Lapping Reflections [Deep Within Waters] – valley

Tags

7*, black, bracken, brother, curtains, dark, doors, evacuation, eyes, faces, hills, horizon, house, listening, London, morning, opening, ponies, rock, rooks, sky, sleep, sound, streets, sun, time, truck, valley, Wales, water, wheel, wind, windows, World War

valley

we were evacuated during the war
from London to the Rhonda Valley
it was dark when we arrived

the sound of rocks woke me in the morning
I hadn’t heard them before
in such numbers

I looked at the strip of sky between the curtains
while my brother slept
a small cross a wooden chest minutes

ticked …
until he moved eyes already open
then two faces at the window gaping at bare hills

and one house
with three ponies in the paddock manes in the sun;
downhill was a black tower holding enormous wheels black

and then cables down to
a blacked hut and trucks and shacks dotted everywhere black
save the rail lines; shuntings

between the constant hisss, psssh
hooves in the street below pulling a float
‘cark’ of rooks above;

in time
doors opened: crystal streams before
racing the bracken which dipped and waved out to the next horizons

 

read the collected work of ‘Lapping Reflections [Deep Within Waters]‘ as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – The Valley

 

 

^{————w}(O)_{rmholes________________________________|—–}

black & faces & hills & house & London & morning & sleep & valley & windows wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
curtains wormhole: at Kreukenhof
doors wormhole: there will be ovations
eyes & wind wormhole: breakfast
horizon wormhole: Candaka
listening wormhole: …zzh-vvttP*–… … …
sky wormhole: blue sky high
sound & water wormhole: psssssh
streets wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
sun wormhole: ‘don’t look at it …’
time wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms

 

The Boats of Vallisneria by Michael J. Redford – The Valley

Tags

beauty, bedroom, black, blue, bracken, brass, breakfast, brother, brown, clouds, colliery, cows, curtains, evacuation, eyes, faces, farm, fields, freedom, friends, grass, green, grey, hedge, hills, horizon, horses, house, identity, kitchen, London, loneliness, love, Michael J Redford, morning, mother, mountains, passing, ponies, rock, roof, rooks, running, sadness, sheep, sky, sleep, smell, sound, steam, stone, sun, the Boats of Vallisneria, time, travelling, valley, village, Wales, walls, waves, wind, windows, winter, World War, yellow

The Valley

My first memory of Wales is an aural one.   My brother and I were evacuated during the war and arrived late at night in Trelewis, a little mining village by the Rhonda Valley.   It was too dark to see anything of our surroundings, not that we cared much anyway for the winter’s journey had made us far too tired.

It was the sound of rocks that woke me early the following morning.   Having always lived in London, I had rarely heard their raucous tones, certainly not in such great numbers.   I could see from a narrow strip of sky between the curtains that the clouds of the previous day had been swept away.   At first I was undecided as to whether the colour of the sky was grey or a pale, misty blue, but as the minutes ticked by, it became evident that the heavens were clear.   I glanced across at my brother in the next bed.   He was still and fast asleep.   Without moving my head I took in the details of the room that had come to light.   There was a small wooden cross on the wall opposite and behind the door a small cupboard where, presumably, we were to keep our clothes and the few toys we had bought with us.   Beneath the window was a long wooden chest draped with a green satin runner, the secrets of which we were to discover later.   Apart from the two beds in which my brother and I were sleeping, there were no other items of furniture in the room.

I glanced at the bed beside me once more and again at the curtained window.   How desperate I was to see what lay beyond.   Should I wake my brother or should I let him sleep?   The minutes ticked slowly by.   Then slowly he turned over towards me.   His eyes were open – he too had been looking at the window.   Alan and I had always been very close as brothers, often both doing the same thing simultaneously, each seeming to know what the other is about to do.   Our eyes met for a brief second and without a word being spoken, we slid from our beds and crossed to the window.   Had an observer been looking at the rear of 9 Richards Terrace at seven o’clock that crisp winter’s morn, he would have seen the curtains slowly part and two small faces peer out with large apprehensive eyes.

We were almost on a level with the hills opposite.   In this part of the country the Welsh mountains do not present a dramatic outline to the sky; here, they are soft and rolling, rather like the South Downs on a much larger scale.   The hills were quite bare, void of trees, fields and hedgerows, and only one house stood there, square and lonely.   A paddock surrounded by a dry stone wall contained three ponies that tossed their heads in the early morning sun.   One wall of the paddock continued down into the valley to disappear behind a black, tower-like structure topped by two of the most enormous wheels I had ever seen.   From these, thick black cables ran down into a blackened building at the rear.   Everything was black.   The ground, over which ran a network of miniature railway lines and trucks was black; all buildings, shacks and huts dotted about were black; blackness was heaped everywhere.

Now we were conscious of other noises.   The distant rattle of shunting trucks and a continuous hissing sound of escaping steam.   Then the faint clip-clop of horses’ hooves became noticeable from the High Street below, and there appeared for a brief second between the houses a yellow float laden with clanking milk churns pulled by a big brown horse.   The bare hills, the colliery, the grey slate roofs of the village below and the screech of the rooks above, stirred within us a mixture of emotions, emotions that encompassed apprehension, expectation, excitement, loneliness, sadness; and even today, whenever I hear rooks calling on a winter’s morn, whenever I hear the rattle of the shunter’s yard or the sound of newly-shod hooves upon a hard road, I am back once more in Trelewis.   But no longer does loneliness feature in the memory now for I have many dear friends there.   No more apprehension or sadness, for the Welsh hills have afforded me much happiness and security, and beauty can now be seen in that which at one time appeared ugly.   Now, the memory is warm with affection for those sincere people and there is a longing to be among those stony, fern-covered hills once more.

