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
stone wormhole: on facing the Have

 

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pursued

09 Wednesday Jan 2019

Posted by m lewis redford in poems, poeviews

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1970, 2018, 5*, Batman, branches, cape, doors, fingers, growth, history, holding, land, legacy, opening, purpose, questioning, reaching, responsibility, shadow, society, warp, weft, white, wings

                the clench of cape
                into wing opens heavy doors

                into questioning
                that will be pursued despite

                occasion of legacy
                billowing in after-tow o’er

                hill and vale
                and where leafless branches

                reach, fixed
                in growth, it is fingers will

                pull beyond
                the furl and flack to present

                as white shadow
                in response

 

Detective Comics #403, September 1970, “You Die By Mourning” by Frank Robbins and Bob Brown

 

 

————w(O)rmholes________________________________|—–

Batman wormhole: ‘streetsigns …’
branches & history wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
doors wormhole: A Solitude by Denise Levertov
shadow wormhole: on facing the Have
society wormhole: {reading right to left}
white wormhole: SPRING AND ALL XXII by William Carlos Williams

 

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on facing the Have

01 Tuesday Jan 2019

Posted by m lewis redford in poems

≈ 2 Comments

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2018, 7*, being, block, blue, bone, cause and effect, change, choice, clothes, clouds, Darwin, death, depth, discipline, doing, dream, drifting, economics, emerald, extermination, faces, government, green, grey, hats, Have, head, hills, hinge, humanity, identity, iron, kiss, life, loss, making, mud, music, neck, peacock, photography, power, quotidian, river, roof, settlement, shadow, Shrewsbury, slow, society, statue, stone, streets, tectonic plates, time, trees, violence, walls, war, watching, water, woman, World War, writing

                bone to stone drifting
                catastrophic slow

                lee to face-ward drifting
                shadow to quotidian

                suggesting life
                only when settled

                under branch of roof;
                noticeable change

                comes at the price
                of sheild and pike:

                death-mask disciplined
                to the painted face

                open to the very depth
                of loss, later settled

                to economies of
                plea, barter and

                proliferation of fact
                artisaned superfluous

                to being – faces fixed
                in leer the rest of

                born days, where
                animals are skinned

                under abnegated face,
                where stone walls

                turn green, staining
                clothing and where the

                emerald poise of head
                and neck watches

                the peck of open flay, all
                “exterminated by

                 slow acting and still
                 existing causes …”

                … time begins
                to tick – well it had to

                start somewhere – and
                with time cometh writing

                and with writing the
                topography fades from

                hill-wide face to
                pock-mark street and settlement

                all fitted ingeniously
                with raised wall over arch,

                high to unresolved descant
                always left in minor;

                the woman bends
                to the laundry before

                the rush of water
                released from the mill:

                power is only explicit
                when blocked and

                channelled, tree to
                gable with date

                and signature, silk
                to valence with

                drape of repose and spreading peacock dream;
                so, is there choice

                of governance: cut
                through from neck to child;

                you stay unnatural-still
                your image will be caught,

                you turn, and your
                head will disappear,

                you climb the wall
                and stand still, you

                stay in the mud yard
                and stand still, … only

                hats stay constant, cast-
                iron flanges reach

                from cast-circular
                hinges, woven to corset,

                slave to youth; the
                memorial stone,

                painfully-carved,
                reflects the blue

                of grey cloud, under
                posts of wire

                the death-etched
                face stoops to kiss

                the face of
                wholly mud

 

291218 – spent the afternoon at the Shrewsbury Museum and Art Gallery to tread time from immemorial to the First World War; the quote is from “Thinking Path” by Shirley Chubb (2004), an exhibition that explores the life and legacy of Charles Darwin, an artwork and series of installations inspired by Darwin’s daily ritual of walking the same path at Down House; “Shadow Stories”, an animated short film by Samantha Moore is not directly referenced but weaves about the whole perambulation; references include the Roman conquest, medieval, Civil War, and industrial exhibits, up to the Open Art Exhibition commemorating the 100th anniversary of the First World War

 

 

————w(O)rmholes________________________________|—–

being & clouds & doing & identity & power wormhole: The Passage of the St. Gothard, 1804
blue & woman wormhole: SPRING AND ALL XI by William Carlos Williams
change & streets wormhole: to let be
death wormhole: What You Are by Roger McGough
dream wormhole: THURSDAY by William Carlos Williams
economics & society & walls & war wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
faces wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
green & shadow & trees & writing wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
grey & time wormhole: La Route de Louveciennes, 1870
Have wormhole: SPRING AND ALL VI by William Carlos Williams
life wormhole: ‘… and yet I think I am so modest: …’
music wormhole: JANUARY by William Carlos Williams
river wormhole: quiet river
roof wormhole: breakfast
stone wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
water wormhole: SPRING AND ALL I by William Carlos Williams

 

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Lapping Reflections [Deep Within Waters] – pageant of the trees

