The Diligence at Louveciennes, 1870

Tags

1870, 2018, 6*, autumn, brown, canopy, chimneys, clouds, depth, distance, growth, height, horizon, house, leaves, life, lime, Pissarro, red, roof, sun, time, trees

                there came the time
                about the red-tiled house

                when the trees had grown
                high-enough to sway away

                from roof, to loom over roof to be
                the new horizon, lime and distant,

                no branches until the canopy
                creating a depth that was

                dizzying, higher than the
                chimneys, year after year,

                under ruddy clouds and a
                brown sun between autumn leaves

 

up through the depth of The Diligence at Louveciennes, 1870 by Camille Pissarro

 

 

^{————w}(O)rmholes_________________________________|—–

autumn wormhole: Dulwich College, London, 1871
brown & life & lime & trees wormhole: La Route, Effet d’Hiver, 1872
clouds wormhole: Fishermen at Sea, 1796
horizon & leaves & red wormhole: Impression of Winter: Carriage on a Country Road, 1872
house wormhole: SPRING AND ALL XI by William Carlos Williams
roof wormhole: on facing the Have
sun wormhole: La Route de Louveciennes, 1870
time wormhole: London, 1809

 

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La Route, Effet d’Hiver, 1872

Tags

1872, 2018, 6*, adulthood, afternoon, air, architecture, brown, childhood, chimney pots, cottage, flame, flight, future, grey, hill, horizon, life, lime, orange, Pontoise, red, rooks, silence, smoke, sunset, town, trees, walls

                over the roll of hill the town
                of Pontoise reared architecture

                of afternoon-future, grey and
                soupy air where I will try my

                life later, but here the sun
                has set, kindled treetops with

                lime air, blazed the tree
                across the road to brown and

                orange flame,
                until the rooks could take

                no more, split, singed and
                away in array before the

                silence of the cottage wall
                wide and orange with the

                lazy smoke, and modest
                from the blood-red pots

 

right there, from La Route, Effet d’Hiver, 1872 by Camille Pissarro (… actually, better if you could see the original)

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon & red wormhole: Dulwich College, London, 1871
air wormhole: stuck
architecture wormhole: pediment to behold
brown wormhole: {reading right to left}
childhood wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
grey & trees & walls wormhole: on facing the Have
horizon wormhole: London, 1809
life wormhole: SPRING AND ALL XXII by William Carlos Williams
lime wormhole: mauve
orange wormhole: La Route de Louveciennes, 1870
silence wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
sunset wormhole: sun setting over a lake, 1840

 

on facing the Have

Tags

2018, 7*, being, block, blue, bone, cause and effect, change, choice, clothes, clouds, Darwin, death, depth, discipline, doing, dream, drifting, economics, emerald, extermination, faces, government, green, grey, hats, Have, head, hills, hinge, humanity, identity, iron, kiss, life, loss, making, mud, music, neck, peacock, photography, power, quotidian, river, roof, settlement, shadow, Shrewsbury, slow, society, statue, stone, streets, tectonic plates, time, trees, violence, walls, war, watching, water, woman, World War, writing

                bone to stone drifting
                catastrophic slow

                lee to face-ward drifting
                shadow to quotidian

                suggesting life
                only when settled

                under branch of roof;
                noticeable change

                comes at the price
                of sheild and pike:

                death-mask disciplined
                to the painted face

                open to the very depth
                of loss, later settled

                to economies of
                plea, barter and

                proliferation of fact
                artisaned superfluous

                to being – faces fixed
                in leer the rest of

                born days, where
                animals are skinned

                under abnegated face,
                where stone walls

                turn green, staining
                clothing and where the

                emerald poise of head
                and neck watches

                the peck of open flay, all
                “exterminated by

                 slow acting and still
                 existing causes …”

                … time begins
                to tick – well it had to

                start somewhere – and
                with time cometh writing

                and with writing the
                topography fades from

                hill-wide face to
                pock-mark street and settlement

                all fitted ingeniously
                with raised wall over arch,

                high to unresolved descant
                always left in minor;

                the woman bends
                to the laundry before

                the rush of water
                released from the mill:

                power is only explicit
                when blocked and

                channelled, tree to
                gable with date

                and signature, silk
                to valence with

                drape of repose and spreading peacock dream;
                so, is there choice

                of governance: cut
                through from neck to child;

                you stay unnatural-still
                your image will be caught,

                you turn, and your
                head will disappear,

                you climb the wall
                and stand still, you

                stay in the mud yard
                and stand still, … only

                hats stay constant, cast-
                iron flanges reach

                from cast-circular
                hinges, woven to corset,

                slave to youth; the
                memorial stone,

                painfully-carved,
                reflects the blue

                of grey cloud, under
                posts of wire

                the death-etched
                face stoops to kiss

                the face of
                wholly mud

 

