‘she shook the sweets …’

Tags

'scape, 1981, 6*, bed, blog, buildings, Carol, clouds, green, grey, lightning, London, love, marriage, Plumstead, red, seagull, Shooters Hill, silence, sky, smoke, Thames, time, wind

she shook the sweets
onto the bed

the grey sky
washed clean

metal smoke rose
then right-angled

a seagull
flew between the buildings

then

 

lightning

{the sweets were Lindt chocolates, individually wrapped in deep-red; the made bed was covered by a deep-green candlewick bed-spread; she was Carol, shortly before or after we were married, staying in what had been my bedroom, halfway up Shooters Hill, overlooking the Thames basin; this was the first poem I published on this blog, almost exactly ten years ago, and, in those early days, she got very little … no views; I think she deserves more than that; want a sweet?}

^{————w}(O)rmholes_________________________________|—–

buildings & red & Thames wormhole: travel // when I die
Carol wormhole: ‘don’t look at it …’
clouds wormhole: here today and …
green & sky & time wormhole: meanwhile
grey wormhole: ‘charcoal grey-slate sky …’
lightning wormhole: a crack of lightning / in the dark of night
London wormhole: Lapping Reflections [Deep Within Waters] – tenderness
love wormhole: IN THE ‘SCONSET BUS by William Carlos Williams
Plumstead wormhole: Plumstead – Woolwich – Plumstead 220211
seagull wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
silence wormhole: silence
wind wormhole: Lapping Reflections [Deep Within Waters] – valley

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travel // when I die

Tags

2019, 7*, accountability, afterlife, afternoon, architecture, bardo, being, black, brick, brown, buildings, capitalism, century, clouds, crane, data, death, decades, dedication, depth, doing, echo, fields, floating, green, ground, Have, height, horizontal, identity, industry, interdependent origination, iteration, length, lintel, London, magenta, mind, notice, orange, passing, perspective, pillars, presence, purple, rain, rainbow, red, reference, ripple, rooftops, russian vine, samsara, sandstone, sapphire, self-cherishing, self-grasping, silence, sill, sky, sound, speech, Thames, thought, tide, time, train, travelling, trees, Uckfield-London line, utility, walls, white, world, writing

                                                                                travel

                                                                                noticing
                                                                at all is a product of
                                                                shifted perspective
                                                                related to behold;

                                                                when I’ve nothing to write
                                                                I’ve lost any perspective,
                                                                cornered by both these walls
                                                                I’ve walked along

                when I die
                this mind will no longer whorl about this pinchèd self
                in a world of diminished return and profusion of iteration

                                                                cranes atop
                                                                pulling them further up and up
                                                                from the ground on which they
                                                                balance on receding point;

                                                                communities of them
                                                                each taller than the last and the next
                                                                all along the wharfs
                                                                of endless account

                it will be expansive
                high and up in industrial and sandstone sky
                it will fathom all the deep of brown kelp in shifting purple

                                                                kilometres long
                                                                courses of brick
                                                                grimed black and utility-studded
                                                                updown onoff foothold and wire

                                                                ripple along nicely
                                                                across right-angled centuries
                                                                and occasional shot bolts
                                                                of deepest russian vine

                with no sound
                save diminishing echoes of a pleading late self
                having nothing left to refer to and nothing left to here, and

                                                                believe it or not
                                                                a rainbow exponential
                                                                to the white arch of Wembley
                                                                we’ll chase for miles

                                                                orange shimmering to
                                                                magenta through staccato tides
                                                                out and over flat roofs
                                                                on and into the fields

                all data wiped –
                suds off my hands from my shoulders –
                and did I back enough up for some grander vector to reach?

