• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: time

under the blue and blue sky

13 Tuesday Oct 2020

Posted by m lewis redford in poems

≈ 3 Comments

Tags

1930s, 2020, 6*, blue, city, dome, horizon, identity, interdependet origination, London, lost, Ludgate Circus, morning, passing, pavement, seeing, sky, space, St. Paul's, stopped, sun, thought, time, traffic, work

                I stopped short
                caught on the kerb-

                side, traffic past,
                crawling from the morning

                sun; there was space
                before me here, but a

                city all about as far
                as I could see uphill until

                the consoling dome
                of St. Paul’s, deep behind any

                horizon, confirmed,
                yes, yes, it has come to this

                that you are found
                dressed dark and sober for work

                and lost
                under the blue and blue sky

 

 

who is it, who is it: that noticed or wrote or snapped or talked or stopped or dressed or read …?

 

————w(O)rmholes________________________________|—–

blue & horizon wormhole: meanwhile
city wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
identity & time wormhole: sweet chestnut
London & sky wormhole: ‘she shook the sweets …’
morning wormhole: riders of the night
passing wormhole: YOUNG WOMAN AT A WINDOW by William Carlos Williams
seeing wormhole: ‘not sure …’
space wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
sun wormhole: silence
thought wormhole: poessay XI – piquant love
work wormhole: slight sneer

 

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sweet chestnut

29 Tuesday Sep 2020

Posted by m lewis redford in poems

≈ 12 Comments

Tags

2015, 6*, ageing, air, being, buttress, chestnut tree, compromise, earth, generations, grass, growth, identity, leaf, letting go, life, reaching, time, trees, trunk

                     sweet chestnut

                     I have
                     long
                     since
                shifted the earth apart
                imperceptible for grass to grow,
                now, unknowing, so new;

                     I have
                     forgotten
                what it’s like to emerge
                without design, and have
                grown buttresses for so long
                they have twisted to comprise;

                     the trunk
                     of upward
                     direction
                that I reach from
                aimlessly with diminishing wisdom
                to a top leaf shifting

                     this way
                     and that
                     between air

 

{there is some anger and sulk that I do not write anymore: not sure if I couldn’t keep up the hi-octane perception or that ‘I was only seeking attention’ explains it all; I still don’t know, but maybe I don’t need to hold such stoic upper lips about it all, arms crossed, turned away; maybe just a bit of compassion wafting this way and that …}

 

 

————w(O)rmholes________________________________|—–

air wormhole: ‘from the cathedral window two stories / high …’
being wormhole: silence
compromise & letting go wormhole: poessay XI – piquant love
grass wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
identity wormhole: a far grander / Sangha
life wormhole: looking hard enough
time wormhole: ‘she shook the sweets …’
trees wormhole: ‘and is there homage …’

 

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‘she shook the sweets …’

05 Saturday Sep 2020

Posted by m lewis redford in poems

≈ 5 Comments

Tags

'scape, 1981, 6*, bed, blog, buildings, Carol, clouds, green, grey, lightning, London, love, marriage, Plumstead, red, seagull, Shooters Hill, silence, sky, smoke, Thames, time, wind

she shook the sweets
onto the bed

the grey sky
washed clean

metal smoke rose
then right-angled

a seagull
flew between the buildings

then

 

lightning

{the sweets were Lindt chocolates, individually wrapped in deep-red; the made bed was covered by a deep-green candlewick bed-spread; she was Carol, shortly before or after we were married, staying in what had been my bedroom, halfway up Shooters Hill, overlooking the Thames basin; this was the first poem I published on this blog, almost exactly ten years ago, and, in those early days, she got very little … no views; I think she deserves more than that; want a sweet?}

————w(O)rmholes________________________________|—–

buildings & red & Thames wormhole: travel // when I die
Carol wormhole: ‘don’t look at it …’
clouds wormhole: here today and …
green & sky & time wormhole: meanwhile
grey wormhole: ‘charcoal grey-slate sky …’
lightning wormhole: a crack of lightning / in the dark of night
London wormhole: Lapping Reflections [Deep Within Waters] – tenderness
love wormhole: IN THE ‘SCONSET BUS by William Carlos Williams
Plumstead wormhole: Plumstead – Woolwich – Plumstead 220211
seagull wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
silence wormhole: silence
wind wormhole: Lapping Reflections [Deep Within Waters] – valley