291218 – spent the afternoon at the Shrewsbury Museum and Art Gallery to tread time from immemorial to the First World War; the quote is from “Thinking Path” by Shirley Chubb (2004), an exhibition that explores the life and legacy of Charles Darwin, an artwork and series of installations inspired by Darwin’s daily ritual of walking the same path at Down House; “Shadow Stories”, an animated short film by Samantha Moore is not directly referenced but weaves about the whole perambulation; references include the Roman conquest, medieval, Civil War, and industrial exhibits, up to the Open Art Exhibition commemorating the 100th anniversary of the First World War

 

 

^{————w}(O)rmholes_________________________________|—–

being & clouds & doing & identity & power wormhole: The Passage of the St. Gothard, 1804
blue & woman wormhole: SPRING AND ALL XI by William Carlos Williams
change & streets wormhole: to let be
death wormhole: What You Are by Roger McGough
dream wormhole: THURSDAY by William Carlos Williams
economics & society & walls & war wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
faces wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
green & shadow & trees & writing wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
grey & time wormhole: La Route de Louveciennes, 1870
Have wormhole: SPRING AND ALL VI by William Carlos Williams
life wormhole: ‘… and yet I think I am so modest: …’
music wormhole: JANUARY by William Carlos Williams
river wormhole: quiet river
roof wormhole: breakfast
stone wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
water wormhole: SPRING AND ALL I by William Carlos Williams

 

Lapping Reflections [Deep Within Waters] – pageant of the trees

Tags

5*, alder, almond, apple, ash, beech, blossom, breeze, cherry, clock, elm, eyes, fir, fire, flame, garden, gaze, green, ground, hazel, hedge, leaves, oak, orchard, pink, shadow, silence, sky, sound, Spring, step, thought, trees, white, wood, writing, yellow

                pageant of the trees

                spring’s tonic rising
                and hazel catkins swell
                to greet the first warm days

                elm and alder to follow
                heralding beech and oak
                and later the firs will show

                their new cones, dusting
                the ground with yellow;
                the gardens will fill with

                almond blossom and
                orchards will froth with
                cherry white and apple pink,

                aperitif to coming summer;
                hedgerows become en-veiled
                in diaphanous haze, a

                million leaves on the
                passing breeze; stop
                writing, now, step out

                beneath the cavernous sky,
                deep into the quiet of a glade
                to be silent within silence,

                eyes open like shadows
                in dancing leaves and thoughts
                greener to the underside

                                                                —–

                                                gazing between sentences
                                                into the fire

                                                the beam from the
                                                old house burns clear flame,

                                                tinsel murmurings between
                                                the ticking clock,

                                                until pure white ash
                                                falls without sound

 

read the collected work as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – Trees

 

 

^{————w}(O)rmholes_________________________________|—–

blossom & breeze & fir & garden & green & hedge & oak & shadow & silence & thought & writing & yellow wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
eyes wormhole: ‘… and yet I think I am so modest: …’
leaves & pink & sky & sound & trees & white & wood wormhole: La Route de Louveciennes, 1870
spring wormhole: SPRING AND ALL I by William Carlos Williams

 

La Route de Louveciennes, 1870

Tags

1870, 2018, 6*, autumn, cart, echo, electric, evening, grey, industry, land, leaves, metal, orange, passing, pink, Pissarro, quiet, roads, sky, sound, sun, table, time, town, trees, wheel, white, wood

                the cart’s wheel will roll
                metal-held and ungiven down
                the hard-pressed road making echo

                only between the sides of its empty
                bed, slatted and turning; some-
                where in the oranging-grey town

                were stables to rest and evenings
                of sounds at the wooden tables;
                most leaves have already fallen,

                industry slowly arisen over the
                wet land, the white sun, quiet
                in the dirt-pink sky, but electric

                between the bare trunks

 

La Route de Louveciennes, 1870; Camille Pissaro

 

 