                                                                where trees grow from ground
                                                                shaping over decades
                                                                green-flamed cupolas
                                                                clamped to the sky

                                                                and from perspective passing
                                                                of open field
                                                                turn – creak –
                                                                the whole world

                I may well
                have built pillars of cleverness and thought:
                plinthed, fluted, capitaled and giddyingly architraved …

                                                                and there
                                                                Lancashire red brick
                                                                with high and whitey
                                                                sills stale and lintel

                                                                before washed-out
                                                                sapphire-afternoon of steely sky
                                                                and horizontal fingers of
                                                                scud-rain

                … but they’d just
                floated there upright in space ‘neither use nor ornament’
                straining on the string in my baby-fat hands, I’ve

                                never really
                                made stuff happen
                                and didn’t have to try

                                more than let more and more
                                of stuff happening anyway
                                happen through me

 

train trip; East Sussex to London to Lancaster to Ulverston, Cumbria; where we lived for three years and started a family; stay at Swarthmore Hall; visited Conishead Priory where we lived for 18 months after marriage and graduation; notes and observations on the journey, sense of bridging 32 years of lifetime(s); notes > (maybe) two poems, but two which could nevertheless not be separate, although distinct, like train tracks; three years retired, still processing if I achieved anything in this capitalist and samsaric world …; London centuries old, still processing …; architecture as the stage-scenary of endeavour; the ‘here’ in the 9th stanza is definitely (sic); this is, positive

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon & sky wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
architecture & thought wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
being wormhole: 11/1 by William Carlos Williams
black & sky wormhole: Lapping Reflections [Deep Within Waters] – valley
brown & green & walls wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
buildings & crane & rain & red & speech wormhole: riders of the night
capitalism wormhole: `whappn’d!
clouds wormhole: at Kreukenhof
death & identity wormhole: psssssh
doing wormhole: writening
echo & mind & passing & sound & time wormhole: – creak —
Have wormhole: on facing the Have
London wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
orange wormhole: ‘don’t look at it …’
purple wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
rooftops wormhole: Great Bridge, Rouen, 1896
samsara & trees wormhole: breakfast
silence wormhole: window
Thames wormhole: London, 1809
train & travelling wormhole: beneath
Uckfield-London line wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
white wormhole: 10/22 by William Carlos Williams
world wormhole: none and all
writing wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later

 

London, 1809

Tags

1809, 2019, 7*, breathing, buildings, century, clouds, columns, fields, gas, geomancy, gold, horizon, London, monolith, possibility, silver, sky, sphinx, steel, Thames, time, unicorn, west, William Turner

                there are monoliths built
                of unknowable antiquity

                scattered arcanely about
                the basin horizon,

                pillars of ribs help them
                breathe once a century,

                fields between have yet
                to be built; the Thames

                seethes gaseous silver
                while to the west a

                tarnished silver sphinx
                unicorn, hideous possibility,

                sits solitary as if a pack
                before the proscenium sky

                of gilded cloud steel and
                titan to all of time

 

London from Greenwich Park exhibited 1809 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/N00483

London, William Turner, 1809

 

 

^{————w}(O)rmholes_________________________________|—–

breathing wormhole: blister on me thumb
buildings wormhole: ‘streetsigns …’
clouds & time wormhole: on facing the Have
gold wormhole: THE GREAT FIGURE by William Carlos Williams
horizon & London wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
silver wormhole: that
sky wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
Thames wormhole: Plumstead – Woolwich – Plumstead 220211

 

Plumstead – Woolwich – Plumstead 220211

Tags

2011, 2014, 2017, 6*, architecture, birds, birdsong, blackbird, blue, branches, breathing, brick, bus, cars, change, child, childhood, church, coat, coffee, coffee shop, crane, crows, death, echo, Eglinton Hill, evening, football, friends, green, handshake, Have, hill, houses, lifetimes, light, looking, mother, Mum, newsagent, no effort, notice, passing, pigeons, Plumstead, Plumstead common, quiet, roads, smiling, sound, step, streets, Thames, thought, time, trees, voices, walking, white, windows, Woolwich

