impressionism
when it appeared that being
took more than looking
to survive in grander scale
people froze in pose of living
and, standing, turned from the
emerald skyline and blue of leaf
until the ‘chirrup’-click
fit to portrait – maybe landscape –
enlarged, reduced (and whopaintedthis ‘click’ gottit) of
chair standing but not on
the tiles by the
turquoise door blue – wassnext! – standing
right in front (of the view
looking to be written on a notepad) right there
to one side of the frame in profile, ‘like I was …’
looking in ‘ready’ chirrup – then
nudged
passing out of everyone’s way – ‘sorry!’
glasses on the head before
wheatfield with cypresses, hennaered
hair before rock shadows, and
tell me, is it the transluscent beer
or the backward look to another order
the point in the corner of the café-concert?
witnessed between elbows at the National Gallery, Trafalgar Square, London, 030515: La Terrasse at Vasouy, The Garden, Edouard Vuillard, 1901, reworked 1935; Van Gogh’s Chair, Vincent van Gogh, 1888; A Wheatfield, with Cypresses, Vincent van Gogh, 1889; Hillside in Provence, Paul Cézanne, about 1890-2; Corner of a Café-Concert, Edouard Manet, probably 1878-80
————w(O)rmholes________________________________|—–
20th century & sound wormhole: a theremin note – poewieview #21
being wormhole: dash
blue wormhole: Jon
doors wormhole: through
field wormhole: keep the light off
garden wormhole: the open window
glasses wormhole: new garden
hair & shadow wormhole: 1964
living & skyline wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
looking & posture wormhole: and that’s where I are
passing wormhole: 1963
people & writing wormhole: well,
speech wormhole: quite … / … yet – poewieview #12
