early // Minoan & Mycenaean Exhibitions in the British Museum – diptych

Tags

2018, 8*, action, being, black, body, British Museum, civilisation, clouds, column, concepts, crane, day, fields, gap, Germany, glass, Have, horizon, horse, Jamyang Khyentse Chokyi Lodro, jar, Jon, language, life, lintel, liquid, London, looking, message, mind, mist, morning, movement, passing, pediment, plane, reading, rooftops, settled, sitting, speech, stone, sun, sunlight, tertön, text, Tibet, time, train, travelling, Uckfield-London line, vertical, world

                                                early

                the sun
                blankets flat across the fields

                a glint
                wipes along the banking plane;

                the terton,
                settled and comfy in the deepest

                mind, enough
                to reach down a text in an

                unknown
                language and read it with ease;

                60 mph
                on the lines into town, one long

                finger of
                cloud between the sun and train

                ever not
                moving; he said he saw no need

                to burden
                the world with yet more babble

                from a
                conceptual mind; even now

                looking
                sharp forward through the glass

                approaching
                London there is a ripple in the

                glass makes
                the cranes on the rooftops

                twitch

 

                -\\O___~~                                                                ~~___O//-

 

Minoan & Mycenaean Exhibitions in the British Museum

                there was
                mass of body the length of recline

                the height
                of seat and stone bath the end

                of time,
                but the keep of store and brim

                of handle (the
                maximum bulb upon impossible base)

                were lithe
                of all action scratched into blackest

                liquid
                despite all the belts of mist between

                each day;
                and those lintels planted in weight

                upon the
                lip of each column and across all, the

                heavenly
                pediment; having was being,

                transcendent
                of bound, the message leapt from

                behind,
                across the impossible gusts of gap,

                the wrap
                of robe, loose and sun-dried to the

                crease of
                agitation, there, O beast with power

                standing
                over me, will you take me from

                here

 

early: my son was moving to Germany to live with his girlfriend, he was spending the last week or so with his parents before leaving; there was a sense that this was a Major Life Move both for him (and for us watching a child move to another country … even though he is 31 years old); he wanted to do a ‘final’ trip up to London and took his old man with him, we went up early – I watched the horizontal morning sun over the fields become vertical up London’s sandstone buildings; a “terton” is someone who has developed his or her mind to be subtle-enough to find and decode Buddhist teachings hidden by Guru Padmasambhava in places or in minds so that they will be ‘discovered’ in time when the conditions – and minds – are right: I had just finished the biography of Jamyang Khyentse Chokyi Lodro who was a renowned terton and teacher in Tibet who declined to publically reveal many of his found texts because, as he commented, he didn’t want to clutter up peoples’ minds with yet more babble from a “conceptual mind” (although seasoned ‘readers’ of life in Tibet at that time would have ‘understood’ this statement to mean that the prevailing karma of mind in Tibetan society at that time was not up to appreciating them – Jamyang Khyentse Chokyi Londro died in 1959, the year the Chinese seized control of Tibet and the religious infrastructure of Tibet was decimated); the Minoan & Mycenaean Exhibitions in the British Museum: we spent most of the time in the British Museum, Jon wanted to have a final look at the early Minoan and later Mycenaean Greek exhibitions … I haven’t fully worked out how these two pieces are joined as a diptych, but present them as such nevertheless

 

 

^{————w}(O)rmholes_________________________________|—–

being & looking wormhole: blister on me thumb
black wormhole: THE LONELY STREET by William Carlos Williams
clouds & travelling wormhole: space for probing thought
crane wormhole: that
glass wormhole: SPRING & LINES by William Carlos Williams
Have wormhole: you
horizon wormhole: we held cold hands
Jon wormhole: Mark & Jon at the coffee shop IV: right angles
life & sun wormhole: ‘… plane is upright …’
London & mind & speech & time wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
mist wormhole: BLUEFLAGS by William Carlos Williams
morning wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
passing wormhole: THE GREAT FIGURE by William Carlos Williams
reading wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
rooftops wormhole: PASTORAL by William Carlos Williams
sitting wormhole: allowed all gain
stone wormhole: only
train wormhole: A Solitude by Denise Levertov
Uckfield-London line wormhole: mother and daughter
world wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey

 

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‘… plane is upright …’

Tags

1965, 2018, 7*, being, brick, buildings, carlights, circular poem, city, curtains, Dr Strange, existence, eyes, field, floor, guidance, hats, life, lightning, looking, moebius, moon, neighbourhood, passing, perspective, plane, rain, resolution, shadow, sign, speech, Stan Lee, steel, step, Steve Ditko, Strange Tales, streets, sun, throat, time, turning, vertical, walking, walls, way, windows

