• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: tv

The Boats of Vallisneria by Michael J Redford – Safe Home

18 Thursday Aug 2016

Posted by m lewis redford in announcements

≈ 6 Comments

Tags

cars, celebration, city, community, commuting, countryside, evening, eyes, field, harvest, history, industry, life, Longfellow, Michael J Redford, morning, Nag's Head, pipe, pub, Ramsden Heath, smoke, speech, sun, table, talking, the Boats of Vallisneria, tv, village, walking, wheat, windows, work

Safe Home

“Drift from the land continues.”   Thus was I informed by the ‘Farmer’s Weekly’ one Friday morning as it lay open on the breakfast table.   This drift from the land affects not only agriculture but also the structure of the village community.   Of those who leave the land, many also leave the village their forefathers had inhabited for generations and go to the towns to find employment in industry, and of those who stay, most become commuters and spend most of their lives working in and travelling to and from the city.   It is therefore becoming increasingly difficult to find the Coopers or the Charmans, the Thatchers or the Reeves whose descendants had practised their crafts in the same village for centuries, and I am saddened at the thought of these links, these direct human links with the past slowly withering away.   Of the hosts who patronise my own local pub, there are but five or six who are connected in some way with farming or country life.   The normal topics of conversation (apart from the usual British subjects of cricket and the weather) are now the trials and tribulations of a day at the office, the trouble one has had with the car or the recently installed central heating system and a somewhat heated discussion on ‘That’ programme on telly last night.

The truly rural community is not only dwindling but is also being diluted by the absorption of the townsman in the form of new towns and from the expanding ring of the more prosperous classes as they move out further and further from their place of work as life in the city becomes more and more intolerable.

A small but interesting side effect of this movement of the population can be noted not only in the topic of conversation, but also in the mode of dress.   At one time it was only the more prosperous members of the community who could afford smart suits of fine materials and were able to drive around in ostentatious cars while the remainder had to make do with serge or rough tweed or any hard wearing material which could weather many winters.   Now, prosperity has increased to such a degree that, on a Saturday evening, the car park of the Nag’s Head is full of shining cars none of which I swear is over five years old, while inside silk rubs shoulders with worsted.   What is left of the local gentry now distinguishes itself by arriving at the pub in a battered Land Rover covered in muck and mud and dressing in rough tweeds and cords, and if it were not for his public school accent, he could quite easily be mistaken for a tramp.   You will find him mostly in the public bar playing dominoes or cribbage and drinking pints of bitter while his city cousins monopolise the saloon discussing the affairs of the day over a scotch and dry.   No matter how affluent the society or how adamant is one’s denial of the existence of ‘class’, the differences will always be there to be seen.

Nag's Head

One such a tramp visited me yesterday to confirm some arrangements with regard to the harvest festival.   He was a man of my grandfather’s generation who had lived in the village in pre-dilution days.   The common bond of farming had drawn us together when I first visited the Nag’s Head in Ramsden Heath, and ever since we have discussed, gesticulated and argued about farming, I, learning something from his methods and he (I am vain enough to assume) learning something from mine.   So it was that two tramps (and I call myself a tramp simply because I had not yet changed from my working clothes, not because I make claim to being part of the local heritage) sat at an open window one late summer’s eve discussing and reminiscing about the harvest.   The heat of the day had left its mark upon the still air and golden rays slanted through the window picking out the curling smoke from my friend’s pipe before it disappeared into the gloom above.   His eyes ascended with the smoke and his thoughts went with them.

“`Course it’s not the same now – never will be, harvest has lost most of its true meaning.   Today it has become merely another chore that has to be dealt with.”

I thought of the congregation that would attend the little grey church on Sunday.   Ninety percent of them would be townsmen whose only connection with harvest is the bread roll eaten at their game of bridge.   My friend was speaking again.

“Nowadays the only people conscious of harvest home are those who reap it and of those few involved, only a fraction are aware of the full solemnity of the occasion.”

