• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: society

mirror

08 Friday Apr 2022

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2022, 6*, being, British Museum, enslavement, Greece, Have, history, identity, inner-self, mirror, outside, samsara, society, time, tragedy, war, woman

greek mirror

                                mirror

                        we lift
                whole armies of chariot, arm and thigh –
        scalloped handle either side –
                        to nichèd or columned view
                                asymmetrical
                                        grotesquery

                and for
        thousands of years now
                we see through eyes
                        polished and weighty above our heads
the extent of all our
                inwardly estate

 

I was struck by a caption by a mirror from the ancient Greek section of the British Museum which explained that rich women were not able to own any land, but that they could display their wealth in their own domestic environment and self-presentation

————w(O)rmholes________________________________|—–

being & identity wormhole: ‘the practice …’
Have & samsara wormhole: travel // when I die
history wormhole: ‘from the cathedral window two stories / high …’
mirror wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
society wormhole: Candaka
time wormhole: ‘‘in my car I pass…’
war wormhole: riders of the night
woman wormhole: YOUNG WOMAN AT A WINDOW by William Carlos Williams

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Candaka

24 Wednesday Jul 2019

Posted by m lewis redford in poems

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2019, 6*, Arya Lalitavistara, Buddha, Candaka, dharma, dream, gazing, gods, horizon, Kanthaka, meaning, renunciation, role, society, step, sword, the Four Signs, trees, yesterday

                Candaka

                out from the trees
                he emerged but was bedraggled

                he stared just under
                ahead, no longer to triumphant horizons

                his jaw hung as if forgot to locate
                no further to commend

                and his sword listed, tinny and tarnished,
                unsure to hand;

                just yesterday
                was a dream where he played the part

                of losing each part that he had played
                step by tired step

                and out of step with Kanthaka’s step;
                he had lost the Prince

 

etching, from the Arya Lalita Vistara Nama Mahayana Sutra; Chandaka was the charioteer and the groom for the Prince, Siddhartha Gautama, his chauffeur, in a way, but also a confidant, to some extent; it was Chandaka who led the Prince out of palace-life where the Prince encountered the Four Signs (four features of life which he hadn’t taken into account in his privileged life – old age, illness, death and living outside of society and social role); Kanthaka was the Prince’s magnificent horse, worthy of bearing a sovereign, the epitome of beauty, strength and transport; despite society and role obliging the Prince to remain in the palace and fulfil his dharma as king, his urge to get to the bottom of purpose and life was strong from previous lifetimes of vows … he had to leave; the gods themselves helped the Prince escape – it was only Chandaka who did not fall into a deep sleep; Kanthaka’s hooves did not strike the ground, the gates flew open by themselves – because they wanted someone to get to the bottom of purpose and life as well; both Chandaka and Kanthaka were devoted to the Prince but could not fully appreciate the gravity of the Prince’s quest, they played their roles – their dharma – but without full agency: all they could appreciate was the challenge to role and society that they had participated in, and no means to understand beyond that …

 

 

————w(O)rmholes________________________________|—–

Buddha & renunciation wormhole: light of all interaction
dreams wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
horizon wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
meaning wormhole: A Corner of the Garden at the Hermitage, 1877
society wormhole: looking for the right exit
trees wormhole: The Boats of Vallisneria by Michael J. Redford – Rain

 

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looking for the right exit

03 Wednesday Jul 2019

Posted by m lewis redford in poems

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2019, 6*, ampitheatre, arch, Chester, compromise, driving, gothic, history, identity, living, mosaic, role, Roman, roundabout, ruin, schoolchildren, settlement, sleep, society, storey, time, traffic lights

                there
                                may
                                                have
                                                                been

                bygone gothic arches
                pointing two three storeys up
                on the traffic-lighted roundabout

                and milling schoolchildren with
                Roman shields marching patchwork
                from the rebuilt amphitheatre, I know

                but that single vice in perpetuity
                above and beyond the call of living
                from which to sleep heavy,

                snug and secure under
                single tattered rank, and ever
                metres deep in tread across

                meticulous tesserae – mosaic
                to the measure of all settlement –
                was far too much to emerge from with any certainty,

                                looking for the right exit

 

back from a visit to the midlands; visited Chester for the first time – it’s an old town, back to when it all begannn annnd connnntinnnues…

 

 

