• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: suburbia

Lapping Reflections [Deep Within Waters] – intemperance

16 Friday Dec 2016

Posted by m lewis redford in poems

≈ Leave a comment

Tags

2016, 8*, air, ale, breathing, countryside, earth, field, gaze, ghosts, grandfather, green, honeysuckle, Kent, life, Michael J Redford, noon, nose, quiet, sound, speech, suburbia, summer, Sunday, time

walter-sidney-redford-the only way to travel

 

                on Sundays my father downed tools and was
                led by the nose – the Redford bequest –

                drawing us into the quietude of Kent,
                out from the crust of suburbia,

                plunged deepening into green
                carrying bags of sandwiches towards noon;

                when, he would gaze around awhile
                and “let’s try over there” as if he were only

                wondering, “landlord’s name is Bert,”
                he’d trail behind quietly to himself, breathing

                even ghosts in through his live and open nostrils
                (back, even, to the seventeenth century,

                 looking out over the tombstones,
                creaking & checking, drinking, ale); taught me

                to fathom honeysuckle
                on a damp summer’s air carrying far before

                the meet, to flare to the earth
                of a muck heap ‘made’ well, to bask

                and loiter by ammoniac stables
                breathing for to clear the head, to “foller yer nose”

                and find the green bean field –
                cup of sweet wine drunk with intemperance –

 

ahh-thats-better-now-wheres-them-sandwiches

 

read the collected work as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J Redford – Follow Your Nose; this piece is, of course, written from the uncle-person singular, therefore his ‘father’ was my Grandfather, who died when I was still a baby – I knew him about as much as a ruffle on the head from on high that I can remember; I have grown familiar with him through Mick’s writings and old pictures I have acquired to try and trick time out of its progress – AND IT SUCCEEDED!

 

 

————w(O)rmholes________________________________|—–

air & green & Sunday wormhole: The Boats of Vallisneria by Michael J Redford – Follow Your Nose
breathing & speech wormhole: ah … // oh … // meanwhile … // … // tha ya ta …
field wormhole: ‘field of corn …’
ghosts wormhole: passersby
life wormhole: passing below
quiet wormhole: sleep now
sound wormhole: 1967
time wormhole: time

 

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The Boats of Vallisneria by Michael J Redford – Follow Your Nose

12 Monday Dec 2016

Posted by m lewis redford in announcements

≈ 4 Comments

Tags

1967, air, brother, countryside, Essex, father, fields, green, honeysuckle, horse, Kent, London, Michael J Redford, morning, mother, nose, pub, smell, suburbia, Sunday, the Boats of Vallisneria, trees

Follow Your Nose

My father had a nose for pubs, there’s no denying that!   Noses were always a prominent feature of the Redford family and very sensitive instruments they are too.   I remember when my brother and I were still at school, how mother would pack a shopping bag with sandwiches, apples and flasks of tea and early on Sunday mornings the whole family would disappear into the countryside.   We were then living in South East London and we would take advantage of every opportunity to escape into the freedom and quietude of Kent.   I was born in Sydenham and my father also was a native of that area, but when he was a boy, the green fields of Kent came rolling to within easy view from his back door.   Now alas, time has stamped these green fields with the concrete monotony of suburbia.   So it was that many a fine Sunday morning would see the Redford family making a bee-line for Shoreham just north of Sevenoaks.   Shoreham was our stepping off point and in those distant days it seemed a million miles from London.   My grandmother used to work at the Crown Hotel there and we were permitted to leave our bicycles in the garden while we plunged into the green depths of the surrounding countryside.   Towards noon father would suggest that we find a pub where we could revive our flagging energy and eat our sandwiches and, pausing awhile, he would gaze around and say, “Let’s try over there.”   Over the hill we would go and, sure enough, the very first building we would come to would be a pub.   Now this never failed.   It mattered not what part of the British Isles we were in, ‘Dad’s Nose’ was an infallible receiver and every pub a homing beacon.   In this way, father had built up over the years, a storehouse of information concerning pubs in Kent, Surrey and Sussex.   Sometimes a friend of the family would arrive at the house and suggest that we all take a trip out somewhere and have a drink.   “I’ve found a nice little pub at Luddesdowne,” they would say, “The Red Lion I think it is.”