17 Saturday Nov 2018

Posted by m lewis redford in poems

≈ 8 Comments

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2018, 5*, alder, almond, apple, ash, beech, blossom, breeze, cherry, clock, elm, eyes, fir, fire, flame, garden, gaze, green, ground, hazel, hedge, leaves, oak, orchard, pink, shadow, silence, sky, sound, Spring, step, thought, trees, white, wood, writing, yellow

                pageant of the trees

                spring’s tonic rising
                and hazel catkins swell
                to greet the first warm days

                elm and alder to follow
                heralding beech and oak
                and later the firs will show

                their new cones, dusting
                the ground with yellow;
                the gardens will fill with

                almond blossom and
                orchards will froth with
                cherry white and apple pink,

                aperitif to coming summer;
                hedgerows become en-veiled
                in diaphanous haze, a

                million leaves on the
                passing breeze; stop
                writing, now, step out

                beneath the cavernous sky,
                deep into the quiet of a glade
                to be silent within silence,

                eyes open like shadows
                in dancing leaves and thoughts
                greener to the underside

                                                                —–

                                                gazing between sentences
                                                into the fire

                                                the beam from the
                                                old house burns clear flame,

                                                tinsel murmurings between
                                                the ticking clock,

                                                until pure white ash
                                                falls without sound

 

read the collected work of ‘Lapping Reflections [Deep Within Waters]‘ as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – Trees

 

 

————w(O)rmholes________________________________|—–

blossom & breeze & fir & garden & green & hedge & oak & shadow & silence & thought & writing & yellow wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
eyes wormhole: ‘… and yet I think I am so modest: …’
leaves & pink & sky & sound & trees & white & wood wormhole: La Route de Louveciennes, 1870
spring wormhole: SPRING AND ALL I by William Carlos Williams

 

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The Boats of Vallisneria by Michael J. Redford – Trees

18 Thursday Oct 2018

Posted by m lewis redford in announcements

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1967, alder, almond, amethyst, apple, armchair, beech, blossom, branches, breeze, cattle, change, cherry, children, chimney stacks, church, clock, common, cottage, economics, elm, enclosure, Essex, evening, eyes, fields, fir, fire, flame, forest, garden, gate, grass, green, hedge, Henry VIII, history, knowledge, landscape, lanes, laughter, leaves, London, Michael J Redford, mind, noise, oak, orchard, passing, past, pink, pollen, poplars, progress, red, rust, shadow, ships, silence, sitting, sky, smoke, society, speech, Spring, summer, the Boats of Vallisneria, thought, tiles, time, trees, village, walls, war, white, winter, woodland, writing, yellow

Trees

Spring’s tonic has risen within the trees and hazel catkins have swollen in greeting to the first warm days of the year.   Elm and alder are soon to follow heralding beech and oak and in a month or so the firs will show their new cones, green and full of juice, and their catkins will dust the ground yellow with pollen.   Throughout the villages cottage gardens will soon be filled with almond blossom and orchards will froth over with cherry white and apple pink spilling an aperitif to summer upon the living fields.   The hedgerows and woodlands become en-veiled by the diaphanous greenery of a million tiny leaves, an amethyst haze so tender and tenuous that I fear for its safety lest it be borne away upon the passing breeze.   I become aware of a restlessness within me that calls with increasing persistence to forego my writing and step out beneath the cavernous spring sky.   The pageant of the trees has begun.   Field and lane alike become heavy with leaf and only a section of red tile or a chimney stack, like flakes of old rust within the foliage, betray the presence of human habitation.   The blanket of summer affords us a privacy and seclusion that is unattainable in naked winter when one’s every move can be discerned by the neighbour’s critical eye, but here in the depths of summer, we can take our thoughts into the quiet of a woodland glade, we can be silent and be within silence for a little while and rest your eyes upon the shadows of the dancing leaves above.   And how restful the colour green, and how restful to the eye and through the eye to the mind that blossoms forth green thoughts.

This spring evening upon which I write is a decidedly chilly one even though the day itself has been full of warmth.   Thus I am to be found sitting in an armchair, putting my thoughts on paper, gazing between sentences into the dusty red glow of a log fire.   It is a funeral pyre really, the cremation of the last remains of an old local cottage that has long died, having fallen prey through disuse, to the vagaries of our climate and the onslaught of the village urchins.   I gaze with half closed eyes at the sawn up piece of beam that was once part of the skeleton of the old house, and see it burn with clear flame and little smoke.   In accompaniment to the ticking of the clock upon the mantle shelf I hear the old log’s tinsel murmurings that sound like a piece of screwed up silver paper, tossed aside and left slowly to expand, and as the pure white ash falls without sound, I feel myself drawn into the distant past and fancy I hear the laughter of children as they play beneath the boughs of a tree which this dead piece of wood was once a living part.   Whose children are these?   From what age do they come?   Perhaps they are the offspring of Henry VIII’s generation, the irresponsible youth of the day who cared nothing about the great cultural and religious upheaval taking place about them as they played handball between the northernmost buttresses of the old church wall.