        Plumstead – Woolwich – Plumstead 220211

        the crane holds effortlessly over from behind
        the houses and trees cables thrumming always
        cold and eventually it will all be dismantled;

        the diesel car purred slowly downhill, a pigeon
        dropped down behind it walked around a bit;
        through the leaf-clean branches of the young

        tree the Edwardian cornices and tops along
        Plumstead Common Road, don’t collect thoughts,
        t a s t e them without notice, deep and wet

        with no tice – much less effort – while walking,
        every once in a while the wall steps up a brick
        I search for being clear again … step, while

        walking stop, and breathe the beauty, stop
        and smile a little thought for you; in St. Mary
        Magdalene’s ground the mother has turned

        points to the trees, birds fly off and land, the
        toddler steps and stands among the pigeons
        while the mother brings the abandoned scooter

        but then in New Road holding the handshake
        shaking between exchange the firm friends
        look at each other only occasionally; while he

        he Had a coffee heated sandwich iced bun
        crisps water £8.89, busses passing bulbous
        over the dark green and hanging shade; up

        the hill on the coldstreet stepping downhill
        out the newsagent the bright blue padded
        jacket and the single bounce of a well-inflated

        basketball with simultaneous echo inside; the
        while on a wall opposite his Mum’s flat dead
        almost 12 years now watching a boy with a limp

        and the 53 bus working between parked cars
        and the crossing island with air suspension
        and when it was quiet the dark coat and white

        trainers crossed the road paused and into the
        newsagents but then I didn’t see where she
        went; the constant echo of boys’ voices playing

        football on Plumstead Common off Acacia
        Terrace 1890; and I can’t see 46 Eglinton Hill
        where I’m sat, conifers grow so quick, but

        `doesn’t matter, I can’t see the blackbird singing
        a different collect each time either; crows on the
        chimneys of 40/38; for a minute the blackbird

        stopped no vehicles uphill downhill, lights
        went on across the river and each house had
        the face of lifetimes in their windows;

 

Every year and a while I travel 40 miles up to Woolwich, where I grew up, to check that the journey I make started off in the write direction (HA!); while wandering I write, leaning on peoples’ front walls and making a coffee last in a cafe (and every once in a while I treat myself to an afternoon bench); walking downhill from Plumstead to Woolwich and around and back, in time; those who know Woolwich and Plumstead (all none of you across the world wide, as far as I can tell, although you have got Google maps, if you’re really interested) will [be able to] recognise as they appear: South Circular coming up to Well Hall roundabout, Eglinton Hill [childhood home], Plumstead Common Road, St Mary Magdelene’s Church, Woolwich New Road, [along A206], Waverley Crescent (top of Griffin Road), Plumstead Common (proper), back up Eglinton Hill …

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: pen and ruler
birds wormhole: open window
blackbird & change wormhole: relief
blue wormhole: low afternoon
branches wormhole: between
breathing & coffee shop & evening & sound & time & windows wormhole: amid
bus wormhole: Mark & Jon at the coffee shop III
cars & green & trees wormhole: Cocktails in 1951
child & streets wormhole: red / lacquer / door
childhood wormhole: all the sandstone / reflections in the / marble-blue troughs
church wormhole: ‘someone …’
coffee wormhole: Mark & Jon at the coffee shop I
crane wormhole: Luton // couldn’t make a poem out of it
crows wormhole: the ancient tree
death & light & Mum wormhole: good going into / that gentle night
echo wormhole: circuitry
Eglinton Hill & Plumstead wormhole: lost and city ground
Have & looking wormhole: found
lifetimes wormhole: cape and cowl
mother wormhole: mother and daughter
passing & roads & leaves wormhole: leaves
pigeons wormhole: municipal garden
quiet wormhole: the quiet whale
Thames wormhole: to rescue something
thought wormhole: ‘God, who am I …?’
voices wormhole: I keep / waiting to be discovered and get lost in anticipation
walking wormhole: cinnamon / milkshake
Woolwich wormhole: that comicbookshop … // … in dreams

 

to rescue something

Tags

2017, 20th century, 7*, anxiety, blue, chair, childhood, Dad, depression, dining room, divorce, Eglinton Hill, family, feeling, Genesta Road, great aunt Mary, life, purpose, talking, Thames, visit, windows, World War