As we descended the stairs later that morning for breakfast, the smell of polish was evident.   Everything shone.   The lino on the stairs had a shine so deep that I grasped the bannister tightly for support for fear that I should slip, and the brass fender in the living room glowed with the intensity of the sun.   The aroma of breakfast sizzling on the big black hob was wafted through the kitchen door together with the aroma of a hitherto unknown delicacy called a Welsh Cake.

The people in that remote little mining village threw open their doors and welcomed us into their houses.   Such was their nature that we, who could justly be called ‘foreigners’, became in a very short time, part of them and their community.   How many London mothers, I wonder, have cause to be grateful for the care and love lavished on their offspring by strangers in a far-off country.

The countryside behind the village differed from the great hills on the other side of the valley.   Here, there were dairy farms.   Hedgerows bound in small fields and cows grazed to the accompaniment of pure crystal streams that tumbled from the mountains further up the valley.   It is in these surroundings I feel sure, that I first became aware of the beauty around me.   I became conscious of a physical and mental freedom that could not exist in London.   Here, one could be alone, one could run and jump and roll in the grass without fear of reprisal, and high upon Wineberry Mountain on the other side of the valley, one could race the winds for miles before a fence or even a dry stone wall would be encountered.   Here on the heights, one can shout with full voice, yet it will be lost upon the wind.   Only a stray sheep will turn its head and the bracken will dip and ripple to the horizon like waves upon the sea.   Up here the ceaseless wind is the ethereal reincarnation of Dionysus, urging one to drink from him and become drunk with freedom.

 

read the collected work as it is published: here

 

 

^{————w}(O)_{rmholes________________________________|—–}

beauty & clouds & grey & hedge & passing & smell & valley wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
bedroom wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
black & horizon wormhole: slight sneer
blue & faces wormhole: 11/1 by William Carlos Williams
brown wormhole: The Diligence at Louveciennes, 1870
curtains wormhole: ‘… plane is upright …’
eyes & love wormhole: light of all interaction
green wormhole: 10/22 by William Carlos Williams
hills wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
house wormhole: quietly in my quiet house
identity & wind wormhole: c’mon – keep up
kitchen wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
London wormhole: {reading right to left}
morning & sky wormhole: then
mother wormhole: in deed
roof & windows wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
sleep & time wormhole: looking for the right exit
sound wormhole: window
stone & sun wormhole: boiled spangle with soft centre
travelling wormhole: travelling / back
walls wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
waves wormhole: Valentine’s Day 2019
yellow wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams

 

The Boats of Vallisneria by Michael J. Redford – Rain

Tags

ash, beauty, bridge, clouds, consciousness, cottage, dawn, eyes, garden, gazing, gold, grass, grey, hedge, hill, land, leaves, light, memory, Michael J Redford, mist, morning, passing, petunia, quiet, radio, rain, reflection, river, roads, silence, silver, sky, skyline, smell, sound, speech, starlings, stillness, stone, summer, sun, sycamore, the Boats of Vallisneria, trees, valley, village, water, weather, willow, writing

Rain

“The morning will be overcast with frequent showers. They will be heavy at times in the south east but brighter weather will follow later from the west …”

Thus spake the oracle from the radio early one summer morning casting his own black cloud over the hearts of many.   I was a keen cyclist in my teens and at many a weekend my schoolmate and I would grease up our cycles and head for the open road.   Shoreham was our target this particular day but the voice of doom did not quell our enthusiasm.   The weather was kind to us on the way down with the sun occasionally breaking through the gloom above to splash a little watery light on the road ahead and we arrived on the outskirts of the village at around nine o’clock. Passing Samuel Palmer’s old cottage we came upon the bridge and dismounted.   After a strenuous exercise, it is a delight to lean upon a bridge and gaze upon the waters emerging from beneath one’s feet.   The flow catches the eye and lifts it slowly into the distance and the senses relax to the accompaniment of its music.   There weren’t many gnats and midges at that time of day, but those that were about were flying very low indeed.   Certainly there was rain about and it wasn’t very far off either for we could just detect the faint scent of it even above the mass of water at our feet.   Not wishing to miss any of its quiet charm, we walked our bicycles through the village, and as the sky grew heavy above us, my thoughts turned to my companion’s pet tortoise Horace who had been extremely active earlier that morning, this being a sure sign of approaching rain.   We turned down the hill past the Crown Hotel, on past the water mill which was then a tea house (I believe it is now a private dwelling) and out onto the banks of the Darenth.

A damp mist had filtered through the trees on the hill opposite and the grey light had transmuted the upturned leaves of ash and sycamore into flecks of silver that hung without movement in the stillness of the impending downpour.   An old weeping willow, pollarded of its crowning glory, leaned out from the bank across the water and as I peered into its dark reflection a crayfish, startled by the leviathan that reared above it, scuttled beneath the smooth stones. As I gazed, the picture was suddenly distorted.   A raindrop had followed immediately by another and yet another and soon I was no longer able to fathom the depths.   We donned our capes, drew up our knees and huddled against the tree like two diminutive bell tents.   Cozy in our little dry islands, the raindrops drummed upon our capes in anger and hissed at us from the river turning it into a boiling cauldron.   The mist that had settled among the trees on the hill opposite had drifted on making way for a great veil of rain that spanned the skyline in graceful folds – a grey but beautiful replica of the Aurora Borealis.

As the curtain drifted slowly by, the day grew appreciably lighter and the deluge eased to a steady drizzle.   Soon after, the clouds broke a little, and a shaft of pure gold struck the hills, becoming wider at its base as it raced swiftly down the valley.   Then the rain ceased as quickly as it had begun and silence, the ethereal beauty of which is always magnified when the rains are over, tumbled into the valley.   We sat in silence beside the bubbling waters and for several minutes we watched its breathless pursuit of the shaft of gold.

