riders of the night

Tags

2019, 7*, buildings, cars, coat, continent, crane, dark, docks, dualistic conception, hats, headlights, ideas, inexplicable, light, living room, making sense, morning, night, paper, pink, propaganda, rain, red, ships, silhouette, sound, speech, streets, sweat, thinking, time, Tintin, truck, waiting, war, water, waves

                riders of the night

booms of inexplicability
                had spattered velvet stars and shredded cloth all morning

despite the raised-brow
                consternation of the smartest of overcoats and the darkest of hats

that startled drops of sweat
                could devise in the presence of impending war, it was only   th-  

  at night   by the docks where
                the cargo waited unknown and the ships floated above the water,

that one could think a thing between them
                before any further dénouement under filigree refinery of silhouette;

                the   next  morning   the ship sat in the water, content to the
lapping red line,

                waiting fast and moored under the single ribbon of exhaust
from the funnel f’ard;

                but it is only   later   that water ranges continental across stepped and geologic                
wave, under relentless rain,

                that solitary lights lolling will make any sense at all;
and there were some

                had ideas like a living-room on a pivot that housed raised cranes
but the cars drove through streets

                like they owned them and the trucks travelled in straight trail
of their antecedents’ front headlights

                and although buildings always pointed up, the propaganda usually
ended up on pink paper:

                ‘Me, drive ‘round something that is nothing, but something you think is something,                
 but is nothing …?’

 

{image not mine, found on the internet, can’t remember where, happy to take down if a problem}

 

 

^{————w}(O)rmholes_________________________________|—–

buildings wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms
cars wormhole: travelling / back
crane wormhole: ‘don’t look at it …’
light wormhole: breakfast
living room wormhole: what life went on
morning & sound & streets & time & water wormhole: Lapping Reflections [Deep Within Waters] – valley
night wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
pink wormhole: beneath
rain wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
red wormhole: 11/1 by William Carlos Williams
silhouette wormhole: window
speech wormhole: the blessings of the Buddhas
thinking wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
waiting wormhole: my uncomfortable life
war wormhole: in deed
waves wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley

 

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The Boats of Vallisneria by Michael J. Redford – The Valley

Tags

beauty, bedroom, black, blue, bracken, brass, breakfast, brother, brown, clouds, colliery, cows, curtains, evacuation, eyes, faces, farm, fields, freedom, friends, grass, green, grey, hedge, hills, horizon, horses, house, identity, kitchen, London, loneliness, love, Michael J Redford, morning, mother, mountains, passing, ponies, rock, roof, rooks, running, sadness, sheep, sky, sleep, smell, sound, steam, stone, sun, the Boats of Vallisneria, time, travelling, valley, village, Wales, walls, waves, wind, windows, winter, World War, yellow

The Valley

My first memory of Wales is an aural one.   My brother and I were evacuated during the war and arrived late at night in Trelewis, a little mining village by the Rhonda Valley.   It was too dark to see anything of our surroundings, not that we cared much anyway for the winter’s journey had made us far too tired.

It was the sound of rocks that woke me early the following morning.   Having always lived in London, I had rarely heard their raucous tones, certainly not in such great numbers.   I could see from a narrow strip of sky between the curtains that the clouds of the previous day had been swept away.   At first I was undecided as to whether the colour of the sky was grey or a pale, misty blue, but as the minutes ticked by, it became evident that the heavens were clear.   I glanced across at my brother in the next bed.   He was still and fast asleep.   Without moving my head I took in the details of the room that had come to light.   There was a small wooden cross on the wall opposite and behind the door a small cupboard where, presumably, we were to keep our clothes and the few toys we had bought with us.   Beneath the window was a long wooden chest draped with a green satin runner, the secrets of which we were to discover later.   Apart from the two beds in which my brother and I were sleeping, there were no other items of furniture in the room.

I glanced at the bed beside me once more and again at the curtained window.   How desperate I was to see what lay beyond.   Should I wake my brother or should I let him sleep?   The minutes ticked slowly by.   Then slowly he turned over towards me.   His eyes were open – he too had been looking at the window.   Alan and I had always been very close as brothers, often both doing the same thing simultaneously, each seeming to know what the other is about to do.   Our eyes met for a brief second and without a word being spoken, we slid from our beds and crossed to the window.   Had an observer been looking at the rear of 9 Richards Terrace at seven o’clock that crisp winter’s morn, he would have seen the curtains slowly part and two small faces peer out with large apprehensive eyes.