                Mary came to visit one year,
                I think before Dad left, sense

                of anxiety and visitation to
                get things right; we gathered

                in the dining room, she sat
                regal in one of those blue

                wing-back chairs to one side
                of the fireplace; they talked

                of things and the way things
                were while the war built up

                and the way things are now,
                we crawled about under the

                legs of the chairs while they
                talked, through the tunnels

                to rescue something with
                several teddies in tow; we

                kept one of those blue chairs
                when we moved, I remember

                sitting in it feeling the coarse
                knap and the horsehair stuffing

                in the lonely bedroom with
                my back to the high windows

                anxious about the purpose
                to do with my life … is

 

quite naturally, but unforseeably, this was written quite considerably, and apocryphally, after: green-wine, but then everything knits together eventually

 

 

^{————w}(O)rmholes_________________________________|—–

20th century wormhole: ‘hope for things to come’
anxiety wormhole: ‘never look up’?
blue wormhole: occa / s / i // o / n / a // l // l // y
childhood & Dad & divorce & Thames wormhole: south horizon
depression wormhole: what wounds have you got?
Eglinton Hill wormhole: alighted
family wormhole: familiasyncopation
Genesta Road wormhole: work
life wormhole: darkness
talking wormhole: embodying
windows wormhole: that comicbookshop … // … in dreams

 

south horizon

Tags

1959, 1967, 1979, 1993, 1999, 2011, 2012, 7*, abandonment, anger, Bowie, childhood, Dad, discovery, divorce, drum, evening, experience, horizon, light, London, Margaret Thatcher, memory, Mum, Nan, pain, parents, perspective, purple, rhythm, river, saxophone, shift, Shooters Hill, south, texture, Thames, travelling, words, world

                south horizon

                out on the river
                the purple is shifting

                but in the evening-bulb light
                the world-shaping words

                of grown ups
                is shifting uncontrollably

                but,          no; it’s OK          look
                there is rhythm, there is

                a saxophone, a hi-hat – shflpt –
                in the crack there

                where words sift
                where worlds shift

 

I submitted this to an online magazine; they didn’t want it; I’ll publish it here again with the copy that supported it:

about the poem: on my eighth birthday (in 1967) my Dad arrived home late from work; my parents had one of their last arguments; my Dad left home that night; I couldn’t remember much of what happened that night – what was said, how much I heard, how much I understood – but I realised that worlds could change quite quickly that night; years later, in 1993, David Bowie recorded ‘south horizon’ on his ‘Buddha of Suburbia’ album, but I didn’t really get to know the piece until 2011; hearing it etched that experience back into my memory – bevelled it up, almost – but it also supplied textures and chord changes to the memory that allowed me a perspective that held me from being just angry or hurt; (‘the river’ is the river Thames; we lived on Shooters Hill in SE London from where we could hear and breathe the river)

author bio: Mark Redford was born in 1959 and grew up in South East London until he bolted to university (like a bat out of hell) in 1979, hot from Margaret Thatcher’s election victory; London was never the same every time he returned back; his mother, who had brought him up with her mother (his Grandmother), died in 1999; since then he has travelled back to London frequently to find the previous 40 years, but only seems to find them when he writes down what he saw; you can see what he sees (possibly better than he can) at: https://mlewisredford.wordpress.com/; if you bump into him there, give him some directions would you?

 

 

^{————w}(O)rmholes_________________________________|—–

abandonment wormhole: monument to vainglory
Bowie wormhole: new-found love – poewieview #36
childhood & Thames wormhole: that comicbookshop … // … in dreams
Dad & divorce & texture wormhole: beepbeep
evening wormhole: alighted
horozon wormhole: 1966
light wormhole: so pleased to see you again
London wormhole: 1967
Mum wormhole: 1967
Nan wormhole: work
purple & river wormhole: the silent night of the Batman
travelling wormhole: traffic lights and broad avenue
words wormhole: breathing out
world wormhole: Lapping Reflections [Deep Within Waters] – agricultural show