Father’s mental filing cabinet would whirr into action and he’d say, “Ah yes, you mean the Golden Lion.   Lays down in the dip alongside an orchard.   Landlord’s name is Bert.”

I have never known my father to be caught out by a pub he didn’t know, although there was one occasion however, when father’s probosciscal (sic) infallibility received a severe jolt.   While living for a short period in Basildon New Town in Essex we sometimes took a stroll to Stock on Sunday mornings.   This was a distance of some ten miles and we usually timed our arrival at Stock to coincide with opening time.   On our first expedition however, we mistimed ourselves badly.   We had walked only as far as Great Burstead when the pubs began to open and so we decided against going on to Stock that morning for it would almost have been closing time by the time we reached our goal.   Following Dad’s nose, we turned off the main road and climbed the hill in the direction of Little Burstead.   At the top, among elm and oak, stood an old grey church.   Nestling beside this in the shadow of its spire was a small weather-boarded building that displayed all the characteristics of an Essex pub.   There were only a dozen or so other buildings in sight which were quite obviously private dwellings, so we walked up to the leaning timbers beside the church.   I was stunned and father was puzzled. Above the door was a sign which read ‘Village Stores – Newsagents – Tobacconists – Confectioners’.   This was something I could never have dreamt possible, father had failed and the honour of a long line of Redford noses had been thwarted.   This nagging failure prompted my father to do a little research, the results of which, in our collective view, reinstated the Redford’s nose to its rightful place in history.   The village stores was once the King’s Arms, a very old inn that dated back to the seventeenth century.   It stands along one side of the graveyard and, in days gone by, when the worthy patrons drank their ale in the back parlour, they could look out of the bar windows onto the tombstones, and it was for this reason that the inn was also known as Dead Man’s Rattle.

However, I must not give you dear reader a false impression of the Redford’s standards of propriety and morality.   We are not inveterate drunkards, but merely people who enjoy a pint of beer in congenial company and in congenial surroundings.   The Redford nose is not sensitive to only yeast and hops, but is also most appreciative of other aromas.   The nostalgic scent of honeysuckle on a damp summer’s eve for example.   It is surprising how far the scent is carried when the air is damp.   I have on one occasion been aware of the sweet tangle of honeysuckle a full two hundred yards before reaching it.   Of course, not all the smells of the countryside are as attractive, and here most people will automatically think of the many muck heaps dotted about the landscape and although one can hardly describe the scent of these as attractive, I personally do not place them in the unattractive category, for a muck heap that has ‘made’ well emanates a virile, earthy aroma that gives promise of future bumper crops.   The smell which immediately comes to mind in this category is that of the Stink Horn, the woodland fungus that gives off an overpowering stench of putrefying flesh and is attractive only to the bloated blue-bottle which is the curse of all rural ramblers.   The ammoniac-al smell of stables is offensive to some people, but I have many happy early memories connected with horses and I find it difficult to pass by a stable without pausing and conversing with the inhabitants, and even if there are no horses at home, I will stop, stand and stare.   Anyway, it is surprising how it clears the head.

One fine spring morning I visited a farmer friend of mine, but I arrived five minutes after he had left for Monk’s Tye, a fifteen acre field somewhere on the other side of the farm.   I told his wife who had opened the door to me, that I wasn’t familiar with the layout of the fields.

“That’s alright,” she beamed, “Yer can’t miss ‘im.   ‘E’s fixing the fence ‘longside the bean field – just foller yer nose.”

I went to the end of the stackyard, sucked my forefinger and stabbed it into the air.   A mild breeze from the west was moving the tree-tops and borne upon it was the unmistakably sweet, and to my mind, the most glorious country smell of all, that of a bean field.   I faced the zephyr and tacked across the fields.   It was a cup of sweet wine that I drank with unashamed intemperance.