That’s true.   In the days of scythes and flails, even up to the time of the threshing machine, harvest time, that milestone of true country life, was steep in ceremony.   First a ‘Lord’ and ‘Lady’ of the harvest would be elected to lead the reapers into the field.   This was a solemn occasion for the sweat, toil and the blistering work was still ahead of them.   The long days of drudgery passed slowly as acre by acre the long stems fell to the scythe and backs bent continually cutting, gathering, binding and stooking.   Finally, upon the last day and in the center of the last acre stood the last sheaf.   If one man was to reap this final sheaf alone, he would be courting disaster.   The entire company therefore, would gather round and, at a signal form the ‘Lord’ or the ‘Lady’ (depending upon local custom), they would all hurl their hooks at the few remaining stems.   The corn dolly would then be woven to appease the spirits, then the back slapping and the chasing and kissing of the girls would begin.   More merriment would take place that evening when the whole company would assemble at the farmhouse for refreshment in the form of rough (very rough) cider and ale.

When the crop was fit for carrying and the last load had been carted in from the fields led by the ‘Lady’ of the harvest, then would come the harvest supper with its eating, drinking, toasting and singing, and soon after, the gleaning bell would ring out across the still fields.

There is always a stillness in the fields when harvest is over and yesterday was no exception.   There was such a calm in fact, that as the old gentleman opposite me knocked out his pipe on the window sill, our Jersey heifer Molly, who lay half asleep on the other side of the hoppit, turned her brown face lazily in our direction.   Nowadays there is no ceremony.   Like most milestones, harvest has been enveloped in the growth of progress and forgotten.   The old man spoke again.

“Of course harvest was of greater significance in those days, for if harvest was poor, hardship and deprivation would be the farmworker’s constant companion throughout the year, that’s why there was such joy and genuine thanksgiving when the crop was safe home.”

I received a mental picture of a field heavy with ripened wheat, the hard fat grains shimmering in the heat of summer and gold sheathed stems, faint bowed by heavy heads, stood as if they themselves were in prayer.   Then I saw beneath this deeply moving scene, the reality of sweat and toil, of aching backs, parched throats and calloused hands.   And yet the workers could still infuse a gaiety into the drudgery; even at the end of the last long day, they still had energy to laugh and sing and chase the girls across the fields.   Although there is still much hard work to be done at harvest time, the worker’s nagging fear of a crop failure is gone; the direct contact between harvester and Mother Earth has been severed and much of the toil has disappeared – but then so has much of the gaiety.

My old friend stood up and stretched.

“Even if it was a bad harvest,” he said glancing at his watch, (it was two hours past opening time), “there would always be a sheaf put to one side for the festival, partly as thanksgiving for that already received, no matter how little this might be, and partly as a prayer for the future.”

I took down my leather-bound jacket from the back door and thought of Longfellow’s words: ‘Like flames upon the alter shine the sheaves,’ flames that took a year to kindle, a year of energy which, if funnelled into a second, could move a mountain.

Strolling towards the Nag’s Head in the cool, green evening, my face stinging from the noon day sun, I suddenly remembered something.

“By the way,” I said, “what exactly was it you came to see me about?”

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

cars wormhole: Life on Mars? – poewieview #31
city wormhole: tired
evening wormhole: Lapping Reflections [Deep Within Waters] – moment
eyes & speech wormhole: coagulating
field & sun wormhole: The Boats of Vallisneria by Michael J Redford – Simon Upon The Downs
history wormhole: ‘hope for things to come’
life wormhole: chartless …
morning & walking wormhole: Lapping Reflections [Deep Within Waters] – gull circling out at sea
Ramsden Heath wormhole: The Boats of Vallisneria by Michael J. Redford – Olly
smoke wormhole: being in love – poewieview #26
table wormhole: what life went on
talking wormhole: my seat // now
tv wormhole: “Darling” – poewieview #28
windows wormhole: the purple mist between
work wormhole: Lapping Reflections [Deep Within Waters] – mmpph’

 

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“Darling” – poewieview #28

03 Sunday Jul 2016

Posted by m lewis redford in poems, poeviews

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1971, 2016, agenda, Batman, Bowie, breathing, Frank Miller, head, identity, Joker, lightning, society, sound, storm, talking, the Dark Knight Returns, tv

