PASTORAL by William Carlos Williams

Tags

1917, 6*, astonishment, evil, good, gutter, identity, man, minister, pavement, pulpit, sound, sparrows, step, Sunday, thinking, voices, walking, William Carlos Williams, wisdom

                      PASTORAL

                The little sparrows
                hop ingenuously
                about the pavement
                quarreling
                with sharp voices
                over those things
                that interest them.
                But we who are wiser
                shut ourselves in
                on either hand
                and no one knows
                whether we think good
                or evil.
                      Meanwhile,
                the old man who goes about
                gathering dog-lime
                walks in the gutter
                without looking up
                as his tread
                is more majestic than
                that of the Episcopal minister
                approaching the pulpit
                of a Sunday.
                      These things
                astonish me beyond words.

 

from ‘Al Que Quiere’, 1917

it was these ‘pastorals’ that made me notice: there is a way out of societal precursoring, there is a way to see other than through those bi-focal lenses; and there is a way to see that doesn’t involve a revolution, that doesn’t involve the dismantling of what is there at all, but the love and heart to accept what is really there – clean, audial and postural – once the glasses have been taken off; it takes courage, of course, because in doing so you have to dismantle all the constructs which you had thought to be your identity, and even soul – this is why you need love, in order to handle the searing wisdom you will receive, there’s no place for ‘what about me’ (in fact, WCW, in just the previous poem in the Collected (‘Apology’) talked about how it is the faces that make him write, that oblige him to see); the everything about the anything that is ever more true than any myopic and partisan specificity

 

 

^{————w}(O)rmholes_________________________________|—–

identity wormhole: anxiety
sound & voices wormhole: transferring
sparrows wormhole: somewhere
Sunday wormhole: buttercups
thinking wormhole: it’s all about…;
walking & William Carolos Williams wormhole: PASTORAL by William Carlos Williams

 

somewhere

Tags

'scape, 2013, 4*, bushes, life, passing, seasons, sound, sparrows, sun

                new season sun
                and busy sparrows
                in a bush somewhere and

                the gather and pass
                of a large vehicle
                rumble past the end of the lane

 

 

 

^{————w}(O)rmholes_________________________________|—–

life wormhole: to rescue something
passing wormhole: the bench
sound wormhole: what wounds have you got?
sparrows wormhole: con / sum / mate
sun wormhole: Lapping Reflections [Deep Within Waters] – agricultural show

 

con / sum / mate

Tags

2014, 7*, awareness, being, defensive, funny, identity, line, openness, page, palimpsest, presumption, seeing, skin, space, sparrows, vulnerable, white, writing

                onto the white space
                between the lines

                who is writing
                why is writing

                not loose because defensive
                not inspired because presumed

                (palimpsest from the previous page
                 provides grip from prequel (funny –

                 a sparrow tries to land on the bonnet
                 but cannot grip to stop flapping)) but

                there needs to be a cut-through
                down there, between the lines,

                to find the sense of writing about
                something

                other than just filling space,
                a plain seeing pared

                from between skin and pith
                vulnerable and recognised

                in all its citric fragrance
                that opens eye wide

                to test the membrane
                to taste the flesh run

                                con
                                sum
                                mate

 

how to ‘hold your seat’ (Pema Chodron) when driving a pen

 

 

^{————w}(O)rmholes_________________________________|—–

awareness wormhole: returning home handsome
being & writing wormhole: … swap round
identity wormhole: this aching // and spacious dichotomy
openness wormhole: magnificent salad
seeing wormhole: travel
space wormhole: Clea
sparrows wormhole: The Boats of Vallisneria by Michael J Redford – Snow
white wormhole: Lapping Reflections [Deep Within Waters] – snow

 

The Boats of Vallisneria by Michael J Redford – Snow

Tags

'scape, 1967, 5*, Atlantic, birdsong, birth, black, blackbird, blue, branches, brick, countryside, death, echo, elm, eyes, fields, flower, garden, green, Greenwich, grey, hate, hills, ivy, kitchen, leaf, life, love, May, Michael J Redford, morning, pastel, pigs, pink, rain, red, rhythm, school, silence, sky, snow, sound, sparrows, stillness, summer, sun, swifts, talking, the Boats of Vallisneria, trees, valley, vertical, village, walls, white, wind, windows, winter, woodland, world, yellow

Snow

There is a great expectancy in waiting for the snow to begin.   Sometimes the snow comes with the wind when the trees are flailing and the Ruddock ruffles his breath beneath the trembling ivy.   Then, the contours of the land become accentuated, blackened on the leeward side to eye-shocking contrast to the whiteness on each other.   Each iron furrow stands in stark relief, a symbol of winter’s Herculean grip.   And where the skimming flakes have hurled themselves upon the wooded hills, each twig upon every branch, each branch upon every tree, hugs close a spectral image and hazel coppices become an abstraction of diverging verticals.