At one period during my military days when I was transferred to Egypt, we embarked upon an exercise that took us trekking across the Sinai Desert to St. Cathrine’s Monastery.   In the heart of that leafless and shale-covered land cradled in the depths of silence and time, it struck me how different was the smell of the air to that of an English day.   I have always been of the mind that pleasure is the product of sensual contrasts and this certainly holds true in this instance for, although I had always delighted in the scent of a field of well-made hay or a breeze heavy with the sweet scent of a bluebell wood, I have never appreciated them more than on my return from that arid land.   So marked was the contrast and so great the ensuing pleasure, that I was moved to write the following lines:-

            Ne’re before, ‘till I went away
            From England, did an English day
            Seem quite so fair.   No line ‘twixt earth
            And sky so soft, no scene so dearly
            Held within the memory’s store
            For man’s old age to reap.
            A golden sun o’er greenest grass,
            The whitest clouds the azure dusts,
            And gentle is the soft warm breath
            That lifts the lark and cools
            The summer’s day.
            Low wind the lanes ‘twixt hedgerows
            Honeysuckle scented, trees clasp their
            Fingertips above in trembling sway,
            And softly rustling chestnut leaves
            So green, turn gold against the sun,
            Their echoes of a year gone by –
            The hunting ground of stoat and fox.
            The slow warm hours the humming
            Insects ride and dart, the trickling
            Streams the hot stones smooth,
            And slowly pass the whiles of dusk
            Across the silent fields once more.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

air wormhole: just saying, is all VI: // accountable / for my own outbreath / …
father & Sunday wormhole: familiasyncopation
green wormhole: industrial estate
London wormhole: time
morning wormhole: 1964
smell wormhole: Lapping Reflections [Deep Within Waters] – mmpph’
trees wormhole: The Boats of Vallisneria by Michael J Redford – Snow

 

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trellis / and wisteria – poewieview #29

21 Thursday Jul 2016

Posted by m lewis redford in poems, poeviews

≈ Leave a comment

Tags

'scape, 2016, 3*, Bowie, Dylan, green, piano, suburbia, sun, walls, white, wisteria

                           down in the suburbs the
                           piano-filled and the sun-

                           weaved through the trellis
                           and wisteria and dappled,

                           yes dappled, along the
                           whitewashed green wall

 

trellised and wisteriad through Song for Bob Dylan, 1971

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

Bowie wormhole: “Darling” – poewieview #28
green & walls wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – from arm to nature, doing nothing
piano wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
sun wormhole: The Boats of Vallisneria by Michael J. Redford – On Doing Nothing
white wormhole: Lapping Reflections [Deep Within Waters] by Mark L. Redford – moment

 

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words tumble like / boulders – poewieview #25

28 Thursday Apr 2016

Posted by m lewis redford in poems, poeviews

≈ Leave a comment

Tags

1970s, 1971, 2016, bed, Bowie, brick, buildings, cartoon, clouds, flats, form, guitar, hearing, height, litter, music, park, passing, pipes, shops, silence, sky, step, suburbia, trees, wind, words, world, writing

                           lying still enough in the quiet of bedclothes
                           you can hear the pops in the sky as the
                           clouds settle and the resolve of form as

                           the trees are passed, all big-flared steps
                           through the park like the coming cartoons,
                           into the suburbs, (across the globe), but

                           always back to the room above the shops
                           under height of building pipework and the
                           block of flats, where the brick and grime

                           ignore the swirling litter … but then later,
                           among strumming, the words tumble like
                           boulders, each to their own defining clunk

 

settled throughout: Holy Holy, 1971; Oh! You Pretty Things, 1971; Fill Your Heart, 1971; How Lucky You Are (Miss Peculiar), 1971; Hang On To Yourself, 1971, after the dust

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

1971 wormhole: 1971
Bowie & buildings & wind wormhole: no one – poewieview #24
clouds wormhole: b / r / e / a / t / h / i / n / g
guitar wormhole: 08:55
music wormhole: well,
park & trees wormhole: 1963
passing & silence wormhole: 1965
shops wormhole: crease and score of silver-morning sky
sky wormhole: 1968
words wormhole: my // shell – poewieview #19
world wormhole: tong len / the inauguration of another – timely – butter fly effect / taking and giving
writing wormhole: need

