the skyline

Tags

1964, 2016, 7*, apricot, black, buildings, collosal, Dr Strange, fight, houses, light, Mordo, morning, pink, power, silence, sky, skyline, spell, Stan Lee, statement, Steve Ditko, Strange Tales, world

                the deepening spells must wait
                there is sky to conduct
                and arm to girth the world

                upon a pink apricot morning
                the silent tower was pierced
                oblivious to black boltage of strike;

                protagonist beget defence
                and they grew statemental
                and collosal to dolls’ houses

                they stood on silent levels
                inferred from clamoured storey
                until the light broke

                the skyline

 

from Strange Tales #125, October 1964, “Mordo Must Not Catch Me”, by Lee & Ditko

 

 

^{————w}(O)rmholes_________________________________|—–

apricot wormhole: 1959 –– MANHATTAN –– 2012
black & morning & pink & silence wormhole: Lapping Reflections [Deep Within Waters] – snow
buildings wormhole: passersby
Dr Strange wormhole: traffic lights and broad avenue
light wormhole: Prajnaparamita // Maitreya
power wormhole: poessay III: jijimuge
sky wormhole: woven-through
skyline wormhole: did I get old?
world wormhole: beepbeep

 

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languidly close the portal

Tags

1964, 2016, 5*, anemone, carpet, curtains, doing, Dr Strange, ellipsis, eyes, finding, Greenwich Village, light, pink, quiet, Sanctum Sanctorum, Stan Lee, Steve Ditko, Strange Tales, tree, window frame, windows

        the Eye in Greenwich Village
        casts elliptic light

        across drape and carpet
        striated by frame – but

        he finds what he needs
        under bough of quiet tree;

        in the hostel room, light
        was triangular and leaning

        but when came time to act,
        the sole witness, pink

        anemone in branching shrub,
        saw the beautiful eyes

        languidly close the portal

 

held within from Strange Tales #118 outwards, ‘The Possessed’, March 1964; Lee & Ditko

 

 

^{————w}(O)rmholes_________________________________|—–

carpet wormhole: carpet worn / to the backing – poewieview #30
curtains wormhole: Lapping Reflections [Deep Within Waters] – moment
doing wormhole: magnetic field
Dr Strange & windows wormhole: fresh destiny
eyes wormhole: The Boats of Vallisneria by Michael J Redford – Safe Home
light wormhole: the purple mist between
pink wormhole: coagulating
quiet wormhole: Lapping Reflections [Deep Within Waters] – I suddenly / remembered

 

fresh destiny

Tags

1963, 2016, 4*, buildings, choice, Dr Strange, echo, freedom, glass, green, karma, Nightmare, rain, realisation, society, soul, Stan Lee, Steve Ditko, Strange Tales, windows

                the effect of other
                hangs like water down a single pane
                over the soul: free it

                from bricks and mortar
                transport it across
                all the empty chasms of nightmare

                where there is no
                echo; there is always
                choice to realise within the green thickness

                of glass, there is
                always the turn of
                fresh destiny

 

dripped from “Dr. Strange Master of Black Magic!”, 1st appearance of Dr Strange in Strange Tales #110, July 1963 by Lee & Ditko

 

 

^{————w}(O)rmholes_________________________________|—–

buildings wormhole: ‘hope for things to come’
Dr Strange wormhole: coagulating
echo wormhole: hello, luvvey, do you want a cup of tea?
glass wormhole: the figure “46” / in frosted glass
green & society wormhole: Lapping Reflections [Deep Within Waters] – I suddenly / remembered
rain wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
windows wormhole: The Boats of Vallisneria by Michael J Redford – Safe Home

 

coagulating

Tags

1964, 2016, 5*, circulation, claim, Dr Strange, eyes, framing, pink, society, speech, Stan Lee, Steve Ditko, Strange Tales, streets, truth, walls

                           both street and screen frame
                           all the truth we can but claim

                           we spell with claim, and elbow
                           and weave a cage of mallow

                           babble all sticky sweet to the
                           merest touch, coagulating

                           during years of circulation
                           into walls with frightened eyes

 

immerging (sic) from ‘The House of Shadows’ in Strange Tales #120, May 1964, by Lee & Ditko

 

 

^{————w}(O)rmholes_________________________________|—–

Dr Strange wormhole: the purple mist between
eyes & pink & streets wormhole: hello, luvvey, do you want a cup of tea?
society wormhole: gone black
speech wormhole: Lapping Reflections [Deep Within Waters] – mmpph’
walls wormhole: Doctor Strange III – the needs of billions

 

the purple mist between

Tags

1964, 2016, 5*, architecture, becoming, blindness, desire, Dr Strange, gods, identity, inside, light, lunge, middle way, mist, outside, pattern, power, purple, samsara, Sanctum Sanctorum, shadow, Stan Lee, Steve Ditko, Strange Tales, true nature, windows

                     outside and inside are merely
                     framed by the window and

                     the shadow; where shadow
                     is architectural and ornate,

                     there is the Sanctum Sanctorum;
                     on entering one becomes

                     the patterns of past shadows
                     alternately contrasted with

                     one’s own light, most know not
                     that they have entered already –

                     dim under their own
                     machinations; others take the

                     Bigger Picture and illuminate
                     their own self hideous to

                     their godly desire: both the
                     light and the dark will blind you,

                     tripping you to all manner
                     of lunge, there are few,

                     indeed, who will settle for
                     the purple mist between

 

contrasted out from within ‘Beyond the Purple Veil’ in Strange Tales #119, April 1964; written: Stan Lee; drawn: Steve Ditko