 

that comicbookshop … // … in dreams

Tags

1960s, 2015, 8*, anxiety, bay window, black, childhood, collecting, comics, doing, doors, dream, Edward Hopper, eyes, floorboards, frustration, grey, heart, high, hill, labyrinth, lemon, life, lifetimes, lino, message, moon, morning, numbers, path, pipes, Plumstead, power, reaching, searching, shadow, shops, sky, smell, society, streets, sycamore, Thames, universe, walls, windows, Woolwich, wormhole, writing

that comicbookshop …

where the sidestreets meet together off the highstreets
under slanting shadows down the rear pipework of façades and blackened window
from so much higher up than could never concern us it’s frightening,
the morning after Hopper’s Nighthawks,
is closing down

the ones I try to get to when I find myself done in town
(right after the frustration of trying to get somewhere or the anxiety of trying to
get away from somewhere that always follows me) but never arrive at;
I make my various ways there, I know the routes
like the back of my hand

the ones with warped door stuck at the top or stuck at the bottom
(will the glass pane hold), with step onto lino once lemon and grey with hope
now one with the floorboards sagging under warren of backrooms (forgotten lifetimes
wormholes everywhere) to the pulp of paper and number for finding,                
are closing down; I

should have patronised them more, I suppose;
`still haven’t found that second issue, that elusive fourth, and the stacks
just kept on sliding: lettering and universes pressing their skies and moons into my eyeball
but I couldn’t keep up with them, blinked too soon, have to get on,
things to do, places to be

it’s having a sale, clearing all stock; the sentinels stand impassive
to all find, impassive to all loss, hooded eyes on somefaraway beach;
for old times’ sake I pick some up, figures reaching stanceofopera out of panel,
maybe a sixth issue, maybe an intertextual fanzine, avoid the modern
too defined in detail, too static in marque,

and come away with stash held to heart, out
into the bustle busily in all direction, weak indication and giant message
I’ll work my way uphill by quiet sidestreet past high walls holding sycamores and
bay windows over the river home to catalogue my finds like a labyrinth and
plot their weave like a stanza

… in dreams

 

 

 

^{————w}(O)rmholes_________________________________|—–

anxiety & searching wormhole: pocket
black & shops wormhole: the silent night of the Batman
childhood & life wormhole: alighted
comics wormhole: ah … // oh … // meanwhile … // … // tha ya ta …
doing & dream & lifetimes wormhole: comfy
doors wormhole: hello, luvvey, do you want a cup of tea?
Edward Hopper wormhole: El Palacio, 1946
eyes wormhole: Lapping Reflections [Deep Within Waters] – snow
grey & morning & Plumstead & shadow & sky & streets wormhole: faintly apricot air?
lemon wormhole: 1967
moon wormhole: the too big moon
path wormhole: Clea
power wormhole: the skyline
smell wormhole: 1967
society wormhole: this sodden land
Thames wormhole: time
walls wormhole: familiasyncopation
windows wormhole: open window
Woolwich wormhole: up on the hill
writing wormhole: writing: // in turn

 

time

Tags

'scape, 2013, 3*, buildings, crane, glass, grasshoppers, legs, London, steel, Thames, time, wind

                      time

                the giant grasshoppers
                      squatted
                and rubbed their hind legs
                      together

                two years later steel & glass
                      twisting
                pedestals swayed slightly
                      beneath
                      them

 

 

 

^{————w}(O)rmholes_________________________________|—–

buildings wormhole: the skyline
crane wormhole: 1965
glass wormhole: poessay III: jijimuge
London wormhole: lonely and free
Thames wormhole: tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair
time wormhole: pen and ruler
wind wormhole: monument to vainglory

 

tag cloud poem IX – haiku is awkward / the more that is left in / like uncombed hair

Tags

2015, bay window, Crowborough, economics, emptiness, eyes, haiku, hair, hands, Have, hedge, Herbert Road, hills, Hillside, history, horizon, hotel, house, humanity, life, London, rooftops, Shooters Hill, sight, society, tag cloud poem, terrace, Thames, time

                                                     haiku   is awkward

   the more that is left in

     like uncombed  hair

 

 

                                                                                                                                                                            the hands that Have   are

 
                                                    small and gnarly that hedge a                
                                                        fund and close their eyes;

 
                                                my sight formed along
                                          rooflines of Herbert Road edged
                                                           above the distant hills