 

 

 

 

 

                                                                            when field of all temporal …
                                                              than just a façade but                           …
                                                                                                                                   …
                                      of steel and brick more                                                        … plane is upright
                                    the hatch and cross                                                                          and turned to perspective

                      windows, for a second                                                                                              and route is looped
               through endless endless                                                                                                      through the eye of

       neighbourhood boroughs                                                                                                               its own step, there will be
                 will be revealed as                                                                                                                     curtains of reign

   lightning where canyons                                                                                                                        through which to stride
             will always turn to                                                                                                                          oblivious, but the loss under-                                                                        

        but the reach of eye                                                                                                                             brim will seize the rear
 only to the next puddle;                                                                                                                            palate and numb the speech

       passing carlights look                                                                                                                          as eyes turn to look behind
 the walls and floors when                                                                                                                        themselves, save the

             enough to disregard                                                                                                                  moon will always guide
     leaving flit and twistreach                                                                                                               through dusty streets

          falls like inevitable treacle                                                                                                      far better than the beady sun
                 underbrim gathers then                                                                                               with all its signage and

                              as the ride across the                                                                                paraphanelia, no it is by
                              that resolve will be seized                                                                slanting blind shadows

 

Strange Tales #132-133, May-June 1965, Stan Lee; Steve Ditko: it is my contention that Dr Strange is strange because he doesn’t appear in his own event, he slips in and out at right angles to plane existence thence to vanquish solipsistic threat – story of my life

 

 

^{————w}(O)rmholes_________________________________|—–

being & life & rain & walking wormhole: coterminalism – there is nothing happens by itself, / 070118
buildings & moon wormhole: the moon, the moon
circular poem wormhole: amid
city & sun & walls wormhole: space for probing thought
curtains wormhole: What You Are by Roger McGough
Dr Strange wormhole: ‘when travelling astrally …’
eyes & looking wormhole: ‘a blacknight fitted perfectly …’
field & speech & time wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
lightning wormhole: Lapping Reflections [Deep Within Waters] – from arm to nature, doing nothing
wormhole
passing wormhole: Victorian pipework
shadow & streets & windows wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams

 

space for probing thought

Tags

1967, 7*, Batman, Batmobile, city, clouds, damson, engine, evening, orange, seclusion, sky, skyline, space, streets, sun, thought, travelling, walls

                there was seclusion
                in the bubble of the Batmobile, that

                while the hog-engine made the destination
                along a sullen street

                there was the
                space for probing thought, that

                running into the city sun along the
                evening wall: did the

                damson clouds cut the sun or the skyline
                snag the orange sky?

 

Detective Comics #360, February 1967, Gardner Fox, Sheldon Moldoff; Batman #190 Gardner Fox, Sheldon Moldoff, March 1967: how; how does the Caped Crusader stay so ahead of the game?

 

 

^{————w}(O)rmholes_________________________________|—–

Batman & evening wormhole: the moon, the moon
city & clouds & streets wormhole: despite that
orange & sky wormhole: only
skyline & space wormhole: sometimes
sun wormhole: BLUEFLAGS by William Carlos Williams
thought wormhole: A Solitude by Denise Levertov
travelling wormhole: fifty-eight // and silent prayers
walls wormhole: What You Are by Roger McGough

 

BLUEFLAGS by William Carlos Williams

Tags

1921, 6*, air, blossom, blue, cars, children, distance, flowers, grapes, green, gutter, light, marsh, mist, petals, reeds, smell, strawberries, streets, sun, voices, water, William Carlos Williams, willow

                                BLUEFLAGS

                I stopped the car
                to let the children down
                where the streets end
                in the sun
                at the marsh edge
                and the reeds begin
                and there are small houses
                facing the reeds
                and the blue mist
                in the distance
                with grapevine trellises
                with grape clusters
                small as strawberries
                on the vines
                and ditches
                running springwater
                that continue the gutters
                with willows over them.
                The reeds begin
                like water at a shore
                their pointed petals waving
                dark green and light.
                But blueflags are blossoming
                in the reeds
                which the children pluck
                chattering in the reeds
                high over their heads
                which they part
                with bare arms to appear
                with fists of flowers
                till in the air
                there comes the smell
                of calamus
                from wet, gummy stalks.