It is within such a quietude that I sit now jotting down these notes.   This morning was a grey but clean smelling morning upon which the hedgerow leaves quivered.   It had been raining all night but had stopped just as dawn broke, leaving behind a miscellany of drips and drops, musical and echoing.   Each blade of grass had its tip bent by a raindrop and the clothes line was a string of pearls waiting to be spilled upon the lawn by the quick grasp of a starling’s feet.   By mid-morning the low cloud had dispersed and great mountains of summer cumulus were heaped about the sky.   It was my intention this morning to tackle one or two gardening chores that had been neglected but due to a tiny and insignificant happening, these have yet to be done.   As I passed the petunia bed, I bent to pick up an old seed packet that had appeared and my sleeve touched a petunia leaf.   Upon this leaf there were three rain drops, and as the leaf was set in motion, the three tiny drops rushed towards one another and merged into one large globule that trembled precariously in the centre of the leaf before rolling off the edge and disappearing into the soil.   This tiny happening caused my mind to leap back across the years to remember once more a particular drop of water out of all the millions that must have fallen that day at Shoreham; a single drop of water that has long since been returned to Poseidon from whence it came. We were walking back through the village when we paused awhile beside a cottage garden to discuss our plans.   The clouds were now few and the sun was strong in the cleansed sky drawing out the sweet scent of purity from the land.   Suddenly, a spark of light leapt from the ground and pierced my eye.   So bright was it that it might well have been of solid substance, for it so dazzled the eye that it quite took the breath from me.   I stooped to discover the origin of this manifestation and there, within the cupped hands of a lupin leaf was a tiny trembling rain drop.   It was a perfect globe clearer than crystal; a gem that would have done justice to the diadem of the most illustrious of monarchs.

So it is that my gardening chores for today have once more been neglected.   A rain drop fell from a leaf and in that single drop a flood of memories, memories I felt I had to record, for – they had been pushed so far below the plane of consciousness, that I was afraid they would never have come to the fore again.

 

read the collected work as it is published: here

 

 

^{————w}(O)_{rmholes________________________________|—–}

beauty & dawn & rain & silence wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
bridge wormhole: Great Bridge, Rouen, 1896
clouds & passing wormhole: slight sneer
eyes wormhole: mandala offering
garden wormhole: A Corner of the Garden at the Hermitage, 1877
gold & grey & leaves & sun & trees wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
hedge wormhole: it’s / not what you do or what you say / if it ain’t got that swing
light & river wormhole: the Bodhisattva set out / for the Seat of Awakening
mist & morning & sound wormhole: 10/30 by William Carlos Williams
quiet wormhole: quietly in my quiet house
radio wormhole: within
reflection wormhole: in turgid reflection
roads & silver wormhole: Hastings: neither all or nothing
sky & speech & writing wormhole: 11/1 by William Carlos Williams
skyline wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
smell wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
stillness wormhole: Lapping Reflections [Deep Within Waters] – pigs
stone wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
water wormhole: Valentine’s Day 2019

 

The Boats of Vallisneria by Michael J. Redford – Sky

Tags

1967, afternoon, air, beauty, being, birdsong, black, breathing, camera, candle, church, clouds, colour, comet, consciousness, corridor, countryside, dance, dawn, depth, earth, elm, emotion, evening, eyes, fields, fire, gaze, gold, grey, heat, hills, horizon, identity, jade, leaves, life, light, mauve, Michael J Redford, mind, night, orbit, painting, photography, planet, rain, red, silence, silhouette, sky, space, spire, stars, storm, sun, sunset, the Boats of Vallisneria, thunder, trees, turquoise, valley, west

Sky

One evening about two years ago, there was, in my part of the country, one of the most magnificent sunsets that I have ever been privileged to witness.   Being a keen photographer (although not a very good one, for other peoples’ photographs always seem better than mine), I took my camera into the fields to capture the scene in colour.   It all began when the grey broken clouds, the ‘left overs’ of a stormy day, drifted slowly across the horizon, taking with them the tumult of the heavens.   It had been a somewhat dismal day with an atmosphere that clung like a warm damp blanket, enveloping all with an oppressive heat that made even the unconscious act of breathing an effort.   The day thus sulked its way through the hours, stifling the energy of life and suffocating the songs of birds until at long last, at about three o’clock in the afternoon, the sky, no longer able to contain its pent up emotions, savaged the countryside with a violent storm.   In fact three storms had tumbled into the valley that afternoon that gave rise to a continuous end-of-the-world -like thunder that reverberated about us for an hour and a half.   Fearful though the storms were, the rain felt good, the soil quenched its thirst and the air became cool, and when the storm had flung its final volley of anger contemptuously at us, I saw that the wilted leaves had renewed vigour and had turned their faces once more to the sky.   Suddenly, the late evening sun broke loose and shone low across the fields, igniting the treetops with a blaze of old gold and adorning the scene with the tint of an old master’s painting. Screwing tripod to camera, I raised it to my eye and squinted through the view-finder.   For some moments I indulged in a danse macabre around the field with the tripodial skeleton stiff within my embrace, searching for the most artistic composition to enter the field of view.   By now the sun was an enormous dull-red hemisphere reclining upon the distant hills, infusing the undersides of the remaining clouds above with a heavy mauve the deepened perceptively as I gazed.   The solar chord became shorter and shorter until finally the perimeter of the disc was extinguished suddenly by the horizon as one snuffs out the flame of a candle.   Then, in a most abrupt and startling manner, the populace of the heavens turned to fire.   The clouds appeared to radiate from a point somewhere below the horizon in the vicinity of the sun and spread out above and behind me, plumbing the very depths of space itself.   It was as if Earth had entered the tail of a super comet that had passed close by on its elliptical orbit about the sun.   Hurriedly I set the tripod firmly on the ground and framed the sunset between the jet-black silhouettes of two sentinel elms.