^{————w}(O)rmholes_________________________________|—–

autumn wormhole: presence
echo wormhole: Lapping Reflections [Deep Within Waters] – old George
evening & time & white wormhole: ‘… and yet I think I am so modest: …’
grey wormhole: SPRING & LINES by William Carlos Williams
leaves & roads & trees wormhole: SPRING AND ALL I by William Carlos Williams
orange wormhole: space for probing thought
passing & sun wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
pink & sky wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
quiet wormhole: allowed all gain
sound wormhole: THE GREAT FIGURE by William Carlos Williams
table wormhole: coterminalism – there is nothing happens by itself, / 070118
wood wormhole: transferring

 

SPRING AND ALL I by William Carlos Williams

Tags

1923, 5*, birth, blue, brown, bushes, clouds, fields, grass, growth, hospital, leaves, purple, red, roads, roots, Spring, trees, water, weeds, William Carlos Williams, wind

                                SPRING AND ALL

                By the road to the contagious hospital
                under the surge of the blue
                mottled clouds driven from the
                northeast – a cold wind. Beyond, the
                waste of broad, muddy fields
                brown with dried weeds, standing and fallen

                patches of standing water
                the scattering of tall trees

                All along the road the reddish
                purplish, forked, upstanding, twiggy
                stuff of bushes and small trees
                with dead, brown leaves under them
                leafless vines –

                Lifeless in appearence, sluggish
                dazed spring approaches –

                They enter the new world naked,
                cold, uncertain of all
                save that they enter. All about them
                the cold, familiar wind –

                Now the grass, tomorrow
                the stiff curl of wildcarrot leaf

                One by one objects are defined –
                It quickens: clarity, outline of leaf

                But now the stark dignity of
                entrance – Still, the profound change
                had come upon them: rooted, they
                grip down and begin to awaken

from Spring and All, 1923, from which Paul Mariani’s excellent biography of William Carlos Williams got its name “A New World Naked”; being is to break and contrast, it is primordial but also cyclical, WCW doesn’t bother with the cosmic, he deals in twigs

 

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
brown wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
clouds wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
leaves & Spring & trees wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
purple wormhole: … the underleaves show
red & William Carlos Williams wormhole: THE GREAT FIGURE by William Carlos Williams
roads wormhole: London refugee march – 120915
wind wormhole: coterminalism – there is nothing happens by itself, / 070118

 

The Boats of Vallisneria by Michael J. Redford – Trees

Tags

1967, alder, almond, amethyst, apple, armchair, beech, blossom, branches, breeze, cattle, change, cherry, children, chimney stacks, church, clock, common, cottage, economics, elm, enclosure, Essex, evening, eyes, fields, fir, fire, flame, forest, garden, gate, grass, green, hedge, Henry VIII, history, knowledge, landscape, lanes, laughter, leaves, London, Michael J Redford, mind, noise, oak, orchard, passing, past, pink, pollen, poplars, progress, red, rust, shadow, ships, silence, sitting, sky, smoke, society, speech, Spring, summer, the Boats of Vallisneria, thought, tiles, time, trees, village, walls, war, white, winter, woodland, writing, yellow

Trees

Spring’s tonic has risen within the trees and hazel catkins have swollen in greeting to the first warm days of the year.   Elm and alder are soon to follow heralding beech and oak and in a month or so the firs will show their new cones, green and full of juice, and their catkins will dust the ground yellow with pollen.   Throughout the villages cottage gardens will soon be filled with almond blossom and orchards will froth over with cherry white and apple pink spilling an aperitif to summer upon the living fields.   The hedgerows and woodlands become en-veiled by the diaphanous greenery of a million tiny leaves, an amethyst haze so tender and tenuous that I fear for its safety lest it be borne away upon the passing breeze.   I become aware of a restlessness within me that calls with increasing persistence to forego my writing and step out beneath the cavernous spring sky.   The pageant of the trees has begun.   Field and lane alike become heavy with leaf and only a section of red tile or a chimney stack, like flakes of old rust within the foliage, betray the presence of human habitation.   The blanket of summer affords us a privacy and seclusion that is unattainable in naked winter when one’s every move can be discerned by the neighbour’s critical eye, but here in the depths of summer, we can take our thoughts into the quiet of a woodland glade, we can be silent and be within silence for a little while and rest your eyes upon the shadows of the dancing leaves above.   And how restful the colour green, and how restful to the eye and through the eye to the mind that blossoms forth green thoughts.