Sometimes however, the snow comes upon us unheralded; its approach is silent; no movement is seen among the fields or felt upon the cheek.   Somewhere below, the dormouse sleeps, and as the sparrow waits in the hedge I find myself walking with reverent steps as if, when in a house of worship, one feels the presence of the graven saints.   Eventually I must pause in my tracks, feeling guilty of the very movement of my limbs when all else is still; and in the greyness of the sky there is but the faintest suggestion of pink.   On a woodland bank the adventurous lesser periwinkle displays a solitary blue flower and from the old red-brick garden wall of the big house on the hill, the ivy casts down a leaf that slips rhythmically from side to side like the baton of the music teacher in the village school below.   The leaf touches the ground and a snowflake touches the cheek.   The eye is directed from the sky to the black background of the woods and a million flakes are seen; a million pieces of perfection yet each one different to the other.   In the classroom below thirty pairs of wide eyes turn to the window and the rising undercurrent of excitement is checked by the teacher’s baton.   I would indeed be guilty of a grave hypocrisy if I were to say that only young hearts flutter with excitement at this particular moment, for I too have never outgrown my love for the snow and look forward to the white, silent world to come.

Of course, snow brings with it its hardships as do the frosts, the winds and the rains.   They bring discomfort and sometimes death to the aged, the sick and to the wildlife about us.   But then so do the searing hot summers that parch the earth and lay heavy upon the fevered brow.   Always there is something inimical to or destructive of life, yet at the same time and in many cases because of it, life is somehow strengthened.   I remember how uneasy I once felt when harrowing a field of oats for the very first time.   The teeth of the harrow clawed at the tender green shoots, breaking and bruising them, threatening to tear them bodily from the soil.   Had I misunderstood my employer’s instructions? Was this really what he wanted me to do?   And yet two months later, despite its apparent destruction, there stood before me a field of rippling, luscious green.   If we were to hate all things that displayed an ugly side, there would be nothing left in the world to love.

This morning the window panes were covered with acanthus and the sun was a flat yellow disc that could be viewed without hurt to the eye.   The mist seemed to smooth the scene into a two dimensional pasteboard picture which gave the impression that I could reach out and touch the pastel blue hills across the valley.   I donned an additional thick-knitted woollen jersey, pulled on my gumboots and gloves and stepped from the warm steamy kitchen into the sparkling garden.   The brilliance and frostiness of the air sent the blood racing to my cheeks and my ears began to tingle.   In the piggery at the bottom of the garden, a mother sow with her nine three week old piglets were taking the air.   The little ‘piggles’ as they were sometimes called in this area, were racing around with their snouts down, like little pink snow ploughs forging furrows in the frost encrusted snow.   As I approached, their heads jerked up and, like tiny pink statues, they eyed me for a brief second before turning on their heels and hurtling across the piggery barking (or were they laughing) at the morning sun.   The impression of nudity that young piglets must give must be seen to be believed, and the sight of these nude little bodies coursing through the snow set me shivering.   I once heard of a sow who, in preference to the warm, dry sty supplied by her human master, built her nest in the corner of a field, and nothing on earth would induce her to return to the comfort of the ‘maternity’ ward.   Early the following, bitterly cold, morning, she was found burrowed deeply within her nest with an army of piglets lined up at the milk bar with the most ridiculous expressions of contentment upon their faces.   Not ten feet distant, a robin alighted on the solid water of the cattle trough and proclaimed the good news to the world.

However, it was too cold to stand watching the antics of these endearing little creatures (I dare not think of the hours wasted in this way during the warmer days) so I entered the lane that led to the fields.   The dull klunk klunk of axe striking wood came to my ears and I saw through a gap in the snow-bound hedge the rhythmic rise and fall of my neighbour’s arm as he stooped over a pile of logs.   The sound bounced across the fields to the woods and back again with such clarity, that I half expected the echo to continue as he laid his axe aside.   He saw me, nodded at me and said, “Morning”.   I nodded at him.   “Morning”.