After taking the photograph, I packed the equipment in its case, stood up and looked once more through the elms.   My gaze passed by the silent trees, through the sunset and beyond into space, leaving the great orb of this planet at a tangent.   The moment developed into one of those rare intervals in time when an overwhelming consciousness of the beauty about one descends and becalms the mind.   Although my gaze flew past the elms at incomprehensible speed, I was aware of their crisp outlines against the sky, and as it passed on through the sky into the depths of space, I could see the fire shrinking before me like the glow of a lantern disappearing down a long, dark corridor.   My eyes were now being lifted by a power exterior to my own being.   Up, up they went until I was craning my neck and gazing out into the zenith of space.   I had always been conscious of the great depths of space about me, but could not help regarding the heavens as anything but a dome viewed from a central point, the stars being spattered over the surface of this invisible hemisphere, all equidistant from me.   But on this particular occasion, I became aware of the three dimensionality of space, each planet, star and nebula standing out in such relief from each other, that I felt I could lift my hand and pluck them from their ethereal settings.   Immediately above my right shoulder the crooked W of Cassiopeia pierced the depths with startling clarity and midway between this and the great square of Pegasus, there glowed faintly the spiral nebula of Andromeda, so far flung into the void as to make the magnificent gold and blue binary system of Gamma Andromeda appear but ten steps distant.

Becoming dizzy from the depths above me I turned and cast my eyes down to the eastern horizon.   The Pleiades had just shown itself above the distant trees and was discernible only by averted vision, but its presence was sufficient to tell me that within the hour Aldebaran, the red eye of Taurus, would begin its journey above the horizon to dissolve overhead in the light of tomorrow’s dawn.   But even before Antares had touched the distant church spire in the darkening west, the night air became chill and with a shudder I headed for home.

Some days later when I had the film processed, I discovered much to my dismay, that I had become so involved with the scene before me that I had forgotten to remove the dust-cap from the lens, consequently I have no visual proof to offer my friends of the glory I have witnessed.   Often I am accused of exaggeration when describing a scene that has made an impression on me, yet I experience difficulty in finding adjectives of sufficient depth, colour or subtlety to use in such instances.   How can one convey to others the emotions that rise to greet the song of a nightingale, or to what depths the heart yearns to fly with the swift and embrace all three dimensions.   How can one possibly convey through the medium of the written or spoken word the sight of an evening sky washed with the faint mauve streaks that herald a sunset, or describe the background tint of the sky that is somewhere between a shade of jade and turquoise?

My attempts at describing this beautiful sunset to a friend met with very little response.   Emotion is a very personal thing and that which gives rise to emotion in one, may leave another completely cold.   Even so, I was completely taken aback when my friend said, “what sunset?”

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon & grey & rain & red & sky wormhole: Pont Neuf, Paris, 1902
air & silence & trees wormhole: 10/30 by William Carlos Williams
beauty wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
being & black wormhole: in deed
breathing wormhole: there will be ovations
church & silhouette wormhole: Vue de Pontoise, 1873
clouds wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
dawn & storm wormhole: birth in the world
evening & life wormhole: threshold to behold
eyes wormhole: mandala offering
gold wormhole: Entry to the Village of Voisins, Yvelines, 1872
hills wormhole: Puerto del Carmen
horizon & sunset wormhole: in turgid reflection
identity wormhole: quietly in my quiet house
leaves wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
light & sun wormhole: Cours La Reine, Rouen, 1890
mauve wormhole: travelling / back
mind wormhole: so, how long is, a piece of string?
night wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
space wormhole: the reach turned to love
stars wormhole: TREES by William Carlos Williams
valley wormhole: coterminalism – there is nothing happens by itself, / 070118

 

coterminalism – there is nothing happens by itself, / 070118

Tags

2018, 7*, being, blackberry, blue, Bodhisattvacharyavatara, bougainvillea, bread, breakfast, clouds, cooking, creation, hills, holiday, jam, Lanzarote, life, lunch, olive, rain, roundabout, sand, sky, study, table, valley, vegetables, villas, walking, wind

                coterminalism – there is nothing happens by itself,
                070118

                when blackberry jam is on the bread for breakfast
                there will be bougainvillea on the roundabout by lunch

                when the walk uphill is steep enough and windy
                the rainfall advances, but stays in the valley

                so that when walking through villas between showers
                there are always sand-blue clouds under deepening olive sky

                when you cook or prepare the vegetables right
                the paella is right the oval dish long

                when creation and study and life happen around the same table, there is                      
                being

 

Bodhisattvacharyavatara VI, 31 – everything is governed by other factors and nothing governs itself; anything which seems to stand out from this as independent is illusory [and usually desparate in some sort of way]

 

 

^{————w}(O)rmholes_________________________________|—–

being & sky wormhole: THURSDAY by William Carlos Williams
blue & life & walking wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
clouds & holiday wormhole: we held cold hands
hills wormhole: that
olive wormhole: mauve
rain & valley wormhole: Lapping Reflections [Deep Within Waters] – reaping
study wormhole: glancing up from the text / searching for ground …
table wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
wind wormhole: JANUARY by William Carlos Williams

 

Lapping Reflections [Deep Within Waters] – reaping

Tags

2018, 7*, change, constellations, elm, fields, fire, gale, harvest, hills, letter, night, production, rain, reaping, sheep, sound, stars, sun, thought, time, trees, valley, vista, windows, writing