 

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opening

11 Friday Mar 2016

Posted by m lewis redford in poems

≈ 2 Comments

Tags

'scape, 2013, allowing, architecture, art, bay window, being, finding, found, grey, high, Italianate, marble, open, opening, piano, searching, Sevenoaks, shape, sky, sound, Spring, stucco, suburbia, Victorian houses, windows

                                the art to finding
                                is not in the searching
                                but in the allowing

                                or opening to what
                                is to be found as spring
                                sounds like bay windows,

                                stucco, and Italianate
                                overhang of a late
                                Victorian villa under

                                high-marble grey sky in
                                suburban Sevenoaks from
                                which the faint idle

                                tinklings of a piano
                                shape through a let-open
                                window

 

 

 

————w(O)rmholes________________________________|—–

allowing wormhole: my life / of others
architecture wormhole: crease and score of silver-morning sky
being wormhole: becoming
grey wormhole: where the goblins leered – poewieview #14
open wormhole: Grizedale College
piano wormhole: ‘the hour before dinner – / the empire of dusk’ – poewieview #6
searching wormhole: thick thick fog
sky & windows wormhole: stacked
sound wormhole: the sounds of 1969 // [would have] seemed that way – poewieview #13
Spring wormhole: 50 mph
Victorian houses wormhole: gotcha

 

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keep the light off

01 Tuesday Mar 2016

Posted by m lewis redford in poems

≈ 4 Comments

Tags

2013, awareness, field, glass, hedge, light, looking, mineral, movement, net curtains, outside, rain, rooftops, shadow, silhouette, society, suburbia, true nature, wind, windows

 

 

 

                                keep the light off

                part the net curtains
                                out through the window … stop
                                and look and
                                              really look
                                the shaggy silhouettes
                                high to the left long to the right
                                              bristle and lean
                                awhile the drives and avenues of rooftops
                                extend like fields and hedgerows hideously
                                              all accepting the rain (running down the glass)
                                              to reveal their two-tone

                                                                                    mineral nature

 

 

 

————w(O)rmholes________________________________|—–

awareness wormhole: thick thick fog
field wormhole: the continental stride of trains
glass & rain & wind & windows wormhole: fine droplets / across the glass
hedge & shadow wormhole: finding my own true nature – Plumstead, Woolwich, 190915
light wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
looking & society wormhole: the sounds of 1969 // [would have] seemed that way – poewieview #13
net curtains wormhole: south horizon
rooftops wormhole: organ / sunlight in all our eyes – poewieview #11
silhouette wormhole: Soir Bleu, 1914

 

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the sounds of 1969 // [would have] seemed that way – poewieview #13

25 Thursday Feb 2016

Posted by m lewis redford in poems, poeviews

≈ 2 Comments

Tags

1969, 2016, accountability, appearance, ascent, becoming, being, Bowie, chords, clouds, coalescence, counting, crescendo, dawn, doing, doors, earth, echo, fall, gods, history, horizon, kitchen, looking, loss, lost, love, neighbourhood, people, possibility, rocket, silence, society, sound, stillness, streets, stumbling, suburbia, travelling, trees, up, variation, warp, weft, wish, years

                                   … oh,

                      here it comes again, between
                      the warp and weft of chording;
                      all the engines of thrust, all
                      the snare of history, all propulsion

                      `round various turnings, trails
                      left vaporising; counting … up
                      to crescendo, looking up to tread,
                      to lacunae; to ascend is to lose,

                      to step through that door: fall/
                      ascent mean nothing off-sphere;
                      tumult of horizon sitting in my
                      kitchen, stumbling on my planet,

                      there’s nothing I can do: there
                      are – so – many – more – chords,
                      variants on a minor, travelling to
                      where we are all along, feeling

                      very still … lost where we all are;
                      the sounds of 1969 looked very
                      different today – loved-up, peopled-
                      up, gods upped be-coming – up;