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meanwhile

13 Wednesday May 2020

Posted by m lewis redford in poems, poeviews

≈ 18 Comments

Tags

2020, 6*, afternoon, angle, binoculars, blue, cranes, curtains, Eiffel Tower, flags, gorge, green, hope, horizon, mankind, moon, night, rite, rooftops, sea, seagulls, shape, ships, sitting room, sky, sound, stone, time, Tintin, travelling, walking, warehouses, water

                the seagulls, they glide about the
                cranes and warehouse rooftops

                they wheel above the pacing and fro,
                cut between pulleys and raised pennants

                oblivious to distant headland through
                studied binocular pointing out to sea, back in the day

                when the skies were afternoon-blue
                and the sea still sitting-room-green

                then, when there was dare to hope
                and ships anchored on the horizon

                under curtain-drapes of nightest sky
                while the moon snagged in line from

                fore-mast to prow; nevertheless, they
                trekked over crag and gorge, they walked

                through water and pushed through
                trapezoids – slab! – into rooms of stone

                locked and immovable despite
                horizon, fit or ninety degree angle

                oblivious to mankind’s rite and dress;
                meanwhile the twins climbed the tower

 

c’mon, now: a gold-plated no-prize to the first reader who can tell me which book this piece came from to celebrate my return to writing; perception – knowing what’s going on – is never as linear as it might seem to be in a story; already given that there is breadth and depth, even in the scant of depiction, there is usually a time (and a space, and we know how relative those two can be) during which something happens, but let’s not think that these are the only dimensions – there is always a right-angle to be taken that paisley-swirls to a far-wider cauldron than could have initially never been conceived but of which there were pre-echoes if listening askance intently-enough

 

 

————w(O)rmholes________________________________|—–

afternoon & horizon & sky wormhole: travelling,
blue wormhole: silence
cranes wormhole: poessay XI – piquant love
Eiffel Tower wormhole: tag cloud poem VI – anyone’s eyes
green wormhole: Lapping Reflections [Deep Within Waters] – tenderness
moon wormhole: ‘not sure …’
night & water wormhole: riders of the night
rooftops wormhole: travel // when I die
sea wormhole: then
seagulls wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
sitting room wormhole: the sitting room
sound wormhole: Four Noble Truths
stone wormhole: looking hard enough
time wormhole: travel // when I die
travelling wormhole: IN THE ‘SCONSET BUS by William Carlos Williams
walking wormhole: breakfast

 

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travel // when I die

02 Saturday Nov 2019

Posted by m lewis redford in poems

≈ Leave a comment

Tags

2019, 7*, accountability, afterlife, afternoon, architecture, bardo, being, black, brick, brown, buildings, capitalism, century, clouds, crane, data, death, decades, dedication, depth, doing, echo, fields, floating, green, ground, Have, height, horizontal, identity, industry, interdependent origination, iteration, length, lintel, London, magenta, mind, notice, orange, passing, perspective, pillars, presence, purple, rain, rainbow, red, reference, ripple, rooftops, russian vine, samsara, sandstone, sapphire, self-cherishing, self-grasping, silence, sill, sky, sound, speech, Thames, thought, tide, time, train, travelling, trees, Uckfield-London line, utility, walls, white, world, writing

                                                                                travel

                                                                                noticing
                                                                at all is a product of
                                                                shifted perspective
                                                                related to behold;

                                                                when I’ve nothing to write
                                                                I’ve lost any perspective,
                                                                cornered by both these walls
                                                                I’ve walked along

                when I die
                this mind will no longer whorl about this pinchèd self
                in a world of diminished return and profusion of iteration

                                                                cranes atop
                                                                pulling them further up and up
                                                                from the ground on which they
                                                                balance on receding point;

                                                                communities of them
                                                                each taller than the last and the next
                                                                all along the wharfs
                                                                of endless account

                it will be expansive
                high and up in industrial and sandstone sky
                it will fathom all the deep of brown kelp in shifting purple

                                                                kilometres long
                                                                courses of brick
                                                                grimed black and utility-studded
                                                                updown onoff foothold and wire

                                                                ripple along nicely
                                                                across right-angled centuries
                                                                and occasional shot bolts
                                                                of deepest russian vine

                with no sound
                save diminishing echoes of a pleading late self
                having nothing left to refer to and nothing left to here, and

                                                                believe it or not
                                                                a rainbow exponential
                                                                to the white arch of Wembley
                                                                we’ll chase for miles

                                                                orange shimmering to
                                                                magenta through staccato tides
                                                                out and over flat roofs
                                                                on and into the fields

                all data wiped –
                suds off my hands from my shoulders –
                and did I back enough up for some grander vector to reach?