We were almost on a level with the hills opposite.   In this part of the country the Welsh mountains do not present a dramatic outline to the sky; here, they are soft and rolling, rather like the South Downs on a much larger scale.   The hills were quite bare, void of trees, fields and hedgerows, and only one house stood there, square and lonely.   A paddock surrounded by a dry stone wall contained three ponies that tossed their heads in the early morning sun.   One wall of the paddock continued down into the valley to disappear behind a black, tower-like structure topped by two of the most enormous wheels I had ever seen.   From these, thick black cables ran down into a blackened building at the rear.   Everything was black.   The ground, over which ran a network of miniature railway lines and trucks was black; all buildings, shacks and huts dotted about were black; blackness was heaped everywhere.

Now we were conscious of other noises.   The distant rattle of shunting trucks and a continuous hissing sound of escaping steam.   Then the faint clip-clop of horses’ hooves became noticeable from the High Street below, and there appeared for a brief second between the houses a yellow float laden with clanking milk churns pulled by a big brown horse.   The bare hills, the colliery, the grey slate roofs of the village below and the screech of the rooks above, stirred within us a mixture of emotions, emotions that encompassed apprehension, expectation, excitement, loneliness, sadness; and even today, whenever I hear rooks calling on a winter’s morn, whenever I hear the rattle of the shunter’s yard or the sound of newly-shod hooves upon a hard road, I am back once more in Trelewis.   But no longer does loneliness feature in the memory now for I have many dear friends there.   No more apprehension or sadness, for the Welsh hills have afforded me much happiness and security, and beauty can now be seen in that which at one time appeared ugly.   Now, the memory is warm with affection for those sincere people and there is a longing to be among those stony, fern-covered hills once more.

As we descended the stairs later that morning for breakfast, the smell of polish was evident.   Everything shone.   The lino on the stairs had a shine so deep that I grasped the bannister tightly for support for fear that I should slip, and the brass fender in the living room glowed with the intensity of the sun.   The aroma of breakfast sizzling on the big black hob was wafted through the kitchen door together with the aroma of a hitherto unknown delicacy called a Welsh Cake.

The people in that remote little mining village threw open their doors and welcomed us into their houses.   Such was their nature that we, who could justly be called ‘foreigners’, became in a very short time, part of them and their community.   How many London mothers, I wonder, have cause to be grateful for the care and love lavished on their offspring by strangers in a far-off country.

The countryside behind the village differed from the great hills on the other side of the valley.   Here, there were dairy farms.   Hedgerows bound in small fields and cows grazed to the accompaniment of pure crystal streams that tumbled from the mountains further up the valley.   It is in these surroundings I feel sure, that I first became aware of the beauty around me.   I became conscious of a physical and mental freedom that could not exist in London.   Here, one could be alone, one could run and jump and roll in the grass without fear of reprisal, and high upon Wineberry Mountain on the other side of the valley, one could race the winds for miles before a fence or even a dry stone wall would be encountered.   Here on the heights, one can shout with full voice, yet it will be lost upon the wind.   Only a stray sheep will turn its head and the bracken will dip and ripple to the horizon like waves upon the sea.   Up here the ceaseless wind is the ethereal reincarnation of Dionysus, urging one to drink from him and become drunk with freedom.

 

read the collected work as it is published: here

 

 

^{————w}(O)_{rmholes________________________________|—–}

beauty & clouds & grey & hedge & passing & smell & valley wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
bedroom wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
black & horizon wormhole: slight sneer
blue & faces wormhole: 11/1 by William Carlos Williams
brown wormhole: The Diligence at Louveciennes, 1870
curtains wormhole: ‘… plane is upright …’
eyes & love wormhole: light of all interaction
green wormhole: 10/22 by William Carlos Williams
hills wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
house wormhole: quietly in my quiet house
identity & wind wormhole: c’mon – keep up
kitchen wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
London wormhole: {reading right to left}
morning & sky wormhole: then
mother wormhole: in deed
roof & windows wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
sleep & time wormhole: looking for the right exit
sound wormhole: window
stone & sun wormhole: boiled spangle with soft centre
travelling wormhole: travelling / back
walls wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
waves wormhole: Valentine’s Day 2019
yellow wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams

 

Valentine’s Day 2019

Tags

2019, 5*, beach, Carol, circular poem, Lanzarote, love, painting, paper, sand, sea, shoes, Valentine's Day, walking, water, waves

 

 

 

 

^{————w}(O)rmholes_________________________________|—–

beach wormhole: allowed all gain
Carol wormhole: ‘… and yet I think I am so modest: …’
circular poem wormhole: ‘ouch’
love wormhole: in deed
sea wormhole: Puerto del Carmen
walking wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
water & waves wormhole: mandala offering

 

mandala offering

Tags

2019, 7*, cause and effect, doing, emptiness, eyes, giving, guidance, hands, holding, identity, interdependent origination, letting go, mandala, mountain, offering, orbit, pointing, selflessness, smile, society, water, waves, world

                not in water piled high in waves
                nor cleverly pointing

                to my own finger
                let’s just leave all that aside for the moment

                mandala offering

                but all that I let within and
                all that I give without

                without aim and with only
                slight smile and eyes

                that guides the lunge
                and holds for the whole of the fall

                flat as the palm of a hand
                deep as the highest mountain

                that the world will continue to spin
                in a palimpsest mark redford way

                and all might find their nature empty and
                centered around each orbit they make

 

                                                ___ ‘m‘ ~~~

a mandala offering is a ritual way of offering the whole universe to the Buddhas, a way of giving up everything for the sake of one’s essential goal in life; ‘is the universe mine to offer?‘ – my universe is, `bought and paid for; ‘but the universe is so big, how can you ‘offer’ it?‘ – easy, the whole of the universe is inside my head; ‘is your universe worth offering to the Buddhas?‘ – it could do with a clean up, which is why I imagine it buffed up with all the Mark Redford stuff cleared away; ‘why bother?‘ – it gives me a clean sheet with which to work on; ‘isn’t that just a bit self-indulgent?‘ – nope, self-indulgence is one of the things I hope to clean out of the universe in order to offer it, I’m hoping to invite a few friends and family around once it’s cleaned up; ‘`sounds rather limited‘ – you don’t know how many mothers I’ve got; ‘do the Buddhas want your mandala?‘ – the Buddhas are my universe, it’s just that I don’t see it yet, my damn ownership keeps getting in the way, and besides, I’m under universe-arrest at the moment … some stuff I did in the past …

                                                ___ ‘m‘ ~~~

 

 

^{————w}(O)rmholes_________________________________|—–

doing wormhole: Entry to the Village of Voisins, Yvelines, 1872
emptiness wormhole: there will be ovations
eyes wormhole: my uncomfortable life
giving wormhole: it’s / not what you do or what you say / if it ain’t got that swing
hands & waves wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
identity & letting go & society wormhole: in deed
smile wormhole: …zzh-vvttP*–… … …
water wormhole: 10/22 by William Carlos Williams
world wormhole: A Corner of the Garden at the Hermitage, 1877

 

The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams

Tags

1928, 6*, arms, Atlantic City, beauty, being, black, blue, candle, cheek, city, colour, communication, daisies, dress, ears, eyes, fingers, glass, green, grey, hair, hands, hips, knuckles, lips, looking, matches, mirror, mouth, movement, open, orange, others, portrait, poverty, red, reflection, ring, ruby, sea, seagull, silence, skin, sound, speech, temptation, thinking, walking, waves, white, William Carlos Williams, windows, woman, wrists, writing

                            1. THE WAITRESS

                No wit (and none needed) but
    the silence of her ways, grey eyes in
    a depth of black lashes–
    The eyes look and the look falls.

    There is no way, no way. So close
    one may feel the warmth of the cheek and yet there is
    no way.

    The benefits of poverty are a roughened skin
    of the hands, the broken
    knuckles, the stained wrists.