————w(O)rmholes________________________________|—–

compromise wormhole: my uncomfortable life
history wormhole: pursued
identity wormhole: writening
living wormhole: it’s / not what you do or what you say / if it ain’t got that swing
sleep wormhole: beguiled / desire
socoeity wormhole: boiled spangle with soft centre
time wormhole: then
traffic lights wormhole: travelling / back

 

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boiled spangle with soft centre

25 Tuesday Jun 2019

Posted by m lewis redford in poems, poeviews

≈ 1 Comment

Tags

'scape, 1833, 2019, 6*, building, ice cream, people, river, society, stone, sun, sunset, town, Turner, water, wheel

                boiled spangle with soft centre

                they came in tents
                they came on wheels
                down to the water’s edge

                all the turrets and span
                of stone were already
                faded with every ice-cream sun

 


OK … ‘Spangles’ were a boiled sweet, square and dimpled, which suggested a soft centre, but didn’t; their taste was a combination of visual colour and transluscency rather than anything other than sweet; Turner‘s A Town on a River at Sunset, 1833, had the colour of event and the transluscency of time, but also the soft centre of … life-ing

 

 

————w(O)rmholes________________________________|—–

people wormhole: my uncomfortable life
river & stone wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
sun & water wormhole: then
sunset wormhole: The Boats of Vallisneria by Michael J. Redford – Sky

 

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then

24 Monday Jun 2019

Posted by m lewis redford in poems, poeviews

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'scape, 1819, 2019, 6*, anchor, apricot, day, drifting, east, looking, morning, port, reflection, sea, ships, sky, society, spire, sun, sunrise, time, town, water, William Turner

                                                                                earlier,
                before the sun suggested the apricot immensity of coming day
                                fill up the sky and

                                                                                deep within
                glazed waters, the hulls drifted anchored, spindly masts
                                like antennae

                                                                                only port towers
                of decades stood still and reflected, later, jetties of planks and
                                posts tied onto

                                                                                the sea
                like ripples, there were centuries of town and spired symbol, then,
                                to bounder playful sky

 

prologued from S. Giorgio Maggiore, Early Morning, 1819 & Looking east from the Giudecca: Sunrise, 1819 both by William Turner; did you see the sunsets that morning, was anybody else there …?

 

 

————w(O)rmholes________________________________|—–

apricot wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
looking wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
morning & reflection & sky & sun & water wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
sea wormhole: slight sneer
society wormhole: quietly in my quiet house
time wormhole: Sujātā

 

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quietly in my quiet house

03 Monday Jun 2019

Posted by m lewis redford in poems

≈ 3 Comments

Tags

2019, 6*, anger, Anita Ekberg, fountain, house, identity, La Dolce Vita, others, quiet, sitting, society

                look at this one sitting to one side
                smouldering

                why does it sit there seething about
                it it it, while others

                get on doing stuff making
                a world-wide society of life

                with all of its crowns and repeated
                acts of shame

                look at their talent, their love,
                their art, their smile

                look at it, indulge in it; in fact,
                step into the pool and hold up your hair

                under the fountain for all to share
                glue-like to the society in which I sit

                quietly in my quiet house

 

drenched from under Bodhisattvacharyavatara VI, 76-77: [76] If someone is attuned enough to spiritual things to find delight and joy in recognising the appearance of excellent qualities and worth in another and praising them as a good person, and if this makes them happy and draws people close together, why then, oh (sulky) mind, don’t you join in with the recognition as well; why are you not rejoicing too and taking the same delight too? [77] (But isn’t feeling joy and delight an attachment, and therefore bad?) But this pleasure, this delight cultivated through praise of another’s virtue, is an entirely virtuous activity, a spring, a fountain, of joy, which is not prohibited, but, even, a precept, taught by those of Ultimate Quality and Worth, an excellent way to bring people together of which one should take full advantage.