                Dear Pat and John,
                and then the rain came

                for weeks, now, making
                havoc over fields of

                trampled trees and
                drowned sheep; rain

                against the windows
                as I write, rain carried

                on the gale that
                bounds up the valley

                gust over gust up and
                over the leaden hills;

                the window rattles
                a log slips, sparks

                disperse and resettle
                like time; the view

                has changed outside:
                metal beasts across fields

                nodding idiotically, no
                further need of pitchforks

                under the sun, now just
                production, churning

                moral thought to mud,
                no distribution

                where fields of ignorance
                lay; last night

                the engines switched off
                one by one across

                the fields and
                Pegasus shimmered

                gazing long on the
                southern elms

                standing about
                with hands in their pockets

                reaping their own
                and individual harvest

 

read the collected work as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J Redford – Working; “Pat and John” were friends of Mick from his London days, I think; he wrote occasional letters to them talking about the ‘countryside’

 

 

^{————w}(O)rmholes_________________________________|—–

change wormhole: Plumstead – Woolwich – Plumstead 220211
hills & sun & thought & time & trees & valley & windows & writing wormhole: The Boats of Vallisneria by Michael J Redford – Working
night & rain wormhole: river
sound wormhole: Batgirl –
stars wormhole: the silent night of the Batman

 

The Boats of Vallisneria by Michael J Redford – Working

Tags

1967, chimney, clouds, corn, cows, dusk, eggs, elm, farming, fence, fields, flood, food distribution, future, gale, gaze, green, grey, harvest, hay, hills, identity, leaf, letter, machines, meadow, meat production, Michael J Redford, milk, morning, oats, poetry, rain, sheep, silence, summer, sun, the Boats of Vallisneria, thought, time, tractors, trees, valley, weather, wheat, wind, windows, work, writing

Chapter 4

Working

A Letter of Two Parts

Dear Pat and John

I thought it high time I dropped another letter from the country into the post.   Looking back over the past summer months seems more like looking back over a bleak and stormy winter.   The weather has of course played havoc with the haymaking and harvesting.   I hear that at one time, medium quality hay was fetching nearly £20 per ton, and taking into account the wide-spread flooding that has occurred, it seems there’ll not be enough oat straw to feed in place of it.   With this drastic shortage of hay and straw, the outlook is black indeed.

Even as I write, the rain is beating alarmingly against the window panes, borne upon a gale that roars like an express up the valley, each gust falling over the next in its haste to wreak havoc on the exposed hills.   As I gaze through the window pane distorted with rivulets and splashes, I perceive a hazy image of grey hills shouldering leaden clouds, and every few minutes the wind rattles the frame and comes sighing down the chimney.   The whole house shudders a little and a log in the hearth slips, sending up a shower of sparks to meet the confusion above.   The fields are in a sorry state.   Most of the corn has been lodged as if trampled by some strident giant, fences have been breached by falling trees and many sheep throughout the country have been drowned in the spreading waters.

There was a period two weeks ago when the tempest eased a little and allowed a little watery sun into our eyes, but this lasted for only seven days, after which the rain set in again and eased up only occasionally for an odd day here and there.   We have managed to stack about half the oats, but the remainder will probably have to be written off.   The wheat would have encountered a similar fate had it not been for the three hired combines.

Now here once again are the winds and the rains.   A dead leaf, too sodden to absorb any more water is whipped across the window and trembles for a brief second on the sill before joining the hosts that cling to the chicken coop wire.   Incidentally, I’d better put this letter to one side for a moment in order to collect the eggs before the half light fades completely.

                                * * * * * * * *

Dear Pat and John,

I’ve had to restart this letter.   Owing to this sudden bright spell we’ve been working like mad trying to catch up on the backlog of harvesting and general repairs.   I started this letter well over two weeks ago but I’m afraid I’ve not had time to finish it until now.   It is remarkable how the view has changed outside my window.   The country scene these past few days has been one of violent human and mechanical activity.

Implements of all shapes, sizes and colours have erupted from their unusual passiveness and are droning, roaring and rattling over the soil.   A combine harvester, like a metal monster from a Wells novel, trundles ponderously across the field, digesting the grain and vomiting the residue in its wake.   Tractors career madly through the lanes, heave with throbbing effort towering loads of sheaves and haul balers which follow on, nodding idiotically like inane sheep.   Men race fervently against time commanding machines, pitching sheaves, building stacks, their pitchforks leaping and flashing under the sun.   Farmers and farm workers alike are conscious of the urgency of the hour, but no clock watching for them, they are eager to see the culmination of a years’ hard work.   To these men, their work is not merely a means of earning a living, it is something far more than this, something far more personal and important to them as individuals.   These men work not so much for their employers but with them, and it is through this combined effort that the tempestuous vagaries of the past year have been overcome.

If a machine breaks down, there is a curse and several pairs of hands are immediately locating the trouble.   They may not be expert mechanics but farm workers are masters of improvisation and no machine is standing idle for long.   It is this knack of ‘making do’ that is the seed of many weird and wonderful machines that have appeared on the agricultural scene, and it would indeed be difficult to find any industry which has produced in such a short period of time a greater range of impossible machines to tackle such improbable tasks.   No doubt to the layman it would appear that with all these modern innovations, the life of the farm worker today is almost as idyllic as the sentimentalised conception of the pseudo-bucolic poets of the seventeenth century:-

                “O happy life, if that their good
                The husbandman but understood.
                Who all the day themselves do please …”

Whenever a new acquaintance asks the nature of my work they are, on being told, shocked into silent disbelief.   Apparently I neither look like a farm labourer nor do I sound like one (how does such a person look and sound), and henceforth I am re-introduced either as a farmer or, by those who are more sensitive towards the truth, as being ‘in farming’, thereby implying that I own vast acres and hunt every Tuesday and Saturday.   A wistful ‘back to the land’ look then enters the eye.   “I’ve always wanted to work on a farm” they sigh.   No doubt there have been insuperable obstacles in ambition’s path for many people, but surely not all, and I have yet to meet the person who doesn’t bemoan his lot in town and gaze longingly at the green hills.   And just as a point of interest, I have yet to meet the person who doesn’t have an uncle somewhere who owns a farm.