 

from Sour Grapes, 1921
WCW was good enough to let us into his local so much that we found his family there too; he espoused the search for poetry within your own fingernails, within your local yards and backstreets, within your private moments in front of your own mirror, within the loaned experience which can only be borrowed when you’ve brought up children and shown them the world in which you brought them to their own existence … rather than charging off for it rummaging about Europe’s kulture: he was an icognito prince, old WCW

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: THURSDAY by William Carlos Williams
blossom wormhole: SPRING & LINES by William Carlos Williams
blue wormhole: coterminalism – there is nothing happens by itself, / 070118
cars wormhole: ash leaves
green & William Carlos Williams wormhole: SPRING & LINES by William Carlos Williams
light wormhole: A Solitude by Denise Levertov
mist wormhole: that
smell wormhole: Lapping Reflections [Deep Within Waters] – old George
streets wormhole: we held cold hands
sun wormhole: only
voices & water wormhole: What You Are by Roger McGough

 

only

Tags

2018, 7*, beauty, commentary, contrast, day, heat, land, landscape, language, lava, living, love, night, orange, passing, people, perspective, phone, profile, raspberry, sand, silence, sky, sound, speech, stone, sun, talking to myself, twilight, violet, voluptuous

                                only

                from the point of stand
                the dunes are sharp
                against speechless sky

                in passing they rise
                flatly up and up in
                broad brush of land

                blistering from a distant
                sun, in approach they
                are voluptuous cleft

                and hip – raspberry
                stone in orange – the
                Venusian ring-tone

                doesn’t interrupt the
                commentary skip
                across three languages

                                –O___

                OK, the contrast
                between the profiles
                of lifeless heads of lava
                and the twilight-violet sky
                of no day and no night
                is beautiful

                but I could
                have spent the day
                amid peoples’ peeks
                and primal landscapes
                open for to behold
                instead …

 

excursion to Timanfaya National Park on Lanzarote, Jan 2018

 

 

^{————w}(O)rmholes_________________________________|—–

beauty wormhole: good going into / that gentle night
living & talking to myself wormhole: THURSDAY by William Carlos Williams
love wormhole: we held cold hands
night wormhole: TREES by William Carlos Williams
orange wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
passing & people & speech wormhole: A Solitude by Denise Levertov
silence & sun wormhole: What You Are by Roger McGough
sky wormhole: coterminalism – there is nothing happens by itself, / 070118
sound wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
stone wormhole: `whappn’d!
twilight wormhole: letting them go

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

SPRING STRAINS by William Carlos Williams

Tags

'scape, 1917, 7*, anchor, angle, birds, blue, branches, buds, concentration, convergence, desire, disappearance, energy, erect, flying, grey, ground, holding, orange, passing, red, right, rock, sky, Spring, sun, tap root, trees, twigs, William Carlos Williams

                                SPRING STRAINS

                In a tissue-thin monotone of blue-grey buds
                crowded erect with desire against
                the sky–
                            tense blue-grey twigs
                slenderly anchoring them down, drawing
                them in–

                            two blue-grey birds chasing
                a third struggle in circles, angles,
                swift convergings to a point that bursts
                instantly!

                            Vibrant bowing limbs
                pull downward, sucking in the sky
                that bulges from behind, plastering itself
                against them in packed rifts, rock blue
                and dirty orange!

                                                                                But–
                (Hold hard, rigid jointed trees!)
                the blinding and red-edged sun-blur–
                creeping energy, concentrated
                counterforce – welds sky, buds, trees,
                rivets them in one puckering hold!
                Sticks through! Pulls the whole
                counter-pulling mass upward, to the right,
                locks even the opaque, not yet defined
                ground in a terrific drag that is
                loosening the very tap-roots!

                On a tissue-thin monotone of blue-grey buds
                two blue-grey birds, chasing a third,
                at full cry! Now they are
                flung outward and up – disappearing suddenly!

 

from Al Que Quiere, 1917

the cacophany of a single moment – all instruments loosening-up, scaling, tensing, waiting for the grand inaugural middle ‘C’ – all held together in a fidgety bag; the shabby audacity of this piece – ‘let’s not just have vignettes, let’s also have local, tectonic landscapes’ – made my young eyes work, I had to read it several times successively to hold together all the strands, and then he lets me off, I finally ‘got’ the three birds disappearing … you don’t hold it all together, you don’t; there’s no need to; William Carlos Williams was a crafty master

 

 