 

 

————w(O)rmholes________________________________|—–

house wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
identity & society wormhole: Renunciation
others wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
quiet wormhole: A Corner of the Garden at the Hermitage, 1877
sitting wormhole: Sujātā

 

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Renunciation

22 Wednesday May 2019

Posted by m lewis redford in poems

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2019, 6*, betrayal, career, change, changing, doing, falling, identity, irrelevance, performance, profile, redundancy, renunciation, retirement, samsara, society

                Renunciation

                you make your mark
                and you form your identity

                when you make it work
                or you make it otherwise

                or opt-out of the way
                it is currently done

                and you detail the profile
                and service your brand

                while making it perform
                or making it change

                or becoming irrelevant
                to the way things develop

                and you become your own redundancy
                and wonder why

                while perfecting your take
                or taking the fall

                or being betrayed
                by the way things changed

                out of anyone’s hands;
                or not

 

 

 

————w(O)rmholes________________________________|—–

career wormhole: my uncomfortable life
change wormhole: A Corner of the Garden at the Hermitage, 1877
doing & identity & society wormhole: mandala offering
renunciation & samsara wormhole: the old man;
retirement wormhole: it’s / not what you do or what you say / if it ain’t got that swing

 

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mandala offering

17 Friday May 2019

Posted by m lewis redford in poems

≈ 5 Comments

Tags

2019, 7*, cause and effect, doing, emptiness, eyes, giving, guidance, hands, holding, identity, interdependent origination, letting go, mandala, mountain, offering, orbit, pointing, selflessness, smile, society, water, waves, world

                not in water piled high in waves
                nor cleverly pointing

                to my own finger
                let’s just leave all that aside for the moment

                mandala offering

                but all that I let within and
                all that I give without

                without aim and with only
                slight smile and eyes

                that guides the lunge
                and holds for the whole of the fall

                flat as the palm of a hand
                deep as the highest mountain

                that the world will continue to spin
                in a palimpsest mark redford way

                and all might find their nature empty and
                centered around each orbit they make

 

                                                ___ ‘m‘ ~~~

a mandala offering is a ritual way of offering the whole universe to the Buddhas, a way of giving up everything for the sake of one’s essential goal in life; ‘is the universe mine to offer?‘ – my universe is, `bought and paid for; ‘but the universe is so big, how can you ‘offer’ it?‘ – easy, the whole of the universe is inside my head; ‘is your universe worth offering to the Buddhas?‘ – it could do with a clean up, which is why I imagine it buffed up with all the Mark Redford stuff cleared away; ‘why bother?‘ – it gives me a clean sheet with which to work on; ‘isn’t that just a bit self-indulgent?‘ – nope, self-indulgence is one of the things I hope to clean out of the universe in order to offer it, I’m hoping to invite a few friends and family around once it’s cleaned up; ‘`sounds rather limited‘ – you don’t know how many mothers I’ve got; ‘do the Buddhas want your mandala?‘ – the Buddhas are my universe, it’s just that I don’t see it yet, my damn ownership keeps getting in the way, and besides, I’m under universe-arrest at the moment … some stuff I did in the past …

                                                ___ ‘m‘ ~~~

 

 

————w(O)rmholes________________________________|—–

doing wormhole: Entry to the Village of Voisins, Yvelines, 1872
emptiness wormhole: there will be ovations
eyes wormhole: my uncomfortable life
giving wormhole: it’s / not what you do or what you say / if it ain’t got that swing
hands & waves wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
identity & letting go & society wormhole: in deed
smile wormhole: …zzh-vvttP*–… … …
water wormhole: 10/22 by William Carlos Williams
world wormhole: A Corner of the Garden at the Hermitage, 1877

 

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in deed

13 Monday May 2019

Posted by m lewis redford in announcements

≈ Leave a comment

Tags

2019, 8*, Arya Lalitavistara, austerity, being, birth, black, Buddha, children, consumerism, death, doing, ears, fear, grin, hate, identity, infrastructure, investment, karma, letting go, lifetimes, love, mother, nirmanakaya, nose, samadhi, shame, skeleton, society, son, thought, war, womb, world

                                I

                gave birth to you, I
                held you deep within my very womb,
                the very kernel of all the labour of all my life’s beings and I

                gave you up to being
                with all the love of whole investment
                placed in care of self in state, you cannot,

                                just
                                die

                                __O—

                … she addressed her son

                who sat unmoved
                to the whole world’s reach
                that only his bones leaned together
                dry and upright

                who sat unconsumed
                to the whole world’s glut
                that to feel his stomach
                was to grasp his spine

                who sat unloved
                to the whole world’s reflection that
                children poked grass in his ear ‘till it
                came out his nose

                who sat unknown
                to the whole world’s shame
                that he was dust-black as a
                tree stump hideously grinning

                                __O—

                and know, mother, I do not die;
                I embroiled with the world to show
                the terrible wake of uncoupling
                her greasy mechinations,