 
                                beyond the river
from terraced steppes along the
     declining line of

 
                                                      Shooters Hill; but then

                  my sights folded inwards at

                                                                   Hillside, pages of

 
                                                              turned history that had

                                lost its own horizon, from

                                                                                                            hotel to house in

 
                              the bay windows of
                              London where humanity
                                                                              is stuck in all time

 

‘aitches’ touch on quite a few boat-ties to my past: ‘Herbert Road’ was the local shopping high street where I lived in London until I was 19; it is in Plumstead which spreads south over the crest of ‘Shooters Hill’ and merges into Woolwich down to the river Thames; ‘Hillside’ is one of a little cluster of houses where I settled to raise a family and grow a career in Crowborough in the late 1980s – that same 80s that, mean-and-all-the-while, Thatcher was creaking open that casket (‘can’t read the label – “–ora’s Box”?’) which left me alien to my own background and lost in my own riverbank mist, save for the miraculous peek of haiku and the deadened gaze of bay window …

`haven’t published a tag cloud poem in a while: they’re made up of the larger tags of my work built up over the years – this one emerged into a series of haiku[esque] pieces of work – almost inevitably; this one was particularly difficult to form, the tag-words didn’t run off each other smoothly – I must admit I left a few words out; the green links are to those respective tags, the different sized fonts determined by the number of ‘topics’ that pertain to that tab … nerk!

 

 

^{————w}(O)rmholes_________________________________|—–

Crowborough wormhole: portrait: / two pigeons
economics wormhole: 1959
emptiness wormhole: need
eyes wormhole: bavardage
haiku[esque] wormhole: ‘green plum jam on rye …’
hair wormhole: impressionism
hands & humanity wormhole: Doctor Strange I – the trashcan tilted the better to see now the street
Have wormhole: Nostalgia for Samsara – poewieview #16
hedge wormhole: where the goblins leered – poewieview #14
Herbert Road wormhole: bottom of Herbert Road to the / foot of Eglinton Hill dream
hills wormhole: life [‘n’ death] / legerdemain – poewieview #15
Hillside wormhole: Charlotte
history & horizon wormhole: a theremin note – poewieview #21
hotel wormhole: Hotel Room, 1931
house wormhole: first Spring storm
life & society wormhole: no one – poewieview #24
London & rooftops & Thames wormhole: up on the hill
tag cloud poem wormhole: tag cloud poem VIII – growth
time wormhole: 1968

 

up on the hill

Tags

'scape, 2013, bench, childhood, electric, emergence, grass, grey, leaf, London, Nithdale Road, orange, Plum Lane, Plumstead, purple, rooftops, shadow, Shooters Hill, shrub, streetlight, sunlight, Thames, Woolwich, writing

 

 

 

                                up on the hill

                                there is a bench
                                and a streetlamp which casts
                                introspective orange
                                over shrubs and grass
                                making them purple and indistinct

                                but over descending rooftops
                                and terraced rows
                                the city leafs out into evening
                                from the grey Thames
                                wet with electric sunlight

 

‘up on the hill’ is not the same ‘up on the hill’ which is the start of Steely Dan’s ‘Aja’, but it starts from a similar call; the ‘hill’ is Shooters Hill which rucks up in the south east London basin just short of the Thames; the ‘bench’ is one of a few on a piece of land at the corner of Nithdale Road and Plum lane overlooking Plumcroft school, the lower slopes of Plumstead and the sprawl of the developing Woolwich Arsenal estate to the Thames as you raise your gaze from the ground, eveningly; this is a small, open patch of land which doesn’t obviously seem to belong to anyone, but is important to any awkward teenager who may wonder if their way is in writing …

 

 

^{————w}(O)rmholes_________________________________|—–

bench wormhole: bougainvillea
childhood & emergence & shadow wormhole: the start of adolescence
grey wormhole: and that’s where I are
London wormhole: tabla
orange wormhole: stacked
Plumstead wormhole: finding my own true nature – Plumstead, Woolwich, 190915
purple wormhole: don’t look / at her eyes – poewieview #18
rooftops wormhole: keep the light off
streetlight wormhole: sixty four sixty five – poewieview #1
Thames wormhole: dream 260815
Woolwich wormhole: crease and score of silver-morning sky
writing wormhole: first Spring storm