                                after the storm
                                KRAKKK

                                talking heads
                                bickered about

                                dodging each
                                others’ agendas

                                on institution
                                tvs, when the

                                Joker breathed
                                “Darling”

 

oh, God, I could do better than thaat, Queen Bitch, 1971

Read the collected movements in David Bowie: Movements in Suite Major

 

 

————w(O)rmholes________________________________|—–

1971 & Bowie wormhole: ‘on second thought …’ – poewieview #27
Batman wormhole: my / superpower
breathing wormhole: Lapping Reflections [Deep Within Waters] – the soft canticle of the gourds:
identity wormhole: The Boats of Vallisneria by Michael J. Redford – A Precious Moment
lightning wormhole: a crack of lightning / in the dark of night
society wormhole: 1964
sound wormhole: tired
storm wormhole: first Spring storm
talking wormhole: fine
tv wormhole: To my Mum

 

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To my Mum

15 Sunday Mar 2015

Posted by m lewis redford in poems

≈ 18 Comments

Tags

1970s, 1974, 2008, breathing, brown, Burt Bacharach, clothes, clouds, Dionne Warwick, evening, field, floorboards, friends, green, grey, horizon, houses, journey, kitchen, laughing, Mum, Plumstead common, rain, relationship, sky, smile, snow, streetlight, streets, Thames, time, tv, walking, white, windows, Woolwich, work, yellow

 

 

 

To my Mum who breathed deep the day she got a good set of saucepans in her pantry in 1974.   To my Mum who walked the long tunnel at Woolwich to and from work every day for twenty five years.   To my Mum who smiled on Plumstead Common when the white clouds were on the horizon and the grey cloud seamless in all the windows.   To my Mum who ate chops and beans every evening to hold off weight but who always wore smart coats.   To my Mum who was never quite sure if it was OK to laugh and relax in the seventies as the possibility suggested,

                – yes, it was okay,

and every time she did,
there were plastic raincoats in the evening high street,
there was Dionne Warwick and Burt Bacharach,
there were floorboards and wooden stepladders and wallpaper,
there were empty milk bottles on the doorstep,
there was a thin of snow on the housing estate under the green grey sky,
there were bowls of crisps and crackers and twiglets for the Cup Final,
there were high sash windows overlooking the Thames,
there were phone wires in front of the skies where she would never go
there were car journeys on wet roads by deep green fields,
there were yellow streetlights of new relationships and new-found friends,
there were bulbous patterns of brown and green to match the seasons.

My Mum cried when it all went wrong but went to work anyway.

 

To my Mum, who died 20th March 1999, far too early to realise the extent of her own patience and the width of her generosity; who typed up invoices for cargo ships in and out of London and taught me to leave three spaces after a full stop, which I honour to this day.

 

 

————w(O)rmholes________________________________|—–

1974 wormhole: 1974
breathing & green & horizon & streetlight & white & work & yellow wormhole: 1959 –– MANHATTAN –– 2012
brown wormhole: the dash is magnificent / the shadow grotesque
[Burt] Bacharach & Dionne Warwick wormhole: 1962
clouds wormhole: purpose
evening wormhole: after the storm
field wormhole: the edge has come …
grey wormhole: hinged
houses & white wormhole: bottom of Herbert Road to the / foot of Eglinton Hill dream
kitchen & sky & snow & streets & walking wormhole: dream 260713
Mum wormhole: just words wiped across a line
rain wormhole: the four whores of the apocalypse
Thames wormhole: H e a v e
time wormhole: between
tv wormhole: Plumstead – Woolwich 121114
Woolwich wormhole: Woolwich Central – making life better II

 

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Plumstead – Woolwich 121114

15 Saturday Nov 2014

Posted by m lewis redford in poems

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1970s, 2014, 8*, anxiety, architecture, art deco, ash tree, bay window, bench, Beresford Square, blue, breathing, brown, buddleia, buildings, Canary Wharf, cars, change, clothes, clouds, communication, compassion, Dallin Road, demolition, dream, Eglinton Hill, empire, Europe, eyes, feet, fence, Genesta Road, ghosts, glass, glasses, grass, growth, handshake, head, house, identity, iron, keys, language, leaves, library, light, living, London, looking, love, music, passing, pavement, people, petrol, piano, pigeons, plane, plastic, Plumstead, purple, rain, rainbow, roads, rooftops, school, schoolgirl, shadow, Shard, singing, sky, smile, sound, speech, step, streetlight, streets, sun, swifts, talking, tarmac, Thames, time, travelling, trees, tv, vow, walking, walls, windows, Woolwich, yellow