                                in deed

 


honnnnnnnned like the string from a lute, not too tight not too loose, from chapter 17 of the Arya Lalitavistara Sutra in which the Prince’s mother (who had died and gone to heaven) came to see her son after he had been practising austerities for six years and was on the point of dying; she feared he was taking his quest to extremes, but he calmly told her that (the point of the whole Sutra being called ‘Lalita’, a ‘play’) that he had to show, in human form, what the two extremes of living in life were, in order to then show the way between to two extremes to liberation

 

 

————w(O)rmholes________________________________|—–

being & war wormhole: A Corner of the Garden at the Hermitage, 1877
black wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
Buddha wormhole: the old man;
death wormhole: Puerto del Carmen
doing wormhole: Entry to the Village of Voisins, Yvelines, 1872
identity wormhole: threshold to behold
letting go wormhole: the reach turned to love
lifetimes wormhole: Landscape, Pontoise, 1875
love wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
mother wormhole: What You Are by Roger McGough
society & thought wormhole: my uncomfortable life
war wormhole: on facing the Have

 

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my uncomfortable life

29 Monday Apr 2019

Posted by m lewis redford in poems, reflectionary

≈ 2 Comments

Tags

2019, 6*, abandonment, activity, anger, Bodhisattvacharyavatara, breakdown, broken, career, closed, compromise, contentment, context, Dad, disappointment, expectation, experience, eyes, feeling sorry for myself, frustration, greed, hope, injustice, laziness, life, management, no voice, people, politicians, powerlessness, Principal, requirement, resentment, self-cherishing, self-confidence, self-doubt, self-esteem, slogans, society, spin, teaching, thought, Tony Blair, turmoil, waiting, words, work

                I did not know contentment
                at work, what was required,
                what I thought, I never wholly
                got my teaching … sorted

                turmoil, and even when not
                outwardly angry, I was
                closed off and unapproachable,
                carrying anger and resentment

                like a thorny bush tied
                to my back since Dad left
                and people were ‘phony’ and
                society was stupid and words

                were insincere and all activity
                was a compromise and my equals cheated
                and laziness was always greedy
                and hope was rude and the politicians

                were tricksters and Tony Bliar
                and managers slogan-shifted like there was no tomorrow
                and the Principals
                wouldn’t know what to do with good practice if it writhed around suggestively on their desk in front of them and made them delicious promises of future dangerous liaison                      

                and by default I am
                at least disappointed, usually frustrated
                and often impotent-angry with them
                when they invariably reference me

                (and they always reference me)
                or when I am actually wronged,
                and then I’ll blow, beyond all immediate context
                because I have already been smouldering,

                waiting for the wrong to happen,
                expecting the wrong to happen,
                experiencing the wrong happening
                even before it has manifested;

                and I am right, it is wrong
                and compromised and greedy and unprincipled
                what they have done, even
                when they haven’t

                given expression to it, in fact
                especially when they haven’t
                given full expression to it
                and are sloganising and spinning

                that what is happening
                is entirely something else;
                and the powerlessness of
                not being able to have a voice

                no appeal to a universal
                right and wrong … built me up
                with no recourse and, I get broken;
                look at my tired eyes – my uncomfortable life

 

Bodhisattvacharyavatara VI, 3: A mind which walks with, which harbours, which is in the grip of, which is poisoned with anger and hate can neither establish nor enjoy any state of calm or peace, any sense of well-being or equipoise, any contentment, any resolution, neither can it feel any joy or delight, any sense of kindliness or love, nor can it sleep or rest, when the shard of aversion and hate is stuck and buried deep in one’s heart; but … I have retired now, I, am coming through

 

 

————w(O)rmholes________________________________|—–

abandonment wormhole: south horizon
breakdown wormhole: green and / luminant / to behold
career wormhole: it’s / not what you do or what you say / if it ain’t got that swing
compromise wormhole: raised brow
Dad wormhole: the reach turned to love
eyes wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
life & society wormhole: the old man;
management wormhole: how to teach
people wormhole: Puerto del Carmen
teaching wormhole: and … // … sound
thought wormhole: so, how long is, a piece of string?
waiting wormhole: all // are // none
words wormhole: SPRING AND ALL VI by William Carlos Williams
work wormhole: Vue de Pontoise, 1873

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

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  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
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recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
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  • the inevitable tock // when we close our eyes
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category sky

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tag skyline

'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

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