                                                                where trees grow from ground
                                                                shaping over decades
                                                                green-flamed cupolas
                                                                clamped to the sky

                                                                and from perspective passing
                                                                of open field
                                                                turn – creak –
                                                                the whole world

                I may well
                have built pillars of cleverness and thought:
                plinthed, fluted, capitaled and giddyingly architraved …

                                                                and there
                                                                Lancashire red brick
                                                                with high and whitey
                                                                sills stale and lintel

                                                                before washed-out
                                                                sapphire-afternoon of steely sky
                                                                and horizontal fingers of
                                                                scud-rain

                … but they’d just
                floated there upright in space ‘neither use nor ornament’
                straining on the string in my baby-fat hands, I’ve

                                never really
                                made stuff happen
                                and didn’t have to try

                                more than let more and more
                                of stuff happening anyway
                                happen through me

 

train trip; East Sussex to London to Lancaster to Ulverston, Cumbria; where we lived for three years and started a family; stay at Swarthmore Hall; visited Conishead Priory where we lived for 18 months after marriage and graduation; notes and observations on the journey, sense of bridging 32 years of lifetime(s); notes > (maybe) two poems, but two which could nevertheless not be separate, although distinct, like train tracks; three years retired, still processing if I achieved anything in this capitalist and samsaric world …; London centuries old, still processing …; architecture as the stage-scenary of endeavour; the ‘here’ in the 9th stanza is definitely (sic); this is, positive

 

 

————w(O)rmholes________________________________|—–

afternoon & sky wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
architecture & thought wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
being wormhole: 11/1 by William Carlos Williams
black & sky wormhole: Lapping Reflections [Deep Within Waters] – valley
brown & green & walls wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
buildings & crane & rain & red & speech wormhole: riders of the night
capitalism wormhole: `whappn’d!
clouds wormhole: at Kreukenhof
death & identity wormhole: psssssh
doing wormhole: writening
echo & mind & passing & sound & time wormhole: – creak —
Have wormhole: on facing the Have
London wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
orange wormhole: ‘don’t look at it …’
purple wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
rooftops wormhole: Great Bridge, Rouen, 1896
samsara & trees wormhole: breakfast
silence wormhole: window
Thames wormhole: London, 1809
train & travelling wormhole: beneath
Uckfield-London line wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
white wormhole: 10/22 by William Carlos Williams
world wormhole: none and all
writing wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later

 

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– creak —

10 Thursday Oct 2019

Posted by m lewis redford in poems

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Tags

2019, 6*, church, dome, echo, hoping, kleshas, listening, mind, passing, quiet, sitting, sound, talking, time

                                                sitting
                in St. Ludwigskirche again
                      five years on

                                                hoping
                for the quiet of mind free of overlapping conversations
                      passing like pedestrians

                                                someone
                explained something quietly echoing
                      across the dome

                                                so I listened
                to the German vowels and consonants
                      proliferating everywhere

                                                understanding
                nothing, I sat comfortable in the pew
                       – creak —

 

a return to: St. Ludwigskirche all those years ago

 

 

————w(O)rmholes________________________________|—–

church & mind wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
echo wormhole: breakfast
listening wormhole: Lapping Reflections [Deep Within Waters] – valley
passing wormhole: distance
quiet wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
sitting wormhole: eyes like petals
sound & time wormhole: The Boats of Vallisneria by Michael J. Redford – An Old Piano
talking wormhole: ‘don’t look at it …’

 

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The Boats of Vallisneria by Michael J. Redford – An Old Piano

06 Sunday Oct 2019

Posted by m lewis redford in announcements

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Tags

age, childhood, family, history, house, London, Michael J Redford, music, piano, reading, singing, sound, the Boats of Vallisneria, time, tone, walnut, World War

An Old Piano

It will not last much longer now, thought I as I gazed at our old piano standing proudly under a reproduction of ‘The Haywain’. Yes, despite its age it is still a proud instrument, even if it has lost one or two accoutrements such as the candle-sticks that were once hinged to the front panels and the tiny mother of pearl centre of a marquetry flower. Even so, it still stands firm and erect, defiant in its appearance of time. Of course it has been well looked after having been under constant attack from polish and duster and tuned with religious regularity ever since it came into our home.

The old walnut upright was bought for £6 just before the Second World War and although I was four or five years old at the time, I cannot recall its arrival in our midst. I can remember many things down to the age of three, but this piano for some reason had crept into my life so unobtrusively that it may well have been part of the family for generations. Mother had the ability to read music as easily as I can read a book, it was therefore a natural development that both my brother and I should undergo tuition. My brother was the first to sit scowling in concentration beside the music teacher every Thursday night, and I followed suit a couple of years later. Soon little hands were struggling stodgily through ‘The Bluebells of Scotland’ and ‘Minuet in G’, which was a great step forward from the time when my only contribution to the world of music came from putting the cat upon the keyboard.