Their conception of farming today seems even more idyllic than that of their fathers’.   Machines, they say, have taken the hard work out of farming, all we have to do is sit on a tractor all day and press buttons.   Perhaps they would like to spend a day stacking bales of hay under a sizzling hot roof of a Dutch barn, or perhaps after a sixteen hour day during harvest, [perhaps] they would like to sit up all night with a cow who is having a difficult time calving and work another sixteen hours the following day, and the day after that.   Unless a farmer specialises in a line for which a particular machine or implement has been designed, then it is not economical to purchase that machine.   For example, a man with just one house cow would find it uneconomical to install a completely automatic milking unit, but even where this is justified, as in the case of larger herds, the farmer or herdsman still has to rise at five o’clock on a bitterly cold winter’s morning seven days a week.   The advent of the machine has not necessarily lessened the amount of hard work to be done, it has merely allowed us to do more work in a given amount of time.   In fact, it is because of the machine that the herdsman’s lot today is becoming an increasingly intolerable one.

An old friend of mine once milked twenty five cows night and morning with two machines.   He know his cows and his cows knew him.   Although he did not rush things, he was efficient.   He would stand aside as the cows came into the shed and cast his eye over each one, and as he milked, he ran his hand over their coats and looked at their droppings.   Old Charlie could tell immediately if one of the animals was off colour.   Then his employer retired and a young, progressive farmer moved in.   Fortunately he ask Charlie to stay on as cowman.   Now, Charlie milks sixty cows night and morning with four machines in a well-parlour.   On being asked how he liked the new system, the old cowman sighed.

“Well I dunno.   We gets the milk, that’s fer sure, but ‘tis like working in a factory.   There’s pipes, tubes, valves, taps an’ switches everywhere.   The animals go through the parlour like a dose o’ salts – you’ve ‘ardly got time to wash their bags.   All you can see of ‘em is one side, their guts might be ‘anging out the other fer all I know.”   His addendum, I think, summed up his real grievance.

                “Trouble is – I ‘ent got enough time to get to know me animals.”

What could once be classified as a pleasurable occupation was now, through the advent of the machine, become a tiresome chore, and as mechanisation infiltrates more and more, so true herdsmanship is disappearing.   The reticent paragon of tolerance, that slow, amiable patient being that was once the cowmen, is now being pushed aside to make way for the impatient, ulcer-ridden milker of high speed conveyer-type milk production of today, so much so in fact, that on some larger farms, milkers are already working a shift system to break the seven day a week monotony.

I can foresee in the not so distant future, a herd of a thousand or more cows, zero grazed, moving almost continuously through a system of yards and parlours twice every twenty four hours.   In the parlours, shift work will be in progress with round the clock milking.   The milk will be pumped through to the distribution.   The organisation will manufacture its own concentrates, will employ its own veterinary surgeon, accountant and secretary and will have a resident Ministry Inspector equipped with his own laboratory.   And of course the whole concern will be owned by the big industrialists of the day.   This is not such an improbability as may at first appear for this has already happened to a great degree to some of our poultry farms.   There are now vast empires where eggs are fed into one end of a building and emerge twelve weeks later at the other as pre-packed chickens with their giblets frozen into little polythene bags inside them.   Then there is the abomination of the sweat box and battery systems of meat production.   Agricultural evolution has reached a point where farming, as we know it, is slowly but surely plunging into self-annihilation and dragging down with it the responsibility of moral thought into a morass of turpitude.   We are entering an age of hydroponic systems where an agricultural technocracy permits controlled environment and mass production of living creatures to an extent unparalleled in human history.   It is as if we have forgotten that we are dealing with life itself and not inanimate lumps of putty waiting to be moulded into any shape by the current market.   Yet if the farmers of today do not keep abreast of [the] latest scientific developments, they would find it almost impossible to feed themselves let alone provide food for others.   Even so, despite the fact that agricultural efficiency and production have increased beyond the wildest dreams of great pioneers such as John Lawes and Sir Humphry Davy, people are still dying in their thousands for want of food.   Despite the fact that there is enough food produced throughout the world in any one year to supply mankind with the essentials of life for the next twenty, the bloated belly of the beggar is still a common sight in the greater part of the world.   It is not, therefore, research into agricultural production methods which is urgently needed, but research into the distribution of those products.   It is in this sphere that the great fields of ignorance lay.

But let me rein back awhile for I have digressed too far.   This letter to you was intended to be a portrait of the countryside as I have seen it during the last two months, so now let me gaze upon the pastoral scene beyond my window.   The cows have finished grazing and are lying in the meadow cudding methodically.   The sun falls upon their backs like a warm blanket and a faint breeze fans their faces.

It was nine o’clock last night that the last load was brought home.   Engines were switched off one by one across the fields and, as the evening star faded, Pegasus shimmered the in the warmth of dusk and gazed upon the southern elms.   As the last sheaf was laid upon the stack, the year ended, our year, that is.   George stood, hands on hips.   Harry leaned upon his pitchfork.   Alf and Arthur sat upon the trailer and Jim stood with one foot upon the wheel hub.   In silence they gazed at the stack, each man with his own thoughts, each man reaping his own spiritual harvest.