The countryman has an almost psycho-analytic method of extracting information from the unwary traveller.   By a few pointed remarks or statements he finds out all he wants to know without having asked a single question.   Having lived in the countryside for half my life, I have developed to a lesser degree the same technique.   I did verbal battle with him for five minutes but my defences began to crumble when he said, “Better watch that plank over the stream, bound to be slippery with all that frost on it.”

“I expect it is,” I said, “Still, the tread of these boots is almost new.”

Now he knew where I was going, for the plank in question bridged the stream that ran along the north side of the woods.

“Surprising how much longer it takes to get across country when there’s frost and snow about.”   He peered at me from the corners of his eyes.   “Best get a move on or else you’ll be late.”

I gave in.

“That’s true, but then I’m only out for a stroll.”

Questioning my sanity, he returned to his chopping and I to my walk.

It has often been said by the townsman (although having spent most of my childhood in the grimy streets of Greenwich I no longer regard myself as a townsman) that the countryside is ‘all very well’ in summer, but ‘muddy, dismal and uninteresting’ in winter.   Muddy it may well be, but it is clean mud, untainted by diesel oil, slime and soot.   As for being dismal, are they so blind they cannot see the beauty in a curtain of falling rain brushing the distant hills, or hear the music of a million drops of water among the shining leaves or smell the fragrance of freshly dampened earth?   Can they not see the beauty that I see now, of glistening white lacework of the frosted elms against a crystal clear sky, and undulating fields of virgin snow, pure and smooth, a countenance of innocence that has yet to bear the mark of man’s impropriety?

In the days of winter when the hedgerows are empty and the ditches and river banks laid bare, one can discover more easily the badger’s sett or the otter’s holt.   One is able to make a mental note of where the blackbird is likely to build his nest; perhaps the disused nest of a song thrush now exposed by the skeletal hedge will eventually house the spotted white eggs of the blue tit in the warm days of May to come.   Close scrutiny of tree and bush will reveal a host of living green buds wrapped tightly in their protective coats; life is expanding beneath the frozen ground, straining to burst forth, and even as the blackbird sings, the lambs are falling.   The countryside in winter is not dead; there is life, vibrant and pulsing as the blood in one’s veins.   It is all around, above one’s head and below one’s feet.   It is not winter that dispels life, but life that dispels winter.   The immigrant swift brings with it the warm southern winds and life throughout the land erupts, forcing the icy blasts, the snows and the frosts into the North Atlantic.   And after all, without winter, there would be no spring.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

black & talking wormhole: returning home handsome
blackbird & echo & fields wormhole: The Boats of Vallisneria by Michael J Redford – A Sign of the Times
blue & rain & sky wormhole: the too big moon
branches & wind wormhole: Lapping Reflections [Deep Within Waters] – … as the new town marches in
death & white wormhole: the 19th century
eyes & morning & sun wormhole: traffic lights and broad avenue
garden wormhole: what life went on
green & grey & life & red & silence & walls & windows wormhole: did I get old?
hills wormhole: The Boats of Vallisneria by Michael J. Redford – A Precious Moment
kitchen & school wormhole: hello, luvvey, do you want a cup of tea?
love & sound wormhole: new-found love – poewieview #36
pink wormhole: languidly close the portal
snow wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
sparrows wormhole: tired
stillness wormhole: the sounds of 1969 // [would have] seemed that way – poewieview #13
trees wormhole: was there a moon / on the alleyway wall / confused in front of / the city skyline?
valley wormhole: Lapping Reflections [Deep Within Waters] – moment
winter wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
world wormhole: let it all go
yellow wormhole: magnificent salad

 

tired

Tags

'scape, 2012, 5*, ageing, childhood, city, evening, identity, lifetimes, light, Manhattan, money, people, power, roads, silhouette, sky, sound, sparrows, time, traffic, trees

                                                              tired

                                travelled
                a long time to arrive in New York, still the same person
                                roads
                still scraped and pockmarked since I wanted to come here as a teen;

                                trees
                still reach and lean in front of the sky,
                                city
                people still live and breathe the power of my money;

                                lights,
                go on in the evening and, between
                                traffic
                shoals, the sparrows bicker in the trees

 

 

 