One evening a year or so ago, while I was browsing through the keyboard discovery new chords and chord sequences, I hurled myself into an impressive arpeggio up the scale and finally landed on top E flat with a dull and toneless plunk. This had a most deflationary effect and I sat back in shocked silence. After composing myself, I explored the dark, humming interior of the piano and discovered a broken string that had coiled itself tightly around its neighbour in a final fit of frenzy, having succumbed at last to the continued battering of a felt-tipped hammer. Since then, the strings have been breaking at the rate of approximately one every three months. The pitch has dropped so much it cannot be brought up again, the tome has taken on a peculiar twang that is somewhat reminiscent of an Indian sitar and when the loud pedal condescends to operate (more often than not it seizes up completely), it does so in creaking protest which somehow doesn’t quite fit in with ‘La Mer’ or a nocturne in E minor.

It cannot last much longer now. This morning I lifted the lid softly and peeped in and saw that it needed re-felting, and in one dark corner was a tiny but ominous mound of sawdust. I do not know the age of our piano for it came into our possession second hand, therefore it may not be as old in years as I imagine. But even if it isn’t old in years, it is certainly old in use, for it has been played upon almost every single day for the past twenty five years. I will not, therefore, feel ashamed should a silent tear fall when that sad day of parting eventually arrives.

I have often toyed with the idea of keeping it even when every note has hammered its last, and retiring our faithful friend to the front room. But pianos are large instruments and I shall undoubtedly want another and there is certainly not enough room for more than one piano in this house. How is it that one can become so attached to an old piece of furniture? It is of course the associations and memories that bind them to us tighter than any cord, and what sort of memories can a piano bring but happy ones. Memories of distant family gatherings when no one thought of the inevitable days of parting to come; birthday parties that were once looked forward to; carols at Christmas. The piano on such occasions was the centre of all things, chairs, settees and stools were turned to face it and the congregation gathered around the walnut alter.

I remember the family gatherings twenty five years ago that brightened the dark, oppressive evenings of war. I hear father playing his banjo-uke and mother at the piano singing ‘Arm in Arm Together’ and reviving the then old songs ‘Chorus Gentlemen – Just Once More’ and ‘Shipmates O’ Mine. The strings of this old piano have vibrated to ‘Cornsilk’, through a feeble attempt at Rachmaninoff’s second to ‘Oo Bop Shebam’. During the war when this old instrument lived with us in London, the ceiling fell on it more than once and bombs showered it with glass from the windows. And yet it played on. It has been a wonderful friend but, like every member of the family, it has played its part and must soon leave us.

I feel kindly towards a house that has a piano for then a house becomes a home, but without a piano a house has an emptiness about it, to me it is incomplete. I know that this certainly holds true for my house, and each time I play upon its creaking frame, the increasing tenderness with which my fingers touch the keys must surely expose my feelings towards a dear friend who will very soon be gone.

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

childhood wormhole: Batman: Oddysey
family wormhole: Sheffield Park Gardens
history wormhole: looking for the right exit
house & London wormhole: Lapping Reflections [Deep Within Waters] – valley
music wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
piano wormhole: weight of high sash windows – poewieview #33
reading wormhole: breakfast
sound & time wormhole: riders of the night

 

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riders of the night

03 Thursday Oct 2019

Posted by m lewis redford in poems

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Tags

2019, 7*, buildings, cars, coat, continent, crane, dark, docks, dualistic conception, hats, headlights, ideas, inexplicable, light, living room, making sense, morning, night, paper, pink, propaganda, rain, red, ships, silhouette, sound, speech, streets, sweat, thinking, time, Tintin, truck, waiting, war, water, waves

                riders of the night

booms of inexplicability
                had spattered velvet stars and shredded cloth all morning

despite the raised-brow
                consternation of the smartest of overcoats and the darkest of hats

that startled drops of sweat
                could devise in the presence of impending war, it was only   th-  

  at night   by the docks where
                the cargo waited unknown and the ships floated above the water,

that one could think a thing between them
                before any further dénouement under filigree refinery of silhouette;

                the   next  morning   the ship sat in the water, content to the
lapping red line,

                waiting fast and moored under the single ribbon of exhaust
from the funnel f’ard;

                but it is only   later   that water ranges continental across stepped and geologic                
wave, under relentless rain,

                that solitary lights lolling will make any sense at all;
and there were some

                had ideas like a living-room on a pivot that housed raised cranes
but the cars drove through streets

                like they owned them and the trucks travelled in straight trail
of their antecedents’ front headlights

                and although buildings always pointed up, the propaganda usually
ended up on pink paper:

                ‘Me, drive ‘round something that is nothing, but something you think is something,                
 but is nothing …?’