 

{Every year and a while I travel 40 miles up to Woolwich, where I grew up, to check that the journey I make started off in the write direction (HA!); while wandering I write, leaning on peoples’ front walls and making a coffee last in a cafe (and every once in a while I treat myself to an afternoon bench); I haven’t been up there for awhile, certainly since the echoing tragedy of Lee Rigby’s death on 22nd May last year; I wrote snatches of life as usual and came home; I realised that the snatches patch-worked together and worked them into a whole landscape which they had ever were in the first place; I know it’s a long piece but please pursue it for the sake of Woolwich; I realise now that my previous visits’ writings need some rendering due-ly …}

 

 

                      Plumstead – Woolwich 121114

                      all fractured now, slightly misshapen, still
                      holding together, the grubby art deco window that
                      coloured the stairwells bracing two rooms
                      maybe three now, don’t know why they used coloured

                      glass, the bay windows still looking up the street looking
                      down, occasional five-finger buddleias like Empire
                      plaques on the wall above top floor windows
                      scud clouds above the coping

                      then flights of step up and up and straddling and down
                      the storeys of irregular variegated plastic cladding
                      upwards upwards for to breathe free and live while people
                      pass on the wet street with small steps and quiet slippers

                      I had a dream once something anxious and dreadful
                      followed me going into and out of Polytechnic Street
                      from Wellington along by the stacked flanks of seventies
                      double-glaze all screened and blinded from the street

                      cannot see in cannot see out, people walk awkward
                      on the tiles flexing metatarsals under the slight over
                      hang of the library from the colding rain while, look,
                      a rainbow arches hidden down the side-street turning

                      the bricks and glazing purple, no one looks up
                      arranging bank loans, arranging brunch, after noon
                      the sun divides streets in half, the buildings too
                      dark to see the shop fronts too dazzled to walk into

                      the sun favours ambitious plants between torn-down
                      building and upright support, plays along the side
                      of preserved plots – flanged shadow from pipework and
                      signage across circular windows – eye to the sky – under

                      hand-brow, too bright even for tinted glasses;
                      so many of my people generations poor in the sun
                      from Empires and Union under the Royal Arsenal
                      Gatehouse; each passing step collapsed and proud knot

                      in kneed of any support, thank you: their shadows reach me
                      down the Square’s access channel long before their pain
                      walks by: I don’t know any of you now with your plastic ID
                      badges with your back-pat handshakes and bent-heads

                      sincere-talk, grouped and scattered by the public toilets
                      your drunk over-emphases your ways like pigeons – where are
                      all the pigeons? – and your beautiful language aged as
                      public benches; dark clothes to wear, light clothes to buy

                      and you don’t know me – lost son haunting the streets – but
                      I love you all constant as the windows proud above roofline
                      between turrets looking onto the Square; I long ago made
                      my vow to you at a time when borders seemed important
                      I know, I know I am slow but I return again and again to see you
                      and you break my heart each time I learn to smile again

                      out towards Plumstead on the lower road (I cannot find
                      the tree I found before through all my travelling) new trees
                      and tapered posts with lights for the road and lights for the
                      pavement and posts just waiting, reaching into the blue blue sky

                      you have been done up many times, Genesta*, so
                      I only notice now what hasn’t changed, for the first time:
                      unassuming tapered pillars between the windows and bays
                      of my youth that reflect the blue sky now (yellow leaves

                      highlight the paving and tarmac wet like petrol) only noticed
                      when a swift skeeks across one pane, not the other;
                      up Dallin Road, she’s got through another day
                      she’s survived the juddering divided walls of ‘have to’

                      the way things are these days, with music in hand
                      she makes rewarded way along the steely street where
                      the sun has slipped below the higher roofline, singing her
                      do-do-do’s to the endless chorus ‘why do we do it;