^{————w}(O)rmholes_________________________________|—–

childhood & evening wormhole: the coming of ‘The Boats of Vallisneria’ by Michael J. Redford
city wormhole: Drug Store, 1927
identity wormhole: tripping up to / London town
lifetimes wormhole: currency of generations
light & time wormhole: The Boats of Vallisneria by Michael J. Redford – A Bowl of Gourds
Manhattan wormhole: 1964
money wormhole: teached / in the ass
people wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
power wormhole: B le tch l ey P ark
roads wormhole: always
silhouette wormhole: 1967
sky & sound & trees wormhole: Lapping Reflections [Deep Within Waters] – autumn
sparrows wormhole: 1959 –– MANHATTAN –– 2012

 

1959 –– MANHATTAN –– 2012

Tags

10*, 1959, 1960s, 2012, 2015, 99/1, abandonment, air, airport, America, anxiety, apricot, art deco, avenue, beauty, bedroom, birdsong, blossom, blue, books, branches, breathing, buildings, business, Carol, Central Park, charcoal, childhood, choice, clothes, clouds, coffee, coffee shop, compromise, crane, Dad, divorce, dog, dream, Eglinton Hill, evening, eyebrow, eyes, falling, fashion, floodlights, Ford Anglia, freedom, furniture, ghosts, glamour, Glasgow, green, grey, haiku, hair, Have, history, horizon, hotel, identity, life, lifetimes, light, lilac, living, London, looking, love, magazine, Manhattan, marble, Mini, mist, money, morning, Mum, music, New York, obligation, pastel, people, phone, pink, plane, posture, radar, reaching, reading, roads, sadness, sidewalk, sitting, sky, smile, society, sound, space, sparrows, speech, spotlights, Steely Dan, streetlight, sun, sunlight, talking, taxi, terrace, texting, time, traffic, traffic lights, train, travelling, trees, uniform, waiting, walking, walls, walnut, white, wind, windows, work, years, yellow

                                          1959 –– MANHATTAN –– 2012

                                straight out from school to Heathrow on the M25
                                a network of lonely roads going nowhere, then;
                                waiting, studying coffee highlights in the green
                                lobby with blue spotlights and pillared space for

                                phones to pace up and down and talk it still is,
                                loudly; at the next hotel we wait with more spot-
                                lights in our eyes no matter where we sit; furniture
                                deco-curved and just off right-angle, held together,

                                material to wood, for decades with check-
                                pattern and slight stain; there is a locked-in-
                                ness in our world on all sides which only our
                                future eyes – that never look directly – betray

                                in their gaze; early flight tomorrow; in the
                                morning-effect light shifting, the mist hanging
                                around the base of the sky, land spread with
                                low buildings always on the horizon, flat and

                                matt, before the sun flanks their edges into 3D,
                                radar-spinning, floodlights turn off, arms of
                                cranes hold their reach, and … the control
                                tower; 3567 miles and I didn’t bring enough

                                books (you can never bring enough books);
                                I travelled for lifetimes to arrive in New York,
                                still the same person: roads scraped and pock-
                                marked, trees still reach and lean in front of the

                                sky, people still live city life breathing in and
                                out the power of my money, lights still go on
                                in the evening and in between traffic shoals
                                the sparrows bicker in the trees; in room 506

                                over Central Park, already I am familiar with
                                the lore of the branch, the places-to-go apricot
                                street lights, the white path lights, the traffic
                                lights and the ‘cheeps’ bounced off building wall

                                between the lmmmdmda-lmmmdmda – laersssh
                                through the rain-dusty windows, under grey-sky
                                steel-clouds and the slowly shifting charcoal; but
                                then there is always the next day, the ever-waiting

                                gulp-open and blue-chip sorry of impressionistic
                                sidewalk, the walnut marble frontages walking
                                south up into downtown in cold air between
                                buildings and didn’t bring enough clothes (I never

                                know what clothes to bring) – by Radio City ‘with a
                                transistor and a large sum of money to spend’;
                                everything created for living beyond subsistence
                                everything produced at cost through labour

                                everything earned through labour if you can get it
                                everything obtained at price and compromise
                                everything experienced at cost through trademark
                                everything Had, but no one left to have it …

                                everything that is uneasy in the modern day
                                was manufactured behind the half-closed blinds
                                of America – home of the Potential and Slave –
                                and yet … it is so sad-beautiful: the space sculpted

                                by façades of apartment blocks giant arm-widths
                                apart, communities of single window – italicised
                                nib–scratches – stepped upwards and backwards
                                the Avenues of Uprise reaching higher and