 

{image not mine, found on the internet, can’t remember where, happy to take down if a problem}

 

 

————w(O)rmholes________________________________|—–

buildings wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms
cars wormhole: travelling / back
crane wormhole: ‘don’t look at it …’
light wormhole: breakfast
living room wormhole: what life went on
morning & sound & streets & time & water wormhole: Lapping Reflections [Deep Within Waters] – valley
night wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
pink wormhole: beneath
rain wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
red wormhole: 11/1 by William Carlos Williams
silhouette wormhole: window
speech wormhole: the blessings of the Buddhas
thinking wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
waiting wormhole: my uncomfortable life
war wormhole: in deed
waves wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley

 

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Lapping Reflections [Deep Within Waters] – valley

24 Tuesday Sep 2019

Posted by m lewis redford in poems

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Tags

7*, black, bracken, brother, curtains, dark, doors, evacuation, eyes, faces, hills, horizon, house, listening, London, morning, opening, ponies, rock, rooks, sky, sleep, sound, streets, sun, time, truck, valley, Wales, water, wheel, wind, windows, World War

valley

we were evacuated during the war
from London to the Rhonda Valley
it was dark when we arrived

the sound of rocks woke me in the morning
I hadn’t heard them before
in such numbers

I looked at the strip of sky between the curtains
while my brother slept
a small cross a wooden chest minutes

ticked …
until he moved eyes already open
then two faces at the window gaping at bare hills

and one house
with three ponies in the paddock manes in the sun;
downhill was a black tower holding enormous wheels black

and then cables down to
a blacked hut and trucks and shacks dotted everywhere black
save the rail lines; shuntings

between the constant hisss, psssh
hooves in the street below pulling a float
‘cark’ of rooks above;

in time
doors opened: crystal streams before
racing the bracken which dipped and waved out to the next horizons

 

read the collected work of ‘Lapping Reflections [Deep Within Waters]‘ as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – The Valley

 

 

————w(O)rmholes________________________________|—–

black & faces & hills & house & London & morning & sleep & valley & windows wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
curtains wormhole: at Kreukenhof
doors wormhole: there will be ovations
eyes & wind wormhole: breakfast
horizon wormhole: Candaka
listening wormhole: …zzh-vvttP*–… … …
sky wormhole: blue sky high
sound & water wormhole: psssssh
streets wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
sun wormhole: ‘don’t look at it …’
time wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms

 

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everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms

23 Friday Aug 2019

Posted by m lewis redford in poems

≈ 2 Comments

Tags

2019, 7*, Amsterdam, boats, buildings, canal, cause and effect, dome, facade, leaves, living, passing, phantom, possession, Spring, time

                everything is caused by something, which
                something is caused by something else, nothing
                stands alone where all pass as phantoms

                                from the canal boat
                                spring leaves turn before
                                centuries of storey

                                facades pass fixed
                                in blanked pageant,
                                with protruding girder

                                with which to reach-in
                                with what to stay and
                                intermittent egress

                                whose iron pins will hold
                                the sides, and only domes
                                will not turn

 

a trip through the canals of Amsterdam where the audio commentary didn’t work forcing the mute passing buildings to do the work instead; the title is from Bodhisattvacharyavatara VI, 31

 

 

————w(O)rmholes________________________________|—–

buildings wormhole: Great Bridge, Rouen, 1896
leaves wormhole: blue sky high
living wormhole: looking for the right exit
passing wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
Spring wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
time wormhole: beneath

 

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"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
  • poemics
  • poeviews
  • teaching matters
  • William Carlos Williams
  • wormholes

recent leaks …

  • ‘the practice …’
  • under the blue and blue sky
  • sweet chestnut
  • ‘she shook the sweets …’
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • meanwhile
  • a far grander / Sangha
  • Bodhisattvacharyavatara: Chapter VII, Joyous Effort – verse 8; reflectionary
  • Bodhisattvacharyavatara: Chapter VII, Joyous Effort – verse 7; reflectionary
  • Bodhisattvacharyavatara: Chapter VII, Joyous Effort – verse 6; reflectionary & verses 3-6 embroidery

Uncanny Tops

  • Moebius strip
  • me
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'I can write ...'
  • meanwhile
  • like butterflies on / buddleia
  • covert being
  • 'hello old friend ...'
  • start where you are I
  • others

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