 

read the collected work as it is published: here

 

^{————w}(O)_{rmholes________________________________|—–}

chimney wormhole: the missing chord // the now-silent seagull
clouds & identity & time & wind wormhole: travelling // arrival
green wormhole: green and / luminant / to behold
grey wormhole: for / the first time
hills & valley wormhole: volcanic rock
morning wormhole: forgotten anything
poetry wormhole: Pilot 125 … // … being excursion in the interludes
rain wormhole: when the rain has settled / the dust
silence wormhole: without any buffet at all
sun wormhole: is this it // all the time
thought & writing wormhole: Christmas 2015
trees wormhole: Plumstead – Woolwich – Plumstead 220211
windows wormhole: river
work wormhole: I am not yet ready

 

volcanic rock

Tags

2014, 4*, clouds, Gran Canaria, haiku, hills, pine, rock, valley, water

                                                volcanic rock

                             pines almost reach
                the tops of the hills opposite
                   sip water from clouds

 

 

 

^{————w}(O)rmholes_________________________________|—–

clouds & haiku[esque] wormhole: pink and orange
hills wormhole: ssreet chak-chak
pine & valley wormhole: garden
water wormhole: make your rickety / constructs strong with / unbending grids / of attention and wide- / open grates of let

 

garden

Tags

'scape, 2013, 7*, Carol, clouds, Eden, garden, green, hair, hill, life, Mam Tor, mist, morning, pine, silhouette, silver, sun, trees, valley, walking

                                garden

                walking up through the morning
                      to Mam Tor
                will the mist rise off the hill
                      as we rise
                well it doesn’t matter because
                      right there
                the sun has broken through the
                      upper cloud
                but not yet the misty-wet, making
                      the trees
                green-silhouette and the valley silvery-
                      incandescent
                as the new-born first day

                      in front
                is Carol’s forest of hair walking
                      slowly
                into the quick-grown pine getting
                      nowhere

 

 

 

^{————w}(O)rmholes_________________________________|—–

Carol wormhole: handsome
clouds & trees wormhole: in the / Citadel / Park / a leaf / new / ly fell
garden wormhole: lost and city ground
green & hair & mist wormhole: prelude: // travel
life wormhole: lesson from watching two crane flies work the evening / skating across the panes flying and pushing legs grappling / the glass crossing repulsive over themselves and clinging akimbo / for a rest until lifeless just to get their stickly bodies through to the light
morning wormhole: mother and daughter
pine wormhole: clouds
silhouette wormhole: love and precision
silver wormhole: Life on Mars? – poewieview #31
sun wormhole: too much in arrival
valley wormhole: The Boats of Vallisneria by Michael J Redford – Snow
walking wormhole: prospect

 

The Boats of Vallisneria by Michael J Redford – Snow

Tags

'scape, 1967, 5*, Atlantic, birdsong, birth, black, blackbird, blue, branches, brick, countryside, death, echo, elm, eyes, fields, flower, garden, green, Greenwich, grey, hate, hills, ivy, kitchen, leaf, life, love, May, Michael J Redford, morning, pastel, pigs, pink, rain, red, rhythm, school, silence, sky, snow, sound, sparrows, stillness, summer, sun, swifts, talking, the Boats of Vallisneria, trees, valley, vertical, village, walls, white, wind, windows, winter, woodland, world, yellow

Snow

There is a great expectancy in waiting for the snow to begin.   Sometimes the snow comes with the wind when the trees are flailing and the Ruddock ruffles his breath beneath the trembling ivy.   Then, the contours of the land become accentuated, blackened on the leeward side to eye-shocking contrast to the whiteness on each other.   Each iron furrow stands in stark relief, a symbol of winter’s Herculean grip.   And where the skimming flakes have hurled themselves upon the wooded hills, each twig upon every branch, each branch upon every tree, hugs close a spectral image and hazel coppices become an abstraction of diverging verticals.

Sometimes however, the snow comes upon us unheralded; its approach is silent; no movement is seen among the fields or felt upon the cheek.   Somewhere below, the dormouse sleeps, and as the sparrow waits in the hedge I find myself walking with reverent steps as if, when in a house of worship, one feels the presence of the graven saints.   Eventually I must pause in my tracks, feeling guilty of the very movement of my limbs when all else is still; and in the greyness of the sky there is but the faintest suggestion of pink.   On a woodland bank the adventurous lesser periwinkle displays a solitary blue flower and from the old red-brick garden wall of the big house on the hill, the ivy casts down a leaf that slips rhythmically from side to side like the baton of the music teacher in the village school below.   The leaf touches the ground and a snowflake touches the cheek.   The eye is directed from the sky to the black background of the woods and a million flakes are seen; a million pieces of perfection yet each one different to the other.   In the classroom below thirty pairs of wide eyes turn to the window and the rising undercurrent of excitement is checked by the teacher’s baton.   I would indeed be guilty of a grave hypocrisy if I were to say that only young hearts flutter with excitement at this particular moment, for I too have never outgrown my love for the snow and look forward to the white, silent world to come.

Of course, snow brings with it its hardships as do the frosts, the winds and the rains.   They bring discomfort and sometimes death to the aged, the sick and to the wildlife about us.   But then so do the searing hot summers that parch the earth and lay heavy upon the fevered brow.   Always there is something inimical to or destructive of life, yet at the same time and in many cases because of it, life is somehow strengthened.   I remember how uneasy I once felt when harrowing a field of oats for the very first time.   The teeth of the harrow clawed at the tender green shoots, breaking and bruising them, threatening to tear them bodily from the soil.   Had I misunderstood my employer’s instructions? Was this really what he wanted me to do?   And yet two months later, despite its apparent destruction, there stood before me a field of rippling, luscious green.   If we were to hate all things that displayed an ugly side, there would be nothing left in the world to love.