                                lower again and again and again; America has
                                so much condensed history since it braved the
                                conceit and responsibility, of choice: cleansed
                                by ethnically assimilating, pledged by conforming

                                allegiance; Someone had to make a stand against
                                all this equivocation and by God Almighty We
                                Made   that   Stand; `made continental infrastructure
                                out of it, far bigger far more reaching even than

                                law and democracy … … but there is such
                                width in your sadness – lilac blossom before
                                marble façade; such height in your sadness –
                                giddy out on the balconies looking eight floors more

                                above; such blank in your sadness – when you
                                skip my English joke and call ‘you’re welcome’
                                from the till; such sadness when you ask for
                                change outside Starbucks; even the trees through

                                the hotel window, even the wide sidewalk cleaned
                                for strolling and not curbing, even the smiling
                                doorman in brown suit … all Had; all kept
                                in place by gigantitude, everything kept in place

                                by gigantitude, (when I was young an image
                                of a building so many floors high pinnacling to a
                                turret roof on the pink cover on the blue cover
                                of the insurance policies that my Mum kept;

                                my mother is now dead the policies came to
                                nothing); 99: “for all the freedom and choice to
                                be Had, life is hard when you pay with your work
                                and no time left and no money to choose

                                leaves you tired with no sense of humour”;
                                1: “for all the freedom and choice to be Had
                                life is anxiety where you pay for with your
                                history and obligation, never stopped still-

                                enough to choose, leaves you always with
                                dyed hair; look, only on the fifth floor of the
                                Eldorado, a man at the window canary short-
                                sleeve shirt turns back into the room, traffic light

                                booms out on a long arm swinging slightly taxis
                                u-turn as the sun comes up from behind; women’s
                                magazines, waiting for Mum at the hairdresser’s
                                in the mid-sixties, illustrations, young tree avenues,

                                blossoming handbags, little dogs on leash, promise
                                of love, promise of life, promise of man’s jaw in
                                boardroom where cologne cinches the deal, slight
                                smile signs the papers: maybe later some chinos

                                and open collar on the terrace; there was a calendar
                                brought home from work (“not needed … we work
                                in London”) – buildings of Manhattan, can decorate
                                my room, make my world, all the stepped down

                                walls of windows up which b-e-y-o-n-d myself
                                giddy and beautiful, I cannot look up or down but
                                keep them high on the wall; going out in the
                                evening Daddy ‘have to’ ‘to do with work’ ‘can’t be

                                helped’ white shirt bow-tie, clean-cut neck cologne
                                ‘good for contacts’ ‘if I can, just’ ‘business’; there
                                was a new white Mini, a new white Anglia parked
                                outside on the hill over London, Matchbox models

                                to match for the boys, going into ‘business’ ‘make
                                a go’ Dennis & Dennis, home, evening drinks, meet
                                the family, the boys play Dennis G and Dennis P
                                for years after; ‘… Daddy is leaving, he will not be

                                coming back’; I had thought it was all pastel-blue-
                                and-grey beautiful but the glamour got to him first
                                and now I dream of falling off balconies and ledges,
                                (do I fall up or down); evening: ghouls from the

                                subway gaining and pushing but the top trees-only
                                gently leaning, hybrids swashing yellow down the
                                tarmac in schools while the thunder of a plane
                                descends; morning: eyebrows raise like coving, the

                                reggae lingers      then kicks in; a neat rhombus of
                                sunlight unconcerned across her cheek, a blind rolls
                                down, ‘I’ll just read a chapter’-fixed lashes, the
                                rhombus travelling now across collar bones between

                                her white collars; Carol reads far better than me,
                                she reads history as it happens, she is the ‘captain-
                                speaking’, she knows what time it is      in other
                                countries, she knows there is no airport in Glasgow

                                (she also bullshits when cornered); now I miss all of
                                this, I see only peoples’ posture contrary to their
                                eyes, and little else; I came to Manhattan and saw
                                your avenues of strange displacement your streets

                                of darkness and morning-side; I found I was there
                                a lifetime ago, but you left me and I have moved on
                                now and I shall not be back, there is no need;
                                I shall celebrate your strange beauty from afar;

                                Newark Airport: everybody here / is talking all
                                the time to / someone somewhere else; the control
                                room sits            overhanging on the concrete stem,
                                fingers of cloud float nonchalantly by, with no delays

                                today, two girls study magazines, swap articles,
                                a third texts constantly with fixed smirk; but you,
                                you are so beautiful with hennaed hair braided
                                neatly back because you are in uniform, you are