                      how do we do it?’, and looking for her house keys
                      under metal clouds; the long grass grows rosettes around
                      yellow leaves, brown leaves, by the leaning iron fence the
                      steep tarmac cracks and the shorter grass takes over; past the

                      bronze age tumulus it’s clear, London’s grown up a lot
                      since I watched Francis Chichester sail up the river
                      from the window up on Eglinton Hill – something he did –
                      now there are Shards and Wharfs and stacking planes

                      and significant lights denoting all manner of whey and access but
                      still my nose is running and I need to have a wee; I suppose
                      I need to get home now the light is fading slow and fast
                      at 52 – the ash has only lost its upper leaves by the roof

                      at 48 there is afternoon tv after electric piano practise is done
                      at 44 – the estate agent climbs awkward into her clean soft-top with
                      high clip heels; at 36 – a lantern shines arched in the porch while
                      sirens circle the borough and there’s nothing left here now outside 46

 

 

 

————w(O)rmholes________________________________|—–

architecture wormhole: Batman#175
bench wormhole: the bench / on the fourth sister from / Birling Gap before the / wind-brushed scrub and gorse / and the grey-blue sky / smoothed through the / fishtank-blue horizon to / grey-green sea
blue & leaves & sun wormhole: Jean Miller kissed Salinger
breathing wormhole: born again
brown wormhole: on sitting / in front of / a hedge
buddleia wormhole: (Little by Little)
buildings & travelling wormhole: I could step / more open
cars & roads wormhole: the long road
change & time wormhole: Dr Strange II – … things are the same again
clouds wormhole: the utter beauty of giving when receiving
communication wormhole: Maidstone
compassion & feet & love & speech & talking wormhole: there are patient listeners
dream wormhole: we’re born // to die
Eglinton Hill & Woolwich & yellow wormhole: letters to Mum V – carrying on in duty and love
eyes & looking & shadow wormhole: a maturity
Genesta Road & rooftops wormhole: corroboration
ghosts wormhole: only the Batman realises that he is dead
glass & light & streetlight wormhole: oh-pen
glasses wormhole: first a mishap then clear vision
house wormhole: day off
identity wormhole: that
living wormhole: scattered
London wormhole: letters to Mum I – a walk / and talk
music wormhole: no exit
passing & sound & walking & windows wormhole: Matildenplatz / & Luisen
people & rain & sky wormhole: Luisenplatz
piano wormhole: … walking down the street
pigeons wormhole: tune up // baton taptaptap
purple wormhole: consturnation …? // consternation
school wormhole: tag cloud poem VI – anyone’s eyes
smile wormhole: irretrievable / breakdown / of marriage
streets & trees wormhole: Dr Strange I – the trashcan tilted the better to see now the street
Thames wormhole: letters to mum II – family // like a grate
tv wormhole: multifarious: the Dark Knight Returns (1986)
walls wormhole: stuck free to move within

 

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multifarious: the Dark Knight Returns (1986)

02 Wednesday Apr 2014

Posted by m lewis redford in poems, poeviews

≈ 8 Comments

Tags

1930s, 2014, 9*, age, Allen Ginsberg, architecture, avenue, Batman, being, birds, buildings, choice, city, collective unconscious, consumerism, death, doing, doors, earrings, emptiness, faces, Frank Miller, giving, grey, Have, identity, Joker, letting go, life, lightning, lime, magazine, mother of pearl, night, olive, option, red, Shantideva, silhouette, sky, society, sound, space, speech, statue, steam, Superman, talking, talking to myself, thunder, topaz, tv, vindication, walls, wisdom

 

The Dark Knight Returns (1986); writer: Frank Miller; artist: Frank Miller & Lynn Varley

 

 