It was at about this time when the monasteries had just been dissolved that the first enlightening book on agriculture by Fitzherbert of Norbury had just been published.   Was this historic pioneer of fertility indirectly responsible for the downfall of this old tree?   For the seas of knowledge flooded the land and split the forests into arboreal islands and many fine examples of the medieval forests became the battered flotsam of progress.

Certainly this old piece of wood never witnessed an act of enclosure, for the open field system was predominant right up until the late eighteenth century, when round and about the great open fields sprawled the commons, the scrubland and marshes, creating through their wastefulness and their infertility, a barrier to agricultural and therefore economic progress.   Although enclosure was a costly business, required finances could be supplemented by felling timber which, during the Napoleonic wars commanded a high price.   Also, in order to fence off enclosures, what was more natural than to plant more timber which, unlike normal fencing that needed constant and costly repair, increased in value as time went by.   The first choice of timber was naturally that which was most valuable such as ash and oak.   But the oak was slow in maturing, and where the ash spread its roots, no crops or grass would grow and no cattle would graze.   It was thus that the stately elm made its appearance and stamped the English hedgerow with a character all its own.   Being able to grow, and grow quickly in all types of soil, made it a very desirable timber to grow.   Also, the elm allowed grazing beneath its boughs and, due to its durability in water, it was at this time much sought after by the Navy Board for its ships.   Water mills, lock gates and drain pipes were of elm, and at the turn of the century, London alone still had over four hundred miles of mains constructed from its timbers.

Caught upon the ebb flow of time, I see the trees’ ancestral giants, the calamites, that reared two hundred feet into the sky.   They heard no child’s laughter, neither did they hear the buzz of insects nor the songs of birds, for they existed in the dim distant dawn of the carboniferous age millions of years before the birth of man, when even the birth of the first blade of grass was aeons in the offing.

They grew long, long before man, mute sentinels surveying the changing landscape, witnessing scenes that no mortal has ever gazed upon.   Then when man came, they furnished him with food, shelter and fuel; they gave to him the means of traversing the oceans.   They have been instruments of both war and peace and have featured in mans’ writing, music and art.   They have been made gods and devils and have bought good luck and bad.   Man’s long and close association with trees is evident from his desire to wander beneath the green boughs when time and toil permit, and from picnic parties who would sooner travel an extra mile to spread their chequered cloths within their shadows.   Perhaps it is because a tree expresses continuity, a security that mankind through all the ages and searched and worked for.

Although not a native of Essex, this ancient county endears itself to me more and more as time rolls slowly by, and time does pass slowly in Essex, for to plumb its highways and byways is to plumb history itself.   It has been slow to change through the centuries and there are numerous back lane hamlets which, even to this day, have experienced virtually no change for many, many years.   One lively youngster or eighty five who lives on the borders of Chignal Smealy and Chignal St. James (what delightful names are these), told me that the only difference he could see in his village was the height of the poplars at the end of his garden which, when he was only “knee high to a goose-pimple” were only a “stack an’ ‘alf ‘igh”, even the cottage gate that was propped open on one rusty hinge was the very same one his grandfather had made.

Having been one of the most heavily afforested counties in England, Essex is rich of fine examples of man’s utilisation of wood.   It can be seen in his architecture, in his tools, farm implements and vehicles.   The men of Essex are very conscious of their affinity with trees, and go to great lengths to preserve the more eminent members of their arboreal population, and I find it hard to believe that there is another county in the whole of the British Isles that can boast a greater number of ancient trees that have been propped up and strung up to cast their humbling shadows upon the heads of men.   Most of these old trees are of course oak, for Essex was noted for its oak forests, but as farming spread, so the forests disappeared, and the elms lining the fields and lanes now outnumber to oaks and are a far more familiar sight.   It is these old isolated trees that afford us a tangible link with the past.   They disperse any feeling of isolation in time and give to us instead a much needed sense of continuity, of that which has no end.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

blossom wormhole: BLUEFLAGS by William Carlos Williams
branches & mind wormhole: Lapping Reflections [Deep Within Waters] – old George
breeze wormhole: A Solitude by Denise Levertov
change wormhole: Bridgnorth
church wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
evening & sky & thpought wormhole: space for probing thought
eyes & passing & shadow & speech & walls wormhole: ‘… plane is upright …’
fir wormhole: Pilot 125 … // … being excursion in the interludes
garden wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
green & Spring wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
hedge wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
history wormhole: and ‘naerrgh’ a mention of a seagull’s call
knowledge wormhole: ‘a blacknight fitted perfectly …’
leaves wormhole: SPRING & LINES by William Carlos Williams
London wormhole: London refugee march – 120915
oak wormhole: behind / glass walls and wan and hooded eye
pink & time & white & yellow wormhole: THE LONELY STREET by William Carlos Williams
red wormhole: SPRING STRAINS by William Carlos Williams
silence wormhole: despite that
sitting wormhole: getting fat in me old age
smoke wormhole: cross-section
society wormhole: raised brow
trees & war & winter wormhole: What You Are by Roger McGough
writing wormhole: JANUARY by William Carlos Williams

 

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