^{————w}(O)rmholes_________________________________|—–

birds wormhole: {Ellen Terry’s house}
blue wormhole: SUMMER SONG by William Carlos Williams
branches & sky wormhole: LOVE SONG by William Carlos Williams
grey wormhole: glancing up from the text / searching for ground …
orange wormhole: I
passing wormhole: tram
red wormhole: Bridgnorth
Spring wormhole: city streets
sun & trees & William Carlos Williams wormhole: DANSE RUSSE by William Carlos Williams

 

DANSE RUSSE by William Carlos Williams

Tags

1917, 5*, acceptance, arms, baby, bedroom, dancing, face, happiness, loneliness, mirror, mist, shoulders, singing, sleep, sun, trees, white, wife, William Carlos Williams, yellow

                                DANSE RUSSE

                If I when my wife is sleeping
                and the baby and Kathleen
                are sleeping
                and the sun is a flame-white-disc
                in silken mists
                above shining trees,–
                if I in my north room
                dance naked, grotesquely
                before my mirror
                waving my shirt round my head
                and singing softly to myself:
                “I am lonelt, lonely.
                I was born to be lonely,
                I am best so!”
                If I admire my arms, flanks, buttocks
                against the yellow drawn shades,–

                Who shall say I am not
                the happy genius of my household?

 

from Al Que Quiere, 1917

Diaghilev, Nijinsky and the Ballets Russes were in New York in 1916, inspiring the abandon of conformity and the discipline of acceptance which were so necessary to the budding 20th Century

 

 

^{————w}(O)rmholes_________________________________|—–

acceptance wormhole: without any buffet at all
bedroom wormhole: between thoughts
dancing wormhole: Pilot 125 … // … being excursion in the interludes
loneliness wormhole: Cocktails in 1951
mirror wormhole: … the underleaves show
mist wormhole: mauve
sleep wormhole: after all
sun wormhole: fifty-eight // and silent prayers
trees wormhole: transferring
white wormhole: ‘the Bat-Signal …’
William Carlos Williams wormhole: LOVE SONG by William Carlos Williams
yellow wormhole: abandoned sound mirrors

 

fifty-eight // and silent prayers

Tags

1979, 2017, 6*, age, birthday, blue, Castleton, clouds, cross-section, direction, gold, green, hair, heartbeat, hills, identity, knees, landscape, lifetimes, metal, neck, prayer, ripple, road, shirt, silence, silver, step, sun, time, travelling, walking, wandering

                                fifty-eight times now

                wandering dopey through another landscape

                                (walking) up into the hills
                                to find the golden sun –
                                sheet-metal through
                                flanks of cloud

                                the snaking A-road
                                sunk and cascaded
                                in 1979, petrified cross-
                                sections there to study

                                never travelling far
                                but up in giant gulp-steps
                                heart beats in the back
                                of the neck and down

                                through the knees
                                with the rising pass

                I stand now at fifty eight with clipped and

                                silvering hair with
                                check and green-blue
                                shirt and silent prayers
                                rippling to all directions

 

 

 

^{————w}(O)rmholes_________________________________|—–

birthday wormhole: Lapping Reflections [Deep Within Waters] – … as the new town marches in
blue wormhole: I
Cadtleton wormhole: walk from Castleton to Hope
clouds & hills wormhole: mauve
gold wormhole: so / do I keep on writing now I’ve retired, or … / Rumplestiltskin
green & walking wormhole: abandoned sound mirrors
hair & sun wormhole: ash leaves
identity wormhole: both modern and en-slaved / to life
lifetimes wormhole: oh, alright then
silence wormhole: where did the silence go
silver wormhole: Coleton Fishacre
time wormhole: sreet
travelling wormhole: breakfast

 

ash leaves

Tags

2017, 6*, advertising, afternoon, ash tree, branches, cars, girl, hair, head, nose, phone, portrait, reflection, Rome, sitting, speaking, sun, taxi, windows

                sat on the ledge of a display window
                in the via Germanico, she turned her head

                to speak on her phone, for the sun
                to light her half-forehead, her nose, her ip,

                while the old man wiped his car down
                with a wet rag; the girl – now looked

                at her text? – and grown a pony tail
                in her reflection, watched the taxi

                reverse across an open parking space
                with two antennae at the rear

                of the roof aligned under low-hanging
                branches of jagged ash leaves

 

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon wormhole: low afternoon
branches wormhole: letting them go
cars wormhole: Plumstead – Woolwich – Plumstead 220211
girl wormhole: and // do your ears burn red?
hair wormhole: … the underleaves show
reflection wormhole: chuckling
sun wormhole: breakfast
windows wormhole: tram