 

                earrings: left then right
                static square and upright obelisk

                steam across every avenue
                before the silhouette architecture with grizzly coat of ornamentation

                earrings: lime-olive horizontal
                and block full-stop

                the rabbit-chase fall below
                is sudden guttural and city-wide

RMMBL
                ‘a flash of lightning in the dark of night’*
                                                                                 KRAKK

                all the effortless intelligence beyond the door
                beyond the wall        with bat-darts

                earrings: mother of pearl
                pause and equals

and there he is jumping taller than a building across the only spaces left now:
                the sky and the ante-room before preconception (a cowardly and superstitious lot)

                the spires stand clean
                in the grey-wash sky

                where gothic statues acknowledge
                the impossible pinion and swing

                “… I have to know”**
                and stone manes splay when he sees “a reflection”***

                earrings: topaz pennies
                one and three-dangling

                and while the gently-cornered squares
                talk the Worm the Bluff and the Dribble

                others take the space down in the dump
                where a position cannot be found

                where the position cannot be resisted
                no matter how young you are

                no matter how strong you are in the realistic world
                in all the floorboard rooms the TVs and magazines

                stack positions on shelves and in refrigerators
                and in wrappers multifarious in choice and option

                any space here
                would make everything all the more ugly

                no
                no

                the move needs to come from
space of no choice and it can never be obvious it can never be choice

                Bat-signal
                bright on the side of Moloch****

                stone birds from the 1930s
                earrings: gone

                ah, but the world grows [not] up
                rather it folds over itself and regenerates

                with billowed ruffles
                atop old buildings

                “so many smiles / so many faces / all the same”*****
                “every year they grow smaller”******

                earrings: vampyre’s teeth soaked
                serious faces        all the same

                when you break too many of the important rules
                you’ve acted to define yourself vindicated

                you haven’t given    anything
                it doesn’t count

                death happens by itself without design
                all you have to do is let it all go –

                the purpose and the self –
                and you could live clean for a hundred years

 

* Bodhisattvacharyavatara I, 5, Shantideva (translated Stephen Batchelor): ‘Just as a flash of lightning on a dark, cloudy night / For an instant brightly illuminates all, / Likewise in this world, through the might of Buddha, / A wholesome thought rarely and briefly appears’
** Book I, P.43 & 45
*** Book I, P.47
**** Howl
***** Book III, P.25
****** Book III, P.25

 

 

————w(O)rmholes________________________________|—–

Allen Ginsberg wormhole: poetry
architecture wormhole: stranger / if we met
Batman wormhole: tag cloud poem III – the journey to BEING and back again
being & vindication wormhole: heavy load
birds & talking wormhole: sunny day
buildings wormhole: the edges of my reach
city wormhole: tag cloud poem IV – C
death & life & night & sky wormhole: … sshhh
doing wormhole: the meaning is the moment all day long
doors wormhole: walking / right into the side of the very door left / open for me
emptiness & space wormhole: wha’
faces wormhole: quest in brown
giving wormhole: practise what you doing / give what you having / breathe what you remember
grey & lime & olive wormhole: Hever
Have wormhole: shared anxiety
identity wormhole: prologue
letting go & talking to myself wormhole: … and
lightning wormhole: jagged panel
red wormhole: that’s me / in the corner that’s me in the spot light / losing my religion*
Shantideva wormhole: walking
silhouette wormhole: clouds
society wormhole: the sounds the difficulty and the long long strands of liquorice
sound wormhole: someone called Frank
speech wormhole: mlewisredford introductory complete life audit confessional
Superman wormhole: inverse superhero
tv wormhole: Love Me Do
walls wormhole: Knapps

 

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Love Me Do

19 Wednesday Mar 2014

Posted by m lewis redford in poems

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2*, 2012, Beatles, black, curtains, grey, haiku, tv

 

 

 

                                  Love Me Do

                                    grey drapes hang behind
                        fuzzy black drainpipes stand straight
                             and askance

 

 

 

————w(O)rmholes________________________________|—–

black wormhole: tag cloud poem III – the journey to BEING and back again
curtains wormhole: tag cloud poem IV – C
grey wormhole: that’s me / in the corner that’s me in the spot light / losing my religion*
haiku(esque) wormhole: 1963
tv wormhole: the Avengers

 

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the Avengers

28 Friday Feb 2014

Posted by m lewis redford in poems

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2012, 4*, circular poem, Emma Peel, faces, feet, hair, leaves, mouth, portrait, tv, windows, words

 

 

 