This morning the window panes were covered with acanthus and the sun was a flat yellow disc that could be viewed without hurt to the eye.   The mist seemed to smooth the scene into a two dimensional pasteboard picture which gave the impression that I could reach out and touch the pastel blue hills across the valley.   I donned an additional thick-knitted woollen jersey, pulled on my gumboots and gloves and stepped from the warm steamy kitchen into the sparkling garden.   The brilliance and frostiness of the air sent the blood racing to my cheeks and my ears began to tingle.   In the piggery at the bottom of the garden, a mother sow with her nine three week old piglets were taking the air.   The little ‘piggles’ as they were sometimes called in this area, were racing around with their snouts down, like little pink snow ploughs forging furrows in the frost encrusted snow.   As I approached, their heads jerked up and, like tiny pink statues, they eyed me for a brief second before turning on their heels and hurtling across the piggery barking (or were they laughing) at the morning sun.   The impression of nudity that young piglets must give must be seen to be believed, and the sight of these nude little bodies coursing through the snow set me shivering.   I once heard of a sow who, in preference to the warm, dry sty supplied by her human master, built her nest in the corner of a field, and nothing on earth would induce her to return to the comfort of the ‘maternity’ ward.   Early the following, bitterly cold, morning, she was found burrowed deeply within her nest with an army of piglets lined up at the milk bar with the most ridiculous expressions of contentment upon their faces.   Not ten feet distant, a robin alighted on the solid water of the cattle trough and proclaimed the good news to the world.

However, it was too cold to stand watching the antics of these endearing little creatures (I dare not think of the hours wasted in this way during the warmer days) so I entered the lane that led to the fields.   The dull klunk klunk of axe striking wood came to my ears and I saw through a gap in the snow-bound hedge the rhythmic rise and fall of my neighbour’s arm as he stooped over a pile of logs.   The sound bounced across the fields to the woods and back again with such clarity, that I half expected the echo to continue as he laid his axe aside.   He saw me, nodded at me and said, “Morning”.   I nodded at him.   “Morning”.

The countryman has an almost psycho-analytic method of extracting information from the unwary traveller.   By a few pointed remarks or statements he finds out all he wants to know without having asked a single question.   Having lived in the countryside for half my life, I have developed to a lesser degree the same technique.   I did verbal battle with him for five minutes but my defences began to crumble when he said, “Better watch that plank over the stream, bound to be slippery with all that frost on it.”

“I expect it is,” I said, “Still, the tread of these boots is almost new.”

Now he knew where I was going, for the plank in question bridged the stream that ran along the north side of the woods.

“Surprising how much longer it takes to get across country when there’s frost and snow about.”   He peered at me from the corners of his eyes.   “Best get a move on or else you’ll be late.”

I gave in.

“That’s true, but then I’m only out for a stroll.”

Questioning my sanity, he returned to his chopping and I to my walk.

It has often been said by the townsman (although having spent most of my childhood in the grimy streets of Greenwich I no longer regard myself as a townsman) that the countryside is ‘all very well’ in summer, but ‘muddy, dismal and uninteresting’ in winter.   Muddy it may well be, but it is clean mud, untainted by diesel oil, slime and soot.   As for being dismal, are they so blind they cannot see the beauty in a curtain of falling rain brushing the distant hills, or hear the music of a million drops of water among the shining leaves or smell the fragrance of freshly dampened earth?   Can they not see the beauty that I see now, of glistening white lacework of the frosted elms against a crystal clear sky, and undulating fields of virgin snow, pure and smooth, a countenance of innocence that has yet to bear the mark of man’s impropriety?

In the days of winter when the hedgerows are empty and the ditches and river banks laid bare, one can discover more easily the badger’s sett or the otter’s holt.   One is able to make a mental note of where the blackbird is likely to build his nest; perhaps the disused nest of a song thrush now exposed by the skeletal hedge will eventually house the spotted white eggs of the blue tit in the warm days of May to come.   Close scrutiny of tree and bush will reveal a host of living green buds wrapped tightly in their protective coats; life is expanding beneath the frozen ground, straining to burst forth, and even as the blackbird sings, the lambs are falling.   The countryside in winter is not dead; there is life, vibrant and pulsing as the blood in one’s veins.   It is all around, above one’s head and below one’s feet.   It is not winter that dispels life, but life that dispels winter.   The immigrant swift brings with it the warm southern winds and life throughout the land erupts, forcing the icy blasts, the snows and the frosts into the North Atlantic.   And after all, without winter, there would be no spring.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

black & talking wormhole: returning home handsome
blackbird & echo & fields wormhole: The Boats of Vallisneria by Michael J Redford – A Sign of the Times
blue & rain & sky wormhole: the too big moon
branches & wind wormhole: Lapping Reflections [Deep Within Waters] – … as the new town marches in
death & white wormhole: the 19th century
eyes & morning & sun wormhole: traffic lights and broad avenue
garden wormhole: what life went on
green & grey & life & red & silence & walls & windows wormhole: did I get old?
hills wormhole: The Boats of Vallisneria by Michael J. Redford – A Precious Moment
kitchen & school wormhole: hello, luvvey, do you want a cup of tea?
love & sound wormhole: new-found love – poewieview #36
pink wormhole: languidly close the portal
snow wormhole: The Boats of Vallisneria by Michael J. Redford – Contents
sparrows wormhole: tired
stillness wormhole: the sounds of 1969 // [would have] seemed that way – poewieview #13
trees wormhole: was there a moon / on the alleyway wall / confused in front of / the city skyline?
valley wormhole: Lapping Reflections [Deep Within Waters] – moment
winter wormhole: The Boats of Vallesneria by Michael J. Redford – Autumn Thoughts
world wormhole: let it all go
yellow wormhole: magnificent salad