                                taking a break, ID and equipment around your
                                neck, clear dark skin, grey shirt and St. John’s
                                badge eating a bag     of crisps with eyebrows sharp
                                and eyes so white looking, not talking     looking

 

 

 

^{————w}(O)rmholes_________________________________|—–

abandonment & streetlight wormhole: dawn
air wormhole: just
anxiety & Carol & crane & Have & lifetimes & London & love & pink & sky & train & travelling & white & work wormhole: new year’s eve 2014; train up to London to / walk the bridges across the Thames, and / listen to the voices say it is, and was, like, / but get back home before the fireworks / obliterate it all in the emptying twilight
apricot wormhole: only
beauty wormhole: smiling
bedroom wormhole: sunny morning
blossom & branches & waiting wormhole: I could step / more open
blue & grey & mist & trees & walking wormhole: right to be
books wormhole: a light rosé
breathing & life & speech wormhole: living mystery / murder theatre
buildings & identity & society & space & windows wormhole: where the real action // always is
childhood & dream & Eglinton Hill & ghosts & green & looking & morning & time wormhole: tag cloud poem VIII – growth
clouds & light & posture wormhole: Buddha Amitabha
coffee wormhole: poised patiently for / hours
coffee shop wormhole: yet another sprain / of ‘Jingle Bells’ straining / to propagate yet another / tired Christmas spirit – … / ‘sanner clawsis coming t’ taunn – yeah’ in a / coffee shop with condensation / running off the snowflake transfers / and the iphone at the next table / talking how 50 means 900 a month – not worth / the drive (left his scarf behind – / collateral) … about my age
compromise wormhole: Dr Strange V – all the words of all the times of all the worlds speak
Dad & traffic lights & yellow wormhole: ‘“Never,” said the Sandman; / he blinked …’
dog wormhole: silence
evening wormhole: lobby
eyes wormhole: great underbelly to the rooftops
haiku(esque) & hair & Manhattan & people & roads wormhole: Kirby’s landscapes
history wormhole: 20th century / schzoid man
horizon wormhole: Dr Strange I – the trashcan tilted the better to see now the street
hotel wormhole: the Last Day of Morecambe Illuminations
lilac wormhole: Herbert Road diptych
living & sitting & sound & sun wormhole: crumpled / notebooks / at the end of a gentle retreat
money wormhole: The Future of Teaching: performance or capability (‘oh, not ‘teaching’ then?’)
Mum wormhole: letters to Mum V – carrying on in duty and love
music & reading wormhole: sometimes
obligation wormhole: scattered
smile wormhole: the silent night of the Batman
sparrows wormhole: zazen in everyday life
spotlights wormhole: ‘the dining room …’
talking wormhole: – sigh! –
walls wormhole: Plumstead – Woolwich 121114
wind wormhole: Christmas

 

zazen in everyday life

Tags

2012, 7*, afternoon, awareness, being, breeze, cars, kitchen, life, openness, settling, silence, sitting, sound, sparrows, Sunday, talking, trees, tv, walls, yellow, zazen

 

 

 

                     zazen in everyday life

                                                              zazen in sitting
                                          on a quiet Sunday afternoon
      the coolant works round the back of the fridge
                     and the breeze shakes
                     the sunny yellow climber
                     over the iron gateway

                     on the road cars approach and pass in a hush and
                                          occasional bikes insist
                                          the familiar doppler
                     sparrows cheep in the trees somewhere
                                                              lost without walls
                     a tv showcases a sport happening somewhere
                                          lost in the commentary

                                                              the open kitchen door closes a bit
                                                                                              the coolant stops

 

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon & sparrows wormhole: afternoon 290613
awareness wormhole: should // be // aware
breeze wormhole: Beresford Square: // it’s alright it’s alright
cars wormhole: 1968
kitchen wormhole: twice
life wormhole: good / enough
openness wormhole: both
settling wormhole: getting rid / of old books
silence worhole: adversely / mistaking the finger for the moon / again
sitting wormhole: Woodbrooke labyrinth / affirmations
sound & trees wormhole: … the discipline of shamatha / and the waft of vipashyana
Sunday wormhole: Sunday
talking wormhole: dream / 190599
walls wormhole: red net curtains / with appliqué blooms
yellow wormhole: how hard / to meditate
zazen wormhole: slow slow / quick quick / slo / w