                                          ~O~~~

                      down the slippey ascension of wish,
                      up to the echoing boroughs of cloud-
                      bank, where the damp damp dawn
                      falls silent to urban horizon, higher

                      for to widen the neighbourhood
                      streets and higher to deepen the road-
                      side trees; none of it didn’t, but it
                      [would have] seemed that way

 

filtered through grill of angst: Space Oddity, 1969, Cygnet Committee, 1969, Memory of a Free Festival, 1969

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

being & Bowie & doing wormhole: quite … / … yet – poewieview #12
clouds wormhole: dog bark
dawn wormhole: now, the verticals go down as well as they go up
doors wormhole: Seven A.M, 1948
echo & looking & people wormhole: 1966 … actually sic // of it allllll-bsssssssh – poewieview #8
history wormhole: London Park in Greenwich town – poewieview #5
horizon wormhole: com- / mute
kitchen wormhole: 1963
love wormhole: Grizedale College
silence wormhole: the open window
society wormhole: bookmark
sound & years wormhole: 1963
stillness wormhole: the windmill
streets wormhole: fine droplets / across the glass
travelling & trees wormhole: Saturday – poewieview #3

 

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now, the verticals go down as well as they go up

01 Thursday Oct 2015

Posted by m lewis redford in poems, poeviews

≈ Leave a comment

Tags

1970s, 1980s, 2015, alley, architecture, awning, buildings, chimney, city, colour, Daredevil, dark, dawn, drawing, Edward Hopper, form, Frank Miller, ground, hearing, height, identity, landscape, leisure, listening, litter, notice, orange, rain, rooftops, seeing, shops, silhouette, sitting, snow, sound, streetlight, streets, suburbia, tarmac, vertical

                now, the verticals go down as well as they go up

                                the form of
                                architecture
                                is drawn
                                by rain

                                streetlights
                                merely cast
                                the silhouettes
                                of dawn

                                in the 70s
                                and the 80s
                                the shops
                                opened late

                                like Hopper
                                landscapes
                                foretending
                                leisure

                                sleet down
                                an alley when
                                there are things
                                to be done

                                (cab waiting
                                with the meter
                                running) but
                                when it snows

                                it is time to sit
                                on a ledge and
                                listen to all the
                                muffled sound

                                below; lighted
                                billboards and
                                the uplit facades
                                of monoliths

                                above the
                                chimney stacks,
                                only when
                                sprung from

                                girders can you
                                hang foetus-like
                                above the roof-
                                tops; let all the

                                striving height
                                recede back
                                to the ground
                                it stands from

                                assassins and
                                bounty hunters
                                proceed colourful
                                and silent by the

                                dark rooftops
                                of old town
                                suburbia, only
                                the blind devils

                                leap the burning
                                awnings more
                                bright than day,
                                where only one

                                will notice from
                                the street, and
                                yet the fantastic
                                storeys of

                                orange-corporate
                                building rise
                                ineluctable
                                behind all

                                borough, seen
                                but not heard;
                                except for the
                                litter of paper

                                trailing the collateral
                                dance across tarmac
                                and paviours, hardly
                                noticed, but ever indulged

 

 

 

————w(O)rmholes________________________________|—–

architecture wormhole: House by the Railroad, 1925
buildings wormhole: dream 260815
chimney wormhole: silhouette: // second / thoughts
city wormhole: Morning in a City, 1944
Daredvil wormhole: tag cloud poem V – draft-ness
dawn & orange wormhole: gre[wh]y / has Daddy left us?
Edward Hopper wormhole: Summertime, 1943
identity & streets wormhole: ‘from under the awning …’
rain wormhole: open window
rooftops wormhole: House by the Railroad, 1925
seeing & sound wormhole: after all?
shops wormhole: that comicbookshop in dreams,
silhouette wormhole: 1959
sitting wormhole: Ashdown Forest / 080213 14:47
snow wormhole: To my Mum
streetlight wormhole: the / very gradual art of sitting

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
  • long / road
  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
  • 'I can write ...'
  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

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