                                                                                   the Avengers

                                                                 it’s
                                             but                                Emma Peel’s
                          her long toes                                        face
                  there are always                                             you get
                    and then later                                                drawn into
through the long windows                                                caught up
                             glanced                                                in the outrush
                                  turns                                               of hair
                  last leaf of word                                           past the
                                  just as the                                don’t-know-what-you’re-looking-at
                                                           wetmouth

 

… if you’ve never seen Emma Peel …

 

 

————w(O)rmholes________________________________|—–

circular poem wormhole: the way
faces wormhole: Herbert Road diptych
feet wormhole: tiered
leaves wormhole: let
tv wormhole: bad sneakers
windows wormhole: transition
words wormhole: … walking down the street

 

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bad sneakers

06 Thursday Feb 2014

Posted by m lewis redford in poems, poeviews

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Tags

'scape, 1975, 2012, 5*, afternoon, city, green, morning, moth, olive, park, rain, sky, Steely Dan, streetlight, traffic, tv

Bad Sneakers, Steely Dan, from the album Katy Lied (1975)

 

 

 

                                              bad sneakers

                                moths around the park light

                                thinking green and olive
                                pedestrians and traffic high
                                among the canyon walls of
                                small-eyed weekly event and

                                Jack arrives afternoon sky in the
                                morning and shakes the sleet
                                from his fulvous tweed embraced
                                by the studio audience laughter

                                because we all love Jack

 

 

 

————w(O)rmholes________________________________|—–

afternoon wormhole: zazen in everyday life
city wormhole: side / window
green wormhole: dream / 301197 // home
morning wormhole: red net curtains / with appliqué blooms
olive wormhole: but there …
park wormhole: we still stroll there
rain & sky wormhole: … the discipline of shamatha / and the waft of vipashyana
streetlight wormhole: 3:30 am
tv wormhole: 220712

 

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220712

25 Saturday Jan 2014

Posted by m lewis redford in poems

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2012, 3*, buildings, dust, grey, lost, sand, streets, Syria, trees, tv, war

 

 

 

                                220712

                                there
                      through the trees
                      glimpse of a tank
                      turret gun and sand-coloured
                                before
                      the apartment building
                      followed by grey dust
                      rising filling the street
                                we need
                      to liberate Aleppo
                      can’t see anymore

 

 

 

————w(O)rmholes________________________________|—–

buildings wormhole: dream / 150599
grey wormhole: side / window
streets wormhole: ‘just slip into life …’
trees wormhole: too
tv wormhole: zazen in everyday life
war wormhole: the early morning of the sixties

 

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zazen in everyday life

18 Saturday Jan 2014

Posted by m lewis redford in poems

≈ 4 Comments

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2012, 7*, afternoon, awareness, being, breeze, cars, kitchen, life, openness, settling, silence, sitting, sound, sparrows, Sunday, talking, trees, tv, walls, yellow, zazen

 

 

 

                     zazen in everyday life

                                                              zazen in sitting
                                          on a quiet Sunday afternoon
      the coolant works round the back of the fridge
                     and the breeze shakes
                     the sunny yellow climber
                     over the iron gateway

                     on the road cars approach and pass in a hush and
                                          occasional bikes insist
                                          the familiar doppler
                     sparrows cheep in the trees somewhere
                                                              lost without walls
                     a tv showcases a sport happening somewhere
                                          lost in the commentary

                                                              the open kitchen door closes a bit
                                                                                              the coolant stops

 

 

 

————w(O)rmholes________________________________|—–

afternoon & sparrows wormhole: afternoon 290613
awareness wormhole: should // be // aware
breeze wormhole: Beresford Square: // it’s alright it’s alright
cars wormhole: 1968
kitchen wormhole: twice
life wormhole: good / enough
openness wormhole: both
settling wormhole: getting rid / of old books
silence worhole: adversely / mistaking the finger for the moon / again
sitting wormhole: Woodbrooke labyrinth / affirmations
sound & trees wormhole: … the discipline of shamatha / and the waft of vipashyana
Sunday wormhole: Sunday
talking wormhole: dream / 190599
walls wormhole: red net curtains / with appliqué blooms
yellow wormhole: how hard / to meditate
zazen wormhole: slow slow / quick quick / slo / w

 

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