 

afternoon 290613

Tags

'scape, 2013, 6*, afternoon, birdsong, blackbird, breeze, clouds, combe end, echo, garden, leaves, pigeons, rooftops, sky, sparrows, time, trees, walls

 

 

 

            afternoon 290613

                                                      pigeons call
                           high on trees and apexes
                                          furry columns that reach the sky
                                          and keep it from drifting

                                                      blackbirds outwit
                           even the various leaves in the breeze
                                          a different call every time
                                          and then they move on

                                                      but sparrows
                           always echo off a near wall time and
                                          time and time again even when
                                          there are no walls

                                                                      and there are always walls

 

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon wormhole: more importantly
blackbird wormhole: at the apex
breeze wormhole: it was the breeze wot did it
clouds wormhole: London
combe end & garden wormhole: as
echo wormhole: chrysalissing
leaves wormhole: Eglinton Hill
pigeons wormhole: first dog / in the park
rooftops wormhole: sunny morning
sky wormhole: greeyn
sparrows wormhole: The Smoker You Drink The Player You Get (1973) – tribute
time wormhole: it was the breeze wot did it
trees wormhole: the pleasant land / of counterpane
walls wormhole: Boy

 

The Smoker You Drink The Player You Get (1973) – tribute

Tags

'scape, 1973, 2012, 5*, America, birds, black, blue, brother, emergence, Genesta Road, glass, hill, Joe Walsh, lamp post, lemon, mist, morning, pine, rain, red, roof, snow, sparrows, streets, The Old Grey Whistle Test, trees, walls, wood

The Smoker You Drink The Player You Get (1973), Joe Walsh & Barnstorm

 

 

 

                      tribute

                      my brother ordered
                      the smoker you drink
                      the player you get by mail
                      all the way from america
                      to genesta road
                      when he was eleven
                      with his pocket money

and brought wooden glass walls and doors   raindrops in wheat stalks      fine chiselled filigree on the stained snuff box      misty plains and misty textures      a furl of mist stealing round the corner by the iron black lamp post into the lemon-blue morning      the anticipation of snow through the full-length frosted-glass door      reaching the top of the hill watching the blue veins through the streets like waves      birdsong twist in the trees somewhere behind the red-tiled roof ridge      wrapped-snare quarter fills      sparrow-call uphill in a pine tree amplified by the whole hill      relaxed rejoinders to the la-la-la la’s strolling over the woods back to the house

                      which didn’t just
                      walk up those steps
                      to the front door
                      by themselves
                      and all because
                      he’d caught a
                      silent glimpse of it
                      on the old grey
                      whistle test

                      I should have paid more attention to him

 

 

 

^{————w}(O)rmholes_________________________________|—–

1973 wormhole: 1973
birds wormhole: coffee shop
black & wood wormhole: radio
blue wormhole: only
emergence wormhole: 1970 // just now
Genesta Road wormhole: wakey wakey / time to get up
glass wormhole: there
lemon wormhole: portrait
hills wormhole: Bonus Books
lamp-post wormhole: “bring in as many / different kinds of leaf / as you can find”
mist wormhole: ”please me very kind with your practice …’
morning wormhole: ‘8:30 kitchen …’
pine wormhole: ‘under the orange streetlamp the …’
rain wormhole: 11:50 pm
red wormhole: Woolwich Central – / making life better
roof wormhole: looking
snow wormhole: thawing
sparrows wormhole: all at / once
streets wormhole: gotcha
trees wormhole: the Eiffel Tower
walls wormhole: Woolwich Central – / making life better II

 

all at / once

Tags

'scape, 2012, 4*, birds, blackbird, combe end, oak, pigeons, sparrows, time

 

 

 

                                                              all at
                                          once

                           on an antenna
                           a blackbird with different
                                lines every time

                           in the old oaks
                           the pigeons warm up
                                then make their
                                three verse call

                           somewhere there is a whistle
                                with a ridge

                           somewhere else
                                an occasional marble
                                falling closely onto a smooth tile

                           on the concrete ground
                                between houses the sparrow
                                cheeps once-at-a-time
                                with two trills echoing under the eaves

 

 

 

^{————w}(O)rmholes_________________________________|—–

birds wormhole: breakfast in bed
blackbird wormhole: retirement
combe end wormhole: ‘the old / Lotus Elan …’
pigeons wormhole: ‘at the top of the road …’
sparrows wormhole: room 506 / Central Park
time wormhole: not a word