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: Elektra
black wormhole: El Palacio, 1946
Dr Strange wormhole: Doctor Strange III – the needs of billions
identity & light & mist wormhole: hello, luvvey, do you want a cup of tea?
power wormhole: lonely and free
purple wormhole: Lapping Reflections [Deep Within Waters] – moment
samsara wormhole: a crack of lightning / in the dark of night
shadow wormhole: weight of high sash windows – poewieview #33
windows wormhole: The Boats of Vallisneria by Michael J Redford – Simon Upon The Downs

 

up here

Tags

'scape, 1970, 1972, 2015, architecture, birds, buildings, cars, city, clouds, eyes, Gil Kane, identity, John Romita, knowledge, life, light, moon, people, perspective, presumption, rooftops, Roy Thomas, searching, seeing, shops, sky, skyline, society, sound, speech, Spiderman, Stan Lee, step, streets, thinking, time, venetian blinds, vertical, walking, walls, windows, years

                                deep down
                in the streets light can only be noticed
                between step and event all the while slogans
                are shouting high and huddled to the
                                              receding
                                              rooftops

                                but the streets
                can be taken sideways (from third floor up) with
                panned vista of skyline for all to see; me, I crouch at right angles
                to the depth-rise of sky-plummet
                                              searching
                                              for the

                                (pinnacles
                amid stacks of façade discerned by ledge and cornice
                sheer sides with no purchase beautiful for all their …
                                              stark
                                              knowledge)

                                I find ways in,
                over rather than through, the vertical line
                that makes architecture wide such that up can only reach higher
                                              the better
                                              for me
                                              to arc

                                impossible
                through all manner of event
                and despite all presumption – birds flattering in all
                                              direction –

                                up here
                among the sooty stacks
                I know my footing up sides of wall
                while those below stand scattered about the ground
                                              pointing

                                up here
                                on the stack
                birds make their way in occasional formation despite cloud
                and measure, where on the ground there is no parking despite time
                                              from
                                              high

                                up here
                people walk the streets like filings
                still warm from the splinter but magnetised in damaged clumps
                they let the lonely antennae do all the
                                              tensile
                                              thinking

                                thinking
                                thoughts
                are best done above the storeyline, clung to the outside, lean and breathtaken
                (otherwise they get flabby) the angle always far better
                                              as nadir

                                rooftops
                higher than most are perspectives in which to dress
                that allow vault and flagpole-spring to one façade or another
                whilst people stand around at parties, their backs to the windows, unaware
                                              of their own
                                              identities

                                I will walk
                up to the window below, cars parked variously on the street,
                stacks of elegant housing ignore the open-air caught and struggle with
                                              venetian
                                              eyes

                                the up-
                                rumble
                of the city may be constant but only noticeable
                when strangled, oh, where is the moon waiting below rooftops
                to make shop fronts blind and apartments
                                              contemplative?

 

plucked in passing overhead from the pages of Spider-Man #90-113 (November 1970 – October 1972), written by Stan Lee & Roy Thomas; drawn by Gil Kane and John Romita

 

 

^{————w}(O)rmholes_________________________________|—–

architecture & buildings & people & seeing & sky wormhole: Brugges April 2015 – looking lost
1972 wormhole: 1972
birds wormhole: purpose
cars & walking wormhole: “King …”
city wormhole: events happen / through all measure of name
clouds wormhole: hot summer / morning
eyes & sound & walls & windows wormhole: Jackie’s slight smile
identity & thinking & time wormhole: [start where you are III] – delve
knowledge wormhole: the Apple
life & speech wormhole: out side of the writing / lodge
moon wormhole: tag cloud poem VIII – growth
rooftops wormhole: sight / seeing
searching & streets wormhole: Dionne Warwick
shops & society & years wormhole: 1959
skyline wormhole: gazing at the night / as my eyes passed the jagged hole / my head disappeared
venetian blids wormhole: 1963

 

great underbelly to the rooftops

Tags

2014, 4*, buildings, city, eyes, Fantastic Four, hands, Have, head, Jack Kirby, landscape, life, living room, rain, rooftops, silhouette, sky, speech, Stan Lee, technology, windows

 

 

 

                                   while domestic snap and banter
                                   fits within the landscape of living room

                                   some break off to stand silhouetted and
                                   rain-streaked by the windows and

                                   high apartments until a hand of rock
                                   holds the griddled gathering of civic plan

                                   clear-skyed and clear-eyed beneath
                                   all fiery scan and catastrophe “so long

                                   as men feel the end can justify the means
                                   … the fools!   The blind unwitting fools!”

                                   where all about heads become regal and
                                   all feature and thought become arrays of pin

                                   and needle protruding as face, then
                                   there is need for technology to soar

                                   great underbelly to the rooftops

 

askance from Fantastic Four #s 102-103 (September-October 1970), Marvel, plot: Stan Lee; storytelling & art: Jack Kirby & John Romita

 

 

^{————w}(O)rmholes_________________________________|—–

buildings wormhole: Kirby’s landscapes
city & rooftops & sky & windows wormhole: the silent night of the Batman
eyes wormhole: Christmas
hands wormhole: Plumstead – Woolwich – Plumstead 290508 – / the breath of London
Have wormhole: sometimes
life wormhole: ‘the blues shifted …’
living room wormhole: blue and green / a l l s o r t s
rain wormhole: ‘“Never,” said the Sandman; / he blinked …’
silhouette wormhole: multifarious: the Dark Knight Returns (1986)
speech wormhole: Dr Strange V – all the words of all the times of all the worlds speak