This spring evening upon which I write is a decidedly chilly one even though the day itself has been full of warmth.   Thus I am to be found sitting in an armchair, putting my thoughts on paper, gazing between sentences into the dusty red glow of a log fire.   It is a funeral pyre really, the cremation of the last remains of an old local cottage that has long died, having fallen prey through disuse, to the vagaries of our climate and the onslaught of the village urchins.   I gaze with half closed eyes at the sawn up piece of beam that was once part of the skeleton of the old house, and see it burn with clear flame and little smoke.   In accompaniment to the ticking of the clock upon the mantle shelf I hear the old log’s tinsel murmurings that sound like a piece of screwed up silver paper, tossed aside and left slowly to expand, and as the pure white ash falls without sound, I feel myself drawn into the distant past and fancy I hear the laughter of children as they play beneath the boughs of a tree which this dead piece of wood was once a living part.   Whose children are these?   From what age do they come?   Perhaps they are the offspring of Henry VIII’s generation, the irresponsible youth of the day who cared nothing about the great cultural and religious upheaval taking place about them as they played handball between the northernmost buttresses of the old church wall.

It was at about this time when the monasteries had just been dissolved that the first enlightening book on agriculture by Fitzherbert of Norbury had just been published.   Was this historic pioneer of fertility indirectly responsible for the downfall of this old tree?   For the seas of knowledge flooded the land and split the forests into arboreal islands and many fine examples of the medieval forests became the battered flotsam of progress.

Certainly this old piece of wood never witnessed an act of enclosure, for the open field system was predominant right up until the late eighteenth century, when round and about the great open fields sprawled the commons, the scrubland and marshes, creating through their wastefulness and their infertility, a barrier to agricultural and therefore economic progress.   Although enclosure was a costly business, required finances could be supplemented by felling timber which, during the Napoleonic wars commanded a high price.   Also, in order to fence off enclosures, what was more natural than to plant more timber which, unlike normal fencing that needed constant and costly repair, increased in value as time went by.   The first choice of timber was naturally that which was most valuable such as ash and oak.   But the oak was slow in maturing, and where the ash spread its roots, no crops or grass would grow and no cattle would graze.   It was thus that the stately elm made its appearance and stamped the English hedgerow with a character all its own.   Being able to grow, and grow quickly in all types of soil, made it a very desirable timber to grow.   Also, the elm allowed grazing beneath its boughs and, due to its durability in water, it was at this time much sought after by the Navy Board for its ships.   Water mills, lock gates and drain pipes were of elm, and at the turn of the century, London alone still had over four hundred miles of mains constructed from its timbers.

Caught upon the ebb flow of time, I see the trees’ ancestral giants, the calamites, that reared two hundred feet into the sky.   They heard no child’s laughter, neither did they hear the buzz of insects nor the songs of birds, for they existed in the dim distant dawn of the carboniferous age millions of years before the birth of man, when even the birth of the first blade of grass was aeons in the offing.

They grew long, long before man, mute sentinels surveying the changing landscape, witnessing scenes that no mortal has ever gazed upon.   Then when man came, they furnished him with food, shelter and fuel; they gave to him the means of traversing the oceans.   They have been instruments of both war and peace and have featured in mans’ writing, music and art.   They have been made gods and devils and have bought good luck and bad.   Man’s long and close association with trees is evident from his desire to wander beneath the green boughs when time and toil permit, and from picnic parties who would sooner travel an extra mile to spread their chequered cloths within their shadows.   Perhaps it is because a tree expresses continuity, a security that mankind through all the ages and searched and worked for.

Although not a native of Essex, this ancient county endears itself to me more and more as time rolls slowly by, and time does pass slowly in Essex, for to plumb its highways and byways is to plumb history itself.   It has been slow to change through the centuries and there are numerous back lane hamlets which, even to this day, have experienced virtually no change for many, many years.   One lively youngster or eighty five who lives on the borders of Chignal Smealy and Chignal St. James (what delightful names are these), told me that the only difference he could see in his village was the height of the poplars at the end of his garden which, when he was only “knee high to a goose-pimple” were only a “stack an’ ‘alf ‘igh”, even the cottage gate that was propped open on one rusty hinge was the very same one his grandfather had made.