                Serious. Not as the others.
    All the rest are liars, all but you.
                                        Wait on us.
    Wait on us, the hair held back practically
    by a net, close behind the ears, at the sides of
    the head. But the eyes–
                            but the mouth, lightly (quickly)
    touched with rouge.

    The black dress makes the hair dark, strangely
    enough, and the white dress makes it light.
    There is a mole under the jaw, low under
    thr right ear–

                And what arms!

                                        The glassruby ring
    on the fourth finger of the left hand.

                                        –and the movements
under the scant dress as the weight of the tray
    makes the hips shift forward slightly in lifting
    and beginning to walk–

    The Nominating Committee presents the following
    resolutions, etc. etc. etc. All those
    in favor signify by saying, Aye. Contrariminded,
    No.
      Carried.
                And aye, and aye, and aye!

    And the way the bell-hop runs downstairs:
          ta tuck a
                ta tuck a
                      ta tuck a
                            ta tuck a
                                  ta tuck a
    and the gulls in the open window screaming over the slow
    break of the cold waves–

                O unlit candle with the soft white
    plume, Sunbeam Finest Safety Matches all together in
    a little box–

                And the reflections of both in
    the mirror and the reflection of the hand, writing
    writing–
                Speak to me of her!-

                –and nobody else and nothing else
    in the whole city, not an electric sign of shifting
    colors, fourfoot daisies and acanthus fronds going from
    red to orange, green to blue–forty feet across–

                                        Wait on us, wait
    on us with your momentary beauty to be enjoyed by
    none of us. Neither by you, certainly,
                                                nor by me.

 

with love from Poems, 1928

 

 

^{————w}(O)rmholes_________________________________|—–

beauty & speech wormhole: ‘… and yet I think I am so modest: …’
being wormhole: so, how long is, a piece of string?
black wormhole: Impression of Winter: Carriage on a Country Road, 1872
blue & grey & writing wormhole: Hastings: neither all or nothing
city & William Carlos Williams wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
communication wormhole: agreed termination without prejudice
eyes wormhole: between
glass & red wormhole: travelling / back
green & woman wormhole: on facing the Have
hair wormhole: SPRING & LINES by William Carlos Williams
hands wormhole: THE LONELY STREET by William Carlos Williams
looking wormhole: waiting to be heard
mirror wormhole: What You Are by Roger McGough
mouth wormhole: glamour of saṃsāra
open wormhole: animus rises – powieview #37
orange & others & walking wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
reflection wormhole: I
sea & seagull & waves wormhole: Staffa Fingal’s Cave, 1832
silence & sound wormhole: Vue de Pontoise, 1873
thinking wormhole: there will be ovations
white wormhole: alabaster balustrade
windows wormhole: birth in the world

 

Staffa Fingal’s Cave, 1832

Tags

1816, 1832, 2019, cave, cliff, Coleridge, depth, growth, height, Industrial Revolution, light, passing, sea, seagull, ship, sky, society, sun, Turner, waves, weeds

                the cave was as high as the sky
                the light at the mouth too bright

                to bear, the weight of cliff; in from
                the light, a retching steamship with

                stacked funnels polluting, intent
                on direction across a dim and

                sunlit sea fathomless to man, where
                only seagulls wing clarity over weedy waves

 

berthed out of the cave by Coleridge‘s ‘Kubla Khan‘, 1816: Staffa Fingal’s Cave, 1832 by William Turner

 

 

^{————w}(O)rmholes_________________________________|—–

life wormhole: Batman: Oddysey
passing & sun wormhole: Vue de Pontoise, 1873
sea wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
seagull wormhole: travelling / back
sky wormhole: Entry to the Village of Voisins, Yvelines, 1872
society wormhole: there will be ovations
waves wormhole: allowed all gain

 

allowed all gain

Tags

2018, 7*, beach, Bodhichitta, Bodhisattvacharyavatara, concentration, currents, distance, fetch, floor, karma, kitchen, light, mother sentient beings, movement, others, prayer, quiet, recitation, sitting, tide, waves

                every time the
                supreme and precious Jewel
                Bodhichitta prayer was
                recited, quiet and

                somewhat quirky,
                on flattened cushions and
                neon-lit in kitchens
                only the

                breaking waves
                and tides were noticed,
                occasionally, on the beaches
                but all the while

                the waves were
                swelling and fetching over
                distance and the currents
                pursued their

                unique and necessary
                paths, while the concentration all about the wide and holding floor supported                
                all movement and
                allowed all gain

 

all 913 verses in ten chapters of the Bodhisattvacharyavatara can be encapsulated in the Bodhichitta prayer: “May the supreme and precious Jewel Bodhichitta take birth where it has not done so, where it has taken birth may it not decrease, but may it increase infinitely”.