Having been one of the most heavily afforested counties in England, Essex is rich of fine examples of man’s utilisation of wood.   It can be seen in his architecture, in his tools, farm implements and vehicles.   The men of Essex are very conscious of their affinity with trees, and go to great lengths to preserve the more eminent members of their arboreal population, and I find it hard to believe that there is another county in the whole of the British Isles that can boast a greater number of ancient trees that have been propped up and strung up to cast their humbling shadows upon the heads of men.   Most of these old trees are of course oak, for Essex was noted for its oak forests, but as farming spread, so the forests disappeared, and the elms lining the fields and lanes now outnumber to oaks and are a far more familiar sight.   It is these old isolated trees that afford us a tangible link with the past.   They disperse any feeling of isolation in time and give to us instead a much needed sense of continuity, of that which has no end.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

blossom wormhole: BLUEFLAGS by William Carlos Williams
branches & mind wormhole: Lapping Reflections [Deep Within Waters] – old George
breeze wormhole: A Solitude by Denise Levertov
change wormhole: Bridgnorth
church wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
evening & sky & thpought wormhole: space for probing thought
eyes & passing & shadow & speech & walls wormhole: ‘… plane is upright …’
fir wormhole: Pilot 125 … // … being excursion in the interludes
garden wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
green & Spring wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
hedge wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
history wormhole: and ‘naerrgh’ a mention of a seagull’s call
knowledge wormhole: ‘a blacknight fitted perfectly …’
leaves wormhole: SPRING & LINES by William Carlos Williams
London wormhole: London refugee march – 120915
oak wormhole: behind / glass walls and wan and hooded eye
pink & time & white & yellow wormhole: THE LONELY STREET by William Carlos Williams
red wormhole: SPRING STRAINS by William Carlos Williams
silence wormhole: despite that
sitting wormhole: getting fat in me old age
smoke wormhole: cross-section
society wormhole: raised brow
trees & war & winter wormhole: What You Are by Roger McGough
writing wormhole: JANUARY by William Carlos Williams

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

TREES by William Carlos Williams

Tags

1917, black, dark, grey, hill, identity, melody, music, night, north, poplars, scale, sky, stars, trees, vague, voices, weave, William Carlos Williams, wind, yellow

                                TREES

                Crooked, black tree
                on your little grey-black hillock,
                ridiculously raised one step toward
                the infinite summits of the night:
                even you the few grey stars
                draw upward into a vague melody
                of harsh threads.

                Bent as you are from straining
                against the bitter horizontals of
                a north wind,–there below you
                how easily the long yellow notes
                of poplars flow upward in a descending
                scale, each note secure in its own
                posture–singularly woven.

                All voices are blent willingly
                against the heaving contra-bass
                of the dark but you alone
                warp yourself passionately to one side
                in your eagerness.

 

from Al Que Quiere! 1917

a lot of these poems were some of the first poems I read with intent and an open, clean mind that had no precursor of what to see or find; and their reading imprinted deep, even when I didn’t read that well or attentively or learnedly; and, much later, when I attempted to re-ignite my writing, the language emerged like tramlines, there to follow, but fresh, utterly fresh; and utterly mine – which would never have been but for reading WCW

 

 

^{————w}(O)rmholes_________________________________|—–

black wormhole: LOVE SONG by William Carlos Williams
grey & sky & voices & wind wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
identity wormhole: moon- // washed
music wormhole: animus rises – powieview #37
night wormhole: ‘the Bat-Signal …’
stars wormhole: EL HOMBRE by William Carlos Williams
trees wormhole: presence
William Carlos Williams wormhole: SPRING STRAINS by William Carlos Williams
yellow wormhole: DANSE RUSSE by William Carlos Williams

 

presence

Tags

'scape, 1966, 2017, 5*, autumn, Batman, branches, cape, cowl, denouement, ears, eyebrow, gothic, house, jaw, presence, speech, thought, trees, white

                           presence

                under the cowl the jaw
                hung free but set while

                pencil-white brows settle
                back into unfathomable

                recesses, like a mournful
                gothic house observed

                behind bare trees in
                autumn, fit to raise the

                pointy ears and swirl
                the cape in ‘scape of

                firm and only and
                spoken dénouement

 

from somewhere within Detective Comics #356, October 1966; “The Inside Story of the Outsider!”; written: Gardner Fox; art: Sheldon Moldoff

 

 

^{————w}(O)rmholes_________________________________|—–

autumn wormhole: monument to vainglory
Batman wormhole: cowled
branches & trees wormhole: SPRING STRAINS by William Carlos Williams
house wormhole: LOVE SONG by William Carlos Williams
speech wormhole: “I need help”
thought wormhole: sometimes
white wormhole: DANSE RUSSE by William Carlos Williams