 

 

^{————w}(O)rmholes_________________________________|—–

beach & waves wormhole: we held cold hands
kitchen wormhole: and // do your ears burn red?
light wormhole: THE GREAT FIGURE by William Carlos Williams
others wormhole: cinnamon / milkshake
quiet wormhole: raised brow
sitting wormhole: The Boats of Vallisneria by Michael J. Redford – Trees

 

we held cold hands

Tags

2018, 6*, acquamarine, airport, bardo, beach, buoy, Carol, clouds, cold, electric, engine, glasses, grey, hands, holiday, horizon, Lanzarote, love, Morecambe, morning, pink, planes, sea, sky, sound, streets, sunset, time, volcano, walking, waves, white

                we walked by the airport with tinted glasses
                flights coming in going out while the

                sun set behind; without tripping
                the waves lapped and swashed as they do

                but broke electric white and fetched
                electric aquamarine all along under

                the gauzy pink and far horizon
                while jet engines cracked their power and

                streets of new villas hung like morning belts
                of cloud before the still-dormant volcanoes;

                finding noway round an air port
                we about-turned to vainly chase the sun

                down; the sea, now, met the sky
                in bardos of grey and buoy, the belts

                of cloud had turned electic, the planes
                taxi’d twice their size before take off and

                we held cold hands through it all
                like first we did in Morecambe decades ago

 

see also: the Last Day of Morecambe Illuminations for the prenouement

 

 

^{————w}(O)rmholes_________________________________|—–

beach & sea wormhole: Khandro Tsering Chodron
Carol wormhole: `whappn’d!
clouds & glasses & hands & love & morning & time & waves wormhole: What You Are by Roger McGough
grey & sky wormhole: THE DESOLATE FIELD by William Carlos Williams
holiday & white wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
horizon wormhole: mauve
pink wormhole: Lapping Reflections [Deep Within Waters] – old George
sound & streets wormhole: A Solitude by Denise Levertov
sunset wormhole: that
walking wormhole: PASTORAL by William Carlos Williams

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

Khandro Tsering Chodron

Tags

2018, 7*, anatta, beach, being, blessing, breathing, cheek, distance, feeling, fetch, identity, immanence, Khandro Tsering Chodron, Lanzarote, love, sea, shoulders, thinking, touch, virtue, waves

                                that fetch that waved
                                a thousand miles

                                caressed my shoulders
                                smoothed my cheek

                                makes me feel loved
                                and particular; thinking

                                                of Khandro Tsering Chodron
                I wonder of something far

                                far finer that needs no
                                distance to accumulate while

                                there is nobody to mark
                                its touch, spreads spume

                                of love everywhere, all for to
                                breathe and to bathe

 

Khandro Tsering Chödrön (1929-2011) was recognised as a living dakini within Tibetan Buddhism, although she was always uncomfortable with the recognition and resisted being treated as such; she was very influential during her life, not because she taught or was learned or headed an institution, but because she dwelt in (not even exhuded that you might choose to react against it) a blessing and a peace that was completely un-designed, always spontaneous (sic) and as natural as a child’s experience; if anything, she was recognised for her devotion to her Spiritual Guide, even during the 52 years after his death – constant prayer, constant envelopment within the guidance and inspiration given; her presence made it real to believe, and dwell awhile in, the immense power and transformation of subtlety;

 

 

^{————w}(O)rmholes_________________________________|—–

beach wormhole: om muni muni maha muniye soha
being & sea wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
breathing wormhole: cowl
identity wormhole: TREES by William Carlos Williams
love wormhole: scintillating to mind’s content
thinking wormhole: moon- // washed
waves wormhole: all // are // none